GIZAN: A BOXWOOD NETSUKE OF A SHISHI, 19th CENTURYBy Gizan, signed GizanJapan, 19th century The seated shishi lion carved facing ahead, its forepaws resting on a brocade ball. The lion's fur and mane neatly incised, boasting a fierce expression with inlaid eyes. The brocade ball finely carved in openwork, a loose ball within. A rectangular panel beneath forming the himotoshi, also bearing the incised artist signature GIZAN. HEIGHT 3.1 cm Condition: Very good condition with minor surface wear.
We found 360406 price guide item(s) matching your search
There are 360406 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
360406 item(s)/page
ICHIMUKEN NANKA: A RARE IVORY MANJU NETSUKE WITH HISTORICAL INSCRIPTIONSBy Ichimuken Nanka, signed Nanka toJapan, Izumi province, mid-19th century, Edo period (1615-1868)The two-part manju of flat circular form, finely engraved in delicate kebori with a large panel featuring a lengthy inscription of a list of brave vassals of the Toyotomi Clan: Hidenaga (Yamato province), Hidetsugu (Omi province), Oda Nobukatsu (Owari province), Hidenobu (Gifu province, Mino), Hashiba Hidesada (Iga province), Yuuki Hideyasu (Echizen province); and the Council of Five Elders (Go-tairou) -Tokugawa Ieyasu is missing from the list but the rest of four Elders are inscribed: Maeda Toshiie (Kanazawa, Kaga fief), Mori Terumoto (Aki province), Ukita Hideie (Bishu, Mimasaka provinces), Uesugi Kagekatsu (Echizen province).The reverse further with two panels, one oblong and one fan-shaped. The oblong reserve lists the Seven Spears of Shizugadake: Kato Kiyomasa (1562-1611), Katagiri Katsumoto(1556-1615), Fukushima Masanori (1561-1624), Kato Yoshiaki (1563-1631), Wakizaka Yasuharu (1554-1626), Hirano Nagayasu (1559-1628) and Kasuya Takenori (1562-1607). The fan-shaped reserve references the legendary hero Choryo (Zhang Liang in Chinese, c. 251 BC-186 BC).Central himotoshi to the back, the cord attachment inside. Signed to the lower left in the back NANKA to [carved by Nanka]. The artist was known for his delicately engraved designs featuring historical inscriptions.DIAMETER 3.6 cmCondition: Good condition with minor traces of wear and tiny smoothed abrasions along the borders. The discs do not perfectly fit together.Auction comparison:Compare a related manju netsuke by Nanka at Bonhams, The Edward Wrangham Collection of Japanese Art Part I, 9 November 2010, London, lot 151 (sold for 4,560 GBP.)Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 22-B-0330).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
BR diesels Class 40 (D200 - D399) Bachmann / Lima "00" locomotives (x3) Comprising Bachmann:TMC Custom finish of D209 in original BR green, no warning panels, mint boxed.Exclusive for Model Rail ref. 32-475Z D200 in BR green with large yellow warning panel. In excellent condition.Lima: 3. No. 40-140 with large yellow warning panel in BR rail blue. Model in excellent condition, box is a little age worn.
BR (WR) Diesel Hydraulics Class 42 / 43 /52 "Warship / Westerns" "00" locomotives (x3) As seen on Cornish Railways comprising:Bachmann 1. ref 32-065 Class 43 'Warship' No. D865 "Zealous" in BR maroon medium yellow warning panel - circular lion & wheel crest. Mint boxed.2. ref 32-052 Class 42 'Warship' No. D 816 "Eclipse" in BR green no yellow warning panel. Late period BR crest. Model in excellent condition - box a little age worn.Lima Class 52 "Western" No. D 1071 "Western Renown" in BR blue large yellow warning panel. Model in excellent condition - box somewhat age worn.
BR (WR) diesel hydraulics Class 52 "Westerns" "00" locomotives (x2 engines) As seen on Cornish Railways comprising: HeljanD 1013 "Western Ranger" in BR blue with large yellow warning panel. Gently weathered mint boxed.D 1015 "Western Champion" in golden ochre with medium yellow warning panel. Appears to be in mint condition.
BR (WR) Diesel hydraulics Class 22 and 35 (D63xx and Hymek) "00" locomotives (x2 engines) As seen on Cornish Railways. Comprising:Dapol: North British Class 22 No. D 6331 in BR green and medium yellow warning panel. Mint condition.Heljan Beyer Peacock Class 35 No. D 7009 'Hymek' in BR green and no yellow warning panel. Mint condition.
A Bloor Derby bough pot and cover, painted in the manner of Daniel Lucas with a View in Cornwall, 21cm wide; a Bloor Derby apple green ground squat jug, 15cm high; a 19th century Derby white glazed two-handled basket and a miniature jugFading to the gilt throughout. Green jug - crazing to the glaze. Chip to the base.The Derby white basket - Losses to relief flowers, handles and basal legs. Some staining and marking to the surface.The Derby white jug - repair and re-glueing to the handle, also loss to the relief flowers.Bough pot and cover - has a crude repair to the cover through the centre. Loss to all four legs. Flaking and loss to the painted panel - see images
A Georgian mahogany bureau, the fall front revealing a fitted interior with four long drawers below, with brass handles, ivory escutcheons and raised on bracket feet. 96x113x48cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being made before 3rd March 1947 with less than 10% ivory by volume. Ivory declaration submission reference CH2JYZ65 Some splitting to most panels. Missing cock beading to second drawer. Most escutcheons show some damage. Locks are not original. Some missing parts to fitted interior including center drawer. Watermarks. Covered writing to right panel. Damage to feet.
An Italian one-panel film poster for James Cameron's The Terminator (Orion Pictures, 1984) signed by Linda Hamilton (who has inscribed her character name, "Sarah Connor"), Michael Biehn, and Dick Miller.Please note: The poster exhibits a .25 torn hole at its center fold (the section of the poster that's been torn is still present and attached). 55 x 39 inches; 14.25 x 10.5 inches (folded)
A pair of vintage patterned button-down shirts, personally-owned by Dennis Hopper. This lot includes an Aegean blue, western-style button down with flower/stripe fabric panel accents, brown piping, two breast pockets, and snap button closures, labeled "Anna Zapp Designs," size M; and a periwinkle, 100% cotton button-down shirt with a blue floral pattern throughout, a single breast pocket, and blue plastic buttons, size 32. PROVENANCE Property from the Life and Career of Dennis Hopper
A first edition of the novel Harry Potter and the Order of the Phoenix (London: Bloomsbury Publishing, 2003), complete in its original dust jacket, signed by author J.K. Rowling.The 766-page book is signed by Rowling on the dedication page in blue ballpoint, without inscription. With price of 16.99 pounds on front panel of jacket, and "First published in Great Britain in 2003" stated on copyright page.Accompanied by a Letter of Authenticity from PSA/DNA.5.25 x 8.25 x 2.75 inches
An Italian two-panel film poster for George Romero's Night of the Living Dead (Image Ten, 1968), signed by Romero (who has also inscribed the poster "Stay scared!"), Russ Streiner ("Johnny"), Judith O'Dea ("They're coming for you!" / 2011), Judith Ridley ("Beware of old trucks" / "Judy"), John Russo, Marilyn Eastman ("Bloodfully yours---" / "as Helen Cooper"), George Kosana ("The Sheriff"), Bill Hinzman ("I'm coming to get you / Zombie #1"), Kyra Schon ("I hurt"), Charles Craig ("NOLD / '08"), and Gary Streiner ("Respect the dead").In Night of the Living Dead, George A. Romero introduced modern zombies: decaying, murderous, flesh eating revived corpses who could rise from the grave anywhere in the world (prior to Night, zombies were often tied to "voodoo" in locales far away from the United States). The film was, at the time, unparallelled in its intensity and brutality. In his 1969 review, Roger Ebert famously expressed concern that the many kids attending a matinee were visibly traumatized by experience.Please note: This poster exhibits splitting, wear and holes at several folds and has tape on the back.78 x 55 inches; 14.5 x 10 inches (folded)
An Italian one-panel poster for Lamberto Bava's Demons (DACFILM Rome, 1985), signed by Bava, composer Claudio Simonetti, makeup creator Sergio Stivaletti, and cast members Bobby Rhodes and Geretta Geretta (who has also inscribed her character name, "Rosemary," and "2011"). 55 x 39 inches; 14 x 10 inches (folded)
An Italian one-panel film poster for John McNaughton's Henry: Portrait of a Serial Killer (Greycat Films, 1990) signed by Michael Rooker (who has also inscribes his character's name, "Henry," and his line, "Yeah. I killed my mama") and John Towles ("Otis" / "I feel like killing somebody.").55 x 39 inches; 14 x 9.75 inches (folded)
An Italian one-panel film poster for House of 1,000 Corpses (Lions Gate Films, 2003) signed by Bill Moseley (who has also inscribed his character's name, "Otis," and line "Behold Fish-Boy!") and Tom Towles ("Sheriff Wydell" / "Fuck That Chicken Eating Clown!").55 x 39 inches; 14 x 10 inches (folded)
An original control panel prop as seen used in the Aston Martin DB10 in the James Bond film Spectre (Eon Productions, 2015). This control panel is composed of an aluminum bracket with four padded legs which would have mounted to the dashboard of the vehicle. The bracket features four toggle switches that read "BACKFIRE," "ATMOSPHERE," "EXHAUST," and "AIR." Each of these switches is backed by red wiring. This type of device can be seen during the car chase scene in the streets of Rome when James Bond (Daniel Craig) is followed by Mr. Hinx (Dave Bautista) in a Jaguar C-X75. The labels on the device refer to an in-car sound system (Atmosphere), rear flame thrower (Exhaust), rear machine gun (Backfire), and an ejector sear (Air). A behind-the-scenes images showing this type of control panel is available upon request. Includes a DVD of the film. 7 x 4 x 2 inches
A batwing ensemble as seen worn by Demi Moore as "Madison Lee" in the action/comedy Charlie's Angels: Full Throttle (Columbia Pictures, 2003). The two-piece outfit/ensemble is composed of an attribution Tom Ford for Yves Saint Laurent Rive Gauche jacket and a pair of Jean Paul Gaultier Femme trousers. The jacket had its label cut out, most likely from production, but has been identified as Tom Ford for YSL fall/winter 2002, a black jacket composed primarily of a dense silk fabric and trimmed with cotton tulle at the cuffs and a pleated cotton tulle lavalier appliqued to the collar (cuffs and lavalier have a raw edge). There is a double zip closure, which features the Cassandre “YSL” monogram on each pull, the plaque is framed by horizontal pleated cotton tulle that spans the length of the zipper from the under-bust to the hem. An additional accent is a frayed silk at the seams of the collar, shoulders, cuffs, and front opening. The interior is unlined but has finished seams with bias tape. The jacket for the production had a silk panel attached to mimic glider suit wings, the fabric is sewn into the inner seam of both sleeves and then sewn into the back side seams, there is an inverted vent with three elastic cinch bands, as well as fanned top-stitched lines from the underarms to the hem. The designer label at the interior neckline was cut out, there is a tag sewn in that reads, “Madison #2 BAT,” referencing the character and the flight stunt. The trousers are a black wool, worn at the hips, and feature a hook-and-eye and fly-zip closure, pant crease on each leg as well as cuffed bottoms, welted side pockets, and one right back-leg pocket, all the pocket linings were cut and sewn shut for production purposes. The trousers like the jacket had a silk gusset sewn between the legs with a fan top-stitching detail to help mimic a flight glider suit. There is a Jean Paul Gaultier Femme label, as well as a tag sewn in reading, “Madison #2 BAT.” The pants do not have a marked size, but the jacket is a French 36.Demi Moore, not just her character in Charlie’s Angels Full Throttle, was often seen and photographed in notable Tom Ford for YSL designs for several seasons during his design tenure. The garments worn have become iconic and highly collectible on the second-hand market.Charlie's Angels: Full Throttle, the second installment in the reboot film series, follows the Angels as they must solve a series of murders following a security breach in the WPP (Witness Protection Program) server. Moore as Madison wears the ensemble on a rooftop as Charlie's Angels confront her, where a fight then ensues. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobe directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
A linen-backed Italian two-panel film poster for Le Mans (20th Century Fox Film Company, 1971) starring Steve McQueen. The film, about German and American car racers who battle each other at the Le Mans in France, was a passion project for McQueen, an accomplished racer himself.78 x 55 inches; 55 x 5.25 x 5.5 inches (rolled)
A t-shirt for Missi Pyle as a Cafe 24 waitress in As Good as It Gets (TriStar Pictures, 1997).The black cropped t-shirt features a holographic circle with hearts and arrows that reads "I will" on one panel and "Love You" on the other. Labeled "Pandora." Size L. This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
An outfit as seen worn by Alicia Silverstone as "Emily Hope" in the crime/comedy Excess Baggage (Columbia Pictures, 1997). The outfit includes a nylon, cream, long-sleeve t-shirt with a lipstick graphic on the front and red trim, as well as a large stain from production, labeled "Joe's," size 3; and a pair of black suede, lace-up pants with silver-tone button details down each leg, and a large panel of the right leg missing, no label present, size L (handwritten note on tag that says pants were altered to size 8).Silverstone as Emily wears variations of this ensemble throughout the entirety of the film but is seen in the stained shirt while sitting with her kidnapper Vincent Roche (Benicio del Toro) by a lake.This lot comes from the collection of Reel Clothes and Props, a Hollywood consignment shop that obtains movie and TV wardrobes directly from the major studios.PROVENANCE From the Collection of Reel Clothes and Props
Paramount Studios late 19th century Belle Epoque style two-piece (jacket, skirt) wool ensemble, unknown production. Late 19th century style Belle Époque two-piece costume ensemble with classic s-curve silhouette. The ensemble is composed of a jacket and skirt both a light taupe wool: the fitted jacket has a shawl collar and voluminous mutton sleeves with bobbin lace applique on the sleeves and opening, the skirt is floor-length with lace applique, and triangle pleats at the hem. On the interior collar their is written with marker, "MPCC." There are two paper tags by the interior center back seam and at the interior right panel marked, "285." The skirt is marked "MPCC," as well with an embroidered Paramount, and a paper tag marked "PAR, SP, 15727." The garment has moderate discoloration and stains, structurally the garment is in-tact. The costume features classic style traits of the Belle Époque period with an s-curve silhouette, where a women's waist was tightly corset. The era was known for it's gaiety, frivolity, and elaborate and heavily decorated hats.
A champagne-colored duchess satin wedding gown designed for Judy Garland as Manuela in the film production The Pirate, co-starring Gene Kelly (Metro-Goldwyn-Meyer 1948). A highly-elaborate early 19th-century style duchess satin champagne-colored wedding gown with princess sleeves, fitted bodice, and full skirt. The gown is trimmed with satin Van Dyke pearl embellished points at the neckline, sleeves, waistline, and hem. The sleeves have layered petals and Van Dyke points and pipped bows as well as small silk white flowers tacked at the neckline (most of the flower heads have fallen off of the wire stems). Various lace accents are used on the gown such as Belgian lace at the neckline (in the film the lace trim at the neckline was layered, one layer appears to have been removed), embroidered needle-point tulle panels on the skirt, Alencon lace, and nylon lace trimming for the underskirts. The original design of the gown did have a sheer overlay at the skirt with a gathered-ruffled lace trim accent, this overlay has been removed or was damaged. There are hook-and-eye closures at the back of the bodice, the interior of the bodice is boned and each panel is backed with a cotton twill. A material tag is scribed in pen reading, "1400-Judy Garland," and a paper tag is stapled at the right side of the interior of the bodice reading “MGM, 34963.” Tom Keogh was the costume designer for the film; he has four film credits for costume design. His first foray into costume design was working with ballet costume designer Barbra Karinska; he went on to design for theatre productions as well. Once he moved to Paris, he began illustrating at French couture houses: Lanvin, Balmain, Balenciaga, and Jean Dessès. He even went on to design costumes for the Ballet des Champs-Elysèes as well as having his sketch work and illustrations featured on the cover of French Vogue. PROVENANCE Originally from The Collection of Debbie Reynolds
Jack and Carole Bender autographed comic art. 43cm x 26cm original hand drawn eight panel comic strip of Alley Oop, autographed by artists Jack and Carole Bender. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

-
360406 item(s)/page