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Lot 258
A tortoiseshell sewing box, 19th century, the casket form box of ogee profile, the hinged cover with central panel inlayed with mother of pearl floral and foliate sprays, the silk lined fitted interior with four mother of pearl bobbins, 24.5cm W x 18.5cm D x 11cm H, with a tortoiseshell tea caddy, 19th century, the domed hinged cover with vacant bow shaped cartouche, the interior divided into two compartments each with cover, 13cm W x 9cm D x 10.5cm H (2) (at fault)
Lot 259
A faux ivory and boulle work casket, with hinged cover and split hinged front panel opening to a faux tortoiseshell boulle work interior, the faux ivory exterior inset with boulle work motifs above a cast brass floral and foliate frieze, the cover inset with a porcelain panel in the manner of Sevres depicting exotic birds within a gilt detailed blue border and cast brass foliate frame, surrounded by boulle work motifs with mother of pearl floral details, 26.5cm W x 11cm D x 9.5cm H CONDITION REPORT:Top discoloured, with build up of dirt around the porcelain panel. Faux ivory veneer heavily crazed with losses throughout. Brass frieze shows wear and tarnishing throughout. Interior relatively clean in comparison.
Lot 262A
A 19th century chinoiserie lacquered sewing box, of octagonal form, painted with warriors on horseback within a pagoda landscape, highlighted in gilt, opening to a vacant interior, applied with side swing handles, 24cm H x 44cm W x 30cm D (at fault)Condition reportExtensive wear to gilt and painted detail, 30cm split to lacquer on cover underside, some separation in panel joints, evidence of glue/restoration to the underside where the base joins the side, along with chips and losses.Further chips to the box and cover rims
Lot 267
A late 19th century fine white cotton christening gown, with hand worked broderie anglaise front panels to skirt and bodice (some historic repairs), together with a fine white cotton christening gown with broderie anglaise and tucked panel to front, with petticoat, another christening gown of white cotton with broderie anglaise and tucked panel to front, with petticoat and a small childs dress of cotton and broderie anglaise, together with a late 19th century white cotton christening gown, the front panel to skirt and bodice with tucks and broderie anglaise, three long baby gowns of white cotton with a variety of trimming, four further baby dresses and three night dresses (15)
Lot 3
A silver coloured tea caddy, of faceted form with hinged cover and catch, elaborately engraved with scrolling decoration, 7.8cm wide, stamped '800 OMAN', together with an Indian silver coloured rose bowl, of compressed circular form on three ball feet with engraved panel decoration and mesh cover, 12.5cm wide, indistinctly marked to base (2)
Lot 338
Six Bacon's Excelsior Wall Atlases, each from Part VI of the "British Colonies" series, comprising: Africa, Australia, Canada And West Indies, India, New Zealand, South Africa, and Latitude And Longitude Ocean Routes, with four maps from the "America" series, comprising: North America (Bold Feature), South America (Bold feature), Panama Canal, and United States (Historical), and six maps from Part IV of the "British Isles" series, comprising: British Isles, England, Ireland, Scotland, Wales, Australia, and New Zealand, each six panel linen-backed map with punched brass hanging rings to top corners, each map 100cm x 75cm (17)
Lot 36
A large twin-handled silver plated presentation tray, of rounded rectangular form with gadroon border raised upon four scroll feet, vacant shield cartouche to centre, 76.8cm wide, together with a cased set of twelve ivory handled fish knives and forks, the case with inlaid panel for 'James Dwerryhouse 52 Castle St Liverpool', a pair of hard-soldered spirit warming pans, each 36.5cm long, a silver plated salver, 25.7cm diameter, and a further selection of silver plated and silver coloured tableware (Qty)
Lot 4
An Indian silver coloured double-ended spirit measure, of typical form with scrolling foliate panel decoration, 9.3cm high, together with an Indian silver coloured pill box, of rectangular form with hinged cover embossed with a lion chasing an antelope, 6.5cm wide, a silver coloured Art Nouveau style box with pierced cover, stamped '925', 4.4cm wide, and a silver coloured snuff bottle, 7cm long (4)
Lot 473
A Royal Crown Derby "Derby Green Panel" pattern part dinner service, comprising: two serving bowls, 24cm diameter (one second quality), an oval serving platter, 34.5cm wide (second), two sauce boats and stands (both seconds), twelve dinner plates, 27cm diameter (six seconds), ten plates, 21.5cm diameter (four seconds), three cabinet plates, 21.5cm, and further examples, with twelve Royal Crown Derby "Green Band" pattern plates, 30cm diameter (all seconds) (Qty) CONDITION REPORT:All pieces show some rubbing to the gilt highlights and some fine surface scratching, but no obvious chips, cracks or losses. Many pieces are dirty and would benefit from cleaning.
Lot 487
An extensive collection of Royal Crown Derby "Green Derby Panel" pattern tea and coffee wares, comprising: two teapots and covers (one second quality), each 17.5cm high, a teapot and cover (second), 11.5cm high, a coffee pot and cover (second), 23cm high, three two handled sucriers (two seconds), four milk jugs (one second), twenty four teacups (seventeen seconds), twenty four saucers (seventeen seconds), eighteen side plates (twelve seconds), six coffee cans (all seconds), and six saucers (all seconds) (89) CONDITION REPORT:All pieces show some rubbing to the gilt highlights and some fine surface scratching, but no obvious chips, cracks or losses. One of the large teapots shows some staining to the interior. Many pieces are dirty and would benefit from cleaning.
Lot 639
A Victorian table top paper theatre, 19th century, with hand coloured proscenium arch, scenery and characters, set on a wooden stage above a printed orchestra pit, and inserted into a hand-made wooden case with sliding glass front panel and removable electric light fitting, the glass panel 46cm x 46cm, the case 49.5cm overall
Lot 686
A George III oak cased thirty hour longcase clock, by Joseph Smith, Wrexham, the flat top hood with freestanding pillars flanking the 30cm square brass dial, centred with a date aperture and the makers name, enclosing the chain driven movement striking on a saucer bell, above the crossbanded rectangular door and conforming lower panel, 193cm high, weight and pendulum
Lot 689
A George III oak cased eight day longcase clock, signed S Ashton, Bradbury, the flat top hood above a gilt highlighted frieze and brass capped freestanding fluted pillars flanking the 31cm square brass dial, centred with a subsidiary seconds dial and date aperture, signed with the makers name and enclosing the two train movement striking on a saucer bell, over a blind fretwork frieze and an oak case with conforming fluted quarter pilasters upon simulated brick detail, flanking the rectangular door with applied beading above the conforming lower panel an plinth base, 203cm high, two weights and pendulum
Lot 702
A 17th century style oak coffer, mid 20th century, the three panel hinged top over a central panel carved with a heraldic shield and flanked by two further panels each carved with intertwined thistles, the side panels similarly carved with foliate detail, raised upon stile feet, 68cm H x 125cm W x 51cm D
Lot 714
A large 18th century carved oak coffer, with a four panel hinged cover, the two central panels carved with geometric lozenge motifs, above a lunette carved frieze and conforming panels to the front and sides, raised upon channelled stile feet, 68cm H x 151cm x 62cm DCondition reportSome light fading to the top of the coffer, lock has been replaced, rails added to the interior of the front and back panels, boards to the base are possibly later.Evidence of historic worm to the bottom rear rail and feet, otherwise general wear and marks commensurate with age and use.
Lot 724
A George III oak five panel settle, the moulded back rail above five invert moulded panels and a later board seat, enclosed by curved down swept arms upon bobbin turned supports, over a plain apron and cabriole front legs with plain rear legs of rectangular section, 106cm H x 190cm W x 68cm DCondition reportVery minor fading to the top of the back rest and the arms, recent board seat with additional bars added to the underside, small 4cm loss to the crossbanding on the rear panel, little or no play in the joints.
Lot 804
A Victorian pine and later constructed two door cupboard, the rectangular top with moulded edge above a pair of panelled doors opening to a single shelf, raised upon turned tapering feet, 100cm H x 93cm W x 46cm DCondition reportEvidence of historic worm to the base and bottom of the cupboard doors (see additional images), panel in the LH door is loose, general marks and wear commensurate with age and use
Lot 99
A Victorian gold coloured bangle, designed as two entwined hearts set with simulated pearls and red pastes, set to a split bar with applied beaded detail, tongue and box snap clasp fastening with safety chain, heart panel stamped '9ct' to reverse, 65mm x 53m (at fault), together with a pair of gold coloured cufflinks, each panel stamped to reverse '9ct', 16mm x 12mm, and a cultured pearl mounted gold coloured stick pin, 51mm long, gross weight of group 11.3gms (3)
![CERI RICHARDS R.A. [1903-71]. Abstract Study, c.1970. pastel collage on paper laid on board. 29 x 38 cm [overall including f](https://cdn.globalauctionplatform.com/d7f79ef1-f555-4428-bf94-ae3d00f1c25d/386b4f56-9ef4-4075-8629-ae3d00f32e23/468x382.jpg)
Lot 153
CERI RICHARDS R.A. [1903-71]. Abstract Study, c.1970. pastel collage on paper laid on board. 29 x 38 cm [overall including frame 50 x 59 cm]. br>Provenance: the artist's wife; private collection, UK. It is thought to be a study for a proposed mural at Cardiff University. [good condition - some small stains at the right edge of the lower right panel - unexamined out of frame]. Buyers premium 20% + vat payable.
Lot 7091
Papers from the archive of Nathaniel Bacon of Stiffkey, Norfolk, 1546-1622. Autograph letter signed by Agnis Robinson dated 9 November 1608, written from, 'Norwiche here at the Crowner in St. Martins', addressed, 'To Jhon Pintchinge at Styfkey theise', on 1 side 4to paper with address panel on reverse. She sends her commendations to Mr. Pintchinge, her freinds and her mother and hopes to see Pintchinge in Norwich. There is an autograph subscription at the end asking him to recyve 2s (shillings) of Robert Mann.Nathaniel Bacon (?1546-1622), was the second son of Lord Keeper Sir Nicholas Bacon and his first wife Jane, daughter of Thomas Fernely, a Suffolk merchant. Nathaniel Bacon took up residence at Stiffkey Hall with his wife Anne (daughter of Sir Thomas Gresham and Mistress Dutton) in 1578, just two years after building commenced. Through his family Nathaniel close conections with leading figures at Court, especially through his father, Lord Keeper to Elizabeth I, and his father in law Sir Thomas Gresham, who was the Queen's principal financial agent. In 1574, he was appointed a J.P. in Norfolk, an office he held for almost 50 years and which he discharged assiduously. A zealous puritan in religion, he was dedicated to establsighing the puritan ethic in North Norfolk, and through his methodical and meticulous writings amassed a superbly rich archive which reveals politics and religion in action.The Stiffkey archive and other collections, which, together, contain the papers of Nicholas Bacon and his five sons, have provided a unique glimpse into the extended relationships of an important sixteenth-century family. The collection as a whole has long been recognised as one of the main sources for our knowledge of local administration in the late-Tudor and early-Stuart periods. They illuminate the activities of an important county gentleman within a variety of overlapping and interacting communities, ranging from his household and parish to the national scene. (A. Hassell Smith et al: 'The Papers of Nathaniel Bacon of Stiffkey, NRS vol 46', 1979) Provenance: collected by Percy Milligan (died 1969), for over 30 years editor of the Norfolk Record Society; then purchased by Rosalind Brewer, historian and trader/collector of rare books, manuscripts & documents, of Winfarthing and later Eye; then by descent
Lot 7171
'Rowland Ward's African Records of Big Game XIX Edition', San Antonio, TX, Rowland Ward Publications, 1984, limited edition (131/250), signed by editor Edward Bryant and numbered, coloured plates as called for, 4to, original black leather, large gilt embossed pictorial panel to front cover, all edges gilt, plus two others in the series (3)
Lot 111
1800 Great Britain and Ireland Act of Union: a creamware jug the bellied body printed in black with a panel entitled ‘The Little Market Woman’ inscribed beneath with eight lines of amusing verse and on the reverse an oval cartouche inscribed for the union of 1800 and entitled ‘One Law’, 222mm, lower part of body, foot and underside restored # commemorative, commemorate, political, parliament
Lot 122
1801 General Sir Ralph Abercromby in-Memoriam: a creamware jug the squat body lined in brown, transfer printed in black and decorated in colours with a ‘God Speed the Plough’ scene and on the reverse inscribed panel centred by a named tomb flanked by grieving infantryman, 205mm, restoration and overspray* Born on 7th October 1734 Abercrombie was a skilled soldier also politician. He commanded the expedition to the Mediterranean in 1801. In defeating the French at Alexandria, he was struck by a musket ball during the battle and died seven days later on 28th March. See Drakard, plate 484.# commemorative, commemorate, naval, military, war
Lot 131
1803 Great Invasion Scare: a creamware jug the bellied body printed in black and decorated in coloured enamels with an oval panel entitled ‘An Englifh Jack Tar giving Monsieur a Drubbing’ and on the reverse eleven lines of verse captioned ‘The Batchelors Wish’, 187mm,* See Drakard, plate 518.# commemorative, commemorate, Napoleon, Napoleonic
Lot 133
1803 Great Invasion Scare: a pearlware jug printed in brown and decorated in colours with a scene entitled ‘John Bull shewing the Corsican Monkey’ signed manufactured by T. Harley Lane End, on the reverse a panel inscribed with mocking address, also signed, beneath a colourfully painted neck, 175mm, small chip to lower end of handle and minor restoration to spout* After Woodward’s satire engraved by Isaac Cruikshank and published by Ackerman on 3rd September 1803. Made by Thomas Harley of Lane End, Staffordshire. See Drakard, plates 532, 533 and 535.# commemorative, commemorate, Napoleon, Napoleonic
Lot 146
21st June 1813 Battle of Vittoria and Wellington: a silver resist jug printed in black and decorated in colours with an inscribed equestrian portrait and on the reverse an oval panel detailing battle honours, 148mm, spout restored, star crack to base, enamel flaking* Following victory at Vittoria the French casualties were less than they might have been on account of many British soldiers, rather than pursuing the enemy, plundered the abandoned French wagons which contained the ‘loot of a Kingdom’; an incident which enraged Wellington.See Commemorative Pottery, plate 173.# commemorative, commemorate, Napoleon, Napoleonic
Lot 4
c.1948 Vespa 98 Classic Scooter - Extremely rare late 1940s Vespa scooter - Engine appears to turn over Assisted by our consultant Vespa specialists, this mysterious model has been recognised as a rare Ninety Eight model which was marketed as the first Vespa machine of the late 1940s. Despite deceiving features such as the Scooters fork assembly and engine cover panel from later models, it is believed this bike dates to 1948. No V5c comes alongside the vehicle. Fascinating, rare and beautiful this is a hard to come by opportunity for global Vespa collectors to attain such a specialised and sought after Scooter. Condition Report: Our consultant wasn't able to locate a chassis number on the vehicle. It is noted that the 4-digit marking beneath the seat is presumed to read '9087' however due to decay the last two digits are hard to distinguish. Photos of these digits will be attached as soon as possible.
Lot 108
A Burmese hardwood davenport,19th century, with ornate all-over carving depicting trailing and flowering foliage, the slope with a leather inset enclosing four short drawers, one side with a door enclosing four drawers with recessed 'military' handles, the top on supports in the form of birds standing on 'C' scrolls,64cm wide58cm deep104cm highCondition report: White residue is probably old polishing fluid. Large split to central panel. Apparent losses to each side of swan supports, which may have been some sort of metalware. Dirt, dust and patina. Knocks, rubbing and surface wear. Some loose areas including superstructure and supports. Hinges and drawers ok. One secret drawer to right hand side, although not immediately apparent as to how this operates. Small hole to interior. Generally solid and of good quality. General wear commensurate with age and use.
Lot 134
A tortoiseshell, ivory and silver-mounted casket,late 17th century, Indo-Portuguese, with reeded ivory banded edges and foliate white metal mounts, with a swing handle to either side and raised on paw feet,13cm wide8.5cm deep8.5cm highCondition report: top panel split, front panel split, back panel split, bloom to the right end panel, ivory cracked silver misshapen and tarnished in places, one foot twisted
Lot 17
English School, late 19th centuryBaskets of rosesa pair, signed with initials 'MS' l.r., oil on panel84 x 27.5cm (2)Provenance: Bracken Knoll, Highgate, London, N6.Condition report: The paintings are executed in oil on wooden panel supports. The support and paint layers are in a good, stable condition overall. The surfaces have suffered from knocks and dents. Both paintings have a thick varnish layer which have discoloured with age and have mottled, brown spots across the surface. There are several scuffs and scratches present
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360406 item(s)/page