We found 360412 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 360412 item(s)
    /page

Lot 578

A mid 19th century Louis XV style French ormolu mounted kingwood, tulipwood and parquetry inlaid bureau plat, the top inset with gilt-tooled green leather panel, with a wide reeded and fluted border, three short drawers in the frieze and three short dummy drawers verso, on angular cabriole legs, applied with female bust and foliage angle-plates, on paw and foliate sabots, with moulding, swing handles and lockplates 79 x 182 x 90cm (31 x 71 x 35in) Provenance: Mawley Hall, Shropshire

Lot 41

An Islamic Persian Safavid style pottery panel, probably 19th century depicting two fanciful birds amongst scrollwork, within a turquoise and black banded border, 55cm wide

Lot 598

An early 18th century Dutch carved and pierced pinewood panel, with a breche violette marble, reconstructed as a console 88 x 158 x 52cm (34 x 62 x 20in) Provenance: Mawley Hall, Shropshire

Lot 559

A late 19th century Adam revival mahogany partners desk, the eared top inset with a green leather panel and with seven small drawers around the kneehole, carved in relief with paterae, pendant husks, anthemion and swags of husks, the angles with ram's masks, and seven similar drawers on the reverse, on tapering square legs and pieds-de-biche feet 75 x 158 x 93cm (29 x 62 x 36in) Provenance: Mawley Hall, Shropshire

Lot 623

A late 19th century Dutch Neo-Classical mahogany armoire, circa 1800, the gallery top above a pair of oval panel doors and three long drawers to base raised on fluted square tapering legs 234 x 160 x 59cm (91 x 62 x 23in) Provenance: Mawley Hall, Shropshire

Lot 503

A late 19th century French painted and parcel gilt Trumeau, with Fragonard style painted panel 224 x 130cm (87 x 51in)

Lot 198

Central Italian School, late 18th Century Capriccios of castle ruins with a sleeping shepherd in the foreground, and figures travelling to a hilltop farmhouse oil on panel, circular, in Napoleonic period frames (a pair) 20 x 20cm (8 x 8in) Giancarlo Sestieri suggests that this may be the work of a Frenchman working in Rome at the end of the 18th Century and influenced by Paolo Anesi. Old red wax Continental estate seal to the reverse, inscriptions and remains of label verso. Condition appears fine - old gilt frames have cracks. Oil on wooden panels, one with the woodgrain running horizontally and one vertically with a red wax seal on the reverse. The panels have a slight warp and both have a gesso coating on the reverse. The paint layers are in a stable and secure condition, there is some abrasion which has been extensively retouched in the sky. The retouchings are well matched to the original. The varnish is clear, even and semi-glossy. The frames have suffered from woodworm damage and there are a few chips and losses to the gilding. The picture with the building has a split in the slip of the frame.

Lot 82

A pair of Chinese export Mandarin palette two-handled vases, Qianlong (1736-95), of rectangular baluster form, the neck mounted with dragons, decorated in famille rose enamels with panels of Manchu courtiers in lakeland settings, reserved on a cellular ground, 36cm high (2) Rubbing to gilding, firing fault to the main panel (approx 1in) corner of footrim restored and one panel with loss of enamel in two places and glaze blisters loss of enamel to the rockwork. The main panel with loss of enamel (approx 1 in). The other vase with rubbing to gilding and both dragons heavily restored. Two flakes on the rim ane one angle with abbrasions. One facial panel with enamel loss in the foliage. Typical scratching to the enamel.

Lot 470

A late 17th century walnut framed armchair, with carved crest rail, cane panel back and seat 123 x 62 x 59cm (48 x 24 x 23in)

Lot 203

Manner of Hendrick Avercamp (Dutch, 1585-1634) Frozen river scene with figures skating oil on panel 28 x 38cm (11 x 15in) Overcleaned. Yellowed varnish in the sky area. Oil on a wooden panel. There are old splits in the panel which have been reinforced from the reverse with strips of canvas and wooden buttons. The paint layer is a little worn in areas and there are localised areas of cracked and lifting paint. There are retouchings across the surface, notably at the lower left corner where damage has occurred. The varnish is very yellowed and uneven. The frame is in a good condition.

Lot 88

A George III mahogany breakfront library bookcase, circa 1800, the stepped cornice above a pair of glazed doors flanked by a further glazed door to each side, all opening to adjustable shelves, the lower section with a pair of panel cupboard doors opening to a shelved interior, flanked by a further panel door to each side, both opening to four graduated drawers, on a plinth base, 243cm high, 235cm wide, 63cm deep

Lot 182

Ï’A tortoiseshell and mahogany triptych dressing mirror, second quarter 20th century, the arched and angle adjustable central mirror flanked by a further hinged mirror panel on each side, each supported by a shaped foot, the central section supported by tapering trestle feet, 76.5cm high, 112cm wide overall when fully opened Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

Lot 84

A Regency mahogany and inlaid linen press, circa 1815, probably Channel Islands, the cavetto moulded cornice, above a pair of oval panel doors opening to a shelved interior, the lower section with four long graduated drawers, on outswept bracket feet, 212cm high, 117cm wide, 54cm deep

Lot 132

An Irish George IV mahogany secretaire bookcase, circa 1825, the fret cut pediment incorporating shamrock motifs, above a pair of pleated silk and brass grille panel doors opening to a shelved interior, the lower section with a cylindrical roll top door opening to a pull out tooled leather writing surface and an arrangement of pigeon holes and small drawers, above a pair of pleated silk and brass grille panel doors opening to a bank of four drawer to one side and a removable shelf to the other, on carved lion paw feet at the front, 243cm high, 117cm wide, 59cm deep

Lot 255

A mahogany hall robe, ogee cornice, panel door, plinth base.

Lot 243

An oak settle, three panel back, circa 1800

Lot 239

A large country oak dresser, shaped uprights, three shelves and eight small drawers to superstructure, three short drawers over three fielded panel door cupboard to base.

Lot 393

A Victorian oak adjustable screen, with sampler panel dated 1838, and an oak stick stand

Lot 109

A Chinese red lacquered and gilt carved wood bed panel, decorated figures and buildings, 17" x 13"

Lot 434

A carved oak pew with Gothic panel ends, 156" long

Lot 436

A carved oak pew with trefoil panel ends, 120" long

Lot 437

A carved oak pew with trefoil panel ends, 120" long

Lot 354

A late 17th century oak boarded coffer with chip carved details, on panel end supports with original wrought iron strap hinges, 51" wide

Lot 432

A Windsor lath back elbow chair with panel seat and a smaller, similar, elbow chair

Lot 121

A mahogany cased wall clock with Roman numerals, painted dial and lower painted glass panel "Champion Regulator", 27" high

Lot 444

A set of six Windsor spindle back chairs with panel seats, on turned and stretchered supports

Lot 431

A set of four Windsor spindle back dining chairs with elm panel seats, on turned and stretchered supports

Lot 435

A carved oak pew with trefoil panel ends, 120" long

Lot 165

3 x Cziffra LP's inlcluding 2 record set of Lizst and one of favourites. Excellent vinyl. Favourites sleeve has damp stain on rear panel

Lot 331

Oriental collectibles to include a Hero Nim print, a Chinese embroidered panel, a painted fan and a composition panel, glazed

Lot 140

De Wint, P[eter] Views in the South of France chiefly on the Rhone. Henry Leggatt & Co., 1830. Folio, green-morocco backed boards; 24 plates. Large paper copy. Batty, Cpt. Robert French Scenery from Drawings Made in 1819. Rodwell & Martin, 1822. 4to, full calf, sometime rebacked, boards with gilt floral panel border enclosing title lettered directly in gilt, spine lettered directly in gilt, a.e.g.; 56 (of 64) plates.

Lot 44

Turner, J.M.W. Picturesque Views on The Southern Coast of England from Drawings Made Principally By J. M. W. Turner, R. A. John and Arthur Arch, London. 1826. Folio (2 vols). Full leather, boards with gilt roll-tooled borders enclosing central blind panel, spines lettered directly in gilt, marbled endpapers, marbled edges; 80 plates and vignettes. First Edition..  Binding rubbed and bumped, joints on I cracking, II sometime rebacked, some foxing, spotting etc throughout, offsetting from plates, some pages toned, a very good copy

Lot 198

Banks, Lynne Reid The L-Shaped Room. Chatto & Windus, 1960. 8vo, org. cloth, in unclipped jacket (16s). First ed. Naughton, Bill Alfie. MacGibbon & Kee, 1966. 8vo, org. cloth, in unclipped jacket (25s). First ed. Sillitoe, Alan Saturday Night and Sunday Morning. W.H. Allen, 1958. 8vo, org. cloth, in unclipped jacket (13s 6d). First ed. . Banks spine of jacket faded, creasing and rubbing to head and foot of spine with some loss to head, a little bumping to board edges, a little marking to page edges, expected toning to pages, generally clean internally. Naughton with some wear and creasing to jacket edges, head and foot of spine a touch bumped, pages edges slightly foxed, occasional foxing internally, owner's ink inscription to ffep. Sillitoe jacket with edge wear, with a touch of loss to head and foot of spine, lower panel a bit dusty, board edges a little bumped, slight foxing to page edges, occasional foxing internally, pages slightly toned, clean internally. All very good.

Lot 201

Christie, Agatha Towards Zero. Collins Crime Club, 1944. 8vo, org. orange cloth in unclipped dj (7s 6d). First ed., with dated copyright page and dedication to Graves, rear panel advertises Five Little Pigs and The Moving Finger.

Lot 248

Ornithology Thorburn, Archibald, British Birds, 1931. 8vo, org. cloth. New edition, second impression. Dixon, C. Game Birds and Wild Fowl, 1900. 4to, org. cloth. Second edition, enlarged and improved. U.S. Dept. of Agriculture, Hawks and Owls of the United States, 1893. 8vo, org. cloth. Audubon, James, Original Watercolour Paintings for Birds of America, 1966. 4to (2 vols). Org. cloth in slipcase (lacking rear panel). with a number of others [16]

Lot 240

Walton, Izaak and Cotton, Charles The Complete Angler. Rivington, Caslon & Withy, 1766 (Part 2: 1760). 8vo, half green calf over marbled boards by Mudie, spine with blind panel in four and morocco lettering pieces in two, marbled endpapers; pp. lvi, xxii, 303, [1], xlviii, iv, iv, 128, [8]; 2 eng. frontis, 14 eng. plates. 2nd Hawkins edition.Binding with a little shelfwear, variable internal toning, foxing, offsetting etc. but a very good copy.

Lot 205

Ransome, Arthur Missee Lee. Jonathan Cape, 1941. 8vo, org. cloth in unclipped jacket (7s 6d). First ed. idem The Big Six and Great Northern? 8vo, org. cloth in jackets. Jonathan Cape, 1956-58. Later impressions.. Missee Lee jacket with dulled spine, wear to edges with tiny loss to head and foot of spine, rear panel dusty, slight foxing to verso, rear panel with some spotting, board edges a little rubbed and bumped (esp. head and foot of spine), page edges dusty, pages toned, with occasional marking inside but generally clean. A very good copy as are the later impressions.

Lot 410

Haight (Gordon S., editor), The George Eliot Letters , 9 volumes, 1st edition, Yale University Press, 1954-1978, first 3 volumes with some marks to fore-edges, uniform original dark grey cloth, first two volumes with some wear to extremities, volume 3 with extremities lightly rubbed, volumes 4-7 still in original cellophane wrappers, dust jackets to volumes 8 & 9 with faded spines, some light toning or minor marks, and slight fraying to top edges, mainly to volume 9 front panel, 8vo (Qty: 9)

Lot 443

A framed and glazed mid to late 19th Century wool work panel of The Suffolk Regiment.Panel depicts the union flag and regimental flag with the campaign names throughout the regiments history. The panel contain a photograph of what is believed to be a member of the regiment. Age related damage.

Lot 356

Aquila (Pietro). Galeriae Farnesianae Icones Romae in aedibus Sereniss. Ducis Parmensis ab Annibale Carracio ad veterum aemulatione posterumq. admiratione coloribus expressae cum ipsarum monocromatibus et ornamentis a Petro Aquila delineatae incisae, 1st edition, Rome: Giovanni Giacomo de Rossi, [c.1674], etched title-page, 24 etched plates by Pietro Aquila including dedication, allegorical plate and portrait of Carracci after Carlo Maratta (all unnumbered), and 21 plates after Annibale Carracci (numbered 1-21), all except numbers 11 and 13 double-page and mounted on guards, a little light spotting and dust-soiling, slightly stronger to plate 21, faint tide-mark to upper outer corners never affecting images, bound with: ibid., Deorum Concilium in Pincis Burghesianis hortis ab Ioanne Lanfranco Parmensi tum spirantibus ad vivum imaginibus tum monocromatibus atque ornamentis mira pingendi arte expressum, a Petro Aquila ad similitudinem delineatum et incisum expressum, 1st edition, Rome: Giovanni Giacomo de Rossi, [c.1675], etched title-page, 8 etched plates by Pietro Aquila after Giovanni Lanfranco (numbered 2-9 in manuscript to margins of plate-marks, plates 2 and 3 forming a single overview of the whole ceiling), all double-page and mounted on guards, dust-soiling, guards renewed, a few stains to title-page, 2 plates with short closed tears to bottom edge of central fold not affecting image, marginal tear to plate 6 (numbered 7), the corresponding right-hand panel laid onto thicker paper at an early date, plate 8 (numbered 9) similarly laid down, later marbled boards, green vellum spine, vellum tips, sides rubbed, wear to extremities, large folio (46.3 x 36 cm) (Qty: 1)NOTESProvenance: Michael Jaffé CBE (1923-1997), English art historian and director of the Fitzwilliam Museum, Cambridge. Berlin Katalog 4088 (first work). Two uncommon large-scale works by Pietro Aquila (c.1630-1682) recording important Italian baroque ceiling decorations. The plates in the first work reproduce Annibale Carracci's decorations to the barrel-vaulted ceiling of the gallery at the Palazzo Farnese, which were executed between 1597 and 1601 for Cardinal Odoardo Farnese and depict Greek and Roman myths exemplifying the triumph of love. The second work is a record of Lanfranco's ceiling fresco 'The Council of the Gods', painted in 1624-5 in the central hall of the casino of the Villa Borghese for Cardinal Scipione Borghese.

Lot 19

Cyprus. Munster (Sebastian), Cyprus, Basel, circa 1550, uncoloured woodblock map with a panel below the map showing a leaping stag and a sheep drinking at a stream, map size 95 x 150 mm, German text below map and on verso (Qty: 1)

Lot 128

[Hodges, James] The Present State of England, as to coin and publick charges. In three parts. Treating of the necessity of more money before taxes can be effectual, or trade revived, and of ways and means to procure it: as calling in all the plate on ready money; restoring credit; bringing out hoarded money; rectifying the balance of trade; raising the value of money, against which the opposite prejudices, as injurious to King, Parliament and People, with Mr Lock's chief positions, are refuted by demonstrable reason and matter of fact, 1st edition, Andrew Bell, 1697, bound with a supplement..., containing some further considerations of the circumstances of the Kingdom with proposals of help by raising the value of credit, some spotting and browning throughout, lacks final blank, old closed tear paper repair to upper margin of leaf A3 of first part slightly obscuring lettering of running head ("TD"), old manuscript name inscription and alphanumeric shelf marks to first title, armorial book plate of William Perceval, contemporary panel calf, rubbed and slight edge wear, a little wear at head and foot of spines, 8vo (Qty: 1)NOTESWing H2299 & H2300.

Lot 257

Bible [English]. The Holy Bible, Containing the Old Testament and the New. Newly translated out of the Original Tongues..., Cambridge: Printed by John Field Printer to the Universitie, 1663, general title engraved by John Chantry (frayed and a little torn to margins, strengthened to verso), letterpress New Testament title, bound without Apocrypha, bound with an incomplete Psalms at rear (without title), with imprint Edinburgh: Printed by James Watson, His Majesty's Printer, 1720, leaves of Psalms frayed and with some tears, dust and some finger-soiling mostly at front and rear of volume, front blank endpaper with late 18th/early 19th century manuscript genealogical entries, lacking front free marbled endpaper, all edges gilt, early 18th century Scottish black morocco binding, rubbed, raised bands, compartments gilt tooled with central saltire incorporating seedhead tools and fleurons, volute cornerpieces, sides with central rectangular herringbone panel of leaf fronds, crescent moon with face tool above and below, enclosed by a seedhead roll border, within a larger hound's tooth roll and palmette panel containing a variety of tools, including cherubs, crescent moon, stars, and seedheads, within an outer panel enclosed by an edge border of gilt hound's tooth roll and milled semi-circles, containing fish scale pyramids, wheel tools, flower tools, and fleurons, gilt seedhead roll on turn-ins, 4to (leaf size 22.8 x 16.8cm), with old leather loose protective cover (Qty: 1)NOTESHerbert 684; Darlow & Moule 538. The National Library of Scotland has in its collection a Holy Bible printed by Charles Bill in 1699 bound in a Herringbone binding which most likely came from the same workshop, utilising as it does several of the distinctive bookbinding tools found here (Shelfmark: F.4.d.29 Ref. 00002670); as well as the unusual and attractive moon tool. The two bindings also have in common the following tools: large seedhead, tripart leaf frond, flower and seedhead volute, fleuron, and wheel.

Lot 92

A Chinese carved hardwood dragon armchair, the back with two dragons and a flaming pearl, central panel with figures, above clouds, solid seat, raised on cabriole legs and scrolling flame feet, 63cm W.

Lot 411

An early 19thC scumbled pine chest, with a carved panel front, raised on a plinth base, with key, 33cm H, 89cm W, 39cm D.

Lot 161

A Victorian Gothic hardwood and parcel gilt reredos, probably from a private chapel, the panelled back with outswept pediment, two renaissance coronets above a monogram, the centre section set with a print of the Madonna, Child and St John The Baptist After Sandro Botticelli, flanked by foliate tendrils, the oak table base, fronted by a panel of scrolling and interlocking tendrils, 262cm H, 176cm W, 65.5cm D.

Lot 106

A deal cased longcase clock, the cavetto moulded cornice over a brass dial, with mask spandrels, scroll engraved centre, inscribed Jno. Blundell Fecit, and date aperture, over a trunk door with glazed panel and plinth base, the 30 hour movement striking on a bell, 200cm high 26cm dial

Lot 2354

Floral rug with cream ground central panel and pink and blue border, 300 x 210cm 

Lot 2634

19thC oak coffer/chest with four fielded panel front and set with three drawers to base, each with a brass drop handle, 143 x 52 x 77cm

Lot 70

Four antique brooches, one oval cut citrine, 30 x 22mm, surrounded by beaded and floral border, stamped 15 ct, another seven stone amethyst brooch, mount testing as 15 ct, a single oval cut amethyst, cabochon cut moonstone brooch, both mounted in 9 ct and two clasps, one with plaited hair panel, reverse engraved 'Mary Ann Edwards ob 5 Aug 1859 aed 72' testing as 15 ct, and rose cut diamond set enamel and seed pearl clasp, in 9 ct. CONDITION15 ct gross weight 33.6 grams9 ct gross weight 14.1 grams citrine brooch, pin is mishapen but functional, measuring approximately 4.1 x 3.8cm including mount, three flower petals are bent inwardsAmethyst single stone brooch, pin is mishapen but functional, 2.7 x 2.1cm Seven stone amethyst brooch, 5 x 2.7cmmoonstone brooch 2.1 x 1.7cm, moonstone measures 1.7 x 1.4 x 9.7mmHair panel clasp 1.9 x 1cmpearl and enamel clasp 1.8 x 1.1cm

Lot 84

Two rings, diamond set panel ring, 18 ct and platinum, ring size R and 1920's paste set ring, mounted in 9 ct, ring size Q. CONDITION18 ct weight 2.3 grams9 ct weight 3.6 grams

Lot 30

1970's modernist design ring, rectangular step cut Smokey quartz, 14 x 10mm, panel detail on shoulders, mounted in 9 ct, ring size U. CONDITIONOverall good condition9 ct weight 12.4 gramsSmokey quartz is set securely fine sizing mark visible at bottom of band

Lot 31

Jade and diamond ring, round floral carved jade panel, surrounded by nine marquise petals set with Swiss cut diamonds, mount stamped 14 ct, ring size K. CONDITIONweight 5.6 grams

Lot 378

Early 20th C moonstone panel bracelet with ten cabochon stones in filigree decorated mounts, unmarked white metal, length 16 cm .

Lot 8

Mixed group of gold jewellery, wedding band in 18 ct, ring size N, heart pendant in 15 ct, paste set cluster ring, size O, red paste bar brooch, faux pearl pendant and chain, two Victorian brooches, one set with rose cut diamond, another set with seed pearls all mounted in 9 ct and open locket and a pietra dura panel on the reverse, with gilt metal mount, 4 x 2.8cm. CONDITION18 ct weight 1.6 grams15 ct weight 0.7 grams9 ct gross weight 11.7 gramspietra dura panel loose in locket

Lot 44

Late Victorian memorial ring, central oval panel set with seed pearl cross and black enamel, woven hair in band with letter plaques spelling 'In Memory', inside engraved 'M C F. and J.F Feb. 1875', in 9 ct hallmarked Birmingham 1876, ring size L. CONDITION 9 ct weight 2.4 gramsoval panel missing small section of enamel above cross and to each side of cross'In Memory' plaques missing enamelsolder marks are visible under central panel and there is a small hole inside the shank near the hallmark

Lot 49

Victorian mourning pendant, central seed pearl star motif, reverse hair locket panel, black enamel articulated bail, 5.7 x 3.4cm and faceted belcher link chain, tube clasp, in 9 ct, 58.2cm in length. CONDITIONOverall good condition chain weight 12.2 gramslocket weight 18.1 gramsIn C.Packer & Co, London box pearls are all present and secure couple of links are soldered together on chain

Lot 17

Art Deco period panel bracelet, the articulated links with engine turned and flower head decoration, stamped on clasp, 9 ct gold. CONDITION, good , clasp works well, fitted with a safety catch, weight 14 grams All panels are gold

Lot 190

Jean Dinh Van, an 'Anthea' design ring , with central diamond pave set circular panel, estimated total diamond weight 0.23 carats, band 11mm wide, ring signed DINHVAN, bearing French marks for 18 ct and platinum, ring size N, with original 1998 receipt from Paris Store. CONDITIONOverall excellent conditionweight 8.8 gramsJean Dinh Van (1927-) trained at Cartier, in 1965 he started his own workshop. He was known for geometric and minimalist designs. He retired in 1998.

Lot 265

1970's emerald and diamond bracelet, central leaf panel set with three Swiss cut diamonds, seven round cut emeralds, concealed clasp and two figure of eight safety catches, with four fancy link strands, stamped 18 ct, 19cm. CONDITION Overall good conditionleaf panel is soldered to the clasp and three of the bracelet strands, one strand is not currently solderedclasp opens and closes securely, gross weight 63 grams

Loading...Loading...
  • 360412 item(s)
    /page

Recently Viewed Lots