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Click here to subscribeJacob Smits (1856-1928) Belgian. "Dutch Village". Signed, inscribed on an exhibition label verso with the artist`s name and title of the work, together with further exhibition labels verso, oil on panel, 28cm by 37cm, Exhibited at the Palais des Beaux-Arts de Bruxelles, 10 Rue Royale, also exhibited in Antwerp, Ex. collection Mrs Stead, also in the Kennedy Collection. See illustration
Jean Alexandre Remy Couder (1808-1879) French. "Still Life with Fruit and Wine Glass". Signed, inscribed on a plaque attached to the original frame, also extensively inscribed on an exhibition label verso, oil on panel, 16cm by 21cm, Provenance: Marie-Louise Fine Art, The Middlehey, Oxton, Nottinghamshire. See illustration
A Mahogany Domestic Regulator, Thos Cowham, 4 Engine St, Hull, the nicely figured case with arched top, side open door, front door with glazed panel and carved decoration, plinth with inlaid stringing, 11-inch painted dial, subsidiary seconds, aperture for hour indication and single minute hand, single weight driven movement with deadbeat escapement, maintaining power, 187cm high See illustration, Thomas Cowham is recorded working in Hull 1846-51. See Loomes (Brian) Watchmakers & Clockmakers of the World, pg 53.
A Mahogany Eight Day Longcase Clock, signed Thos Wiggan, Bristol, circa 1780, the later added swan neck pediment with fluted columns and Corinthian capitals, nicely figured wavy shaped trunk door, flanked by fluted canted corners, plinth with raised panel and upon bracket shaped feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring signed, matted and engraved dial centre with date aperture and subsidiary seconds, the arch with rolling moonphase and above on a arched silvered plaque High Water At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, 245cm high See illustration, Thomas Wiggan is recorded working in Bristol 1760-1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 342.
An 18th Century Oak Triddarn, the canopy with a leaf-carved frieze on turned supports with wavy-slatted sides, the middle frieze also carved with the legend HEB DDUW HEB DDIM. DUW A DICON, over a panelled front with two cupboard doors flanking a panel and a drawer, the base with two drawers and two panelled doors, all with carved fronts, on stile feet, 135cm by 59cm by 213cm (carving added later) See illustration
A North European Mahogany Console and Pier Glass, mid 19th century, the rectangular mirror within a moulded frame, centred by an arched recessed panel with gilt metal mounts depicting two horses and a chariot, the table (probably associated) of stepped rectangular form with a shaped frieze, on arched supports and gilt scrolling corbel brackets, 75cm by 37cm by 224cm
A Pair of 19th Century Ebonised Red Boulle and Marquetry Side Cabinets, with gilt metal mounts, the black rectangular marble tops above a brass marquetry frieze, the central cupboard door with foliate marquetry panel, flanked by fluted pilasters headed by female gilt metal mounts, raised on a platform base with a shaped apron and block feet, 75cm by 35cm by 118cm See illustration
A French Kingwood Breakfront Bookcase, late 19th century, the grey and white veined marble top above a plain frieze supported by four canted columns headed by gilt metal classical mounts, each end panel quarter veneered, raised on a conforming moulded base, 160cm by 43cm by 159cm See illustration
A 19th Century Walnut, Kingwood and Floral Marquetry Lady`s Writing Desk, in Louis XV Style, the serpentine shaped top crossbanded in kingwood about a trailing floral marquetry panel, inset with a brown leather skiver, the single drawer between gilt mounted cabriole legs with brass sabots, 105cm by 64cm by 73cm See illustration
A Rosewood and Brass Polescreen, attributed to Gillows, early 19th century, the suspended and adjustable embroidered panel depicting a family crest of flowers and an animal`s head, the foliate carved bulbous stem with cabriole legs with leaf carved ball and claw feet, the base stamped 9938, 59cm by 104cm See illustration, For similar examples of the base see Stewart (Susan) Gillows of Lancaster and London, Vol II, pg.97.
A Victorian Mahogany Four Door Wardrobe, of inverted breakfront form, the semi-domed top above a plain frieze flanked by two conforming arched cupboard doors headed by leaf carved scrolling terminals, the centre section with two panel doors enclosing three sliding trays above two short and two long drawers, raised on a plinth base, 206cm by 68cm by 208cm
A Rosewood Framed Fire Screen, mid 19th century, supported on spiral turned columns with turned and acanthus leaf decoration, urn finials and fretwork pediment, framed and glazed petit point panel depicting a Georgian period house with a boy and the family hounds in a neo-classical landscape, 80cm by 120cm
A Ruby Glass, Painted and Parcel Gilt Vase, Bohemia, circa 1870, of trumpet form, frontally applied with an oval white opaque glass panel painted with a pretty child holding a puppy, against a background of tight scrolling leafage in gilt, on a swept circular foot, 33.8cm high See illustration
A Ruby Glass, Painted and Parcel Gilt Trumpet Vase, Bohemia, circa 1870, with flared bracket cut rim, the applied oval panel painted with the bust length portrait of a pretty maiden with downward pensive expression, against a gilded scroll and leaf ground, swept circular foot, 30cm high; and A Ruby Cameo Glass Slender Ewer, with clear glass ropetwist handle, the body with five narrow lozenge cut panels, leaf applied swept and panelled foot, 31.2cm high (2)
A Ruby Glass, Painted and Parcel Gilt Pedestal Urn, Bohemia, circa 1870, the upper "Etruscan" shape urn with solid gilded side handles, applied with a frontal oval white opaque glass panel painted with flowering foxgloves, the high capstan shape pedestal applied with similar plaque painted with a young gentleman in a landscape, against a vine leaf and dot repeat gilded ground, 31.5cm high See illustration
An Emerald Green Glass, Painted and Parcel Gilt Pedestal Vase, Bohemia, circa 1870, of Islamic inspiration, the cylindrical neck with flared rim from a compressed semi-ovoid body, solid gilded shoulder handles, frontally applied with an oval panel painted with a beautiful young girl holding a flaming torch, against a background of large leaf fronds and dots, circular foot, 25cm high; and A Ruby Glass Example, the ovoid body panel painted with the bust length portrait of a pretty woman in medieval costume, against a fern gilded background, 20.5cm high (2) See illustration
An Emerald Green Glass, Painted and Parcel Gilt Trumpet Vase, Bohemia, circa 1870, applied with a panel painted with a spray of summer flowers in vivid enamel colours against a gilded densely arranged leaf ground, on a panelled swept circular foot, 41cm high; and Another, applied with a panel painted with the bust length portrait of a pretty young woman with a veil in her hair, against a gilded leaf and dot background, swept circular foot, 36.5cm high (2) See illustration
A Pair of Meissen Encrusted Porcelain Ornithological Vases and Covers, circa 1880, in rococo style, of scroll edged campana form, the upswept pierced necks supporting pieced covers with tall encrusted porcelain finials (losses, some pieces retained), the main bodies with a panel on one side painted with exotic birds, a bullfinch and jay, on the opposite side Watteauesque couples in garden settings, against a puce ground, one with cellular, the other with lace like gilded detail, upon scroll edged circular bases, crossed swords mark in underglaze blue, one with pressnummer 58 and incised number R63, 32cm high
A Garniture of Three Frankenthal Porcelain Pedestal Vases and Covers, circa 1760, the central large ogee vase with domed cover painted with a panel of three figures and with fruit finial, the main body with a scroll edged frontal reserve depicting eight figures in a fte champetre after Antoine Watteau, the reverse with three further figures, against a background of swags of flowers, scattered sprigs to the swept circular foot, 27.5cm high, the baluster flanking vases also with figurative scenes to the covers and bodies, 22cm high, each with underglaze blue painted standing lion mark (severe damage) See illustration
Two Chinese Porcelain Snuff Bottles, 19th century, each of flattened spade form, a panel on each side painted with Manchu courtier figures in interiors and on verandas in enamel colours, divided by underglaze blue rambling scrolls to the side panels and shoulder, stylised seal marks in iron red, 6cm high (stoppers and spatulas lacking); and Another, carved in high relief with mythological figures in a boat and on the banks of a river, in famille rose coloured enamels, stylised seal mark in iron red, 6.5cm high (stopper and spatula lacking) (3)
A Suite of Arts and Crafts Silver and Green Paste Jewellery, by Arthur & Georgie Gaskin, comprising a necklace, a brooch and a pair of drop earrings, the foil backed faceted green pastes held in rubover settings on floral and bead frames, brooch signed ÔG` to the reverse, brooch measures 4.9cm by 1cm, necklace measures 38.5cm in length, catch panel 1.3cm by 1.3cm and pendant 1.8cm by 3.5cm, earring drops measure 4.5cm. See illustration 2, Provenance: By descent from the vendor`s great-great-grandfather- Laurence Hodson of Compton Hall, patron of the Arts & Crafts movement, and godfather to Joscelyne Gaskin., Illustrated in Arthur and Georgie Gaskin, Birmingham Museums and Art Gallery publications, 1981, item reference G60, p.90, sold with exhibition label.
A Turquoise Set Bracelet, a foxtail link bracelet with four quatrefoil panels each set with five cabochon turquoise with a turquoise set heart shaped engraved locket pendant, length 18.5cm, and A Seed Pearl Set Locket, four seed pearls set centrally amidst a panel of pale blue enamelling to an outer engraved frame and an engraved reverse, measures 2.1cm by 3.8cm (2). See illustration
A Jade and Diamond Ring, the carved jade panel with a floral motif in a white claw setting sits between three tiered diamonds on each shoulder to a plain polished shank, finger size O1/2, A Jade Brooch, the carved jade panel with a floral motif sits in a white claw setting on a bar brooch, measures 5.8cm by 1.6cm, A Pair of Jade Drop Earrings, carved panels of fruit and leaf motifs suspend from chains on stud post and butterfly fittings for pierced ears, drops measure 5.8cm, and A Pair of Stud Earrings, the cabochons held in broad claw settings, with post and butterfly fittings for pierced ears, diameter 1.6cm (4).
An Art Deco Style Sapphire and Diamond Cluster Ring, a central round brilliant cut diamond sits in a panel of step cut sapphires and clustered eight-cut diamonds to diamond set shoulders on a plain polished shank, total diamond weight 0.75 carat approximately, finger size K?. See illustration
A Victorian Three Piece Teaset, W W Harrison & Co, Sheffield 1866, the baluster body profusely engraved with Greek Revival anthemion and palmette bands around a central figural panel of a chariot and warriors, the domed cover with a cast Greek helmet finial, 23cm high, 59oz 11dwt all in See illustration
A Gilt Metal and Floral Pietra Dura Mounted Jewellery Casket, circa 1850, of oval section, the hinged lid with a panel inlaid with a spray of flowers including pansy and blue harebells, beaded rim, revealing an ivory silk buttoned interior, the main body with six circular inset stone panels depicting diverse flowers including lily of the valley, cyclamen and carnations, punctuated by paterae, on six scroll form feet linked by a beaded moulding, 25.5cm long, 13cm high See illustration
A Limoges Type Enamel Panel Mounted Ebonised Table Casket, early 19th century, rectangular, the hinged lid inset with a rectangular panel decorated with three classical maidens holding lamps chasing a pair of doves, the box with four panels, the front example depicting Athena seated by an altar on which is perched an owl, signed L Coblentz, alternating with similar panels of musical instruments, braziers, doves, fruits and vases, purple velvet lined interior, 21.5cm by 17cm by 15cm, the base with vestiges of old retailer`s label .... Conniseur 30 rue de l`Ecuyer 30 Bruxelles, on low bracket feet See illustration
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