In the manner of Andrew Plimer, circa 1790,Portrait miniature,Watercolour on ivory of a lady in half mourning, with lace trimmed bonnet, lace collar and black lace trimmed dress, cloud backdrop,Yellow metal framed with inset intricate scrolling hair verso, pendant fitting,The miniature 6.5cm x 5.2cm,The frame 7.2cm x 5.9cm overall Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lotRef: JXSBMM7B CONDITION REPORT:Front: The paint surface appears to be in good condition and the ivory panel appears flat below the glass. The glass shows fine surface wearing and fine surface scratching commensurate with age. The frame shows a dent at 9 o'clock and a split to the bottom edge between 5 o'clock and 6 o'clock approximately 2cm long which has become filled with dirt over time. There is a further fine split at approximately 1 o'clock, and wear to the gilt finish throughout.Back: The frame is missing a pin at approximately 5pm and shows an uneven open join around the edge, suggesting that the back has been opened at some point. It may therefore be possible that the hair work has been restored or may not be original to the piece. The glass shows fine surface wear and surface scratching commensurate with age.
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A Chinese eight panel lacquered screen, early 20th century, the panels depicting figures in a village pagoda landscape upon an ivory coloured ground, the opposite side with birds perched within flowering branches, each panel measures, 183cm x 41cm (lacking hinges) CONDITION REPORT:All the legs show losses to the lacquer, in some cases down to the wood. There are further losses to the edges of some panels (some with pieces present). There is evidence of overpainting (possibly for repair) in several areas. All panels show surface wear and ingrained dirt throughout. The hinges have been removed at some point and are not present. It appears that the hinge screw holes on each panel will match up, but this has not been tested.
A pair of George III silver mounted bottle coasters, William Allen III, London 1802, each of circular form with turned circular walnut bases, wirework borders, central cartouche engraved with a heraldic shield and crest, depicting a hand pointing to a star, each 13.6cm wide (2)CR; Central panel shows moderate scratching commensurate with age and use, but no major dents, splits or signs of repair. The engravings are crisp and clear. One example shows three hairline cracks, two of which run through to the base. The same example shows a chip to the turned detail (see pictures). Both examples shows heavy surface scratching and wear commensurate with age and use. There is denting and general wear to the silver borders on both examples, commensurate with age and use, mostly concentrated around the base, however there are no signs of repair. The example with hairline cracks shows some minor splitting around the wirework, and some minor chips around the felt base. The other example shows several chips around the felt base, and some gapping between the silver collar and base. Both example show moderate wear to the felt. See pictures for illustration.
An early 20th century mahogany cased servants bell board, the glazed panel with eight windows above a protruding saucer bell, originally made for 'Evans & Evans, Craig-y-don, Llandudno', 29cm x 38cm (at fault)Condition reportAll room tabs are extensively corroded, split to the LH case where the hinge has been removed, mounted upon a later board, some corrosion to the bell
A large Chinese silk embroidered panel, the ivory coloured silk ground decorated with flowering wisteria, chrysanthemums, and violets, with scattered fauna, each corner with tassel, pink silk backing, 251cm x 193cm, with a Chinese shawl, the ivory ground further profusely embroidered with in ivory coloured silk with peonies and further scrolling foliage, with a deep fringe, 212cm Sq., and a further shawl embroidered in gold against a black ground (3) Condition Report:Ivory coloured silk wisteria panel: some small areas of staining to front and back of shawl, some pulling to silk, some detaching of the rope edging, signs of possible washing resulting in some fading to embroidery and signs of colour running/transferIvory embroidered Chinese shawl: some small stains, knotting to edge, some loose threads to front and back of embroidery, no obvious holesBlack shawl: some knots to edge, some small pin holes but no obvious rips, no obvious staining, some pulls to embroiderySee photos for further clarification
A George III oak and mahogany cross banded eight day longcase clock, the 33cm painted square dial with subsidiary second dial and date aperture, indistinctly signed 'Whitchurch', enclosing the two train movement striking on a saucer bell, the shaped door and lower panel inlaid with a shamrock, 212cm high, with two eights and a pendulum
A late 19th century carved oak drop dial fusee wall timepiece signed 'Holt, Altrincham', the 30cm painted dial applied with Roman numerals, enclosing the eight day fusee movement, within a petal carved surround, over swept foliate ears flanking the glazed pendulum window, 55cm high, pendulum and key (at fault)Condition reportMinor chip to the clock glass which is detached due to the hinge being sheared from the bezel, the side panel is also detached.Very minor crazing to the clock dial with minor chip around the key aperture.Clock movement is clean and looks well maintained although this is no guarantee of working condition.Otherwise only very light wear to the case.
An 18th century and later oak coffer, the rectangular moulded top above three invert moulded front panels, raised upon stile feet, 58cm H x 112cm W x 43cm DCR;Top panel shows replaced front edge with open join sagging in the centre and various natural faults, splits etc. Hinges possibly later. Lock panel present, lacking mechanism. Exterior edges of base board show evidence of extensive, historic worm and decay. Feet show similar extensive decay to the back edges (back legs repaired to address this). Some evidence of minor historic worm, particularly to the interior.
A late 17th century/early 18th century carved oak coffer, the three panel cover opening to a fitted candle box, above a frieze carved with interlaced flower heads, over three panels each carved with a lozenge, the middle lozenge centred with a bushel, with conforming panels to the sides, raised upon stile feet, 62cm H x 112cm W x 53cm D CONDITION REPORT:The piece shows surface wear including scuffs, dents, small losses, small gouges and colour variation throughout. Evidence of historic worm activity, particularly noticeable in the base boards, candle box lid and adjoining side panel and around central lid panel. Repair to back rail of lid to support central panel, staining below this. Candle box cover present but box largely missing. Stratches to left hand front edge. Rot and worm damage to legs commensurate with age and use.
An early 18th century oak coffer, the rectangular moulded top over three front panels, enclosed by fluted pilasters and raised upon stile feet, 65cm H x 113cm W x 58cm DCR; Open joint to top panel. Visible hinged pins. Left and right top edges possibly later. Open splits to pilasters on each side. Top rails include inverted keyhole to right hand side. Filled keyhole to front right hand side. Later inserted top rail filler to right hand side. Interior shows later repairs and evidence of historic worm with split to right hand side panel. Chips, wear and losses to all corners and highpoints.
A late 17th/early 18th century oak coffer, the twin plank moulded top opening to a fitted candle box above a frieze centred with carved initials 'T.H', over three geometric mitre moulded panels, raised upon stile front feet, 73cm H x 126cm W x 53cm DCondition reportJoint split to the top with bars applied to the underside, lock catch is associated, with the lock removed and filled, small repair between the initials (see additional images).Some fading to the RHS panel, lath/baton applied to the back of the chest across the bottom.General marks and light gouges commensurate with age and use although the coffer appears to be in sound condition with no major visible faults
An 18th century carved oak mule chest, the four panel hinged top over three front panels and two drawers, all carved with lozenge and flowerhead detail, raised upon stile feet, 76cm H x 121cm W x 55cm DCR; Wear and staining commensurate with age and use throughout, including some drips and residue. Top shows split, 11.5cm long, to central baton. Three pierced holes to right hand of top with further possibly worm hole to right hand top panel. Evidence of further historical wood worm intermittently throughout. Left hand drawer lacking handle, right hand drawer with later handle. Feet showing expected wear, surface deterioration and decay. Interior with later red paper lining preventing inspection. Hinges possibly later.
20TH CENTURY RUSSIAN SCHOOL "The Virgin of Vladimir", an icon in the 18th Century manner, oil on panel, bears label verso "The Virgin of Vladimir XVIIth Century Tretyakov Gallery", 27 cm x 16 cm, together with a modern textured printed icon in the 16th Century manner "The Mother of God The All Praised", bears label verso relating to same and "Made in the Pantocrator Icon Studio in Hungary", 18.5 cm x 13.5 cm
A Bokhara rug, the central panel set with four repeating medallions on a pale blue ground, within a stepped pale blue, lilac and pink stylised floral decorated border, bears siganture to one corner, approx 83 cm x 127 cm, together with a Bokhara runner, the central panel set with a row of repeating stylised elephant foot medallions on a salmon pink ground, within a stepped stylised tarantula motif border, approx 62 cm x 185 cm, together with another smaller version, approx 67 cm x 93 cm (3)
A Kelim rug, the central panel set with repeating lozenge medallion decorated panels on a brown ground within a brown and terracotta patterned border approx. 300 cm x 145 cm together with a modern oval woven rug of brown, orange, green, tweed type material approx. 160 cm x 105 cm and a further Kelim rug, the central panel set with repeating tiled decoration with stylised foliate sprays on a cream ground within a cream, red, blue and green tiled border approx. 225 cm x 102 cm
A collection of furniture comprising a pair of modern oak sideboards / dressers, the plain top above three drawers over three doors with panel decoration, 139 cm wide x 44.5 cm deep x 81.5 cm high, together with a modern teak blanket box, 103 cm wide x 55 cm deep x 53 cm high, a modern mahogany serpentine fronted chest of three drawers, 51 cm wide x 39 cm deep x 66 cm high, together with three chairs, a 19th Century oak carver chair with blue upholstered seat, a 19th Century button back nursing chair and an Edwardian mahogany yoke back salon chair with oval seat on turned legs to castors
A circa 1900 mahogany side table in the Chippendale taste, the plain top with carved edging over two carved frieze drawers raised on square molded and chamfered supports, 116 cm wide x 57 cm deep x 73 cm high, together with a Victorian rosewood framed fire screen, the centre panel decorated with figures in 16th Century dress, a man at a doorway, a woman at a window on cabriole legs to scroll feet, 50 cm x 104 cm high CONDITION REPORTS Firescreen - the right hand column as you look at it is loose. A little bit wobbly / unstable. Needlework back has several holes, etc. Otherwise general wear and tear, etc, conducive with age and use. See images for further detail.
A 19th Century Moorish shallow dome top trunk with mother of pearl and ebony parquetry work inlaid decoration, the medallion and torch inlaid top opening to reveal two candle boxes over a parquetry panel decorated front with central coffee pots and ball motif, flanked by wrought iron carrying handles (for restoration), 122 cm wide x 53 cm deep x 59.5 cm high
An oak and ebonised occasional table in the Biedermeier taste, the segmented top within a lacquered banding over a single frieze drawer on three waisted supports united by an under tier 59 cm diameter x 74.5 cm high together with a Bampton Designs painted framed spoon back elbow chair 77 cm wide x 102.5 cm high and a modern American cherry wood elbow chair with upholstered back panel and seat 54 cm wide x 90 cm high
A mahogany vitrine in the Louis XV taste with gilt brass embellishments and Vernis Martin panels, the central door panel decorated with a courting couple in a garden setting, flanked by two side panels decorated with landscapes, the door enclosing three shaped glass shelves and mirror back, raised on cabriole legs, 78 cm wide x 47 cm deep x 182 cm high
A 19th Century Provincial Spanish walnut side table, the single plank top over three frieze drawers (one a replacement), raised on square tapered supports, 145 cm wide x 60 cm deep x 75.5 cm high CONDITION REPORTS The piece appears to be basically sound. The top is single piece with some damage to the rear left corner with some loss and crack. Approx 14 cm. There are signs of surface damage, denting, staining, etc, conducive with age and use, particularly to the right front corner. The side supports protrude slightly, giving the impression of shrinkage to the top though this may possibly be part of the original design. The centre and left drawers have some loss to the base of the front panel but appear otherwise to be original. The right hand drawer appears to be a replacement in the same style - in different wood and different surface texture. The legs appear to be original. Rear left leg has signs of woodworm. Remainder have signs of wear, denting, scratching, etc, conducive with age and use. See images for further detail. As regards the direct question "Is the top original?" - as you will see from the images, this appears to be the case though this cannot be guaranteed.
A George III mahogany chest on chest, with a moulded dentil cornice over three short and three long cockbeaded and oak lined drawers, each applied with pierced brass back plates and swing handles, enclosed by reeded and canted corners, upon the lower chest with a brushing slide over three conforming graduated drawers, raised upon ogee bracket feet, 189cm H x 113cm W x 55cm D (at fault) Condition Report: All handles and escutcheons appear to be later replacements.Top chest: Top left section of cornice frieze detached but present. Losses to block detail of frieze on left and right sides. Small loss to beaded edge of top left corner of centre draw (2.5cm long). Loss to lower left beaded edge of top long drawer (4cm long). Loss to carcass veneer approx. 9cm long on left side of same drawer with further repair below. Repair to lower right carcass veneer on right hand side. Middle long drawer over-closes on left hand side (stop present, but not functional). Split and repair to carcass veneer, lower right corner. Loss to beaded edge of lower long drawer, 11.5cm long. Bottom bead loose at lower left edge. Joint to beading on right hand edge of lower long drawer, suggesting later repair or replacement. Repair to carcass veneer, left hand side of lower long drawer.Bottom chest: Cap moulding on right hand side of lower drawers loose. Brush slide shows panel shrinkage to central section revealing open joint. First long drawer of base chest over-closes on right hand side (stop present but not functional). Carcass veneer repairs to left hand side of top and middle long drawers. Second long drawer of base chest shows loss to top beaded edge, 28.5cm long. Third long drawer shows loss to beaded edge on left hand side, 9.5cm long, with further split above, approx. 11cm long. Same drawer shows loss to right hand beaded edge, 3.5cm long with further joints below, suggesting later repair or replacement (some sections loose). Same drawer shows loss to right hand side of lower beaded edge, 4.5cm long. Crude replacement to carcass veneer, right hand side, between drawers two and three. Losses to shaped mouldings on lower right foot (pieces present). Further loss to shaped moulding of left foot (piece present). Repaired split to the top of the left bracket foot.
A Victorian mahogany chest of drawers, of cottage proportions, formed from two short over two long drawers, raised upon bun feet, 82cm H x 87cm W x 41cm DCR: This piece shows evidence of restoration including re-varnishing. There is an open joint to the left hand side panel, and a filled screw hole to the right side panel. The top moulding shows an open split and small loss to the left hand side. The handles may be later, and do not match. Some show small losses, and all show wear to the varnished finish.
An Arts & Crafts oak draw leaf table, purchased from Liberty, the rectangular draw leaf top above a lightly undulated frieze, raised upon splayed and tapering legs, united by a chamfered 'X' cross stretcher, 75cm H x 100cm extending to 168cm W x 85cm D, complete with a copy of receipt from Liberty dated 1992CR; The top shows open corner joints, open panel joints at one end, and repairs to the veneer at the same end. The drawer leaves are a good colour match, and show surface wear, including scratches and ring marks, commensurate with age and use. The leg structure appears sturdy, showing surface wear including minor scratches, small dents, the odd loss to corners, and wear to the stretcher.
A mid 20th century 'Long John' style teak sideboard, the four central tambour effect drawers flanked by a pair of fall-front cupboard doors, raised upon tapering cylindrical legs, 72cm H x 168cm W x 46cm D CONDITION REPORT:Top shows surface wear and marking (including the odd small watermark) commensurate with age and use. The front edge of the top appears somewhat sunned, particularly on the right hand side. All the drawers appear to have dropped slightly due to wear to the runners (most noticeable on the second drawer down has dropped slightly on the left, and the bottom drawer, which catches slightly on the base with resultant wear and marking to the base panel). The top drawer houses a removable cutlery tray, the right support for which needs securing. The leg structure appears sturdy and shows possible evidence of later re-gluing. The legs show the odd scuff commensurate with age and use.
Two modern reproduction clock garnitures in the antique French style, with key wind chiming movement, the clock with painted porcelain and gilt brass vase finial above a circular dial with Arabic numbers and floral decorated centre above a printed watteau style panel with two tapered decorated columns and acorn finials in gilt brass mount raised on four outwept feet, complemented by a garniture of two vase shaped decorated gilt brass side ornaments, clock height 42cm, garniture height 33cm.
AEROPLANE SALVAGE INTEREST; various items of aviation salvage, including a dashboard instrument panel from a Bombardier-8 400, length approx. 118cm, with various illuminated buttons and space for a separate panel etc, a circa 1950s Aeromatic propeller blade, approx. 77cm (the plane was used in the civil ministry), an aeroplane passenger seat with serving tray in blue leather type material, a Smith's RPM electric rev indicator gauge, an electric 'Exit' sign from a British Airways Boeing 747-400 aircraft, later converted to battery power and mounted on wooden panel with on/off switch, two black rigid control panel covers, a lap belt and strap, and a stainless steel cover (8).
A Polish 800 grade circular silver tray with engraved stylised leaf detail to the central panel, stamped to the reverse 'Schiffers' and no.32892, diameter 27cm, approx 10.4ozt/324g.Additional InformationMinor surface scratches, some tarnishing and toning, free from any engraved initials, overall ok.
WILLIAM HUTTON & SONS; an Edward VII hallmarked silver bowl with beaded scalloped rim, on four pad feet, London 1903, diameter 27cm, approx weight 14.7ozt/460g.Additional InformationThere is a central circle which has possibly been an engraved panel and polished out, the feet are slightly unstable, very minor tarnishing scratches and wear, the rim is misshapen and there are polish holes to the beaded rims, there are also a couple of splits to the rims.
British School - View of the Entrance to Portsmouth Harbour from the Solent, late 19th century oil on panel, 16.5cm x 27cm, within a gilt and faux wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
After Cornelius Johannes de Bruyn - Still Life with Fruit and Vine, 20th century oil on panel, bears signature, 29.5cm x 40cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
M.J. Rendall - View of the Quay of the Rosary (Rozenhoedkaai), Bruges, 20th century oil on panel, signed, 50cm x 75.5cm, within a gilt composition frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A sterling engine turned rectangular combination purse, the compartmentalized hinged lidded interior with sovereign and half-sovereign holders, compact with powder puff and note leaf with fitted propelling pencil and faux ivory panel revealing a cigarette compartment, fitted with a carrying chain, length 9cm, a silver rectangular aide-mémoire with fitted pencil, Chester 1901 by Walker & Hall, length 7.3cm, and a silver engine turned square powder compact, Birmingham 1946, length 7cm, total weight 253g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A set of three 9ct white gold and black onyx dress studs, Birmingham 1964, weight 2.9g, cased, and a pair of cufflinks with panel formed fronts, detailed '84', dimensions 1.9cm x 1.5cm, with silver torpedo shaped backs, Chester 1901.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 19th century Islamic Ottoman Empire silver filigree parcel gilt and niello belt with foliate filigree buckle, each lobed oval link mounted with a niello work panel decorated with buildings and tughra, divided by niello work spacer links, hallmarked to buckle back, weight 322.5g, length 77cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A French Loys of Paris plated circular pin tray, the centre decorated with verdigris panel and detailed 'Loys' within a hammered border and cast rim, the underside detailed 'Execute par Lo-ys a la Main' and 'Loys Paris', diameter 11.4cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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