There are 360406 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeRobert "Mouseman" Thompson, Kilburn: an oak refectory style dining table, the rectangular adzed top raised on octagonal supports joined by a rectangular stretcher, carved mouse motif to one leg, 152.5 x 89 x 73.7cms (60 x 35 x 29in.) high; together with four oak dining chairs, each with carved mouse motif to top corner above panel back and leather covered seats, raised on octagonal legs joined by stretchers.
An Edwardian mahogany press cupboard, the flared dentil cornice above a pair of inlaid panel doors, decorated with satinwood crossbanding, ebony and boxwood stringing, opening to reveal sliding shelves above two short and two long graduated drawers, raised on a plinth base, 130 x 56 x 208cms (51 x 22 x 82in.) high.
A late George III inlaid mahogany press cupboard, the flared dentil cornice above acanthus and swag decorated frieze, each panel door centred by shield-shaped kingwood panel decorated with acanthus scrolls, musical trophies, ribbons, axes and swags, surrounded by satinwood crossbanding, chevron and boxwood stringing, opening to reveal sliding shelves, the base fitted two short and two long graduated drawers with conforming decoration and associated lion mask ring handles, raised on bracket feet, 135 x 59 x 206cms (53 x 23 x 81in.)See illustration
An 17th/18th Century joined oak Yorkshire chair, the central diamond-motif carved back panel surrounded by leaf scrolls, flanked by shaped arms, raised on turned supports, the associated drop-in seat cushion resting on later string mounted support, the turned legs joined by stretchers, 108cms (42 1/2in.) high.See illustration
Small Chinese blue and white saucer dish, moulded panel sides with flower sprays, square diaper mark to base, diameter 13cm; a near pair of blue and white brush pots with dragons chasing flaming pearls, diameter 7.5cm; cylindrical shaped snuff bottle and stopper, height 8.3cm; a rectangular shape snuff bottle, height 6cm. (6)
An Edwardian satin mahogany and rosewood crossbanded bureau bookcase, with carved and pierced urn and acanthus decorated cornice with thistle finials, above a pair of glazed panel doors, above fall-flap opening to reveal drawers and pigeon holes, single frieze drawer under; a pair of oval panel doors below, raised on bracket feet, 84 x 48 x 218cms (33 x 19 x 86in.) high.
A Victorian mourning brooch, the glass covered panel decorated with cut hair and seed pearls in floral spray, initials 'EIJ', in floral yellow metal mount, 4.2cms wide; together with a Victorian mourning brooch, the central oval glass covered plaque with plaited hair scroll, in giltmetal leaf decorated mount, 4.2cms wide.
A Georgian oak longcase clock, the painted arabic dial indistinctly signed, painted four continent spandrels, subsidiary seconds dial, moon phase to the arch, two train movement with anchor escapement, the case with dentil cornice, arched waist door, panel base on bracket feet, 218cms (86in.) high.
An Edwardian inlaid mahogany corner display cabinet on stand, fitted a pair of glazed panel doors enclosing velvet lined interior and shelves, the stand decorated with swags to the frieze, raised on square tapering legs terminating in spade feet, 76 x 40 x 177cms (30 x 16 x 69 1/2in.) high.
Thomas Sword Good, HRSA(1789-1872)"The Smugglers (a sea beach with figures)",signed; with inscription on a label verso,oil on panel,28.5 x 38cms; 11 1/4 x 15in.EXHIBITEDThe British Institution 1831 (297).Berwick upon Tweed Museum Galleries Exhibition of Pictures & Handicrafts by Mr. Frank Wood and Members of Berwick upon Tweed Arts Club, 1947 (175).Carlisle 1825, location unknown.NBThis painting is though to have been executed in 1831 and originally purchased by Alderman Joseph Fleming. The title 'Smugglers" is probably a later invention - Good's only exhibited painting in which he explicitly claimed to portray contrabandists, was "Smugglers Resting" at the Royal Academy in 1825. His brother Robert, seems to have been the model for the seated male figure. When exhibited at the British Institution, the Literary Gazette said "In composition, character, and finishing, one of the Artist's goodest productions".LITERATUREFleming (John) Thomas Sword Good: A disregarded Victorian painter. In Country Life, 23rd January, 1948.The Connoisseur Encyclopaedia of the Arts, vol. V, 1961, plate 88A.Bowes (P. Edwin) In A Strong Light: The Art Of Thomas Sword Good, published by Berwick upon Tweed Museum & Art Gallery, 1989, plate 19. See illustration
Joined oak court cupboard, in part 18th Century, the upper section with a carved cornice, scrolled brackets above five lozenge panels, the central section with a rectangular top baluster turned columns, cupboard door carved with figures, base with a rectangular top and moulded edge, central arched carved panel cupboard flanked by shelves, moulded legs, width 150cm, depth 55cm, height 188cms.
SMALL FACES - OGDEN'S NUT GONE FLAKE - Really fine 1st UK pressing of this seminal (both in the music and design) album. Original UK pressing on Immediate ('lilac' label IMSP 012). The record is in Ex+ condition with just one or two extremely light, faint and wispy hairline markings. 1Y/2Y matrix endings. The circular five panel sleeve is in Ex condition, always scarce to see fully intact, there are a couple of minor creases noted.
EDWARDIAN LINE INLAID MAHOGANY TWO PART FLOOR STANDING CORNER CUPBOARD, the break arch pediment above a flame cut frieze and thirteen panel astragal glazed cupboard door, enclosing three fixed shelves to the green painted interior and set over an advanced lower section with panelled cupboard doors and shaped bracket feet, 89" (226cm) high, 33 1/2" (85.1cm) wide
A VICTORIAN WALNUT AND MARQUETRY INLAID DISPLAY CABINET the rectangular top above a marquetry inlaid frieze with gilt brass trim above a pair of glazed panel doors revealing a shelved interior flanked by engaged columns headed by classical mounts on an outset plinth base with shaped apron 123cm x 122cm x 40cm
Loading...
