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Lot 1942

A Beige leather Dayaday travel, bag with ostrich style panel - NO RESERVE

Lot 1276

A oak blanket box with carved panel front - NO RESERVE

Lot 374

19th century English School, oil on panel, Husband and wife at a tavern doorway, 39 x 31cm

Lot 218

A Japanese Meiji shibayama panel (framed) and a pair of similar shaped smaller panels, variously applied in ivory and mother of pearl with birds and prunus on a black lacquered ground (3, fitted for wall hanging) Largest 70 x 46cm

Lot 506

COLLECTION OF 23 ELIZABETH II 1947 - 2007 COMMEMORATIVE COPPER-GILT COINS WITH PICTURE PANEL BACKS

Lot 460

* MARTIN BAILLIE (SCOTTISH 1920 - 2012), NUDE WITH A RECORD PLAYER oil on panel, signed 62cm x 42cm Framed

Lot 439

* ERNEST BURNETT HOOD RGI (SCOTTISH 1932 - 1988), DRUMMOND, WIGTONSHIRE oil on panel, signed 20cm x 30cm Framed Label verso: T&R, Annan & Sons, Ltd. 130 West Campbell Street, Glasgow

Lot 454

CONTINENTAL SCHOOL, BLUE HEADSCARF; and RED HEADSCARF a pair of oils on panel, one signed indistinctly Both 27cm x 20cm Both framed and under glass

Lot 20

Carl Probst (Austria, 1854 - 1924) "After Heavy Days" Signed and dated (1885) lower left. Oil on Panel. Exhibited at the Royal Academy of Arts (Berlin) in 1886. Depicting a man and a woman resting in a finely detailed interior setting. Painting has been in a private collection since acquired from the artist over 100 years ago. Housed in an elaborate gilt/carved exhibition frame. Sight Size: 18.25 x 21 in. Overall Size: 31 x 34 x 3 in.

Lot 254

18th C. European School Still Life Painting. Unsigned. Oil on Panel. Sight Size: 7 x 13.5 in. Overall Size: 13 x 19.5 in.

Lot 39

Andrew White (b.1968) British contemporary, titled 'The Drawing Room', oil on panel, signed bottom right, framed. Board measurements 58.4 x 76.2cm, framed measurements 75.6 x 94cm Sticker verso for Burlington Paintings, London. Andrew White (b.1968) is a British contemporary artist from Lincolnshire. He attended the Slade School of Art in London and cites influence from Victorian painters such as J.W. Waterhouse and D.G. Rosetti. He strives to re-establish confidence in traditional painting, his works have been described as having an almost haunting atmosphere.

Lot 187

Ca. 800 BC. Bronze Age Luristan decorated sword with intact handle.; A fine example of a lost wax cast bronze sword; with a narrow handle designed to have an inlaid bone or ivory panel. Superb Condition. 370 mm 14.57in; 185gr. Provenance: From an old British collection, acquired on the UK art market in the 1980s. All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity

Lot 206

Ca. 800 BC. Rare Greek Archaic period decorated sword with intact handle; a fine example; sword with a narrow handle designed to have an inlaid bone or ivory panel. incluidng a custom made stand; Superb Condition. 370 mm 14.57in; 310gr. Provenance: From an old British collection, acquired on the UK art market in the 1980s. All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity

Lot 154

Ca .1200 BC. Rare Greek Archaic period bronze sword with tapering lentoid-section; two-edged blade; crescentic lower guard; Ibex shaped handle designed to have an inlaid bone or ivory panel; Including a custom made stand Superb Condition, Size: 320mm; 12.6in; 320gr; Provenance: From an old British collection, acquired on the UK art market in the 1980s. All Items sold by Pax Romana Auctions come with a professional Certificate of Authenticity.

Lot 174

Ca .1200 BC. Rare and very attractive Greek Period Bronze Sword;tapering lentoid-section;two-edged blade, crescentic lower guard, Ibex shaped handle designed to have an inlaid bone or ivory panel. incluidng a custom made stand; Superb Condition, Size: 520mm; 20.47in; 350gr; Provenance: From an old British collection, acquired on the UK art market in the 1980s. All Items sold by Pax Romana Auctions come with a professional Certificate of Authenticity.

Lot 305

Ca.200 AD. Very Rare Gandhara carved schist stone panel illustrating a seated Buddha Shakyamuni in a lotus flower; in the lower section two worshippers supporting the flaming crater; two worshippers overseeing Buddha over the sides; Amazing pieces for display, self standing, Very good Condition; H:355x255mm13.98x10.04in (with stand) over 5kg; Provenance: From an old Professional British collection, acquired on the UK art market in the 1970s, All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.

Lot 354

Ca.200 AD. Interesting Gandhara carved black schist stone panel illustrating a seated Buddha; Amazing piece for display; Very good condition. H:370x205mm14.57x8.07in (with stand) over 5kg; Provenance: From an old Professional British collection, acquired on the UK art market in the 1970s, All Items sold by Pax Romana Auctions come with professional Certificate of Authenticity.

Lot 47

HEAD DREAMSCAPE, lacquered panel, 75cm x 100cm.

Lot 130

KEN DAVIS 'Hoi An', acrylic on panel, signed lower left, 63cm x 73cm, framed.

Lot 22

CUPBOARD, Indian distress green painted hardwood and iron mounted with two carved panel doors enclosing shelves, 175cm H x 99cm x 42cm.

Lot 507

A Chinese carved hardwood firescreen with central ceramic plaque. Firescreen slides out from stand. Very good condition. 79cms h x 55cms w. Panel 38 x 24cms.

Lot 705

Oak carved panel with 19thC oak box.

Lot 800

Woolwork tapestry panel, 62 h x 50cms w with a needlework sampler E.Watson 1858, 42 h x 54cms w.

Lot 613

Three stained glass panels set in wooden frames on rollers, 1 panel glass slight a/f. 190 h x 63cms w. Legs 41cms d. Glass 164 x 53cms.

Lot 239

A Jean Coales hand decorated pottery vase, 28cms h, using tube lining in vibrant colours, floral images with a Lakeland scene to the central panel (Jean Coales is a Northamptonshire based ceramic artist).

Lot 549

A large framed Mexican 20thC abstract mosaic signed Genaro, (Alverez Genaro) tile, stone and gold foil laid on wooden panel, Greco-Roman soldier, approx 122cms h x 59cms w.

Lot 1042

1990 Kawasaki EN 500, 498 cc. Registration number G870 MWX. Frame number EN500A 001326. Engine number EX500AE 037967. Hornsea Bike Event raffle prize The late 1970s/early 1980s witnessed the birth of what are termed 'factory customs': models with laid-back 'cruiser' styling inspired by what Harley-Davidson owners had been doing to their machines for decades. Soon no motorcycle was safe from such treatment, which has even descended as far as single-cylinder 125cc learner bikes. Kawasaki's EN450A (or LTD450) middleweight 'custom' was a new introduction to the Japanese manufacturer's range in 1985. Powered by a 450cc twin that was, in effect, half a GPZ900, the EN450 pushed all the right cruiser buttons: raked-out forks, stepped seat, teardrop tank, forward footrests and slash-cut mufflers all being included in the package. In 1990, the EN450 was revamped as the EN500, with 498cc engine, but otherwise the package remained much as before. MWX was bought by Hornsea Bike Event as their 2019 main raffle prize, they had the machine totally refreshed with the paintwork being undertaken by Automotive Paint and Panel, the engine was partially stripped, polished and rebuilt, as were the carbs. The whole machine was then cleaned and polished. It was won by the vendor but she does ride and therefore Spicers are offering on her behalf. In 1994 it was owned by Trevor Binns of Halifax, he sold it to Francis Pickles of Hornsea,there are MOT's from 1995 at 5,362 miles, through to 2004 at 7,508 miles, in 2007 it was 7,918 miles and then taken off the road. After the Hornsea refresh it was MOT'd in August 2019 at 7,968 miles. Sold with the V5C and various old MOT's. Please note that Spicers will be donating the buyers premium to the Hornsea Bike Event. The next Hornsea Bike Event is being held on the 12th July 2020.

Lot 1044

1991 Honda PC800, Pacific Coast, 798 cc. Registration number H763 ATV. Frame number (not visible, declared RC341 000319. Engine number (not visible). The Pacific Coast was manufactured by Honda between 1989 and 1998, named after California's Pacific Coast Highway, over 14,000 were sold in North America, Europe and Japan. The bike is noted for its single integrated boot straddling the rear wheel, full bodywork, and distinctive two-tone paint. Like the earlier Honda Goldwing and later Rune, the Pacific Coast had been conceived and designed by Honda Research America specifically for the US market. Honda outfitted the Pacific Coast as a "low-maintenance motorcycle for daily use" aimed primarily toward first-time motorcycle owners. Riding position is classed as comfortable, instrumentation is "car-like", switches and controls are large and clearly marked, self-cancelling indicators were included along with a seat height of 30 inches and an integrated fairing and windshield. Like other motorcycles with full bodywork, the PC800's plastic conceals almost the entirety of the motorcycle's mechanical underpinnings. While routine oil changes do not require panel removal the PC800 owners manual calls for removal and replacement of four panels (two each side) for servicing the spark plugs. The design of the bodywork includes three vents on each side of the bike to cool the mechanicals: a pair of forward vents on the wheel cowling, a lower vent on each side for the transmission, and two larger vents to accommodate the engine's cooling system. ATV was imported into the UK in 1999, presumably from Japan, (due to the large number of Japanese instruction stickers and that RC340 was USA market, RC341 Japan and RC342 Canada and Europe. By 2004 it was with George Budd of Deal and later Gareth Roberts of Mountain Ash in 2008; our vendor buying it from him a couple of months later. The first MOT on file, is from 2004 at 32,098 km (19,94421 miles) and every year since a few miles have been added until the last MOT in 2015 at 49, 849 km, today it is 49,873 (30,989 miles). Unused for the last 3 years, but stored in a warm garage, it will require some recommissioning and will make an unusual long distance tourer for the next owner. Sold with the V5C, MOT's from 2004 until 2015 and various receipts.

Lot 23

Frans Helfferich (Dutch, 1871-1941) DUCKS AND DUCKLINGS, oil on panel, 18 x 29 cm, signed bottom left in ornate carved frame

Lot 431

London Underground 1950s/60s enamel PLATFORM FRIEZE PANEL from Shepherds Bush station on the Central Line and incorporating a 'bullseye' logo with the line name on the bar. It is unusual for frieze panels to have an integral bullseye. Measures 95" x 9" (241cm x 23cm) and is in excellent, ex-use condition. [1]

Lot 430

1950s/60s London Underground enamel FRIEZE PANEL from the Northern Line platforms at Leicester Square station in the heart of London's cinema and theatre-land. Measures 67" x 9" (170cm x 23cm). Generally in very good condition with a few small stains and a small trace of graffiti at one end. [1]

Lot 111

Class 442 'Wessex Electrics' EMU interior PANEL ILLUSTRATION 'New Forest' by Edward Pond who designed various scenes from the original route to adorn the interiors of all 24 units in their original Network SouthEast configuration. Produced in laminate, the panel measures 74" x 15" (188cm x 38cm) and is in excellent condition with a suitable, later frame (frame has a few small scuffs). [1]

Lot 362

1950s/60s London Underground enamel PLATFORM FRIEZE PANEL from Green Park on the Piccadilly Line. Measures 49.5" x 10" (126cm x 25cm) and is in generally very good condition with just a few small blemishes at the edges and screw-holes. [1]

Lot 3

Very large quantity (1000+) of London Transport BUS STOP PANEL TIMETABLES for a wide variety of routes including some London Country & Green Line examples. Vintage from 1970s-90s but most appear to be 1980s. Mostly in good to very good, unused condition. [1,000+]

Lot 406

1930s London Transport bus stop timetable-panel enamel HEADER PLATE in the pre-WW2 style with over/underlining of 'London Transport' with diamond cut-outs. Label on reverse states that this was located on a bus stop on Woodcote Green Road in Epsom. In excellent, ex-use condition with nothing more than minor blemishes. [1]

Lot 359

London Underground CAR NUMBER PANEL from Q31-Stock trailer 08026, ex-District Railway L-class trailer of 1931. This car was the first to be equipped with experimental, rubber axle-box suspension. These cars carried their fleet number applied by transfer to a hinged panel above the inter-communicating doors. A most unusual survivor. Measures 13.5" x 10" and is in good, ex-use condition. [1]

Lot 85

London Underground enamel SIGN 'Way Out' with a translucent panel designed to be back-lit. A note on the reverse suggests that this was located at Loughton station. A flanged sign measuring 39.5" x 10" (100cm x 26cm) and in very good, ex-use condition. [1]

Lot 195

1950s/60s London Underground enamel PLATFORM FRIEZE PANEL from Kentish Town station on the Northern Line. Measures 48" x 9" (122cm x 23cm). Generally in good condition, small areas of enamel loss at some screw-holes. [1]

Lot 69

London Underground 1950s/60s enamel FRIEZE PANEL from Holland Park station on the Central Line. Measures 55" x 9" (140cm x 23cm). An excellent example with minor blemishes only. [1]

Lot 329

1950s/60s London Underground enamel PLATFORM FRIEZE PANELS, the first from Lancaster Gate on the Central Line (57" x 9" - 145cm x 23cm, in good, ex-use condition with some small chips) and the second a matching panel with Central Line bullseye logo (45" x 9" - 114cm x 23cm, one area of damage at a screw-hole, otherwise good). [1]

Lot 181

c1980s London Underground enamel FRIEZE PANEL from the Northern Line platforms at Waterloo station. Measures 61" x 10" (155cm x 25cm). In very good, ex-use condition, minor blemishes only. [1]

Lot 412

An ornate sideboard with carved panel doors and brass drop handles

Lot 120

Early 20th century oak letter box with glazed panel to front, 16 x 23cm

Lot 25

Three cigarette cases to include a black enamel case with blue guilloche panel, etc (3)

Lot 28

John Hirst, Lady Caroline Lamb after Thomas Phillips, oil on panel, 90 x 75cms, framed

Lot 30

John Hirst, Mrs Fitzherbert, after Richard Cosway, oil on panel, 90 x 75cms, framed

Lot 14

Prudence 'Prue' Rowe-Evans (British 1921 - 2005), Cornfield, oil on panel, 29 x 44cms, framed

Lot 15

Prudence 'Prue' Rowe-Evans (British 1921 - 2005), Tea, oil on panel, 41 x 36cms, framed

Lot 29

John Hirst, Mrs Sarah Siddons after Gainsborough, oil on panel, 90 x 75cms, framed

Lot 27

John Hirst, George Gordon Byron, after Thomas Phillips, oil on panel, 90 x 75cms, framed

Lot 26

John Hirst, Prince Regent, after Sir Thomas Lawrence, oil on panel, 90 x 75cms, framed

Lot 13

Prudence 'Prue' Rowe-Evans (British 1921 - 2005), Verbascum, oil on panel, 60 x 40cms, framed

Lot 768

19th century Pine Cupboard with two panel doors opening to reveal two shelves, 97cms wide x 40cms deep x 92cms high

Lot 512

Painted panel of David Bowie

Lot 647

George III Mahogany Linen Press, the upper section with Twin Panel Doors opening to reveal to sliding drawers above a bank of Two Short over Three Long Drawers raised on a Plinth Base, 122cms wide x 205cms high

Lot 713

19th century Dark Oak Wainscot Style Chair, the panel back carved with a Green Man Mask

Lot 650

George III Oak Hanging Corner Cabinet with Single Panel Door, 80cms wide x 82cms high

Lot 534

Oil on panel still life of fruit and fauna, signed

Lot 100

Oak cased vintage Desk Calendar with glazed panel to the front, measures approx 20.5 x 13.5 x 7.5cm

Lot 665

19th century Pine Barrel Back Settle with Panelled Back and Shaped Wing Arms, the Solid Seat with Cut-Out Panel opening to storage space below, 148cms long x 146cms high

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