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Lot 427

FEODOR ZAKHAROV (RUSSIAN 1882-1967)Afternoon Light,oil on panel29.5 x 39.5 cm (11 5/8 x 15 1/2 in.)framed dimensions: 40.5 x 50.5 cm (16 x 19 7/8 in.)signed lower right

Lot 53

DAVID BURLIUK (UKRAINIAN 1882-1967)Poet and His Muse,oil on panel10.5 x 10.5 cm (4 1/8 x 4 1/8 in.)framed dimensions: 19 x 19 cm (7 1/2 x 7 1/2 in.)signed lower left, inscribed Poet and his Muse upper leftPROVENANCETepper Galleries, Inc., New YorkAcquired at the above by the present owner, 1989 (copy of invoice available upon request)

Lot 632

A GROUP OF FOUR GLASS SNUFF BOTTLEScomprising:a) G. Puccini Turandot Illustrated Snuff Bottle, square form with black and white illustration of a young daughter from Puccini's Parisian Opera with a round hard stone cover; height: 8.3 cm (3 1/4 in.)b) G. Puccini Boheme Illustrated Snuff Bottle, square form with yellow and red illustration for La Boheme from Puccini's Opera with round blue iridescent cover; height: 8 cm (3 1/8 in.)c) A Hand Painted and Etched Mountain Scene Snuff Bottle, square form with round hard stone cover, Japanese characters along the top edge on recto and verso; height: 8. 5 cm (3 3/8 in.)d) A Hand Painted Floral and Foliate Snuff Bottle, square form with rounded edges, yellow hard stone cover, each panel outlined in red; height: 8 cm (3 1/8 in.)PROVENANCEChristie's, 25 January 1990, part of lot 104Acquired at the above by the present owner

Lot 645

A RUSSIAN ICON OF ST. NICHOLAS WITH SILVER REPOUSSE OKLAD, 1893depicting a chest-length St. Nicholas the Wonderworker wearing a bishop's omophorion, egg tempera and gesso on wood panel, overlaid with silver repousse oklad, marked with workmaster's mark DG. in Cyrillic; dimensions of icon: 27 x 32 cm (10 5/8 x 12 5/8 in.)PROVENANCEAcquired from a private European collector by the current owner

Lot 732

19TH CENTURY CZECH ARTISTAfternoon in the Garden,1938oil on panel26 x 22 cm (10 1/4 x 8 5/8 in.)framed dimensions: 38 x 34 cm (15 x 13 3/8 in.)signed lower right; signed, dated and inscribed on verso

Lot 780

A RUSSIAN ICON OF CHRIST PANTOCRATOR WITH GILT AND SILVERED COPPER OKLAD, LATE 19TH CENTURYdepicting Christ Pantocrator, egg tempera and gesso on wood panel, overlaid with gilt metal oklad with punched background and strapwork border, egg tempera, gilt and gesso on wood panel; dimensions: 22.4 x 18 cm (8 7/8 x 7 1/8 in.); framed dimensions: 37.5 x 33 cm (14 3/4 x 13 in.)

Lot 784

VLADIMIR ALEXEYEVICH VASIN (RUSSIAN 1933-2016)The River Kem ,oil on panel23 x 35 cm (9 x 13 3/4 in.)framed dimensions: 40 x 52 cm (15 3/4 x 20 1/2 in.)signed lower right; signed and titled on verso

Lot 791

ANDREI BULEKOV (RUSSIAN 1927-2019)Landscape,oil on panel45.5 x 53.5 cm (17 7/8 x 21 in.)framed dimensions: 63 x 70 cm (24 3/4 x 27 1/2 in.)signed lower rightPROVENANCEGekkoso Gallery, TokyoEXHIBITIONArt Export Salon of the USSR Art Fund [Khudozhestvenny salon po eksportu Khudozhestvennogo fonda SSSR] (label on stretcher.)

Lot 815

ANGEL BUSCA (SPANISH 1951-2013)Sevilla (Guadalquivir),1996oil on panel120 x 120 cm (47 1/4 in.)framed dimensions: 131 x 131 cm (51 5/8 x 51 5/8 in.)signed lower right; signed, dated and titled on versoPROVENANCEGekkoso Gallery, Tokyowith Galerie Tamenaga, Paris (label on backing board.)

Lot 822

20TH CENTURY ARTISTCollie,1890oil on canvas laid on panel74 x 61 cm (29 1/8 x 24 in.)framed dimensions: 89 x 76 cm (35 x 29 7/8 in.)signed and dated lower right partially effaced

Lot 840

VLADIMIR UMANSKY (RUSSIAN-AMERICAN B. 1948)Old Riga,oil on panel66.5 x 66.5 cm (26 1/8 x 26 1/8 in.)framed dimensions: 75 x 75 cm (29 1/2 x 29 1/2 in.)signed lower left; signed and titled on versoPROVENANCEPrivate Collection

Lot 151

Portrait oil on board panel of Bertwald Innes, apparently unsigned in a giltwood frame, Aitken Dott label verso, 40 x 50cm

Lot 188

Chinoiserie velvet panel in a large glazed frame, size overall 72 x 102, together with another panel of similar design but unframed (2)

Lot 211

Late 19th / early 20th century Japanese four fold screen of small proportions, each wooden panel decorated with prunus, bamboo and other foliage and with open open trellis work to the centre, 93 x 108cm. (some loses to the trellis)

Lot 413

From the estate of the late David Atkinson 1938 Brough Superior 982cc SS80Registration no. GWL 4Frame no. M8/2006Engine no. BSX 4706•Single family ownership for 59 years (1947-2006)•All matching numbers other than the fuel tank (originally '3343', now '3403')•Known ownership history•Present ownership since 2017'GWL 4' is one of 460 Matchless-engined SS80s built, of which some 300-or-so survive. Its accompanying Brough Superior Owners Club record card shows that this machine was supplied new to Laytons of Oxford in July 1938, where it was registered as 'GWL 4'. The SS80 was purchased from its first owner in May 1947 by Jack Billard, who owned the Brough for 58 years until his death in December 2005, aged 85. He had used it regularly until 2002, when a non-motorcycling injury meant he could no longer ride!During WW2, Jack Billard was employed making components for the Spitfire fighter and after hostilities ceased became a specialist panel beater, making wings for Rolls-Royce and Bentley cars. Jack was a keen motorcycle enthusiast, owning a Rudge and a Vincent before the Brough. When he married in 1948, he added a single-seat sidecar to the Brough, which was replaced by a Blacknell Safety 2 after his second daughter was born in 1955. The Blacknell was purchased from T C Munday & Co Ltd of Brixton, whose original bill of sale is on file. The Brough 'combo' became the family's main form of transport, with wife and daughters taking it in turns to ride pillion or in the Blacknell's full-size seats. Sundays were spent riding through the Kent or Sussex countryside towards the coast or attending Brough Club events, winning the odd trophy along the way. In spite of this regular use, the Brough covered only 17,705 miles in nearly 70 years.Jack Billard was not one to polish the Brough or sidecar. His priority was to see that the combination was properly maintained and roadworthy at all times. Jack fitted flashing indicators, choosing his own somewhat idiosyncratic colour code for the wiring, and added a Rolls-Royce picnic table for the convenience of the passenger in the Blacknell's back seat. The original engine was fettled in 2002/2003 by Dave Clark of the Brough Superior Club. Following Jack's death, the Billard family offered the Brough for sale at Bonhams' Harrogate auction in November 2006 (Lot 363) where it was purchased by the immediately preceding owner. The late owner purchased 'GWL 4' at Bonhams' Stafford sale in October 2017 (Lot 229). Since acquisition the sidecar has been sold and the machine kept in storage. Presented in 'oily rag' condition, the Brough is offered for re-commissioning or possibly more extensive restoration before commencing the next stage of its fascinating history. Accompanying documentation includes the aforementioned BSOC record card, a quantity of expired MoTs, SORN paperwork, and a V5C Registration Certificate.Key not requiredFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Lot 1006

10061981 Triumph TR7 ‘Stage 3’ 2-LitreReg. no. GFR 388WChassis no. TPADJ7AT210303Engine no. V3339Transmission: ManualStyled at Longbridge and from an era of wedge-shaped cars and pop-up headlights, the TR7 was nicknamed ‘the bullet’ during its design process. This 2-litre car was painted in Carnelian red, only available on models during 1980-1981 and features the revised body colour rear panel, smaller fuel cap and door card lights on the interior.This car has had several period modifications including ‘stage 3’ tuning to the engine meaning high lift cam and twin 45’s weber carburettors which result in a car that is lighter but just as fast as the v8 version. It also has a period after-market gear knob, Momo steering wheel and oil pressure and temperature gauges. The body is in good order with just some minor rust bubbling near body panel seams, inside the boot is solid too. The car starts and drives well and has just minor wear to the hood. The electrics also seem to work well as do the iconic pop-up headlights. Within the history file are previous bills and an original service handbook. Sadly, the current owner’s health has deteriorated forcing the sale of the car after 36 years of ownership. According to the MOT history, the mileage recorded is incorrect. The car is now tax and MOT exempt, but this must be applied for before it is next used.Estimate: £2,500 – 3,000To be auctioned along with a fantastic selection of other vehicles on October 15th at our Showell Farm site, SN15 2NU. Viewing is welcome prior to sale and all cars are sold as seen, condition reports can be requested on each lot by contacting us direct. Lots are not available to buy prior to auction. Fully illustrated catalogue is available on the Richard Edmonds Auction website. Bids can be made online, by telephone or live on site. All lots are subject to commission.Vehicles that are un-registered or on foreign plates may require Import Duty and Vat to be paid upon purchase via HMRC prior to registering with the DVLA for a UK plate, if you are not sure please ask. For classic cars over 30 years this equates to 5% Duty on the final value.

Lot 1013

10132003 Maserati 4200 Spyder ProjectReg. no. HX53 MZTChassis no. ZAMBB18C 000011190Engine no. M132 078174Transmission: AutomaticMileage: 50,000The Maserati 4200 Spyder was produced between 2001-2007 with a 4.2 v8 Twin Turbo engine giving it fantastic performance. It boasted 385bhp allowing a top speed of 177mph and a 0-60 of just 4.9 seconds. Combine this performance with Italian luxury and style, and you get a stunning performance car.This particular example is a recent MOT failure and requires restoration to bring it back to its former glory. It failed in May 2022 on corroded sills, excessively worn upper suspension components as well as steering gaiter failure. We also note that the driver’s rear quarter panel has been painted, the engine light is illuminated, and the gearbox is a bit jolty, but it does run and drive.Estimate: £6,000 - £7,000 To be auctioned along with a fantastic selection of other vehicles on October 15th at our Showell Farm site, SN15 2NU. Viewing is welcome prior to sale and all cars are sold as seen. Lots are not available to buy prior to auction. A fully illustrated catalogue is available on the Richard Edmonds Auctions website. Bids can be left with the auctioneer, made online, by telephone or live in person. All lots are subject to commission.Vehicles that are un-registered or on foreign plates may require Import Duty and VAT to be paid upon purchase via HMRC prior to registering with the DVLA for a UK plate, if you are not sure please ask. For classic cars over 30 years this equates to 5% Duty on the final value.

Lot 358A

Vincent Bennett (Plymouth 1910-1993), oil on canvas panel, 'Tea for Three', 77cm x 38cm, unframed. ARR applies. Unfinished decoration to eyes. Provenance - we are proud to offer this painting direct from Jonathan Bennett, Vincent's son, who has consigned some of his father's work to our auction.

Lot 358B

Vincent Bennett (Plymouth 1910-1993), oil on canvas panel, 'Street Preacher', 51cm x 41cm, unframed. ARR applies. Provenance - we are proud to offer this painting direct from Jonathan Bennett, Vincent's son, who has consigned some of his father's work to our auction.

Lot 359

Vincent Bennett (Plymouth 1910-1993), oil on canvas panel, 'Box Office', 54cm x 44cm, framed. ARR applies. Signed Vincent Bennett 80. Provenance - we are proud to offer this painting direct from Jonathan Bennett, Vincent's son, who has consigned some of his father's work to our auction.

Lot 257

English school, early 19th century, wooded landscape with figures, oil on panel, 30 x 36cm

Lot 260

F W Topham, 1808-1877, girl with a donkey, oil on panel, 16 x 14cm

Lot 321

A Persian woollen prayer rug, with a central ivory panel, 132 x 77cm, together with a collection of four various rugs (5)

Lot 451

A carved walnut fretwork panel, decorated with flowers and scrolls, 19 x 150cm

Lot 22

An early 20thC hand-stitched wool-work tapestry Pelmet, with braided and tasselled shaped edge, W 215cm x D 34cm, some moth damage and  together with a woolwork panel depicting a sylvan scene, 41cm x 55cm (2)

Lot 254

A Coalport bone china Maritime scene Cabinet Plate, the central panel painted with a Yacht, factory marks to base, diameter 23cm, together with a pair of Coalport Cabinet Plates decorated with floral swags, diameter 23cm (3)

Lot 27

A Chinese woven silk Panel, depicting an elder on a throne among clouds, overmounted, framed in a walnut frame, and glazed, 32cm x 34cm (silk panel only), 51.5cm x 56cm (including frame), together with two other Oriental embroidered silk panels, framed (3)

Lot 32

A pair of Japanese cloisonne lidded Jars, decorated with a panel depicting birds and mythical beasts in a landscape, enclosed by a floral border, H 21cm (2)

Lot 344

Ken Turner (b. 1926), Pair of Grouse in grassland, oil on panel, signed lower left, 22cm x 27cm, framed.

Lot 457

A 17thC and later oak three-panel Coffer, with carved frieze and three carved panels, on bun feet, with alterations, replacement hinges, W:122cm x H:55cm x D:52cm.

Lot 474

An antique pine double Wardrobe, with panel doors and shaped apron, W:125cm x H:205cm x D:63cm.

Lot 475

An antique pine double Wardrobe, with panel doors and two drawers, on fluted feet, W:125 x H:186 x D:59.

Lot 476

An antique pine double Wardrobe, with panel doors and two drawers, on bracket feet, W:148cm x H:203cm x D:60cm.

Lot 481

A pair of vintage pine five-panel glazed internal doors, with dimpled glass, each door 55cm wide x 197cm high (2)

Lot 500

19th century mahogany Wine Cabinet, the two-panel door enclosing four-tier wine rack (for 32 bottles), above a shelf and cupboard space, on bracket feet, W:89cm x H:119cm x D:34cm.

Lot 502

A small early 18th century oak Coffer, the two-panel front with carved decoration, on high stile supports, the top with later hinges, W:104cm x H:50cm x D:34cm.

Lot 120

A late 19th/ early 20thC Meissen porcelain reticulated Bowl, the central panel decorated with floral sprays, L 29 x W 19cm, together with another bowl similar, diameter 22cm, both with crossed sword marks to base (2)

Lot 1068

An Arts & Crafts Stained Glass Panel, depicting Archangel Gabriel, in greens, blue and yellow, unsigned, 58cm by 61cm in a green painted wood trefoil frame with elaborate bronze sunflower chain suspender

Lot 1070

Graham M Pentelow (1954-): Parable of The Prodigal Son, A Stained and Leaded Glass Panel, mouthblown glass, 61cm wide 66cm high (excluding ebonised frame)This panel was inspired by the 13th Century stained glass Parable of The Prodigal Son window in the North Transept of Chartres Cathedral, France.Graham Pentelow trained in Architectural Glass at Swansea College of Art 1976-1979, the majority of Graham's work is painted and leaded traditional stained glass. Made using English antique mouthblown glass. Examples of Graham's work may be found at Chesterfield Parish Church, Derbyshire; St Andrew's Church, Kettering and St Mary's Church, Bishopstone, Wiltshire. Graham Pentelow has now retired.

Lot 1072

Graham M Pentelow (1954-): Trees, A Leaded Glass Panel, mouthblown blue, green and amber glass, 44cm wide 59cm high (excluding grey painted frame)

Lot 1073

Graham M Pentelow (1954-): An Applique Abstract Glass Panel, mouthblown blue, green, yellow and clear glass, 52cm wide 70cm high (excluding grey painted frame)

Lot 1074

Graham M Pentelow (1954-): A Leaded Glass Panel, abstract design, mouthblown clear, blue and green glass, 36cm wide 51cm high (excluding grey painted frame)

Lot 1075

Graham M Pentelow (1954-): A Clear Glass Panel, sandblasted with a detail from The Book of Kells, 44cm square (excluding pine frame)

Lot 1141

Workshop of Robert Mouseman Thompson (Kilburn): Two English Oak Lattice Back Arm Chairs, 2007, nail tan cow hide seats, on octagonal front legs joined by a set back rush rail, each with carved mouse trademark, dated 9/5/07, 90cm highIn good order, some splash water marks to the back bottom rail and rail below lattice panel on one chair, the other in good order

Lot 1144

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Rocking Chair, with two lattice panel backs, shaped arms and cow hide seat, with carved mouse trademark, 96cm high

Lot 1145

Workshop of Robert Mouseman Thompson (Kilburn): An English Oak Rocking Chair, 2016, with two lattice panel backs, shaped arms and green cow hide seat, with carved mouse trademark, dated 8/6/16, 96.5cm high

Lot 1214

Briarson Furniture Ltd: An Oak Refectory Dining Table, 1974, on two turned supports joined by a stretcher, with recessed carved briar trademark, 152cm by 90.5cm, 73.5cm high; and A Set of Four Oak Panel Back Chairs, 1974, upholstered blue seats, on square section legs, each with recessed carved briar trademark, 86cm high (5)Briarson Furniture Ltd, Elm Works, Station Road, Skelmanthorpe, Huddersfield, HD8 9AU.

Lot 1230

Sidney (Sid) Pollard (1914-1994) of Thirsk: An Oak Panelled Blanket Chest, the panelled rectangular top with brass hinges, on four octagonal feet, unmarked, 107cm by 39cm, 56cm highSidney Pollard did not use a carved "critter", instead his work is unmarked. He was a Thompson apprentice in the 1950's. Then worked from Bagby, Thirsk.Ring marks to the top. Water/splash marks to the top. Grain split to the back and a side panel. Movement in joints. Sapwood to the base with woodworm holes.Wear consistant with age and use.

Lot 1251

An Arts & Crafts Marquetry Panel, by Camm Brothers, painted and inlaid specimen woods of a young scholar, labelled to reverse Cap Ambina/Face Chestnut/Collar Satin wood/Lining of Cloak Satin wood/Shoes Satin wood/Cloak Burr Walnut/Sleeve Sircasian ash/Tights Ambina/Portfolio oak/Floor oak/Background Maple This picture was the work of Mr Camm of Smethwick, in an oak frame, 49.5cm by 9.5cmThree cracks in the panel, above his head, his right elbow and bottom of cloak, some natural splits and grain

Lot 822

Two Exley K5 L.M.S. coaches comprising corridor 3rd and corridor 3rd brake, sides excellent, some minor panel loss to roofs, G

Lot 344

A pair of Japanese gilt paper and painted six panel folding screens decorated with herons and trees.

Lot 108

Brian Lewis, British Contemporary, ‘North Walsham’. Polymer on panel, signed, 2001, 13x17ins

Lot 71

Joceline Wickham RA (British, contemporary), 'Elephant leaving Nasturtium', oil on wooden panel, initialed 'JW', unframed.

Lot 72

Joceline Wickham RA (British, contemporary), Still life, oil on wooden panel, initialed 'JW', framed.

Lot 1498

GOLFING INTEREST - RELIEF CARVED SOLID WOOD PANEL,THE ROYAL & ANCIENT GOLF CLUB OF ST ANDREWSrare undated and unsigned work showing golfers and the R&A clubhouse, 39.5cm x 77cmNote: A quality wood carving depicting the home of golf which was also the venue for the 2022 Open Championship.

Lot 100

NO RESERVE Gordimer (Nadine) A World of Strangers, large portion of loss to jacket spine tail and lower section of lower panel, 1958 § Newby (P. H.) A Journey to the Interior, small portion of loss to jacket spine tail, 1945; Agents & Witnesses, 1947 § Carey (Joyce) The Captive and the Free, contemporary ink ownership inscription to front free endpaper, 1959, first editions, original boards, dust-jackets, light chips and creases to extremities, one or two nicks and tears; and 79 others, mid-20th century fiction, 8vo (83)

Lot 104

Graves (Robert) Claudius the God, first edition, folding tables, light spotting to endpapers, original boards, light toning to spine, spine ends a little creased, light surface soiling to lower panel, short tear to foot of upper joint, rubbing to extremities, but an excellent example overall, 8vo, 1934.⁂ Graves' sequel to his acclaimed I, Claudius. Rare in good condition.

Lot 110

Greene (Graham) The Lost Childhood, loosely inserted compliments slip from the BBC inscribed verso in contemporary hand, ink ownership inscription to front free endpaper, very faint toning or foxing to first few pp., cloth lightly soiled and faded, 1951; Loser Takes All, light browning strip to endpapers, board spine ends lightly faded, jacket spine ends with portions of loss affecting title, 1955; Our Man in Havana, bookplate to front free endpaper, jacket price-clipped, extensive tape repairs verso to lower panel leaving tape stain, 1958, first English editions, original boards or cloth, dust-jackets, extremities and joints creased and frayed with some nicks, heavier to first and last, lightly soiled and discoloured; and 40 others, by or relating to Greene, 8vo (43)

Lot 113

Greene (Graham) The Quiet American, jacket with light toning to spine and lower panel, spine ends and corners a little chipped, faint marking to panels, 1955; Our Man in Havana, jacket with very light toning to spine, light rubbing to extremities, 1958, first editions, original boards, dust-jackets, excellent copies, 8vo (2)

Lot 129

Heller (Joseph) Catch-22, first English edition, original boards, slight shelf-lean, first state dust-jacket with text excerpt to rear panel, light toning to spine spine ends and corners chipped with loss to head of spine, tear to front panel lower corner, light marking and soiling to panels, 8vo, 1962.

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