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Lot 21
A Versace 'Harry Potter' children's leather jacket, A Versace 'Harry Potter' children's leather jacket, with Harry Potter embroidery, fuschia shoulder panel and zip fastening, labelled size L.Overal condition fairSigns of moderate wearSome losses to leather around panes and seams, slight snags to parts of embroiderySmall tears to belt
Lot 8001
Victorian gold tassel brooch, with beaded, rope and foliate decoration and glazed panel reverse, with a pair of matching pendant earringsCondition Report:Approx 21.6gm gross, tested to approx 18ct possibly higher carat overlay onto lower carat gold (back pin not gold), dents and soldering marks to earrings, brooch good, brooch length = 80mm, earrings length = 65mm overall (50mm excluding top hook)
Lot 183
rectangular, with a body colour possibly ivory panel depicting the Moti Masjid Mosque in Agra, surrounded by a carved foliate border with beaded decoration and set with eight split pearls, dimensions 5.4 x 4.1cm, pin and hook fitting, unmarked tested as 18ct gold with a 9ct gold pin, weight 25.1gThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. C9JMMY2N
Lot 192
first, a square panel ring with a central rubover set rectangular faceted sapphire, estimated approximate weight 0.75ct, surrounded by a border of sixteen grain set single and brilliant cut diamonds, head diameter 9mm, diamond set shoulders, 'D' shaped shank with sizing beads, approximate size L, unmarked, tested as platinum, weight 4.2g; second, a pair of sapphire and diamond cluster ear pendants, length 1.7cm, post and scroll fittings, hallmarked Birmingham, 9ct gold, weight 1.3g, cased (2)
Lot 33
claw set oval opal, approximately 19.8 x 16.5mm, estimated approximate weight 10.90ct, surrounded by twenty round faceted sapphires, and suspended from a tapered sapphire set panel with a plain bale, length including bale 5.5cm, width 2.4cm, unmarked, tested as 9ct gold, belcher link chain, length 40cm, hallmarked London, 9ct gold, gross weight 11.5g, cased
Lot 4
oval shaped, pierced scroll panel, with two rubover set oval faceted citrines, surrounded by rose cut diamonds, suspending a pierced dropper with a single rubover set citrine, and rose cut diamonds, dimensions 4.5 x 3.8cm, pin and revolver fitting, unhallmarked, tested as 18ct gold and silver, with continental marks, weight 11.4g
Lot 6
first, a pair of oval shaped cufflinks, 2 x 1.5cm, engraved with 'PLEASE RETURN TO TIFFANY & Co NEW YORK', bar connection with an oval back panel, unhallmarked, stamped '925'; second, a bar brooch, possibly an orchid, length 6.3cm, pin and revolver fitting, unhallmarked, stamped 'TIFFANY & Co 925 MEXICO', gross weight 20.1g (2)
Lot 68
oval shaped, with a central oval blue guilloche enamel panel with an 'RB' monogram set with rose cut diamonds, surrounded by a fancy white and blue enamelled border, verso, a black and white photograph of a smartly dressed gentleman, plain bale, length including bale 5.5cm, width 4cm, unmarked tested as 18ct gold, weight 21gProvenance:Wood Hall, Hilgay, NorfolkOverall condition: GoodMinor damage to enamel in multiple places, only visible with a 10X loupeTwo diamonds missingTarnishing and general wear to mount, consistent with age
Lot 654
A collection of various textiles, various dates, mainly late 19th century to include a needlework carpet, approximately 297 x 277cm, a needlework panel, approximately 72 x 154cm wide, a pelmet, approximately 296cm wide, 52cm drop, a bell-pull, approximately 182cm long, 14cm wide Provenance: Property from the estate of the late Joe Constantine
Lot 18
Newlyn SchoolGeese and to verso a ploughing teamOil on panel29x20cm This oil is in unrestored, uncleaned condition. The images show peripheral damage to the panel. Less easy to see is abrading to the surface top left of the geese painting. it is generally dirty and about the horse's feet some oxidization of pigment
Lot 373
Attributed to John Anthony PARK (1878-1962)Pudding Bag LaneOil on Panel (double-sided)c1921-193635 x 30cmThis attractive view of Pudding Bag Lane offers an alternative to a number of versions painted by John Anthony Park in his 2nd St Ives period (1921-1933). The site was condemned as slums in the 1930s and demolished in 1936 to build a car park for the Sloop Inn, just 3 years after Park had left for London.Returning to St Ives in 1940, he found the site greatly altered and took a new studio overlooking Porthmeor Beach, where he remained until 1957; his 3rd and final period in Cornwall. The reverse of the panel bears a study of ships in St. Ives harbour. This needs a light surface clean and has a single wormhole. Otherwise the condition is good
Lot 83
John BARNICOAT (1924-2013)Untitled Triptych, 1993Three oils on canvasEach signed and dated 1993 to versoEach 76 x 76cmProvenance - The artist's estateJohn, brought up in Cornwall, was educated at King’s College, Taunton. At 19 he joined RNVR as a Naval Officer taking part in D-Day, Sword Beach. He read modern History at Lincoln College Oxford 1948-52 also the Ruskin School of Drawing. He studied painting at the Royal College of Art 1952-55, and became Senior Tutor at the RCA Painting School 1976-80. His first one-man exhibition was at Colette Allendy Galerie, Paris 1959.John Barnicoat was described in ‘Exhibition Road. Painters at the Royal College of Art.’ Edited by Paul Huxley (1988), as a ‘gifted painter and highly esteemed teacher and administrator and is widely regarded as one of the most thoughtful and influential voices in art education’.John was Head of Falmouth School of Art 1972-76; Head of Chelsea School of Art 1980-89. He wrote Posters a Concise History (Thames & Hudson 1972) translated into many languages and organised and curated exhibitions in the UK and Russia on the art of the poster.From a young boy in Cornwall, during the war and later, he made pen and ink drawings, and was a painter of oils and works on paper using tempera, conté and acrylic. He showed continuously with one-man shows at Galerie Colette Allendy Paris (1959) Molton Gallery (Annely Juda) (1962) one-man exhibitions at the Taranman Gallery (1977-83) including the London Group (1955-1996); and his work is represented in both government and private collections.After retirement in 1989, he made several series: drawings and oils of the bridges of London, oils of women’s heads, acrylic and conté works on paper and finally pen and wash drawings of two women, one of whom is being dressed.John's work has recently been exhibited with The Belgrave Gallery, St Ives 2017-2022. The right-hand panel has a 1cm diameter flake of missing paint and to the top center a dent and piercing to the canvas that has resulted in paint loss. The two other panels are in good unrestored condition with a little craquelure.
Lot 20
A STAMPED 750 YELLOW METAL EGYPTIAN PANEL BRACELET the bracelet fitted with ten openwork panels depicting Egyptian symbols and hieroglyphs, bracelet length 18cm, width at widest point 0.5cm, weight 6.7grams Condition Report : good, clasp works well Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 224
AN EDWARDIAN OAK DRESSER the upper section with carved frieze above mirror flanked by cushion shaped glazed doors, the base with pair of mask handle drawers above similar drawer and cupboard flanked by cupboards, 160cm wide 61cm deep 189cm high Condition Report : one glass panel cracked, otherwise good Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 2130
An early 19th century Continental walnut sgabello armchair, the shaped back finely carved with a shield and scrolls, the solid panel seat on staked legs, height 93cm, width 60cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2082
An 18th century oak coffer with triple panel front, on stile supports, height 70cm, width 112cm, depth 43cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2425
A late 18th/early 19th century painted paper folding fan with pierced mother-of-pearl guards, the panel painted with figures at leisure against a landscape, with a card tubular case, inscribed 'Cherry'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2076
A Regency ash bar back elbow chair with a solid panel seat, on sabre legs, height 87cm, width 52cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2650
A late Victorian plated-on-copper panel depicting a figure seated on a camel beneath a palm tree, 37.5cm x 26cm, within ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2624
An early 20th century mahogany portable tool chest, with carry handle to the hinged lid and a front panel concealing an arrangement of drawers, each containing precision engineering tools, height 36cm, width 43cm, depth 21.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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360406 item(s)/page