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Lot 328
A 17th century and later carved oak coffer the panelled moulded top on the original pin hinges, over sides and front panel decorated with lozenge carved panels divided by stiff leaf carved muntins, beneath an arcaded foliate frieze, on later bun feet, 44.75 x 19.5in. (113.5 x 49.5cm.), 20.75in. (52.5cm.) high.
Lot 373
A George III inlaid mahogany bureau c.1800, with inlaid chevron oval panel to the fall front, enclosing a well fitted interior with ten drawers with similar inlay and a central cupboard with banded and floral urn marquetry decoration, the base with four long graduated drawers inlaid with boxwood stringing, with brass plate handles, raised on bracket feet, 42in. (106cm.) wide.
Lot 778
A pair of 19th century painted panels, in the Pre-Raphaelite style, possibly Tempera, one panel a male figure playing a harp, the other a female playing a hand held pipe organ, each figure with Gothic tracery above standing on a white and red painted floor. Each height 64 ins, with 22 ins (see illustration).
Lot 1166
An oak coffer, dated 1678 to the front panel, with Westmorland carved scrollwork to the upper panels and with four further diamond shaped panels beneath, manufactured from pew ends from the church at Mardale which was flooded to make the reservoir of Haweswater. The full history of the coffer is attached beneath the lid. Width 52 ins.
Lot 107
A painted porcelain panel depicting Christ, in fitted display box, height 11cm, also an oval painted porcelain panel of a lady, length 5cm, a pair of miniature painted porcelain panels depicting cherubs, length 2cm, two framed miniature pictures and a miniature metal picture frame set with red stones.
Lot 182
Jacob Van Der Does (Flemish 1623-1673) A river landscape with huntsmen in the woods and a village with boats loading Signed Oil on panel 59 x 81cm; 23 x 32in ++Varnish crystallised in many places repair to old horizontal central panel join visible extensive retouching especially throughout the sky visible to the naked eye in many places
Lot 40
An early 20th century Heubach Gebruder pâte-sur-pâte vase, the handles gilt on a celadon ground and raised from the shoulders to the rim of the flared neck above a mauve ground ovoid panel worked with a nymph standing on a lily pad and drinking nectar from a flower, printed marks, 14cm (5.5in) high
Lot 437
Tuscan School (circa 1600) Design for a Painting of the Crucifixion, pen and ink, heightened with white, 20 x 12cm (7.80 x 4.68in). Provenance: The Hon Robert Gathorne-Hardy (1902-1973) Thence by family descent, The style indicates a Tuscan, very likely Sienese, hand as is shown by the extensive use of white heightening. The composition, which combines elements of the influence of Michelangelo and Raphael, is somewhat in the taste of the Zuccaro brothers, however the handling of the drawing remains between competent and routine. Of interest is the suggestion of a frame surrounding the design, with indications of two capitals to either side, supporting the frame from beneath; this perhaps shows that the picture may not have been destined for an altar but as a panel in a sequence of decorations in an upper register of a painted chapel, We are grateful to Nicholas Turner for his help with the catalogue entry
Lot 537
English School (17th Century) Portrait of Dr John Gordon, Dean of Salisbury, DD (1544-1619) inscribed upper right "Anno aetatis `65 - Me Sophiam, et Linguas docuit: per Lustra Quaterna Scotia; doctiloquis Inclyta terra Viris; Hinc Septem Lustris: Fausta me Gallia sorte, Sub Regum tectis auxit honore trium", oil on oak panel, 80 x 65cm (31.20 x 25.35in). Provenance: The Paget family, Norfolk, thence by descent, Latin Inscription: "He taught me wisdom and languages: through 20 Scottish years; with men who spoke learnedly in that glorious land; for 35 years from that point on: by auspicious Gallic lot under the roof of the Kings he increased me threefold in honour (65 years of age) The King sowed me as a land henceforth nourishing for others. He lightened... increasing my wealth. Let Faith offer a passage in the future in order that I may be a shepherd just as Christ was to my ancestor; faith give such things to a good man who has been stirred", Dr John Gordon, Dean of Salisbury, was the son of Alexander Gordon (1516-1575), Bishop of Galloway. John Gordon was a fervent Protestant and a studious man who pursued an education both at home and abroad. Mary, Queen of Scots granted him a yearly pension to study in France, and so he spent two years at the universities of Paris and Orleans, and became a gifted linguist. He served many notable leaders during his lifetime, including Thomas, Duke of Norfolk, Mary, Queen of Scots, Charles IX, Henry III and Henry IV of France. Gordon`s achievements include Protestant literature publications, preaching at Court, and the supervision of eighty parishes. He died in Dorset, aged seventy-five, leaving his books to the Salisbury Cathedral Library, and a legacy for rebuilding the Cloisters
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