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Lot 665
A XIX Century French Gilt Metal Mantel Clock, of eight day movement striking on a bell, the enamel porcelain dial with cartouche chapter, against a duck egg blue ground, painted to the centre with motifs and an owl perched on a leafy branch, the drum shape case surmounted by a figure of a Greek scholar, seated amongst clouds, flanked by two conforming urn shaped finials, the shaped base mounted with two lovebirds over a narrow porcelain panel painted with a landscape, on toupie feet, 31cms high.
Lot 707
A 1920's Walnut Bedroom Suite, the triple wardrobe with maple crossband, shaped marquetry panel with butterfly and flower decoration; A similarly decorated cupboard with central shaped marquetry panel and three graduated drawers; A dressing table with shaped central swing mirror, quartered concave top and drawers, on tapering legs; A shaped maple mirror with bevelled glass. (4)
Lot 2
A Tiffany gilt copper and Favrille glass box, the lid and sides inset with bark textured, gold iridescent glass tiles, 15 x 9cm, stamped mark and FAVRILLE L C TIFFANY FURNACES INC 106, early 20th c. ++The glass panel in the base with short crack in one corner, small solder repair to the brass surround to the lid above one hinge, no professional restoration
Lot 111
A Derby cobalt ground coffee can, painted with an oval panel of a cottage in a wooded landscape and richly gilt, the wishbone handle and rims also gilt, 6cm h, Robert Bloor & Co, painted crown, crossed batons, D and title Near Ireton Derbyshire in red script, c1825. ++Gilding a little rubbed and retouched in places but an attractively painted example,
Lot 175
A First Period Worcester globular teapot, enamelled to either side in a bright palette with a group of four Chinese figures and a small dog in red and gilt oval panel on a ground of gilt tendrils with subsidiary reserves including an angler by a willow tree in bright carmine pink, the conforming domed cover with pointed knop, 14cm h, c1770. ++Small restoration to the spout
Lot 346
A Meissen cabinet cup, cover and stand, the cylindrical cup painted with an oval panel of Socrates reserved on a cobalt ground in gilt borders, the stand with a central raised gilt rosette and border of grotesques and scrolling foliage, stand 13.5cm diam, impressed numbers, painted crossed swords and * in underglaze blue, title in black script and 99 in gilt, c1800. ++In fine condition
Lot 355
A French vase in Sèvres style, painted with a panel of two young ladies and a gardener near a temple in gilt trellis frame, the reverse with a classical garden reserved on a bleu celeste ground, the rims gilt, 48cm h, late 19th c . ++Some restoration to the lower part of the body above the socle but this is well executed and does not detract from the appearance
Lot 397
A Kraak dish, painted in underglaze blue with an octagonal panel of a cricket on a rock with flowering plants, a butterfly above in a fret and diaper medallion, the border with eight lappet shaped panels of auspicious objects including a pomegranate, the underside with circles and dashes, 32cm diam, 17th c. ++Descending hairline crack in the rim of approx 5cm. No restoration
Lot 602
An Iranian silver and enamel square box, the lid with a painted panel of a couple in an extensive landscape and green and white border, the sides engraved with an herati border, on low bracket feet, 16 x 16cm, apparently unmarked, mid 20th c, 26ozs gross. ++Hairline crack in the upper left corner of the enamelled plaque
Lot 819
Circle of Paul Jones SPORTSMEN AND GUN DOGS IN AN EXTENSIVE LANDSCAPE panel, 15 x 35cm. ++Yellowing of the old varnish which requires cleaning but in otherwise finely preserved condition and apparently not subject to any previous restoration. The oak support, stable and not warped or cradled
Lot 861
Flemish School, 17th century THE HOLY FAMILY oak panel, 28.5 x 23.5cm, in a 17th c carved and pierced giltwood frame of flowers and leafy scrolls crested by an oak bough. ++Picture - the panel vertically split into two halves, minor surface abrasions and in need of cleaning but free from significant previous restorations. The frame in good condition with small repairs and several layers of gilding
Lot 982
A French gilt bronze mounted kingwood vitrine, with 'Vernis Martin' panels, the plush lined cabinet with low domed top and serpentine sides on conforming commode-base and richly decorated with ciselé foliate, gadrooned and other mounts, 193cm h; 77 x 41cm, c1900. ++Some minor lifting of the veneers on the top, one of the glass shelves chipped, some craquelure/blistering of the painted decoration affecting the principal door panel but a fine quality example in good overall original condition
Lot 389
The Entombment - a medieval Nottingham alabaster panel, circa 1450, the panel depicts the body of Christ partly enveloped in a shroud being placed in the tomb, His head supported by Nicodemus, His feet held by Joseph of Arimathea, the Virgin stands to the centre before three figures, to her right the damaged headless figures of Mary Cleophas, her hands held in prayer, and of St. John holding a palm frond, seated in the foreground Mary Magdalene, a box of ointment at her feet, retaining traces of original colour, in particular the green background painted with characteristic dotted red and white daisy-like florets, 42cm high, 26cm wide, mounted on a fabric covered board. There are 98 recorded English alabaster representations of The Entombment, the majority being panels in or from Passion altarpieces. During the Middle Ages, when the majority of the population could neither read nor write, works of art performed the double function of teaching the Christian religion and providing an aid to prayer, consequently churches were aglow with religious images, carved, painted and in stained glass. Against this background, from about 1380, Nottingham emerged as the European centre for the large scale production of carved, painted and gilded alabaster figures, panels and altarpieces, both for the church and for domestic shrines. There was a thriving export trade and to this day far greater numbers of Nottingham alabasters survive on mainland Europe than in this country. Here, the Reformation initiated by Henry VIII's break with Rome saw the wholesale destruction of 'superstitious' images and the demise of the Nottingham alabaster industry. However, some of these 'condemned' alabasters were hidden away and saved from destruction, but more significantly many escaped via a thriving illicit export trade to France and beyond.
Lot 406
A pair of gilt brass and Sevres style porcelain three-branch wall lights in Louis XV style, late 19th - early 20th century, each axehead backplate inset with an oval crowned portrait plaque above a deep shaped panel of disporting amorini, the frame and scrolling leaf clasped branches beneath a pierced ribbon bow cresting, 48cm high, 40cm wide
Lot 407
A pair of gilt brass and Sevres style porcelain three-branch electric wall lights in Louis XV style, late 19th - early 20th century, each with an oval portrait plaque above a deep shaped panel painted with romantic scenes of figures in an idyllic landscape reserved on a bleu celeste ground, leaf clasped branches and pierced ribbon bow cresting, 48cm high, 40cm wide (one plaque replaced with a colour print)
Lot 441
A George II oak enclosed high dresser, North Wales, mid-18th century, the boarded two-shelf back with four spice drawers beneath a hooded canopy with turned pendants, the base with three drawers above a pair of arched raised-and-fielded doors flanking a conforming panel, on stile feet, 188cm high, 146cm wide, 49cm deep (restored)
Lot 2822
An early Victorian walnut dwarf bookcase, the open shelves beneath a turned baluster gallery and flanked by cupboards. Each has a single door with a panel ornately carved with fruiting holly branches and ornate shaped brass hinges. The plinth with three drawers. Width 78 1/2ins., height 48ins. (See illustration)
Lot 1073
A Georgian embroidered panel, worked in woollen threads, depicting a cow herder with his cattle in a village setting with farm buildings and trees in the foreground and a church to the background. The face and sky having been painted for greater ease of detail. Mounted, glazed and framed, 27.5 x 19cm
Lot 1112
English School, 1629 PORTRAIT OF A GENTLEMAN AND HIS WIFE, HALF LENGTH, HE IN A BLACK SLASHED DOUBLET WITH A LACE COLLAR AND A GILT BELT, SHE IN A BLACK DRESS WITH A WHITE LACE COLLAR AND RED AND WHITE RIBBONS Inscribed 'AETIS: SVIE (sic) 53.1629' and 'AETIS: SVE (sic) 26. 1629' Oil on panel 80 x 110cm
Lot 1116
A mid 17th century embroidered panel, with a central lady depicting the sense of smell holding a three-dimensional flower comprised of needle lace, wrapped wire and petal-shaped satin fabric. The lady dressed in a green split skirted dress with wide collar and cuffs, all worked in needle lace, the petticoat worked in metal thread and silk combination needle lace with applied metal trim. The figure worked in stump work technique with wooden hands, one hand holding a fan, the face shown as ink drawn. The lady stands under an ornate canopy on a hummock of metal burden stitch, the canopy drapes being needle lace and the background having been embroidered with metal threads. The rest of the ground is embroidered with large scale flowers in silk covered metal thread work and with a hound chasing a rabbit to the foreground. The ground being further detailed with spangles. Mounted, glazed and framed, 34.5 x 25cm
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360406 item(s)/page