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A LARGE EDWARDIAN WALNUT CHIFFONIER OR SIDEBOARD, with swan neck pediment and urn finial above a moulded cornice, and a shelf with recessed mirror plate and three ring-turned columns, above an octagonal mirror plate, flanked to either side with a shelf, carved panels and further mirrors, the base with three frieze drawers, two cupboards and recessed vacant compartment, flanked with arched and carved panel doors, raised on short turned legs, 100" (256cm) high, 7ft" (213cm) wide. (1)
A FINE 19TH CENTURY KILLARNEY YEW AND SATINWOOD TABLE TOP JEWELLRY CUPBOARD, the top with scrolling shamrocks and a central rectangular panel, inlaid with a thatched cottage, the top opening to reveal a velvet lined interior, the two doors to the front each inlaid with an old ruin, inside a chequered border, opening to reveal three long drawers, each inlaid with ferns, and conforming inlaid side panels, on flaring rectangular plinth, 10" (26cm) high, 11.5" (29cm) wide. (1)
A VERY UNUSUAL ART NOUVEAU INLAID MAHOGANY OCCASIONAL TABLE, with rectangular tray-type top and concealed drawer to side panel inlaid with tea pot, cup and saucer; the front and back with four panels, two with opaline glass insets, and typical Art Nouveau inlay, raised on hexagonal tapering inlaid legs, with brass casters, the drawer baise-lined in two sections, 27" (69cm) high, 24.5 (62cm) wide. (1)
A LATE 19TH CENTURY ROSEWOOD AND GRAINED ROSEWOOD BUREAU DE DAME, in the Verni Martin style, with brass gallery above a slope front decorated with courting couple in a landscape, inside a brass border, the interior with three drawers and a sliding well, raised on four brass-mounted cabriole legs, the frieze with a parquetry inlaid panel, 28" (71cm) wide. (1)
A FINE SEVRES STYLE PORCELAIN TABLE-TOP WRITING SLOPE, the slope decorated with two courting couples in a landscape, the top with a pierced and cast three-quarter gallery around an oblong porcelain panel, decorated with flowers, similar decoration to side back and front panels, on conforming fixed stand with front corner caryatids, 13" (33cm) diameter, 14" (36 cm) wide. (1)
A FINE 19TH CENTURY KILLARNEY YEW WOOD CASKET, of rectangular form, the top with a band of scrolling shamrocks and a centre rectangular panel inlaid with an abbey ruin and a conforming upward tapering body, with shamrock sprays and a chequered band, the hinged cover opening to reveal a vacant interior, inlaid with shamrock sprays, 13" (33cm). (1)
AN OVAL SERPENTINE-SHAPED LEATHER-BOUND AND GILT-METAL MOUNTED JEWELLERY CASKET, the top inset with an oval porcelain panel, faux tortoiseshell base and interior, the panels in cut gilt metal, forming flowers and scrolls, 6" (15cm); together with a rectangular French Serve-style porcelain ring box, profusely decorated with flowers and gilt sprays, 5.5" (14cm); and a blue and white Meissen style pierced basket style porcelain fruit bowl, with rustic handles 10" (26cm). (3)
AN ATTRACTIVE FRENCH GRAINED ROSEWOOD AND BRASS MOUNTED JARDINIERE STAND, the circular top with a pierced brass gallery, and a centre Chinese porcelain panel, inside a band of leaf sprays and anthemions, raised on three shaped supports united by two stretchers on tripod base, 31" (79cm) high, 15.5" (40cm) diameter. (1)
AN UNUSUAL TWO-TIER CARVED HARDWOOD OCCASIONAL TABLE, probably Indian, the top with a centre panel with fan spandrels and a border of scrolling vines, carved with scrolling flowers and vines, with conforming shelf below, with carved spandrels in the form of elephants and pegasus, 24" (61cm) wide. (1)
A CARVED 19TH CENTURY FRENCH ALABASTER MANTEL CLOCK, the silk suspension movement with outside count wheel, striking on a steel bell, the unusual gilt brass dial with Roman numerals inside a carved sunburst alabaster bezel, supported on a large column, the front panel carved with a basket of flowers and rosettes to either side, on rectangular plinth with bun feet, case as is, 19.75" (50cm) high, 9" (22cm) wide. (1)
A VERY ATTRACTIVE FRENCH GILT BRASS MANTEL CLOCK, the arched top with two cherubs and a swan, above a circular enamel dial with Roman numerals, signed Aubert and Klaftenberger, also signed on the movement and inscribed Geneve, numbered 7011, striking on a steel bell; the clock face flanked to either side with cherubs and swans, on blue celeste Sevre style porcelain panel, on shaped base applied with sea shell, coral, and scrolling flowers, on serpentine shaped gilt base, 14.5" (37cm) high, 20" (51cm) wide. (1)
A FINE 19TH CENTURY FRENCH BURR MAPLE AND EBONISED SIDE CABINET, with ornate brass mounts, and Sevres style porcelain portrait panels, within ornate brass frames, the drop centre with a narrow mirror back, above a vacant compartment, flanked to either side with two small doors above another vacant compartment, flanked to either side with two pedestal type display sections, each flanked with shaped pilasters and Corinthian capital, and inset with portrait porcelain roundels, each with a drawer above, applied with a brass guilloche panel, inset with floral porcelain roundels, and raised on turned legs, 41" (104cm) high, 72" (183cm) wide. (1)
A HEAVY THREE -PIECE POLISHED BLACK LIMESTONE AND BRASS MOUNTED MANTEL CLOCK, late 19th century, of architectural design, the arched top with a centre brass panel, depicting classical scene in relief,and a circular two-stage dial with arabic numerals, flanked to either side with classical female mask, each above a double column with Corinthian capital flanking floral swags on rectangular moulded base, 18" (45cm) high, 15" (38cm) wide; together with a pair of two handled urns, each with classical mask on square stepped base, 10" (26cm) high. (3)
A HIGHLY CARVED CHINESE SIDE TABLE, the top with a centre vacant panel and outer band profusely carved with scrolling vines and flowers, and similar carved edge, above a kneehole centre with pierced and carved apron, flanked to either side with two frieze drawers, raised on conforming carved side panels with ornate scrolling foliage, 31.5" (80cm) high, 36" (91cm) wide. (1)
A CHINESE BLUE AND WHITE PORCELAIN GU-SHAPED PORCELAIN VASE, the trumpet-shaped neck painted with warriors, some on horseback, the centre with children and other figures to a bulging centre panel band, and further figures below, on flaring foot, with double circle blue mark to base 18" (47cm) high. (1)
A copper powder flask “Overall” (similar Riling 413 without sideloops), sprung brass top marked “G & JW Hawksley, Sheffield”, graduated nozzle 2¼ to 3 drams, 8” overall (few minor dents); a leather shot flask with embossed oval panel of 2 dogs, and a small plain flask, both with sprung chargers. GC (3)
A 19th century Turkish silver plated cartouche, the front and lid embossed with scrolled floral patterns, the sides similarly engraved, 3½” x 3½” x 1¼”, with belt loop to back; and a similar brass shield shaped cartouche, the front embossed with trophy of arms and flags in ornamental panel, the top and sides with stylized floral panels, rounded lid 4½” x 4¼” x 1¼”, with belt loop to back (back dented) GC for age. Plate 2 (2)
“The Present State of Guernsey with a Short Accompt of Jersey and the Forts belonging to the Said Islands. By Coln’l George Legge...”, 1680, a lavishly produced facsimile reprint by Clear View Publishing, 2011, with numerous coloured folding maps, scenes of ships and the islands, and text in longhand, “The Jersey Edition” no 17 of limited edition of 75, large folio, marbled boards, fawn calf spine and gilt title panel to front cover. VGC Plate 4

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360412 item(s)/page