A Russian Icon, 'Nicholas of Myra', gilt silver, vermeil, and tempera on panel. Mark of Yakov Mishukov, Moscow 19th century. The oclad very richly decorated with faceted and cabochon glass, pearls and rough 'old cut' diamonds (tested). Vermeil silver. Hallmarked with "84 zolotniks" (875/1000)Assayer marks for Ivan Yefimovich Konstantinov, Dated 1882. Maker's Mark "??". (Cyrilic), Mishukov Yakov Fedorovich, Yakov MishukovMoscow, the second half of the 19th century. Dimensions: (W:26,5 x H:31 cm)
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Egide LINNIG (1821-1860) 'Harbor View' oil on panel. Signed lower left.On the reverse with a mark in the panel. Condition report: - In our opinion, the panel was larger and sawed of near the top. - Some small spots with restoration. Otherwise the painting is in good, hangable condition. Dimensions: (W:70,5 x H:50 cm)
Suiveur de Jean-Baptiste Chardin (Paris 1699-1779)La petite fille aux cerises huile sur panneauoil on panel33.5 x 22.5cm (13 3/16 x 8 7/8in).Footnotes:Le present lot derive d'un tableau perdu de Chardin, connu à travers une gravure executée par Charles Nicolas Cochin (Louvre, Inv. 6111 LR/ Recto).For further information on this lot please visit Bonhams.com
Attribué à Max Ingrand (1908-1969)La danse au son de la flûte de paon dans un décor surréalisteGrand panneau composé de douze miroirs peints à décor polychrome.H. 152 cm - L. 204 cmA large panel of twelve painted glass mirrors depicting 'The surrealistic dance' attributed to Max IngrandFor further information on this lot please visit Bonhams.com
Cabinet en bois noirci à décor polychrome dans le goût de l'Asie de style Anglais du XIXe siècleDe forme rectangulaire à fond noir figurant des scènes animées dans des paysages, il ouvre à deux vantaux moulurés de panneaux. Il repose sur un piètement à quatre pieds torsadés réunis par des barres d'entrejambe.H. 165 cm - L. 150 cm - P. 53 cmA 19th century English style blackened wood cabinet with polychrome decoration in the Asian styleRectangular in shape with a black background depicting scenes with figures in landscapes, it opens to reveal two panel-moulded leaves. It stands on four twisted legs joined by crotch bars.For further information on this lot please visit Bonhams.com
François Bonneville (actif 1793-1802)Jeune garçon et ses animaux de compagnie signé et daté 'de Bonneville/pinxit anno/ 1783' (en bas à gauche)huile sur toile marouflée sur panneausigned and dated 'de Bonneville/pinxit anno/ 1783' (lower left)oil on canvas laid down on panel64.5 x 54.5cm (25 3/8 x 21 7/16in).For further information on this lot please visit Bonhams.com
Pare-feu de forme mouvementée en bois doré d'époque Louis XVA décor mouluré et sculpté de fleurettes et rinceaux feuillagés, il repose sur des pieds patins à enroulement.Feuille aux petits pointsH. 99 cm - L. 69 cm - P. 39 cmA Louis XV giltwood fire screenDecorated with mouldings and carvings of foliage and foliage scrolls, it stands on scrolled feet. Panel with petit point tapestryFor further information on this lot please visit Bonhams.com
Manière de David II Teniers, XIXe siècleLe fumeur porte une signature 'D. Teniers' (en bas à gauche)huile sur panneaubears a signature 'D. Teniers' (lower left)oil on panel31 x 23.5cm (12 3/16 x 9 1/4in).Footnotes:Le présent lot dérive d'un tableau de David Teniers II (https://rkd.nl/explore/images/13943).For further information on this lot please visit Bonhams.com
Liberty-A pair of teal curtains having a panel to the hem of Liberty turquoise and blue 'Hera Feather' fabric, having a gathered heading with hem unpicked and a duck egg blue lining, each curtain measuring 25" wide x 85" drop (condition: Some sun damage to sides and lining, hem requires finishing) together with two pairs of purple print curtains having a gathered heading, one pair each curtain measuring 36" wide x 92" drop and the other pair each curtain measuring 49" wide x 92" drop, both with blue lining (condition:Some sun and historic water damage to lining and the largest pair having a perished lining to both curtains-see additional photos) Location:LAB
Heal and Son, London- Two 1956 remnants of screen printed cotton 'Nautilus' furnishing fabric in red and white designed by Mary Warren, measuring 9'long x 4'2" wide and 3'long x 3'wide. Location:A1MOf Interest: During the 1950s, Mary Warren designed furnishing fabrics for Heal's Wholesale and Export Ltd. in London. Her work typically comprises of abstract and geometric forms on screen-printed cotton. The title 'Nautilus' comes from the name of a marine mollusc and is also the name of numerous historic ships, which alludes to the pattern suggestive of ship rigging and navigational equipment in this panel.
Heal & Son, London- Two 1956 remnants of screen printed cotton 'Nautilus' fabric in yellow and black designed by Mary Warren with designer details to the margins, measuring 3'6"long x 4'2" wide and 18"long x 4"2"wide. Location:A1M.Of Interest:During the 1950s, Mary Warren designed furnishing fabrics for Heal's Wholesale and Export Ltd. in London. Her work typically comprises of abstract and geometric forms on screen-printed cotton. The title 'Nautilus' comes from the name of a marine mollusc and is also the name of numerous historic ships, which alludes to the pattern suggestive of ship rigging and navigational equipment in this panel. Location:A1M
A group of vintage silk scarves to include a Tiffany & co scarf, a Parisian Jean Desprez cream and brown silk scarf with leaf outline design, 32" x 33", a Ballantyne cream ground scarf with grey border enclosing a panel of small red and yellow four petal flowers, having hand-rolled edges, 29" x 31", a Jaeger red ox blood checked scarf, 26" x 26" and another, an Andrea Zanellato cream and pastel coloured Baroque and floral scarf, 33" x 33". Location:R2.3
A Dutch-engraved Silesian-stemmed shipping goblet, c.1740, the funnel bowl finely engraved with a three-masted sailing ship flying a flag inscribed VOC beneath the inscription DE OOSTINDISCHE COMPAGNIE for the Dutch East India Company, the bowl set on a flattened ball knop with tear inclusion and a Silesian hexagonal pedestal stem and folded foot, 16.8cm highFootnotes: Note: This goblet is a fine example of a type of English glassware decorated with wheel-engraving by Dutch artisans, dateable to the first half of the 18th century. The stem type known as 'Silesian' is not for any direct connection with Silesia but instead so-named to honour the arrival of the Hanoverian George I to the English throne in 1714. The ship depicted, while not named as a Privateer vessel, can be associated to the Dutch East India Company by the presence of the 'VOC' insignia to the ship's flag. The Dutch East India Company was constituted in 1602 as a means to amalgamate the various competing Dutch companies trading in the East Indies under one monopolistic corporation, united by national interest against foreign competitors. The presence of the 'VOC' insignia on material goods, both luxury and utility, served as a reminder of both the strength and the wealth of the company. Considering the well-established Dutch ritual of drinking and toasting at the conclusion of formal affairs and business transactions, it is not surprising that wine glasses would be an ideal object to bear the mark of the company, regardless of whether the goblet was intended for practical use or as a purely symbolic object. A similarly shaped goblet with related East India Company engraving to the bowl was sold at Bonhams as part of the A.C. Hubbard Collection of Important English and Dutch Glass, 30 November 2011, lot 261, for £5000 (including buyer's premium). Condition Report: This goblet is in overall good condition and presents well despite some minor flaws and light wear consistent with age, listed below: Some light scratches to the bowl. An area of very minute chipping to the rim just above the tallest mast of the engraved ship. An impurity mark to one panel of the Silesian stem, between two of the corners. An impurity to the folded foot with further tiny air bubbles and scratches to the underside of the foot. Additional images are available - click here.
A Queen Anne inlaid walnut chest, first quarter 18th century, with two short over three long graduated drawers, on later feet, 94cm high, 96cm wide, 58cm deepCondition Report: scratches, stains and old gouges throughout, signs of old woodworm, large split to left side panel, some veneer/moulings missing, structurally sound
A silver and enamel cigarette case with concealed erotic scene, with import marks for Birmingham, 1910, Marks & Cohen (Walter Henry Marks & Samuel Tobias Cohen), the exterior with a vacant shield cartouche, the interior with hinged central panel with a nude leaning on a chair and looking at herself in the mirror, 9.1 high, 8.3cm wide
A French gilt-brass grande sonnerie carriage clock, late 19th century, the Anglaise Riche case with swing handle above Corinthian columns, bevelled glass panels, on plinth base with bracket feet, the white enamel dial with Roman numerals, the twin train movement with platform lever escapement, strike/repeat on two gongs, with three-position sonnerie adjustment lever to underside engraved Silent / Quarters Only / Hours and Quarters, with winder, 16cm high (handled not extended), 10.6cm wide, 9.5cm deep Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Condition Report: The brass case with tarnishing throughout. A small crack to the bevelled escapement panel to the top of the case. The escapement platform with some tarnishing. A hairline crack to the top right corner of the enamel face. Each of the bevelled glass side panels with small marks especially to the edges, one panel does not sit tight to the case and rattles from nearby vibrations. Some empty arbor holes to the backplate. Engraved restorer's numbers found to the underside of the case. This clock comes with a key. When wound, the clock is ticking. The quarters strike accurately, the hours do not always strike accurately, the three settings of Silent, Quarters Only and Hours and Quarters are functional and the adjustment lever to the underside is functional. Roseberys do not guarantee the working operation of any timepiece offered for sale.
A Paris porcelain fond ecaille cabinet-cup and saucer, c.1800, the ground gilt with anthemion palmettes above pendant chained garlands, the cup reserved with an octagonal panel painted with two putti in a landscape, the interior richly gilt, the saucer underside with concentric gilt bands, the cup 6.6cm diameter, the saucer 12.8cm diameter (2)Condition Report: This cabinet-cup and saucer appears to be in good condition, with light scratches to the gilding and porcelain, some impurities to the foot of the cup, and a few firing spots to the cup and the saucer.
A Queen Anne feather banded walnut chest on stand, first quarter 18th century, with two short and three long graduated drawers, the base with drawer and on squat bun feet, 107cm high, 101cm wide, 59cm deepCondition Report: scratches, stains and old gouges throughout, some veneer and beading missing, splits to left side panel, some veneer repaired/replaced, structurally sound
A Russian icon of St. George and the Dragon, late 19th century, the saint is depicted on a white horse killing the dragon while an angel flies above his head with a crown, the rescued Princess Elisabetha pausing at the gate, tempera on wood panel, 31 cm high, 25.5cm wide (VAT charged on the hammer price)Condition Report: For further images please see the following link - https://we.tl/t-IBGzIh9fZS
A French straw-work domed table casket, dated 1787, the front inlaid with a chateau above a panel with initials DBS and dated 1787, with brass escutcheon and four bun feet, 26cm high, 41.5cm wide, 28cm deep Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Condition Report: Overall in poor condition with wear to the straw work throughout. One of the feet is loose but present. The key is rusted and does not lock. The interior lining is partially missing, what remains is cracked and faded. Additional images are available - click here.
Attallah, Naim: Women, full blue morocco binding by Asprey & Co. Ltd., with gilt tooling and lettering to spine and lapis lazuli panels with gold-plated mounts to the front and rear boards, gilt page edges, held in a quarter blue leather and cloth presentation box with gilt tooling and lettering to spine, London: Quartet Books, 1987, together with: Speaking for the Oldie, full green morocco binding by Sangorski & Sutcliffe with gilt tooling and lettering to spine and green marbled end pages, gilt page edges, London: Quartet Books, 1994; Tara & Claire, full blue morocco binding by Sangorski & Sutcliffe with gilt tooling and lettering to spine and blue marbled end pages, gilt page ends, London: Quartet Books, 1996; and Insights, full midnight blue morocco binding by Glenn Bartley, with gilt tooling and lettering to spine and marbled end pages, gilt page edges, London: Quartet Books, 1999 (4)Condition Report: Overall these books are in good decorative order. The gold plating to the lapis panels affixed to the boards of the copy of 'Women' are tarnished and rubbed, the bottom left corner of the gold-plated border to the panel on the front board is lifting from the leather. The leather spine of the presentation case of 'Women' is somewhat faded in colour and has small marks. The leather spine of 'Tara and Claire' is somewhat faded in colour. The pages to each book are in good condition, the gilt edging is largely intact. Additional images are available - click here.
A pair of Lowestoft blue and white porcelain sauce boats, c.1770, blue crescent marks, each moulded with flowers and scrolls and decorated with blue bouquets below further floral sprays and scroll and trellis-panel borders, the interiors with bouquets below similar borders, 19cm long (2)Condition Report: Examined under UV light. One sauce boat with a dirt-filled hairline crack from the rim, approx. 3cm long. Both with some small losses to glaze around the rim. Both with surface scratches, light wear and pitting throughout.
A George III mahogany chest, first quarter 19th century, the rosewood crossbanded top above brushing slide and four graduated drawers, on bracket feet, 86cm high, 92cm wide, 50cm deepProvenance: The estate of the late Dodi Heath (1934-2019).Condition Report: scratches, stains and old gouges throughout, splits to veneer, large split to right side panel, structurally sound
An Oriente glass vase designed by Dino Martens probably made by Aureliano Toso, model no.3155, designed in 1952, flaring form with pinched rim, internally decorated with purple and white murrine 'star' panel, panels of colour, twists and aventurine, cased in clear, on applied glass foot,unsigned20cm. high LiteratureMarc Hieremans Dino Martens Muranese Glass Designer, Arnoldsche,1999, page 161 for a comparable vase.Quittenbaum, lot 2012 ProvenancePurchased by the vendor in San Francisco, 1988.Private collection of post-war design.
Mixed Lot: A white metal and enamelled top pill box of rectangular form, the lid with a light blue guilloche panel, the interior of the lid set with a mirror, import mark for London 1928, a round glass rouge pot with pull off shaped silver and blue enamel lid, Birmingham 1929, makers mark for W.G Sothers Ltd, a small Victorian glass jar with a silver collar and screw on lid together with a pierced silver salt frame, floral and scroll design, blue glass liner, Birmingham 1899 (4)

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