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Lot 328

CLARENDON (Edward Earl of) The History of the Rebellion and Civil Wars in England, 3 volumes, Oxford 1702-07 (vol 1 1702, vol 2 1707, vol 3 1704), folio, half titles, engraved portrait frontispieces, vignette title pages, volume 1 with damp stain affecting latter half, panel calf (vol 1 with cracked hinges, vol 3 partially lacking label, rubbed with calf damaged in places)

Lot 347

LOCKE (John) An Essay concerning Humane Understanding, 4th edition London: for Awnsham and John Churchil 1700, folio, portrait frontispiece (tear without loss to inner margin), some age browning and spotting, worn panel calf with detached upper board and frontispiece

Lot 418

THORBURN (Archibald) The Naturalist's Sketch Book, first edition, London: Longmans, Green and Co 1919, 4to, 60 plates including 24 coloured, teg, first free end papers, half title and title spotted, half red morocco by Henry Sotheran (spine slightly faded, small scratch to one spine panel)

Lot 19

AFTER DAVID TENIERS THE YOUNGER THE VILLAGE FEAST Oil on panel 16.5cm x 22cm (6.5in x 8.75in)

Lot 77

JOHN WATSON MCLEA (SCOTTISH, FL. 1832-1861) A STUDY FOR A BACKGROUND FROM NATURE (ARTHUR'S SEAT) Signed and inscribed verso, oil on panel 23cm x 29cm (9in x 11.25in)

Lot 136

JOHN BLAKE MACDONALD R.S.A. (SCOTTISH, 1829-1901) THE PIPE SMOKER Signed, oil on panel 23cm x 20cm (9in x 8in)

Lot 2820

A Victorian figured, walnut veneered and inlaid breakfront credenza, with two glazed doors flanking a panelled door. At the centre of this, an oval ceramic panel with figures in a landscape. Width 66ins. (See Illustration)

Lot 106

A post war Chinese lacquered panel and two Japanese dolls.

Lot 176

Four Arts & Crafts embroidered narrow panels after Selwyn Image, together with a fifth Arts & Crafts embroidered panel. (See Illustration)

Lot 195

A Georgian black stitched silk panel, together with numerous Cornish and other prints.

Lot 252

A Georgian satin stitch panel showing a woman playing a harp before a castle.

Lot 814

An 18th century Worcester bowl with Kakiemon panel separated by gilt blue ground bands. Blue seal mark. Diameter 7ins.

Lot 174

A Victorian circular gem set brooch, with central floral cluster of garnets and colourless gems, within a borders of textured stiff leaves and outer circular and ropetwist borders, with glazed panel to reverse and safety chain Diameter 3.7cm

Lot 252

A 9ct gold fancy link bracelet, with padlock clasp; a 9ct gold brooch mounted sovereign dated 1917; a seed pearl and ruby set shaped circular brooch, with glazed circular panel to reverse; also an Edwardian 9ct gold scroll form pendant, set with garnets and seed pearls, suspended from a trace link chain -4

Lot 271

A cased set of six dress buttons each of circular design, set with circular cut abalone panel, within a ribbon-tied reeded border; also an Edward VII sovereign, dated 1902; a George V half-sovereign, 1914; a loop mounted George III guinea and two American gold $1 mounted as a cufflink (Qty)

Lot 278

A late Victorian gold mounted fob, composed of a rectangular panel surmounting a hinged oval clasp, suspending a large oval drop, claw set with an oval cut coral cabochon, decorated throughout with applied bead and ropetwisted borders, with glazed oval panel to reverse, contained in a fitted case stamped SPINK & SON, LONDON... Length 7cm

Lot 502

A shagreen and silver table cigarette box London 1906, of plain rectangular form with shagreen panel to the lid; a curved rectangular vesta case with hinged cover, Birmingham 1919; a Continental compact, circular with vibrant blue enamel lid and sides, with gilt interior; two cigarette cases, one with rose gold detail, the other with all over engraved floral design -5 shagreen box 14cm x 9cm x 5cm

Lot 548

A George III saddle snuff box by Thomas Bartlet 1806, of saddle form with Greek key borders and wriggle work panels; together with a George III vinaigrette (grill lacking), a locket in the form of a miniature book with interior glass panel and a small pill box -4 saddle snuff box 6cm wide

Lot 4

A Victorian hand-painted oval portrait miniature brooch/pendant, depicting a female portrait, with engine turned and foliate decorated borders and suspension hoop, the glazed panel to reverse containing woven hair; another two oval portrait miniatures; also a scroll design bar brooch -4 Lengths: 6.5cm; 6cm; 5cm and 4cm

Lot 6

A small collection of items, to include a Victorian memorial brooch; a ring of knotted design with woven hair panel; a 15ct gold ring set with five half-pearls; three seed pearl set brooches and two dress buttons -8

Lot 73

An onyx and diamond set brooch, of oval outline, with central collet set old European cut diamond, within a floral cluster of rose cut diamonds, applied to an oval onyx panel, within a pierced border millegrain set with single and rose cut diamonds Width 3.7cm

Lot 103

A late 19th Century Japanese carved bone and lacquer wall panel depicting geisha with attendants, 24" x 14 1/2", and a similar panel depicting travelling sage, 15" x 9", in lacquered frame

Lot 136

H L Grundy: a carved oak panel, owl in moonlight, 20" x 12", in oak frame

Lot 380

A late Victorian mahogany bookcase, enclosed shape top glass panel doors, on block base

Lot 384

A late Victorian stained, grained and pokerwork corner cupboard enclosed panel door, 21" wide

Lot 387

A late Georgian figured mahogany side cupboard enclosed two panel doors, on block base, 36 1/2" wide

Lot 389

An 18th Century oak four panel top coffer, on style supports, 66" wide. 300-500

Lot 407

A set of six Brights' oak splat and spindle back dining chairs with panel seats and crinoline stretchers

Lot 418

A Titchmarsh and Goodwin carved oak corner cabinet with open shelves over cupboard enclosed panel door, on bracket feet

Lot 422

A set of six carved oak dining chairs of 17th Century design with cane panel backs (4+2)

Lot 453

An 18th Century oak triple panel front coffer chest with plank lid, on stile supports, 52" wide

Lot 466

An Edwardian walnut and kingwood banded bowfront display cabinet, the upper section enclosed glazed panel door over two drawers and cupboard, on cabriole supports, 25" wide

Lot 49

A Continental, probably French carved ivory oval relief panel depicting Saint Joseph with the Infant Christ, late 17th/early 18th century, in a profusely carved oval frame, 28cm high

Lot 63

A painted wall panel in the neo-Classical style, 19th century, later laid onto canvas, framed and glazed, 87cm x 113cm overall

Lot 66

A relief carved oak armorial panel, late 19th/early 20th century, inscribed ‘Possunt Quia Posse Videntur’, 71cm high, 55cm wide

Lot 165

Circle of Thomas Luny Unloading the boat Oil on panel 16cm x 21cm

Lot 166

Italian School (19th century) A Capriccio of Roman remains beside a river A Neapolitan view with Vesuvius in the distance A pair, oil on panel Each 18cm x 23cm (2)

Lot 167

Dutch School (19th century) A Dutch harbour scene with a galleon at anchor Oil on panel 20.6cm x 49cm

Lot 168

Follower of Aert van der Neer Sunset over the Estuary Oil on panel 67cm x 96cm

Lot 218

A William IV rosewood polescreen, circa 1835, with a floral silkwork panel, 141cm high

Lot 281

A carved oak panel back armchair in the Charles II style, 17th century and later elements Removed from a Chelsea Property

Lot 333

A near pair of carved oak panel back armchairs, late 19th century, in 17th century style

Lot 336

A George III oak, walnut crossbanded and marquetry hanging corner cabinet, early 19th century, the panel door flanked by fluted pilasters, 113cm high, 95cm wide

Lot 409

A Victorian oak, pollard oak banded and marquetry library open bookcase, in the manner of Gillow, late 19th century, the upper section and projecting base section each with three pairs of vertical files separated by recessed panel pilasters, 240cm high, 437cm wide, (the ends reduced) This lot is of the same design and is en suite with lot 390

Lot 7

THOMAS SMYTHE (1825-1906) A FAMILY ON THE SEA SHORE Signed, oil on panel circular 35.5cm (14in) diameter

Lot 8

THOMAS SMYTHE (1825-1906) TRAVELLERS ON THE ROAD Signed, oil on panel circular 35.5cm (14in) diameter

Lot 9

DAVID HODGSON (1798-1864) ST PETER MANCROFT, NORWICH, WITH THE CASTLE BEYOND Signed on a door, oil on panel 24cm x 23cm (9.5in x 9in), and a companion, a pair, the latter signed with initials and dated 183.. on the cart (2)

Lot 11

SAMUEL DAVID COLKETT (1806-1863) FAGGOT GATHERERS ON A COUNTRY LANE Oil on panel 25.5cm x 35.5cm (10in x 14in)

Lot 15

THOMAS SMYTHE (1825-1906) 'WINTER IN A SUFFOLK VILLAGE' Signed, also signed and inscribed on original label verso, oil on panel 34.5cm x 62cm (13.5in x 24.5in)

Lot 22

JOHN MOORE OF IPSWICH (1820-1902) FISHING BOATS OUT AT SEA Signed, oil on panel 20.5cm x 25.5cm (8in x 10in)

Lot 23

ALFRED STANNARD (1806-1889) 'OLD LAKENHAM - CATTLE WATERING' Inscribed on old labels on reverse, oil on panel 16.5cm x 25.5cm (6.5in x 10in) The Snuff Tower, Norwich is visible beyond.

Lot 24

ALFRED STANNARD (1806-1889) FIGURE AND SHEEP BEFORE WOODLAND COTTAGES Oil on panel 16cm x 21cm (6.25in x 8.25in)

Lot 25

JOSEPH STANNARD (1797-1830) A FISHING BOAT LAYING NETS OFF THE HARBOUR MOUTH Signed with initials and dated 1830 on a buoy, oil on panel 18cm x 30.5cm (7in x 12in) Provenance: at one time with W. Agnew & Sons. Col. I.B.H. Benn Exhibited: W. Boswell & Son, Norwich, July 1949, no.12 Literature: Harold A.E.Day, 'The Life and Work of Joseph Stannard', 1965, no.40 entitled "Rough seapiece" and described as "A most spirited picture painted in beautiful silvery tones. The brown sail towards the centre of the picture proves to be a splendid focal point, whilst the silvery grey sky and denote much movement. A fine work"

Lot 28

JOHN BERNEY LADBROOKE (1803-1879) A FIGURE AND DOG ON A TRACK BY AN OLD OAK Oil on panel 15cm x 21cm (6in x 8.25in) and a companion, a pair 'The Gateway' (2) See Dr. Peter Kennedy-Scott, A Romantic Look at Norwich School Landscapes p.110 for a similar gateway, and 'A country lane' p.29 for the companion.

Lot 32

JOHN BERNEY LADBROOKE (1803-1879) GIRL ON A WOODLAND PATH Oil on panel 35cm x 27.5cm (13.5in x 10.75in) The colouring suggests that this work dates from 1850-1860.

Lot 52

JOHN MOORE OF IPSWICH (1820-1902) FISHING VESSELS AT ANCHOR - SUNSET Signed, oil on canvas laid on panel 27cm x 41.5cm (10.5in x 16.5in)

Lot 56

JOHN BERNEY CROME (1794-1842) BOATS ON THE RIVER WENSUM BY MOONLIGHT Oil on panel 46cm x 35.5cm (18in x 14in)

Lot 59

ALFRED STANNARD (1806-1889) WATERMILL BY THE COAST Oil on panel 19cm x 24cm (7.5in x 9.5in) Another view of this mill was sold by Philips and later Sothebys.

Lot 62

THOMAS LUNY (1759-1837) LOW TIDE IN THE ESTUARY WITH VESSELS AT ANCHOR AND LOADING Signed and dated 1833 on a spar, oil on panel 30.5cm x 25cm (12in x 10in)

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