Potter (Beatrix) The Roly-Poly Pudding first edition first printing colour frontispiece pictorial title-page and 17 full-page colour illustrations contemporary inscription to endpaper original red cloth pictorial label on upper cover small mark to lower panel light rubbing to corners and head and foot of spine small 4to Frederick Warne and Co. 1908. *** With "[All rights reserved]" at the foot of the title.
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Cafavy (C.P.) Poiemata [graece] (1896-1933) original lithographed portrait and illustrations by Nico Ghika with an original drawing signed by Ghika on p. 19 designer binding by Takis Korkolis brown morocco with large central black morocco panel inlaid on covers with gilt semi-abstract architectural designs spine lettered in gilt slightly rubbed original wrappers bound in 4to [Athens] Ikapos 1966. *** Drawing on p.19 depicts 3 nude figures in a room ?saving a child from a fire signed `Nico Ghika for Brooke & Hazel 27 July 85`.
Fleming (Ian) Casino Royale second impression original boards head and foot of spine slightly bumped dust-jacket (with Sunday Times review on back panel) spine and edges chipped corners rubbed spine and back panel browned 8vo 1953. *** Published in the same year as the first impression and with the jacket to the same design.
Hilton (James) Goodbye Mr Chips Illustrated Edition inscribed by the author to endpaper with folded autograph letter initialled by the author loosely inserted frontispiece and illustrations by H.M. Brock original cloth dust-jacket small water stain to upper panel all over browning especially to spine spine rubbed [Boston] Little Brown and Company 1935. *** The inscription by the author is to Cyril Lakin who was later a Welsh MP.
Yeats (W.B.) Poems first edition one of 750 copies woodblock title tissue-guard original pictorial cloth gilt t.e.g. others uncut darkened at spine and extremities spine ends worn [Wade 15] 8vo 1895. *** The design for the cloth binding and the title is by H. Granville Fell. The binding is a variant and lacks the gilt design to the lower panel; it is not mentioned in Wade.
A late 19th century gold and ivory relief portrait panel mounted bracelet, the seven oval panels each approximately 28mm long x 24mm wide depicting classical portraits in rub-over settings, an ivory oval relief portrait brooch depicting a young woman her hair adourned with flowers and wearing a pearl necklace 50mm long x 38mm wide and a pair of ear studs.
Alexander Mackenzie (1923-2002) Untitled inscribed on the reverse `To Michael and Margaret. Best wishes, Alex. Nov 1957, Alexander Mackenzie` oil on panel laid down on hardboard 12.5 x 9.75cm. Provenance:A gift from the artist Born in Liverpool, McKenzie attended the Liverpool College of Art between 1946-1950. His first move to Cornwall was in 1951. In 1953 he moved to Newlyn and Penzance where he taught at the art school until 1964. He was exhibiting at St Ives, Newlyn, London and New York at this time. For the next 20 years he was head of the Department of Fine Art at the Plymouth College of Art and Design. In 1984 he moved in retirement back to Penzance. His sculptural and sensuous style in architectural and geometric formats enhance the landscape and skylines he loved and studied
Willem Bastiaan Tholen (1860-1931) Trading barge on a river, a town beyond and other craft in the distance signed and dated W B Tholen `04 bottom left oil on panel 31 x 44.5cm. Willem Bastiaan Tholen (1860-1931) was born in Amsterdam, and became a painter, draughtsman and printmaker. From an artistic family he entered The Amsterdam Academy and went on to study in Delft in 1878. He studied with Jan and Tholen Voerman and worked en plein air for many summers in Kampen and Giehoom. From 1887 he lived in The Hague and became friends with the painters of The Hague School. In 1901 he had a boat built in which he made trips over the next 15 years along the rivers of the Netherlands and the coast of Zuiderzee.
A German goblet the rounded funnel shaped bowl finely engraved with a circular panel of a shepherd and dog tending a flock flanked by gold fronds and surmounted by a gold crown beneath the rim engraved `L`innocence et la fidelitie gagnent les coeurs`, set on a an inverted baluster stem flanked by cushion knops containing a large tear on conical foot, 19 cm high, mid 18th century.

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