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Click here to subscribeA 19th century French Japonisme black lacquered three fold screen, the central panel with carved and stained ivory figures of birds and leafy foliate branches, the other blue lacquered panel with an ivory bird perched on a reed, character marks, the other panel with bevelled glass, the whole on downswept legs, 152cm wide, 134cm high
A 19th century corner washstand, the hinged arched splash back enclosing three wells over ebony strung frieze panel, open shelf with a single frieze drawer, flanked by two dummy drawers, raised on square legs terminating in splayed feet united by a T-shaped stretcher, 74cm wide, 82cm high, 44cm deep
An Edwardian inlaid mahogany bureau bookcase, the projected moulded cornice over frieze panel, two astragal glazed doors, enclosing shelves, the bureau with moulded fall-flap enclosing fitted interior over four crossbanded graduated long drawers, raised on bracket feet, 91cm wide, 210cm high, 47cm deep
"RICHARD SWAIN, STRATFORD, AN EARLY 19TH CENTURY OAK LONGCASE CLOCK, the hood having a moulded and carved pediment with twin flank ring pilasters, waist panel door and box base on later shoe, the 30 hour mechanism with four pillars and anchor escapeme"nt faced by a square painted dial with floral spandrels and Roman chapter, 2.15m high
"W** WILKINSON, PENRITH, AN EARLY 19TH CENTURY OAK, ELM AND MAHOGANY VENEERED LONGCASE CLOCK, the hood with later applied moulded pediment, period brass capped pilasters, the trunk with arched panel door on box plinth, 30 hour mechanism, 4 pillar with" anchor escapement and count wheel strike on bell, faced by square painted dial with Arabic and Roman chapter, 2m high
Powell (Anthony) Venusberg first edition of the author`s second novel, contemporary dedication from the author on front free endpaper to John Wyndham, some spotting to extremities, original cloth, dust-jacket by Misha Black, minor edge-wear, slight spotting to panel, spine browned, an unusually good example, 8vo, 1932. *** The book is inscribed to travel writer and poet John Wyndham who was also published by Duckworth as "Writer of Verse". His best known work, The Curse of Obo: A Tragedy of Benin was published in 1926 and it can is possible that Powell and Wyndham met in Henrietta Street in Covent Garden where the publishing house was located..
Wright (Peter) Spycatcher first edition, original light orange boards, dust-jacket with price IR£14.95, red banner across upper panel, 8vo, Australia, printed in Dublin, 1987. *** The true first edition, hurriedly published to take advantage of the huge publicity surrounding the then government`s attempt to suppress it, therefore without the illustrations present in subsequent issues..
* Langdale (Marmaduke A., active 1864-1905). Spring time - Pool, between Bagshot, and Sunningdale, Surrey, oil on wood panel, signed and dated 1891 lower right, orig. handwritten labels to verso, and additional label for the Hove Museum Spring Loan Exhibition for 1931, where this work was lent by Miss Langdale, 24.5 x 35cm (9.5 x 14ins), period gilt frame, glazed. Marmaduke A. Langdale was Turner gold medalist at the Royal Academy in 1865. (1)
* Picturesque School. Sketch on the Conwy, by Charles E. Girardet, Betws-y-Coed, 1876, oil on canvas, captioned to verso, 29 x 34cm (11.5 x 13.5ins), framed, together with River and landscape with wooded hills, early 19th c., oil on canvas (re-lined), 20.5 x 26.5cm (8 x 10.5ins), framed, plus Continental landscape with mill, late 19th/early 20th c., oil on panel, 16 x 24.8cm (6.25 x 9.75ins), framed (3)
* Duncan Carse (A. 1876-1938). Peacock and exotic birds, oil on board, heightened with silver, initialled in lower right corner, 19.5 x 35cm (8 x 14 inches), framed. A first sketch for the large panel ‘Birds of the Old World’ which wasinstalled on the S.S. Queen Mary in her main dining salon. (1)
An Art Nouveau mahogany display cabinet, possibly retailed by Liberty & Co., the flared canopy pediment with central open shelf above a single stained glass and leaded panel door, flanked by stylized floral motifs inlaid in various woods and mother-of-pearl, the apron fitted with a single drawer with applied plated handles above block legs united by an undertier, height approx 189cm, width approx 120cm.
An Art Nouveau mahogany display cabinet, possibly retailed by Liberty & Co., the gallery top with pierced sides above a frieze inlaid in boxwood and mother-of-pear with five hearts, the pair of arched glazed doors flanking a fixed central panel inlaid in various woods, brass and mother-of-pearl with an ascending stylized plant within a rosette and line border, raised on block legs and slatted sides united by an undertier, height approx 172cm, width approx 107cm.
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