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Click here to subscribeVictorian Period - Mahogany Carved Impressive Bow Fronted Display Cabinet of Large Proportions. The Two Large Glass Panel Doors Open to Reveal 3 Shelves with Two Below Panelled Cupboards, Supported on Four Solid and Carved Ball and Claw Feet. The Whole Being of Very Pleasing of Appearance and Solid Construction - Please See Photos. Size - 48 Inches Wide & 71.5 Inches High.
Victorian Period Handpainted and Enamel Opaline Glass Urn Shaped Lidded Vase. Circa 1880's. The central painted panel with images of cherubs and applied decorated boarder (floral) which extends to base. 17.75 inches high. Some gilding rubbed otherwise all other aspects of excellent condition.
Constant Artz (Dutch 1870-1951) Original Oil On Ply-Panel 'Ducks And Ducklings By A Willow Early 20th century oil on board depicting a charming group of ducks on the banks of a river beneath a Willow tree. Signed by the artist to lower left. Label to verso dated 14-5-91, stock number A492, secondary label to verso marked 'Verkocht' Housed in brushed gilt frame. 7 1/4 x 9.5 inches.
Constant Artz (Dutch 1870-1951) Original Oil On Ply-Panel 'Ducks And Ducklings In The Shade Of A Birch Tree Early 20th century oil on board depicting a group of ducks amongst grasses beneath the shade of a birch tree. Signed by the artist to lower left. Label to verso dated 14-5-91, stock number A491, Housed in brushed gilt frame. 7 1/4 x 9.5 inches.
Habitat - Crayonne range - Terence Conran - A retro 1970's moon lamp, the white plastic spherical form above a further half spherical dome with panel sides to form an opened slit for light to pass through, it is made from two halfs held together by aliminium sides / clips. Measures 34 cm high.
A 1930's Art Deco oak cabinet bureau bookcase of unusual configuration, glazed doors over panel doors opening to reveal adjustable shelves flanked to the left with a full front bureau with a fully appointed interior over an arrangement of drawers and cupboards. Measures 141cm x 193cm x 31cm.
A 1972 Fiat 500L, registration number YTA 223L, blue. This charming Fiat 500L has been in the current ownership since 1989. Whilst under his care the Fiat has been upgraded with the engine and gearbox from a 1972 Fiat 126. Further upgrades and works of note carried out include electronic ignition which he says has transformed the starting and reliability; twin Ansa exhaust; Spax adjustable shock absorbers; the inner front panel and battery box have been replaced; and Fiat 126 wheels and brakes have been fitted. The tiny Fiat is finished in dark blue with an original red vinyl interior and Webasto style full length sunroof. The Fiat is offered for sale with a history file containing original handbooks and workshop manuals, receipts, past MOTs and a large quantity of useful and hard to obtain spares. Now reluctantly for sale due to recent lack of use, this Fiat is on the button and ready to be enjoyed by the next lucky owner. V5, V5C, ***MOT to April 2019***, tax exempt See illustration
MANNER OF C.F.A. VOYSEY ARTS & CRAFTS FABRIC PANEL, CIRCA 1900 woven wool and cotton, 200cm drop, 128cm wide; also a 'HONEYSUCKLE' LINEN PANEL, by WILLIAM MORRIS (1834-1896) FOR MORRIS & CO., DESIGNED 1876; and a quantity of other Arts & Crafts and Art Nouveau fabric offcuts (a lot) Note: This fabric design is a variant of Voysey's design 'The Wykehamist' of 1897.
ARTHUR W. SIMPSON OF KENDAL (1857-1922) ARTS & CRAFTS CARVED OAK WARDROBE, CIRCA 1910 the projecting moulded cornice above four doors, each carved with a panel of flowers over two drawers raised on square supports with carved brackets, with applied characteristic patinated brass handles 157cm wide, 190cm high, 63cm deep Note: Arthur William Simpson was born in Kendal, Cumbria 1857 and was apprenticed to Gillows of Lancaster in 1875 and worked at a number of workshops until setting up his own in Kendal in 1885, known as the Handicrafts. He was a follower of John Ruskin and in 1889 one piece was accepted by the Arts and Crafts Exhibition Society. It was there that he would have met the architect Charles Voysey who became a great influence on his work; his designs became more architectural and simpler with less carving; this wardrobe, designed circa 1910, being a good example. By 1912, Simpson was exhibiting alongside Voysey and Walton in the Ideal Home Exhibition at Olympia. His entire stand was sold to one client. He was commissioned to carve panels for Blackwell House, designed by Baillie Scott for Sir Edward Holt and such was his skill he was entrusted by Voysey to make a number of furniture commissions.
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![[§] BERNARD DEAN WALMSLEY (1893-1985) 'THE CALLING OF SAMUEL', STAINED GLASS PANEL, CIRCA 1920 within oak frame, bears pap](https://cdn.globalauctionplatform.com/af568c59-41ae-4c97-9a68-a8aa00f15387/3030d468-911c-4099-9360-ad61190fb1e8/468x382.jpg)
