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Lot 163
George III Oak and Mahogany Longcase Clock with boxwood and ebony inlay, having painted round arch dial with moonphase and subsidiary dials, striking movement the hood having swan neck pediment and cluster column forecorners the truck having quintuple arch top panel door and cluster column pilasters, panelled base on bracket feet 7'4 inch High
Lot 1244
A tapestry wall panel in a mediaeval style, together with a small mediaeval style casket with tapestry panels, a continental box and cover, square tapered paper basket, small amount of hand worked table linen including a substantial white table cloth 2.5 x 2.6m with lace edging and lace inserts etc (more photos available on request)
Lot 1302
Pierre Lenoir (B.1879 France) - Cast bronze panel of a nude seated girl trying on jewellery, 9 x 5cm, together with further embossed cast panels of children all of good quality, a kewpie brass door knocker, a cherub door knocker, a seated metal Chinese character and further hard wood page turner with overlaid painted decoration of two rats (11)
Lot 1378
Good quality 19th century lacquered box with pietra dura oval panel inscribed 'Karlsbad', together with a collection of miscellaneous cabinet items to include a nickel pocket watch, a brass pen duster, a collection of pens to include an example with a 14ct nib and others (a good collection)
Lot 1402
W Lambregts (Early 20th century continental school) - Still life with vase of Chrysanthemums, oil on canvas, signed and indistinctly dated 1916? with continental address label verso, 100 x 74cm approx in wide oak frame with moulded gilt slip, together with a 19th century Berlin type needlework panel of an elderly man and a child, 56 x 39cm in moulded gilt frame (2)
Lot 1504
A collection of pictures and prints comprising an oil painting on board of a chimpanzee and young with label verso Mrs K L Hall, Newport address details, 61 x 51 cm approx, a wooden panel with monochrome sketch of an elderly bearded man with indistinct signature Perlito? 66 x 27 cm, an Italian reproduction fresco after Zelotti Giambattista depicting a female character and swags of fruit and flowers 71 x 40 cm, an early 20th century pastel study of a mountainous lake scene with rowing boat signed Winifred Taylor and dated 1903, etc, various sizes, (8)
Lot 1512
An interesting pair of 19th century studies of angelic musicians, both full length, painted in oil on wooden panel, both of arched top form, both with pencil instructions verso relating to positions (possibly incorporated into a decorative scheme) framed in giltwood frames in the Gothic manner, max 38cm frame dimensions (pair)
Lot 1513
M Eccles (19th century British school) - Copy of a half length portrait of St Cecilia playing the organ, oil on card? unsigned but inscribed verso St Cecilia - from a copy by M Eccles, dated 1839, 13 x 10.5cm approx in gilt frame with gilt slip, together with a small mid-19th century oil on painting on wooden panel in the naive manner of a highland shepherd with sheep and a lamb in a landscape setting, inscribed verso Painted by William Gru..? dated 1848, 18 x 11.5cm approx, unframed (2)
Lot 1517
20th century school, an unusual oil on metal panel of a pair of running female figures, unsigned, 52 x 61cm, unframed, together with a pair of gouache studies of desert scenes, probably dating from the 1920s, 24 x 12cm approx, a naive style gouache study of a man standing beside the sea, signed Roache, 24.5 x 34cm, Michael D Barnfather two signed coloured prints of a river scene and a winter landscape, etc, various sizes, mostly framed (collection)
Lot 1525
Dannault (20th century school) - Shore scene with figures and fishing boats, oil on canvas, signed, 45.5 x 54.5cm, together with an oil painting on board of a river scene with arched stone bridge, signed CS Freeman, 44 x 54cm, an early 20th century oil painting on canvas - still life with basket of plums, together with an early 20th century relief moulded and painted plaster panel of a nativity scene inscribed Venite Adoreous in integral moulded frame with botanic motifs, 49.5 x 44cm approx overall, all framed (4)
Lot 1527
Gillian Lawson (British 20th century school) - Village Pond - artists proof etching, 54 x 64.5cm approx sheet size, together with a machine woven textile panel with leaves, a 19th century Berlin style needlework panel of two continental style female characters, together with a quantity of further decorative pictures and prints of various sizes, all framed (collection)
Lot 1543
Contemporary school, study of a seated female nude, oil on canvas, indistinctly signed, Febier ? 14' verso, 25.5. cm x 20.5 cm, framed, together with a naive style painting on wooden panel of a stormy marine scene with distressed boat watched over by a saint, with inscription Giulo Massimona and dated 1890, 31 x 36.5 cm, unframed (2)
Lot 421
A mixed collection of silver jewellery comprising a charm bracelet with locket clasp and various charms to include hinged lobster in pot, hinged sailing vessel with hinged hole with bounty, and other hinged examples, together with further silver to include two bangles, one with simulated bamboo decoration, a further panel bracelet, each engraved with scrolled foliage and others, 171.9g gross
Lot 623
A 19th century Russian tempera on wood triptych icon, c.1800 with floral and bird carved crest, the central panel depicting the Boy Jesus in the Temple with Mary and Joseph flanked by panels of saints, 25.5 x 16.5in. opens to 23.75in.CONDITION: Some chipping and wear around the outsides with flaking of the blue paint around the arch at the top but overall largely complete, a slightly dully dirty finish throughout, left hand door has a broken top hinge, main panel has a short crack to the right of 6 o'clock, right hand door wobbly but does hold in place, some scuffing and cracking to the sides, old worm holes to the back.
Lot 624
A 19th century tempera on panel icon, probably Russian, depicting Christ Pantocrator, inscribed and dated 1859 22.5 x 16.25in.CONDITION: Some light wear to the paint, a split across the top of the panel most notably from the right side but also coming in from the left, small dent in the top left angel's face, similar split to the top running across the bottom of the piece, minor chipping around the edges, back has been painted blue at some time but is now worn and scuffed.
Lot 4040
A GEORGE V SILVER-MOUNTED CUT-GLASS SCENT BOTTLE, Birmingham 1923, the body with hobnail cutting within diamonds and surmounted by six vertical panel cuts. 11cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Significant chipping to the top of stopper, some chipping to the hobnail decoration, light wear to the mount.
Lot 4041
A HEAVY CUT-GLASS DECANTER, POSSIBLY BACCARAT, the body with vertical panel cutting through the shoulder into the neck, with pourer spout and applied swan neck handle, the base heavily star cut, the stopper cut to match the body. 32cm high including stopperThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Minor bubble inclusions, some light fogging near base
Lot 4087
A PAIR OF GEORGIAN TURQUOISE DECANTERS, one 'gin' the other 'shrub' with gilt lettering and a gilt 'G' on the gin stopper and a gilt 'S' on the shrub stopper and gilding around each bottle neck, the bodies have chamfered corners which in turn are chain cut, the shoulders have cut panels and the rims are eight sided, the stoppers are lozenge shaped, panel cut and gilded. 18cm high
Lot 4117
A BACCARAT DECANTER AND STOPPER, CIRCA 1900, decorated with gilding of leaves and fronds, the tapering body with twelve vertical panels with the decoration centred in each panel, a short neck decorated with gilt bands top and bottom and gilt leaves around the centre, the stopper cut with eight panels and has a crown of gilt foliage falling from the top. 18cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.A large chip to the neck rim, to the side of where the neck meets the handle, rubbing to gilding
Lot 4121
A LATE VICTORIAN CLARET GLASS, the bowl in bucket form engraved with grapes and vines, the stem panel cut from the bowl to centre knop, raised on a flat foot with the pontil mark ground out. 13cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Good overall condition.
Lot 4133
A DUTCH GIN DRAM GLASS, the bowl elongated and panel cut and with a flared rim, all set on a 'ruff' and a domed petal foot with pontil mark beneath, late 18th Century. 9cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Bubble inclusions
Lot 36
FLEMING, Ian: 1- Dr. No. Jonathan Cape, 1958, first edition, dust jacket (13s. 6d.). First state, with silver lettering to spine and Plain black publisher's boards without the silhouette. DW little frayed at edges, former owner’s name in ink and crossed out; light foxing to endpapers; 2- For Your Eyes Only. J Cape, 1960, first edition, first impression; dust jacket (15s.). Gold lettering to spine and silver eye to upper cover; Jacket with The front flap has a blurb about the book and a review for Goldfinger. Rear panel has five reviews. The rear flap has a review for The Diamond Smugglers and Dr. No. (2)
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360412 item(s)/page