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Click here to subscribeA contemporary studio glass vase by Richard Golding of Station Glass, the compressed sleeve form cased in a tonal blue to purple petrol iridescence over clear and randomly flash cut with an abstract design of oval printie panel cuts with dash and scrolling lines, engraved signature, dated 2016, 19.5cm.
A late 18th Century oak Deuddarn or Didarn, possibly North Wales, the upper section enclosed by a pair of fielded panel doors below a fluted cornice and turned drop finials, above a base fitted with two drawers and panel cupboard doors, on bracket feet, height 187cm x depth 60cm x width 120cm.
A Royal Worcester shape G957 vase panel decorated by Kitty Blake with hand painted autumnal leaves and berries, signed to the reverse, puce mark with date code for 1932, height 8cm, together with a small pin dish coaster decorated by Kitty Blake with similar decoration, puce mark with date code for 1941, diameter 7cm. (2)
An 18th Century and later constructed oak cypwrdd bara caws (bread and cheese) cupboard, possibly North Wales, enclosed by a pair of carved and vented slatted panel doors below a fluted dentil and lunette cornice, over two short and two deep geometric moulded front drawers, brass handles and suction's on turned legs united by rail stretchers, height 177cm x depth 48cm x width 112cm.
A 19th century satinwood tea caddy, of oval form, with shell designed inlayed panel to hinged lid, and foliage and bow inlay to front. Lockable with key and tassel within. Inside there being two compartments with covers and paper feather like design to inside of lid. Along with a smaller Georgian wooden sarcophagus shaped casket, with lead lining and on four bracket feet, with brass escutcheon to front, no key and divisions inside. Originally most likely also a tea caddy. (2) Sizes: Satinwood approx. 12.5cm high x 19.5cm wide, the other approx. 11cm high x 16.5cm wide. Further Details: The satinwood caddy having one holder for the cover inside missing so cover does not sit inside, general wear to wood and inlay but generally in good condition. The other casket having slight splitting to one top corner, surface scratching, general wear and slight splitting to parts, but in stable condition.
James Brenver of Cheadle, Staffordshire 8 day longcase clock. with 14" round brass silvered dial, subsidiary seconds sad mouth calendar, Arabic and Roman numerals. Contained in a oak case, The hood with reeded columns and swan neck pediment. The trunk has reeded columns to the sides and the base has a raised panel all with good patina. Dimensions. 82" x 19" x 9" Condition. Looks to be all original the hood top has an old repair which is not in keeping. case is good colour movement not tested.
A collection of Victorian mourning attire, to include: A heavily embellished 1870s Victorian panelled high-necked bodice, decorated with beadwork and jet on panels and the cuffs, jet buttons. Another bodice, 1880/90, of sateen with fine crepe pleating down the front, high neck and wide cuffs that fasten with decorative jet buttons, in a heavily boned peplum design, the fabric has a foliage design running through; together with a matching skirt with a long train, fastening with a metal hook. Also a slubbed taffeta black skirt, c.1890, with two pleated cuff design at waistline and inter-sewn seams finished in a red striped ribbon. Also a black satin cape, 1870/80, scalloped round the hemline and with decorative braid work, covered buttons and Peter Pan collar. Also a midnight blue velvet jacket, 1890s, with a narrow black neckline in sateen, peplum in black slubbed sateen, cuffs with a pointed panel of black sateen, and decorative black woven buttons, large size. Also a black brocade mourning skirt, 1890, with an embossed decorative foliage design on the fabric, and two rows of braiding round the hemline which has a 3" hem. (6)
John Wyke of Liverpool 8 day longcase clock with moon phase. A 13" brass dial with subsidiary seconds and calendar with the maker name above the top of the moon phase in the arch, female head mask spandrels with a two train movement striking on a bell. Contained in a lovely mahogany veneered case the trunk with plain quarter columns, the trunk door has matching butterfly veneers, as does type panel in the base of the case . Note John Wyke was a famous Liverpool clockmaker recorded as working from approximately 1760 until his death in 1787. Particularly noted for his eight day moon phase clocks of which this is one. Dimensions - 88" (to top of the central urn) x 19" x 9" Condition report - All appears to be in good condition aside from cracking to veneer on door and lower case along with some minor scuffs and marks It has not been run for a while so the movement will need to be cleaned but not fully tested. Weights pendulum, trunk door key and winding crank present.
A VICTORIAN OR EDWARDIAN PITCH PINE BREAKFRONT BOOKCASE LATE 19TH OR EARLY 20TH CENTURY 280cm high, 365cm wide, 46cm deepPlease note this lot is NOT present at Donnington Priory, it is on view in our Hambridge Lane premises, this can be viewed here during normal viewing hours, weekend viewing by pre-appointment only. A condition report with images is available Condition Report: Please note this is possible to flatpack, by unscrewing all elements - this is built at our warehouse and would need dismantling by the purchasers carriers for transport, it is not 'sectional' as many are. When this was assembled by the vendor's carriers it took 2 men at least 2 hours to build here. It is likely to be a quicker job to dismantle but at least an hour would need to be expected and budgeted for. The dimensions are as catalogued, the overall height is the height/length of the longest panel when flat-packed.The shelves are all removable as are the drawers to the frieze Overall with marks, knocks, scratches, abrasions, consistent with age and use Splits and cracks, old chips and losses, shrinkage cracks to the panel backThe locks are replacements to the doors, one key operates both locks at time of report There is a gouge to one area of the 'tops', signs of repair, restoration and alteration including spliced repair, hole to the rear of the centre, old screw holes, possible this has had more 'wings' to the sides at some point previously Please see the numerous additional images that accompany this report for visual reference to condition Condition Report Disclaimer
A VERY GOOD PAIR OF PAINTED SHERATON SIDE CABINETS, FAUX SATINWOOD, painted with garlands, the front with central panel door flanked by cupboard doors painted with urn and flowers and classical figures, open ends with glass panels supported on a platform base. 6ft 4ins long, 1ft deep, 3ft high.
A 1920's/30's black sheer evening dress with button mesh lace to the arms and lower skirt having a separate sheer black slip, 38/40" chest together with an early 20th Century black satin full-length evening cape with hood and 2 pairs of black elbow length evening gloves (in suit carrier). Location:Rail2Condition: One rope tie missing to the cape neck area and one button missing to the shoulder. There is a tear to the lace panel at the hem-see photos for condition report.
A 9ct yellow and rose gold sovereign and half sovereign case with pendant loop attachment, Birmingham 1908, length approx. 60mm, approx. 30.8g.Condition Report: Minor denting to each panel, light tarnishing and wear, minor knocks. Hinge is slightly loose, smaller coin holder with denting to the edge.
An unusual 18th century or earlier Middle Eastern embossed leather medallion, pivot set in a quatrefoil panel, the medallion 6 x 5.25cm, a pair of decorative candlesticks converted to lamps, a similar tray, panel of needlework, a carved alabaster elephant, small sandalwood figure, and a cylindrical box and cover.
FRANCESCO BIASIA; a cream leather shoulder bag with embossed logo to front cream panel, top zip and single strap with large B buckle, 36 x 30cm, a black soft nappa leather crossbody handbag with flap closure and large buckle closure and a snakeskin leather shoulder bag with two thin shoulder straps and silver tone buckles to side, fully lined with dust bag, 31 x 24cm.Condition Report: There is some scratching to the front panel of the cream bag and the black shoulder bag does show some signs of use.
CHARLES JOURDAN; a vintage cream monogram coated leather handbag with embossed leather front and shoulder strap, 28 x 19cm, and a grey coated leather handbag with leather trim and shoulder strap (2).Condition Report: The cream monogrammed handbag is in a good condition with no staining or scuffing although some signs of use to the front brown leather panel and the grey coated leather handbag has signs of use, both to the front closures and the bag and the handle.
J.A BAILEY FOR AYNSLEY; two tea cups and saucers to include an example with a central panel with floral detail inside a gilt border, together with a further Aynsley tea cup and saucers with printed decoration of fruit (3).Condition Report: The pale blue example with gilt highlights with a small pin head chip/loss to the gilding on the side of the handle, also a fine hairline crack to the body otherwise each in good condition.
ROYAL WORCESTER; a hand painted cylindrical vase with a circular panel decorated with fruit, indistinctly signed inside a gilt detail on a cobalt blue ground, numbered 2491 to the underside, height 14.5cm.Condition Report: Good condition with no chips, cracks or restoration, the odd minor scratch to the glaze.
SAMUEL HENNELL; a George III hallmarked silver teapot of oval form with cast rim and engraved intials 'FGJ', on four paw feet, London 1818, approx weight 24.4ozt/760g.Condition Report: Spacer to the top of the handle is missing, the cover doesn't close not one hundred percent true, extensive tarnishing, possible oils repair to the underside of the cover, the spout is bent and slightly wobbly, old repair to the back panel of the tea pot
A pair of black leather stiletto boots with fabric nova check detail panel and buckle to side, heel 7cm, in original dust bag, size 39, and a pair of ten leather heeled mules with gold tone oversize buckles embossed with maker's name, with wooden platform and heel in original box, size 37 (2).Condition Report: The tan mules are in a good condition and look unused although the box has some damage, the black leather stiletto boots are in a good condition with little use to the base and the stiletto but both are missing the zip charm to the sides.
LAKIN, FARNWORTH; an 18th century eight day longcase clock, the brass face set with scrolling detail to the four corners with applied silver chapter ring bearing Arabic numerals and Roman numerals and two subsidiary dials, the dark oak case with inlaid panel above a pair of columns to the hood and a light oak shaped door, height 208cm, width 53cm.
Adams (Douglas). Dirk Gently's Holistic Detective Agency, 1st edition, London: Heinemann, 1987, signed by the author to title, edges lightly toned, original blue cloth gilt, dust jacket, 8vo, together with:Pratchett (Terry). The Fifth Elephant, 1st edition, London: Doubleday, 1999, inscribed by the author 'To Claire, love and schmaltz' to half-title, book signing stamp to half-title, original red cloth gilt, dust jacket, 8vo, withAdams (Douglas). So long, and thanks for all the fish, 1st edition, London: Pan Books 1984, original black cloth lettered in silver, dust jacket, hologram to front panel, price-clipped, lightly rubbed to extremities, 8vo, with 11 other related sci-fi and fantasy worksQTY: (14)
Greene (Graham). Why the Epigraph?, London: Nonesuch Press, 1989, original cloth, acetate wrapper, 8vo, limited signed edition 640/950, together with Our Man in Havana, 1st edition, London: Heinemann, 1958, light marginal toning, original cloth, dust jacket, spine slightly faded, light toning to rear panel, 8vo, plus The Spy's Bedside Book. An anthology edited by Graham Greene & Hugh Greene, London: Rupert-Hart Davis, 1957, original cloth, dust jacket, some fading to spine, 8vo, plus 19 others by the author including British Dramatists, 1942, A Burnt-Out Case (2 copies), 1961, The Comedians, 1966, May We Borrow Your Husband?, 1967 and Travels With My Aunt, 1969QTY: (22)
* Finishing and bookbinding tools. A selection of decorative brass blocking dies and brass finishing tools, comprising approximately 35 ornamental blocking dies including corner, border, centre, panel dies and blocking die portrait of Charles Dickens, together with seven decorative brass finishing tools, comprising centre & corner tools of traditional design (including one pair of corner tools), together with two books of George M. Whiley gold leaf (one partly used), roll of gold foil, large lithograph stone (48 x 38cm, 19 x 15 inches, edges heavily chipped and worn), plough, single line type holder (10 cm, 4 inch), leather cutting wheel with wooden handle, spokeshave, small backing boards, linen sewing thread, plus a selection of bookbinding reference including Middleton (Bernard), A History of English Craft Bookbinding Technique, 2nd edition, 1978, Burdett (Eric), The Craft of Bookbinding, 2nd impression, 1978, and others similarQTY: (a carton)
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