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Click here to subscribeA VICTORIAN WALNUT BOXWOOD AND INLAID DAVENPORT, circa 1880, with cushion moulded hinged top stationery compartment above a sloping fall front enclosing an arrangement of four short drawers over a geometrically strung front panel, flanked by four short drawers to the right hand side opposed by four false drawers on bar feet and casters, (some cracks and losses), 21 in (53.34 cm) wide, 21 in (53.34 cm) deep, 32.5 in (82.55 cm) high
A Sunderland creamware cylindrical mug, circa 1802-03, marked Dawson & Co of Low Ford, with simple loop handle, printed in brown and washed over in coloured enamels, the oval panel depicting an East Indies ship flanked by figures of Peace and Plenty on plinths enclosing floral sprays and verse, 'May peace and plenty, On our nation smile and trade with commerce, Bless the British Isle', below a black band, chip to base, 4.5 in (11.43 cm) high
A Staffordshire pearlware mug, circa 1825, of rounded form with angular handle, printed in underglaze blue with a rectangular panel depicting a shipping scene near a harbour, the reverse with a printed blue seaweed and foliate design, below a similar interior rim border, restored rim chip, 4.5 in (11.43 cm) high
A Chamberlains Worcester Mug, circa 1795-1805, with gilt scoll handle, decorated with the rich Queens pattern of cobalt panels reserved with mons and gilded with a diaper pattern, alternating with enamelled and gilt chrysanthemum, the cobalt panel opposite the handle enclosing an indistinct gilt circular monogram, below a gilded interior rim, rubbing to giltwork, 3 in (7.62 cm) high
A Spode mug, circa 1810, of rounded form with gilt handle, decorated with an oval blue panel and applied with a bat printed gilt scene of gentlemen on horseback surrounded by other figures and animals encountering a family resting by the wayside, within a gilt banded cross dot border pattern, gilt pattern number 1699 to base, slight rubbing to giltwork, 3.7 in (9.4 cm) high
A Minton porcelain mug, circa 1825-30, of rounded form, richly gilded with scrolling acanthus and swags of foliage enclosing an oval panel painted in coloured enamels and depicting Cupid with quiver and arrows, seated upon clouds, within gilt banded borders, small chip to footrim, 3.1 in (7.87 cm) high
Archery Interest, a very fine Hallmarked silver and enamelled brooch (Birmingham 1897), the circular target in white, black, blue, red and gold enamels mounted with a strung bow and crossed arrow, Kent Cycling interest, a superb large size brooch in Hallmarked silver and enamel (Birmingham 1915), the large spoked wheel with applied white horse and enamelled scroll “INVICTA A.C & A.C”, a fine Hallmarked silver (rubbed marks) and agate panel “good luck” brooch in the form of crossed Greek Keys (fastener broken), another silver (Birmingham 1907) and agate brooch, thistle spray on a shield (thistle head missing), an enamelled and brooch mounted shilling of George IV (1826) and a similar sixpence, Victoria 1887, with star outline mount (Hallmarked Birmingham 1888)
An ebonised boulle side cabinet, mid-19th century, typically inlaid with engraved brass leafy strapwork centred by a flower filled urn on a red 'tortoiseshell' ground, enclosed by a door with raised oval panel and flanked by outset rounded angles, on a shaped plinth, gilt brass foliate and mask mounts, white marble top, 111cm high, 83cm wide (faults)
Gillow & Co, an oak and marquetry cabinet bookcase, last quarter 19th century, the moulded cornice with carved central tablet above two glazed doors, the canted angles with acanthus scroll corbels, the base with conforming frieze above two doors each centred by a marquetry panel inlaid with anthemion and leaf scrolls, on a plinth, one door stamped 'GILLOW AND CO. 864', 254cm high, 126cm wide, 38cm deep
CHARLES ASHBEE: A GUILD OF HANDICRAFT PEACOCK BROOCH, the displayed tail inset with a panel of mother of pearl and the individual feathers picked out in blue and green enamel, with a tear-drop panel of mother of pearl suspended from the bird's claws, with a fine link safety chain, London 1907. on page 92 and front cover
A PAINTED ARMORIAL ON PANEL, the arms of Middleton impaling Brudenell, recalling the marriage in 1670 of Charles Middleton, a son of John, First Earl of Middleton, with Catherine, daughter of Robert Brudenell, Second Earl of Cardigan, flanked by birds and amongst drapery with motto "Fortis in Arduis", 241/2" x 181/2"
A George III Oak Bureau Bookcase, the moulded cornice above a blind fretwork frieze, flanked by carved scrolls with two arched cross banded fielded panel doors, enclosing shelves, the lower section with fall front enclosing a fully fitted interior above two short and three long graduated drawers with brass knob handles, flanked by quarter pilasters raised upon turned feet
A late 19th century French gilt bronze and porcelain mounted mantel clock, with pink ground panel painted with lady and gallant, the dial with Roman numeralsand musical trophies, with urn finial, the brass movement signed 'Japy Feres et Co' on an oval stand (lacking glass dome), 8.5cm dial x 35cm high
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