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Click here to subscribeA Russian 84 zol silver spoon-rest in the form of a miniature hip-bath, maker CTB, Moscow 1864, 8.3 cm long, to/w a low-grade silver beaker, richly embossed and chased with buildings and animals, a Coptic white metal scripture-box embossed with a saint, a silver table-bell with figural handle, London import 1898 and another white metal scripture-box panel (5)
JEAN-LUC MOERMAN (born 1967)Optimus Hut 2006Signé, daté et titré au dosAcrylique sur panneauAchteraan getekend, gedateerd en getiteldAcryl op paneelSigned, dated and titled on the backAcrylic on panel209 x 209 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
HENRI GABRIEL (1918-1994)Mobile cinétique ludique 1968Aluminium et plexiglas suspendu à un panneau noirAluminium en plexiglas, opgehangen aan een zwart paneelAluminium and Plexiglas suspended from a black panel46 x 36 cmFootnotes:Exposition / Tentoonstelling14/01-14/02/2015: 'Quand Eole soufflait sur Vulcain', Galerie Quadri, Bruxelles, ill. p. 37. Provenance / HerkomstGalerie Quadri, BruxellesCollection privée / Prive collectie, BruxellesThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
BRAM BOGART (1921-2012)Blauwdoorgeel 1967Signé, titré et daté sur le côtéContresigné, titré et daté au dosTechnique mixte sur panneauGesigneerd, getiteld en gedateerd op de zijkantAchteraan getekend, getiteld en gedateendGemengde techniek op paneelSigned, titled and dated on the sideSigned, titled and dated at the backMixed technique on panel55 x 64 x 9 cmFootnotes:Provenance / HerkomstGalerie Seghers, Ostende.Collection privée / Privé collectie, Belgique.Un certificat de la galerie Philippe Seghers sera remis à l'acquéreur.This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
ARMODIO (born 1938)Pera Signé et titré au dosTempera sur panneauAchteraan getekend en getiteldTempera op paneelSigned and titled on the backTempera on panel17 x 24 cmFootnotes:Provenance / HerkomstCollection privée / PrivécollectieThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
AMEDEE CORTIER (1921-1976)Zwart - wit - rood Signé en bas à droiteAcrylique sur panneauRechts onderaan getekendAcrylverd op paneelSigned lower rightAcrylic on panel67 x 49 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
VIC GENTILS (1919-1997)De Hoeren van Babylon 1969Signé et daté au dosCollage sur panneauAchteraan getekend en gedateerdCollage op paneelSigned and dated on the backCollage on panel100 x 80 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
FERDINAND VONCK (1921-2010)Sans titre Signé en bas Sculpture en fer fixée sur panneau de boisOnderaan getekendIJzeren sculptuur bevestigd op houten paneelSigned at the bottomIron sculpture fixed on wooden panel110 x 24 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
GUY VANDENBRANDEN (1926-2014)Sans titre (relief jaune) 1990Signé et daté au dosLaque de cellulose sur panneauAchteraan getekend en gedateerdCelluloselak op paneelSigned and dated on the backCellulose lacquer on panelDiam: 51 cm H: 5 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
CONSTANTIN MEUNIER (1831-1905)Profil de mineur Signé en haut à droiteBronze à patine foncée sur panneau de boisRechts bovenaan getekendBrons met donkere patina op houten paneelSigned upper rightBronze with dark patina on wood panel41 x 32 cmFootnotes:Provenance / HerkomstCollection privée / Privé collectie, FranceFor further information on this lot please visit Bonhams.com
LEOPOLD PLOMTEUX (1920-2008)Sans titre 1959Signé et daté au dosHuile sur panneauAchteraan getekend en gedateerdOlieverf op paneelSigned and dated on the backOil on panel70 x 17 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com
PANNEAU DE MANDALA EN CUIVRE REPOUSSÉ, DORÉ ET POLYCHROME REPRÉSENTANT DES SCÈNES DE CHARNIERNÉPAL OU TIBET, VERS XVE SIÈCLE Himalayan Art Resources item no. 1451 24 x 46 cm (9 1/2 x 18 1/8 in.) Footnotes:A GILT AND POLYCHROMED COPPER REPOUSSÉ MANDALA PANEL WITH CHARNEL GROUND SCENES NEPAL OR TIBET, CIRCA 15TH CENTURY尼泊爾或西藏 約十五世紀 銅鎏金彩繪錘揲屍陀林景曼荼羅飾板 Once part of the eastern quadrant of a glorious sculptural mandala, this fine Newari repoussé panel illustrates a charnel ground scene of a mahasiddha surrounded by corpse-devouring vultures, leopards, and wolves, as well as a naga and nagini in attendance. The panel's bands of finely articulated flames, vajra enclosure, and lotus petals form apotropaic boundaries that are common to tantric Buddhist mandalas. While it is possible that this great mandala could have been commissioned and produced in Tibet, the panel's fine repoussé and pigmented background indicate the work of a Newari master craftsman. A closely related pair of Newari repoussé plaques from the same period were sold at Bonhams, New York, 14 March 2016, lot 13. Also see other examples sold at Bonhams, Hong Kong, 21 April 2021, lot 6; Christie's, Amsterdam, 8 May 2002, lot 543; and one discussed in, Brauen, Mandala: Sacred Circle in Tibetan Buddhism, 2009, fig. 1.10.Provenance:Christie's, Amsterdam, 18 October 1995, lot 302.For further information on this lot please visit Bonhams.com
PANNEAU EN CUIVRE REPOUSSÉ ET DORÉ REPRÉSENTANT MAKARATIBET OU NÉPAL, VERS XVIIE SIÈCLEHimalayan Art Resources item no. 1449 29.5 cm (11 5/8 in.) highFootnotes:A GILT COPPER REPOUSSÉ MAKARA PANEL TIBET OR NEPAL, CIRCA 17TH CENTURY 西藏或尼泊爾 約十七世紀 銅鎏金錘揲摩羯飾件 The Sanskrit term makara refers to a sea dragon or water monster featuring the trunk of an elephant, the tusks and ears of a wild boar, the darting eyes of a monkey, the scaled, flexible body of a fish, and the swirling tail feathers of a peacock. There are a number of variations of this form, though the mythical creature is often depicted in profile. The makara issues from a spray of churning waters. His head tilts back dramatically revealing a double set of teeth and curling trunk. Once forming part of the apex of a torana, this and another makara would have flanked either side of a Garuda positioned at the center. A complete example of the upper section of a torana is depicted in the Rubin Museum of Art (C2003.21.3; HAR 65234). See another repoussé makara published in Fisher, Art of Tibet, 1997, fig. 113.Provenance:Peaceful Wind Gallery, Santa Fe, 1995For further information on this lot please visit Bonhams.com
FRAGMENT DE BAS-RELIEF EN SCHISTE GRIS REPRÉSENTANT SIDDHARTHA ET YASODHARAANCIENNE RÉGION DU GANDHARA, VERS IIIE SIÈCLE 26 x 63 cm (10 1/2 x 24 3/4 in.) Footnotes:A GREY SCHIST RELIEF PANEL OF SIDDHARTHA AND YASODHARA ANCIENT REGION OF GANDHARA, CIRCA 3RD CENTURY 犍陀羅 約三世紀 灰片岩悉達多與耶輸陀羅石碑 Depicted within the central arch of this panel is prince Siddhartha, holding what appears to be a lotus to his chest. He is seated next to his wife, Yasodhara, who wears similar royal attire to her husband. To the right side of the panel is a pair of musicians while a female performer at the panel's left dances passionately to the music. Two attendant figures standing on balconies flank the royal couple, with the figure on the left awe-struck at the performance while the figure on the right adorns the hall with wreaths of flowers. The depiction of the Siddhartha living in comfort and luxury is a popular trope in both canonical texts and Gandharan art, foreshadowing the moment before his renunciation and journey of enlightenment to become the Buddha Shakyamuni. See other panels with similar scenes in Lyons and Ingholt, Gandharan Art in Pakistan 1957, nos. 38 & 39A-B.Provenance:Purchased 1968 in Peshawar, Pakistan European Private CollectionThis lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
STATUETTE DE BOUDDHA ENSEIGNANT EN OR SUR UN TRÔNE EN ARGENTJAVA, IXE/XE SIÈCLEImage: 6.8 cm (2 5/8 in.) high; Throne: 14 cm ( 5 1/2 in.) highFootnotes:A GOLD FIGURE OF TEACHING BUDDHA ON A SILVER THRONEJAVA, 9TH/10TH CENTURY 爪哇 九/十世紀 說法佛金像並銀座Provenance:With Claude de Marteau, Brussels, by 1970sWith hands joined at the heart in the gesture of teaching, or turning the wheel of dharma, this rare, solid gold Buddha is cast with the customary squat proportions, tall domed head of curls, and prominent ushnisha during the height of Buddhist culture in Java at the end of the 9th century. The gold Buddha is paired with a silver throne with a lattice back-panel and disc umbrella to protect the Buddha.Compare to another gold Buddha on a contrasting throne in bronze (Miksic, Old Javanese Gold: The Hunter Thompson Collection at the Yale University Art Gallery, 2011, p. 220, fig. 84). Compare also to a gold figure of Tara, seated on a silver throne in the Walters Art Museum, Baltimore (57.2282).For further information on this lot please visit Bonhams.com
STATUE D'ARDHANARISHVARA EN GRÈS ROUGEMADHYA PRADESH, XE/XIE SIÈCLE65 cm (25 5/8 in.) highFootnotes:A RED SANDSTONE FIGURE OF ARDHANARISHVARAMADHYA PRADESH, 10TH/11TH CENTURY中央邦 十／十一世紀 紅砂岩半女大自在天像Provenance:With Claude de Marteau, Brussels, by 1970sThe sinuous figure represents Shiva's androgynous form, Ardhanarishvara, 'the Lord who is Half-Woman. The left side shows Parvarti holding a darpana (mirror) and Shiva on the left who holds the trishula (trident). Shiva's lower left hand is in varada mudra (gesture of charity), while Parvati's left hand holds a kamandalu (water-pot). Their mounts, the bull and lion, are stationed at their feet along with male and female attendants. The upper section of the back panel is populated by vyalas and garland bearingapsaras.The flexed pose of the youthful torso compares favorably with a 5th century sandstone representation of Arhanashvara in the Mistry Collection (Chandra, Sculpture of India, 1985, p. 95, no. 35) in contrast to a contemporaneous more hieratic representation in the Asian Art Museum, San Francisco (B73S16). Also compare with a stele of the marriage of Shiva and Parvati sold at Sotheby's, New York, 17 March 2015, lot 1089.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
FRAGMENT DE BAS-RELIEF REPRÉSENTANT LA SCÈNE DE L'ÉCHANGE DE VÊTEMENTS EN SCHISTE GRISANICENNE RÉGION DE GANDHARA, IIE/IIIE SIÈCLE32.7 x 34.5 cm (12 7/8 x 13 5/8 in.) Footnotes:A GREY SCHIST PANEL OF THE EXCHANGE OF CLOTHESANCIENT REGION OF GANDHARA, 2ND/3RD CENTURY犍陀羅 二／三世紀 片岩太子易衣圖石碑Published:Isao Kurita, Gandharan Art, Vol. I, Tokyo, 1998 & 2003, p. 89, no. 164.Provenance:With Claude de Marteau, Brussels, by 1970sThe panel's intriguing subject recalls Siddhartha's encounter with a group of hunters in a forest following his departure from the capital of Kapilavastu. Here, the prince swaps his royal outfit for a simpler attire provided by the hunter closest to him. He is joined on the far right by the Buddhist protector Vajrapani wielding a thunderbolt (vajra). Stylistically, the panel is closely related to several gathered by British soldiers and displayed at the Guide Mess at Mardan before being presented to the British Museum (see Ingholt, Gandharan Art in Pakistan, 1957, nos. 16, 26 & 50; see no. 46 for another example of the present panel's subject).This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
STATUE D'UNE DÉESSE EN GRÈS ROUGERAJASTHAN, IXE/XE SIÈCLE70.5 cm (27 3/4 in.) highFootnotes:A RED SANDSTONE FIGURE OF A GODDESSRAJASTHAN, 9TH/10TH CENTURY拉賈斯坦邦 九/十世紀 紅砂岩女神像Provenance:With Claude de Marteau, Brussels, by 1970sThe goddess is carved with an accomplished sense of rhythm and balance as she dances on her toes. Parvati holds a trident in her upper right hand and the remains of a coiled naga in her left hand. The lower right hand is held in the gesture of charity over her son, Ganesha, who is seated along her right foot.Stylistic comparison can been seen in panels from Kankroli such as the mithuna panel from the Philadelphia Museum of Art (1994-148-22). Also see (Desai & Mason, Gods, Guardians, and Lovers, 1993, p. 156, no. 10) and a closely related figure of Bhairavi sold Sotheby's, New York, 23 March 2023, lot 177.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
BRACELET DE CÉRÉMONIE EN OR REPOUSSÉ ET VERRE COLORÉ (KOMBA-LOLA)PEUPLE TORAJA, SULAWESI, INDONÉSIE, XIXE SIÈCLE15.8 cm (6 1/4 in.) diam.Footnotes:A GOLD REPOUSSÉ COLORED GLASS CEREMONIAL BRACELET (KOMBA-LOLA)TORAJA PEOPLE, SULAWESI, INDONESIA, 19TH CENTURY 托拉查族 蘇拉威西島 印度尼西亞 十九世紀 金錘揲嵌紅料儀式手鐲 Provenance:With Claude de Marteau by the 1980sThese exceptionally large bracelets are worn by women from the Toraja tribe in Mamasa, part of West Sulawesi province, during special ceremonies and funerals. The display of elaborate jewelry is of critical importance, especially in funeral ceremonies, to emphasize the status and wealth of the upper classes. A example can be found in the Dallas Museum of Art (1988.55) and a pair published in Carpenter, Ethnic Jewellery of Indonesia, 2011, p. 186 and 186, both which share similar chased designs in the gold panel sides.For further information on this lot please visit Bonhams.com
PANNEAU EN RELIEF REPRÉSENTANT BOUDDHA EN SCHISTE GRISANCIENNE RÉGION DU GANDHARA, IIIE/IVE SIÈCLE52 cm (20 1/2 in.) highFootnotes:A GREY SCHIST PANEL OF BUDDHAANCIENT REGION OF GANDHARA, 3RD/4TH CENTURY犍陀羅 三／四世紀 片岩佛陀像Provenance:With Claude de Marteau, Brussels, by 1970sThis panel would have likely represented the scene of the Buddha receiving the offering of the four bowls under the bodhi tree, as evidenced by the flower element by his left shoulder (Kurita, Gandhara Art, Vol. II, 2003, p. 122, no. 238).Buddha's slightly squat proportions and broad face with large ears follow a convention favored by Gandharan art of the Swat Valley. Compare a seated Buddha in the Royal Ontario Museum that also has a band of rosettes across the base (Ibid, p. 101, no. 264). Also compare one image sold at Bonhams, New York, 19 March 2018, lot 3063 and another sold at Christie's, New York, 22 March 2011, lot 228.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
STATUE D'UN COUPLE AMOUREUX, POSSIBLEMENT BALARAMA ET REVATI, EN GRÈS ROUGEINDE CENTRALE, VERS XIE SIÈCLE57.5 cm (22 5/8 in.) highFootnotes:A RED SANDSTONE AMOUROUS COUPLE, POSSIBLY BALARAMA AND REVATICENTRAL INDIA, CIRCA 11TH CENTURY印度中部 約十一世紀 紅砂岩愛侶像 或為大力羅摩與离婆底Provenance:With Claude de Marteau, Brussels, by 1970sA divine couple, embracing side by side with amorous affection is presented here in an intimate portrayal. Consistent in iconography to other divine couples, this pair is nevertheless presented in reverse order with the female figure to the right of her male companion. This flipped orientation can also be seen on a sculpture of the divine couple of Balarama, holding a mace, and Revati on the exterior of the Parsvanatha Jain temple at Khajaraho (see Desai, Khajuraho, Oxford, 2000, p. 73). Framed by a scalloped panel with inverted trefoils, the male, possibly Balarama, identified by the nagas in his hair, faces frontally embracing his lover, or wife Revati, with the right hand fondling her breast. His left arm stretches down to this thigh to accentuate the swaying posture which is matched by the female. She holds a flower in her right hand while her left arm rests tenderly on his shoulder. Along the side of the females' feet kneels a small gana-like figure holding a staff. Compare with a related example in the Norton Simon Museum (Pal, Art from the Indian Subcontinent, 2003, p. 144, no. 102).This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
A GROUP OF CERAMICS, GLASS AND METALWARES, to include a plated basket, comport and footed tray, a framed painted metal panel depicting a female figure and Cupid (scratched, knock to frame, would benefit from a clean), a five piece blue glass dessert set possibly Wedgwood, a novelty cruet set in the form of tomatoes (some crazing and wear), a burgundy and gold Gladstone China serving bowl (chipped), cream jug and six individual bowls, a box of cutlery, etc (25) (Condition Report: most items appear in good condition, sd and as stated)
A 19TH CENTURY CONTINENTAL LANDSCAPE WITH FIGURES, three figures are dancing while others look on, castle and hills to the distance, indistinct initials beside the seated figures, oil on panel, approximate size 12cm x 20cm, Condition Report: craquelure across the surface of the painting, some knocks to the over painted frame
A TRAY OF BOXED AND LOOSE LEGO SETS, to include a Lego city The Mine 4204, taped up on the sides so unsure as to completion or if including additional parts, still with the original factory seal stickers 42S2 on one panel, a boxed Lego Atlantis Deep Sea Striker 8076, a Monster Crab Clash 8056 and a Guardian of the Sea 8058, a Lego Movie Trash Chomper 70805, a Lego Ninjago Masters of Spinjitzu, a Lego Friends City Park Cafe 3061, etc, included also are a number of other instruction manuals, all contents not checked for completion, as boxes have been opened and sealed back up
AN ART DECO PYE WALNUT VALVE RADIOGRAM, Type P35 RG, and a Garrard rc72 brown Bakelite turntable, a spare non fitting glass panel, and folder containing a copied service sheet, width 92cm x depth 40cm x height 87cm (condition:-worn finish, turntable in need of attention, radio gram powers up, illuminates, audio output but doesn't appear to tune)
A late 19th/early 20th century Uzbek (Ladak tribe) corner of a multi-coloured embroidered hanging, bordered with green and white beaded fringe, together with a Uzbek border with multi-coloured and white bead fringe and a similar wool corner silk embroidered panel edged with multi-coloured fringe and beaded tasselling, Uzbek corner panel 90cm high
A heavy wrought and cast iron wine cellar security door and lock, with a plate glass inset panel, 186 x 105cm, together a rubber door seal, hinges, coach bolts and sets of keys This lot will be on view at the big barn at PLUMPTON PLACE, NR. LEWES on Saturday 10th June, 10am-12am. A member of GORRINGE’S staff will be on site to answer questions. Please park in the car park at Plumpton College, Ditchling Road, BN7 3AE and walk through to the barn (as sign posted) Purchasers must arrange to collect within 10 days of the sale.
Thomas James Lloyd (1849-1910), Watercolour Painting on Panel Image Size: 16 by 28 in. (40.6 by 71.1 cm.) All measurements are approximate. Signed (lower right) Thomas James Lloyd (1849-1910) was an English painter known for his landscape and marine paintings. He trained at the Royal Academy Schools in London and later exhibited his works at the Royal Academy and the Royal Society of British Artists. Lloyd's paintings were characterized by their naturalistic style and use of light and shadow, which captured the beauty and mood of the English countryside and coastline. He was also skilled at depicting the dramatic effects of weather and light on the sea. Lloyd's works can be found in collections around the world, including the Tate Britain in London and the National Gallery of Victoria in Melbourne. His legacy as a talented painter continues to be celebrated today. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Jean-Baptiste Robie (1821-1910), Oil Painting on Panel Frame Size: 21 by 16 1/2 in. (53 by 41 cm.) All measurements are approximate. Signed (lower right) Jean-Baptiste Robie (1821-1910) was a Belgian painter known for his still-life paintings, particularly those of flowers and fruit. He trained at the Royal Academy of Fine Arts in Antwerp and later exhibited his works at the Paris Salon. Robie's paintings were distinguished by their attention to detail and realistic rendering, as well as their use of vibrant colors and delicate brushwork. He was one of the leading still-life painters of his time, and his works can be found in collections around the world, including the Hermitage Museum in St. Petersburg and the Museum of Fine Arts in Boston. Robie's legacy as a master of still-life painting continues to be celebrated today. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Ella Wetzko-Ehrenberger (1898-1966), Oil Painting on Panel Frame Size: 29 1/2 by 40 1/2 in. (74 by 102 cm.) All measurements are approximate. Signed (lower left) Ella Wetzko-Ehrenberger was an Austrian painter born in 1898 and passed away in 1966. She is known for her delicate and refined portraits, landscapes, and still lifes, which reflect her love for nature and her keen observation of the world around her. Wetzko-Ehrenberger studied at the Academy of Fine Arts in Vienna before establishing herself as a professional artist. Her work is characterized by its subtle use of color, masterful technique, and intimate depictions of everyday life. Wetzko-Ehrenberger's paintings have been exhibited extensively throughout Austria and other parts of Europe, earning her critical acclaim and a reputation as one of the leading artists of her time. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Jules Louis Dupre (1811-1889), Oil Painting on Panel Image Size: 9 1/2 by 13 in. (24 by 33 cm.) All measurements are approximate. Signed (lower right) Jules Louis Dupre (1811-1889) was a French painter known for his landscapes and genre scenes. He studied at the Ecole des Beaux-Arts in Paris and later exhibited his works at the Paris Salon. Dupre's paintings were characterized by their naturalistic style and use of light and color to create atmosphere and mood. He was particularly skilled at capturing the beauty and essence of the French countryside, as well as the working life of its people. Dupre's works can be found in collections around the world, including the Louvre Museum in Paris and the Metropolitan Museum of Art in New York. His legacy as a talented painter continues to be celebrated today. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Unknown Author (Russian Painters School), Oil Painting on Panel Image Size: 11 1/8 by 9 1/8 in. (28 by 23 cm.) All measurements are approximate. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Lucio Fanti (B.1945), Oil Painting on Panel Image Size: 8 by 11 1/2 in. (20.3 by 29.2 cm.) All measurements are approximate. Signed (lower right) Lucio Fanti (B.1945) is an Italian painter known for his abstract and figurative paintings. He studied at the Accademia di Belle Arti in Florence and later exhibited his works in galleries and museums throughout Europe and the United States. Fanti's paintings are characterized by their use of bold colors, intricate patterns, and mixed media techniques. He often blends abstraction with elements of realism to create dynamic and thought-provoking works of art. Fanti's works can be found in collections around the world, including the Galleria degli Uffizi in Florence and the Hirshhorn Museum and Sculpture Garden in Washington, D.C. His legacy as a talented and innovative painter continues to be celebrated today. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
A CHINESE EMBROIDERED SILK EIGHT IMMORTALS PANEL In bamboo moulded frame The frame 23 x 67cm Condition: Condition Report Fading to the colours throughout, and fraying to the fabric backing This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A WOOD & COPPER FINISH TRAY AND SIDE TABLE The circular tray bu Camino, with detachable circular wood panel within a copper finish frame; the table on three cylindrical supports The tray 47cm diameter; the table 41cm diameter Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A TALL RECTANGULAR WALL MIRROR WITH CARVED PANEL With bevelled mirror plate and a carved top section 62cm x 153cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A SQUARE WALL MIRROR WITH CARVED GILTWOOD PANEL The top with a decorative carved wood panel featuring a central bat and birds amongst flowering foliage, the mirror plate cracked in one corner and in need or replacement 113 x 113cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Ca. 100-300 AD. A fragment of a marble plaque with an intricate floral pattern in relief. The fragment is an exceptional example of the exquisite craftsmanship and artistic creativity of ancient Roman artisans. The delicacy and precision of the floral design attest to the remarkable technical abilities of Roman sculptors, and its exceptional preservation provides insight into the quality and durability of Roman marble. This fragment is likely part of a larger marble plaque that was used as a decorative element in ancient Roman architecture. The high level of artistry and technical skill exhibited in this fragment suggests that it may have been a part of a larger and more elaborate marble work, possibly a frieze or a decorative panel. Marble was a prized material in ancient Rome, utilized extensively in architecture and sculpture. The durability and aesthetic qualities of marble made it a favored material for monumental structures such as temples, public buildings, and private residences. This item comes with a custom-made display stand. Size: L:145mm / W:95mm ; 710g Provenance: Private London collection, B.A.; formerly in pre-2000 European collection.
Ca. 200-300 AD. A schist panel featuring winged Atlas, an embodiment of strength and power, brought to life through the skills of the Gandharan artists. He is depicted as a muscular figure, sitting at ease with his hands rested on his legs and with the wings to his back. The wings are a symbol of divine power, add an ethereal touch to the panel and remind us of the spiritual and mythical underpinnings of this work of art. Atlas is a fascinating figure that has its roots in the classical Greek tradition, where he was condemned to bear the weight of the heavens on his shoulders. In the Gandharan artistic tradition, the figure symbolizes the interplay of various cultural and artistic influences that were present in the region. The fusion of classical Greek, Roman, and Buddhist artistic traditions created a unique style that is characterized by a blend of naturalistic and idealized forms, evocative of the spiritual and mythic realms. The Gandharan region was a melting pot of various cultural and artistic traditions. It was a center of Buddhism and a hub of artistic and cultural creativity. The Gandharan artists were renowned for their skillful rendering of the human form, their mastery of different materials, and their ability to fuse various artistic traditions into a coherent and harmonious style. Cf. The British Museum, Museum number 1880.178.Size: L:135mm / W:140mm ; 1.82kgProvenance: From the collection of a London gentleman; formerly acquired in early 2000s in France; previously in 1970s European collection.
Ca. 200-300 AD. A high-relief panel crafted from a schist stone. This frieze portrays two scenes from the life of Buddha. The scenes are separated by a Corinthian column and set within a stunning architectural backdrop, creating an aura of grace and grandeur. The Buddha and other figures in the frieze are dressed in long robes known as sanghatis, intricately draped with folds that have been incised with the utmost precision. These figures exhibit elaborate hairstyles that add to the intricacy and detail of the piece. The figures are depicted in a dynamic and naturalistic manner, with each pose capturing a sense of movement and energy that is truly mesmerizing. The left-hand side of the frieze depicts an elephant, which is an animal that features prominently in Buddhist iconography. The elephant is often seen as a symbol of strength, wisdom, and compassion, all qualities that are associated with the Buddha himself. This exquisite frieze is a prime example of Gandharan art, a style known for its unique blend of Indian, Greek, and Roman artistic traditions, resulting in a fascinating fusion of Eastern and Western styles.Size: L:135mm / W:475mm ; 10.79kgProvenance: Private London collection; acquired in Japan between 2000 - 2005; formerly in an old Japanese collection.
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