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A Georgian gold oval memorial brooch,with a central woven hair panel, overlaid with a monogram, with a glass cover. A black champleve enamel border to read, 'Elizabeth Boram Obit 25 May 1798 Aet 42' to a pin and flat section 'C' catch. Tested as approximately 18ct and 9ct gold. 28mm x 20mm, 4.40gCondition ReportMarks to the glass cover. Chips and losses to the enamel border.Partial split between the front and back plate.
An 18ct gold garnet memorial ring,with a circular mixed cut garnet in silver clawed collets, to gold quatrefoil head, scrolling shoulders and concave shank, with woven hair glazed panel to underside of head and memorial inscription, dated 1837. Hallmarked 18ct gold, London, 4.49g.Finger size O½Buying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new.
A Georgian memorial hairwork and diamond ring, the central oval panel with a hairwork scene depicting a cottage and a tree, within a border of twenty-four old cut diamonds, closed back, approximately 16mm x 14mm, foliate shoulders, size N, unmarked yellow metal assessed as approximately 18ct, total gross weight approximately 5.5g, in a shaped green shagreen box CONDITION REPORT: Condition - good overall, wear and tear commensurate with age, some surface scratches to glass and movement of hair, all stones and settings intact
Burgess (19th Century)/Figure Walking on a Woodland Path/labelled to the frame/oil on panel, 10cm x 12.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Follower of Jean-Baptiste Greuze, 19th Century/Portrait of a Girl/bust length, wearing a green jacket/oil on panel, 39cm x 30cm CONDITION REPORT: Flat varnish with yellow tone beneath, needs cleaning but panel in good condition. Re-touching to the right eye (slight), the mouth and hair and small areas to the background. The frame measures 70cm x 59.5cm, a fine mid !8th Century carved giltwood frame with original gilding, minor losses with later slip.
Follower of Hans Eworth/Portrait of a Bearded Man/half-length, wearing a black doublet with fur collar and black cap/oil on panel, 46.5cm x 38cm CONDITION REPORT: Follower of Hans Eworth, early 17th Century, repaired split running vertically through sitters right ear, large area of old overpainting on fur trim of coat and some of it abraded, re-touching to the face with an area of overpaint to the right of the face, scattered re-touching to cheek and background.
Manner of Sir Peter Lely/Portrait of Rachel, Lady Russell/half-length, wearing black/oil on panel, 30cm x 34cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
After David Teniers the Younger/Feast of the Prodigal Son/oil on panel, 47cm x 60.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, 19th Century/View down the Wye towards Tintern Abbey/oil on panel, 20cm x 29cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A Victorian lava cameo bracelet, with nine oval grey lava panels carved in relief depicting the profiles of maidens, with gilt metal collet settings, box fastener, safety chain, each panel approximately 19mm x 15mm, total gross weight approximately 18.6g CONDITION REPORT: Condition - wear and tear commensurate with age, cameos good, some splits and denting to mounts, some evidence of lead solder repair to connecting chains
Pre BR Emblem Plaque and Railwayana, L&NWR transfer emblem on painted wooden panel (inscribed No 95 on reverse), 38cm x 40cm, LNER copper studded leather bucket (minus carry handle worn condition), tin black painted paraffin lamp filling can, minus cap with oval brass NER plaque and GWR black tin four tier letter rack, with single wall mounting hole impressed GWR, F-G, (4)
GWR Brass Cased Pressure Gauges and a Brass Class 08 Diesel Shunter Control Handle Set, three circular gauges with glass panels undamaged, two with painted dials marked GWR, the smaller example dated 4/1/1901 the other with aluminium dial inscribed pressure required GWR 8 Coaches or Less/9 Coaches or More, the largest 13cm in diameter and a three piece brass diesel loco control handle, with cast brass indicator panel, lever for Reverse/Forward/Off, handle for Off/1/2/3/4, F-G, (4)
Block Bell By R E Thompson & Co, teak/mahogany cased, labelled R E Thompson & Co Instruments Hersham Surrey, with original bell, split to top of case and some chips in worn condition, one end replaced with a Bakelite panel and with interior electric terminals, replacing original leaver, 27cm X 19cm, F
Free Standing Late Nineteenth Century Probably Great Eastern Railway Platform Ticket Machine, cast iron and blue painted, of graduated form, with swan neck pediment above later probably BR enamel sign, white lettering on a blue ground inscribed 2nd Class to Enfield Town Fare 3d, with lower original enamel panel inscribed press one coin in each slot and pull handle to full extent alongside brass plaque indicating the three slots each for 1d, above brass pull handle and later white lettering probably from a museum 'Exhibit Only' minus key, no obvious damage to cast iron, 47cm square 220cm high, G
London Transport Trolleybus Front Wheel Arch Panel and Number Plate From No 92, South London (3), painted aluminium, front wheel arch panel painted red with yellow 92, 73cm wide x 87cm high, rear number plate partly flanged, white lettering on black CGF 92, B1 Class trolleybus, which operated on route 654 in South London, 36cm wide x 27cm high and a running number 80 also on aluminium cut from a larger panel, 24cm wide x 18cm high, F, (3)
19th century Continental hand painted porcelain vase (missing lid) with underglaze blue mark possibly Augustus Rex, similar cylindrical vase marked Dresden, blue Continental porcelain vase with gilt decoration and hand painted panel depicting horses, the base marked with a blue H & pair of small yellow twin handled vases depicting Continental harbour views with indistinct underglaze blue mark
VINTAGE & LATER OCCASIONAL FURNITURE PARCEL - to include a washed woollen Chinese rug, blue ground with floral border, central panel and motif in multi-colours, with tasselled ends, 160 x 83cms, a small pottery mosaic shard top table, 38cms H, 48 x 48cms top, painted cast aluminium garden table with pierced decoration, 37cms H, 59cms diameter, a calf skin covered footstool, 18cms H, 70cms L, 34cms W, a small gilt painted wood and floral tapestry topped footstool, 14cms H, 36cms W, 29cms D and a fold-up slatted garden table, 64cms H, 82cms W, 61cms D
EASTERN STYLE RUGS (3) - to include a blue and brown ground Indian example with "Tibetan Refugee Self Help Centre" label attached, 100% wool, with Greek Key style borders and central repeating panel, 188 x 93cms, multi-coloured rug with wide border and traditional style central panel, 148 x 108cms and a red ground rug with wide borer and repeating pattern central panel, 183 x 102cms
GOOD FRENCH EMPIRE REVIVAL DISPLAY CABINET - decorated Vernis Martin style, serpentine shaped including the upper glass panels and the lower painted panels, single central door with fabric covered interior and shaped glass shelves, the whole adorned with gilt ormolu mounts and edgings, the central panel painted with a musician playing to a young woman, 188cms H overall, 84cms W, 42cms D
REPRODUCTION FRENCH EMPIRE REVIVAL SINGLE DRAWER SIDE TABLES - a pair, the oval tops having pierced brass galleries with inlaid and painted musical instrument panel to the centre surrounded by Greek Key pattern inlay, the lower frieze with ribbon swag ormolu mounts, on four tapering supports with conjoining lower shelf edged with brass, 73cms H, 50cms W, 39cms D
JOHN JONES, HIGH STREET, PWLLHELI VICTORIAN MAHOGANY LONGCASE CLOCK - having a moon detail arched painted dial set with Roman numerals, subsidiary seconds dial and date aperture before a twin weight pendulum driven bell-strike movement (pendulum and weights included), the oversized case hood having a swan neck pediment with central carved detail over the single glazed door, applied half cut turned and twist columns flanked by fully carved turned and twist columns repeated to the trunk, arched trunk door over an oval panel, on a stepped trunk base, 236cms H, 76cms W, 25cms lower trunk D
A 17th century triptych case, oil on wood, Icon depicting the life of Christ, with a Saint receiving stigmata on one of the two doors, 11.5cm wide, 18.75cm high, when opened out 33.5cm wide***CONDITION REPORT***Looks to be in honest original condition but for one repaired crack, outer door has later wiring to the hinges and some damage around the hinge areas, external blackish green paint work a little rubbed, inner door with (left wing) split from top to bottom and with an old pinned repair, some loss of paint at the bottom, upper gilt arch above the main panel showing a short split, a similar split at the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A 17th century stumpwork panel depicting a mother and children in a garden, embroidered with stumpwork and metal thread with the central figures surrounded by fruiting trees, flowers, a palace, a parrot, a kingfisher, insects, a lion, a leopard and a pool containing a fish, 29cm x 39.5cm, label verso stating that the panel was worked by a Miss Solis, a relative of the late Rebecca Grove.***CONDITION REPORT***Provenance - UK private collection, 1920s or earlier, thence by family descent.This stumpwork panel has been owned by a single Cotswold family for a number of generations dating back to the 1920s or earlier.The collection was formerly on display at the family home in Chipping Campden, Gloucestershire, UK before it was sold in the 1980s.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese blue and white panelled seven-fold low screen, late 19th/early 20th century, the panels painted with court scenes, immortals and auspicious objects, some of the porcelain panels inscribed, softwood frame, total height 83cm, total width 115cm, some cracked panels***CONDITION REPORT***First section – has two small cracked panels, second section has one broken and poorly reglued panel at the bottom, section 3 has a crack across the largest panel on the corner and a messily glued bottom panel, section 4 has cracks to 2 panels one with a chip also, section 5 has a crack across the largest panel and a crack to the bottom panel, section 6 has a crack to the bottom panel and section 7 has a crack to the bottom panel which has been messily glued. The wood frame has some splits, small losses and possibly revarnished at some point. Later hingesPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese brass mounted huanghuali and hardwood seal cabinet, Qing dynasty, applied with later pierced brass cartouches to the top and pair of doors, enclosing an arrangement of two long and four short drawers, 36cm wide, 35cm high, 27cm deep***CONDITION REPORT***The pair of doors, the side, top and back panels and the drawer fronts are made of huanghuali. The drawer linings are made of another hardwood. The central pierced bird and flower panel to the top and pair of doors have been applied later and are pinned in position and could be removed. The corner hinge lock plate side handles and the majority of the drawer handles appear to be original. One of the drawer handles is a later replacement of a different shape. The back panel and the back edge of the top has a split and large loss with some old glue around the area there is also an inserted piece of wood at the side of the back panel. The left hand cupboard door is slightly warped and sprung on the hinge, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese jade mounted lacquer panel, 20th century, one applied jade figure Qing dynasty, the gilt decorated black lacquer panel inset with a green jade Shou character, pale celadon and celadon jade figures of birds and figures in landscapes amid jade and hardstone fruiting and blossoming branches, apocryphal Qianlong seal mark, 159cm x 42.5cm***CONDITION REPORT***The lacquer, jades and hardstone are in good condition. There is some slight splinter chips to the ebonised wood frame toward the base. It is likely that just the single figure holding a sprig of fungus is actually 18th/19th century and the majority of the other Jade figures are in fact late 20th century.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A James I enamelled brass garter stall plate, dated 1603 with the arms of Esmé Stewart, 3rd Duke of Lennox (1579-1624), enamelled and gilded with the Arms of Esmé Stewart, 3rd Duke of Lennox: Quarterly of 4, 1&4: Arms awarded in 1427 by King Charles VII of France to Sir John Stewart of Darnley, 1st Seigneur d'Aubigny, 1st Seigneur de Concressault and 1st Comte d'Évreux, Constable of the Scottish Army in France: Royal arms of France within a bordure of Bonkyll, for the arms of the de Bonkyll family of Bonkyll Castle in Scotland (whose canting arms were three buckles), ancestors of Stewart of Darnley; 2&3: Stewart of Darnley: Arms of Stewart, Hereditary High Steward of Scotland, a bordure engrailed gules for difference; overall an inescutcheon of Lennox, Earl of Lennox, the heiress of whom was the wife of Sir John Stewart of Darnley, inscribed in Old French, 19 x 12.7cm***CONDITION REPORT***Losses to the enamel on the mantle and the central shield. Some wear to the gilding notably around the text. The metal panel is slightly convex with some dents to the corners and misshapen holes bottom left and bottom right.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A large Chinese gilt copper alloy figure of Cundi (Zhunti Pusa), modelled with eighteen arms (sixteen of which hold implements) symbolising the eighteen paths of attaining Buddhahood as described in her incantation, seated on a separate gilt bronze double lotus throne, 32cm high, 25cm wideCundi Avalokiteshvara (Zhunti Guanyin) is known as the Goddess of the Seventy Million Buddhas, and personifies a potent incantation called the Cundi Dharani.Provenance- acquired by the owner’s late father in the early 1980s.***CONDITION REPORT***Some minor casting imperfections and some areas of tarnish and wear to the gilding. The base panel is slightly bent inwards and has come away slightly from one edge of the foot, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Sino-Tibetan gilt bronze figure of Shadakshari Lokeshvara, possibly 18th century, seated in vajraparyankasana on a double lotus throne, the principal pair of hands in anjali mudra, the third hand formerly holding a rosary (aksasutra) and the fourth hand holding a sprig of lotus (padma), 22.3cm high***CONDITION REPORT***Al of the gem stones are missing. One point of the crown is lacking on the left side. Small dents to the left knee, and edges of the throne. Base panel lacking. Some small areas of the wear to the gilding, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese painting on silk of ladies in a pavilion garden, c.1800, in a late 19th century hongmu and mother of pearl frame, painting 53 x 35cm, frame 60 x 47cm***CONDITION REPORT***The painting on silk is slightly discoloured with some occasional minor staining in areas. Later mounted in a hongmu and mother-of-pearl inlaid frame which has slight gaps to the joints and a few missing areas of inlay at the corners. The back panel is loose and needs re-taping in position, lacking hanging brackets.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese ‘foreign ambassadors’ embroidered silk panel, 18th century, depicting an ambassador holding a sprig of coral and another with a European table clock, in a landscape with bamboo, rocks, prunus and chrysanthemums, 44cm x 58.5cm, framed and glazed Worn fragment***CONDITION REPORT***This embroidered silk panel is a fragment of a larger panel and there is wear and fading in particular to the coral ground and some other occasional losses to embroidered threads.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A William III and later walnut and marquetry chest on stand, with quartered top centred with an oval panel, two short and three graduated long drawers over a further long drawer, on bun feet, width 108cm, depth 65cm, height 113cm***CONDITION REPORT***Looks to have been repolished and restored relatively recently, overall colour is a rich dark treacle tone with a bright state of polish, a few small edge cracks to the top and one small loss of veneer at the back right corner, division between the top two drawers is missing a section of timber, handles are later replacements, locks look original but no key, once stood upon a raised stand, bun feet are later, marquetry may well be a later embellishment.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.

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360412 item(s)/page