Polychrome painted cabinet on stand with dentil cornice and enclosed by a pair of arched fielded panel doors enclosing shelves, on barley-twist stand with spool feet, allover hand-painted with neoclassical scenes on cream ground, 91cm wide x 30cm deep x 168cm high CONDITION REPORT Generally some deterioration/losses to mouldings, paint loss and gesso is exposed in places. Sides are warped and doors also slightly warped/ill fitting. Interior slightly worn, stand likewise
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Fine quality 19th century Continental / Italian box, the ebony lid from an earlier period with inlaid and engraved ivory panels depicting classical scene, portraits and putti with burr cedar base and velvet lining to lid, 32cm x 28cm x 9.6cm CONDITION REPORT Loss to moulding top of central panel, centrally panel is a little bowed and various horizontal splits to ivory. Further minor splits to other ivory panels, slight losses to outer edge. Rear moulding to base is missing and damage to right hand base moulding, otherwise general wear
19th century Chinese hardwood and marble table screen with polychrome painted scene of courtiers and verse to verso, on hardwood stand of plain form, 49cm high x 40cm wide CONDITION REPORT One flanking bracket is loose and with slight damage to the joint with sledge supports. Panel has generally some areas of wear, particularly to figural ornament, some elements lost otherwise ok
William Leslie Rackham (1864 - 1944), four oils - Trowse Hythe, Ludham, On the Bure and Autumn, Postwick, two on panel, two on board, each signed and inscribed, unframed, 19cm x 28cm and 20.5cm x 25.5cm CONDITION REPORT Unframed - Trowse Hythe has some deterioration to lower edge - particularly bottom right corner, other pictures have minor knocks, paint loss to outer edges and discoloured varnish but no sign of any over-painting or severe damage
John Moore of Ipswich (1820 - 1902), oil on panel - coastal scene with fishing boats, signed, in gilt frame, 14.5cm x 27cm CONDITION REPORT Generally good condition, panel appears sound, no sign of splits or bowing, very minor surface marks and scratches but basically very good original condition. Later frame in good order
Victorian walnut inlaid and gilt metal mounted bow front credenza with line inlaid frieze and panel door enclosing shelves flanked by pair of bowed glazed doors, on plinth base, 150cm wide x 41cm deep x 106cm high CONDITION REPORT Very slight veneer losses, knocks and dents particularly to the apron but no specific severe damage, wear associated with the doors actions, overall wear to interior fabric linings, generally good order
Late Victorian mahogany bookcase cabinet, the upper section with ogee-moulded cornice and adjustable shelves enclosed by a pair of astragal glazed doors, the base having projecting top on scrolled brackets and enclosed by a pair of arched panel doors, on plinth base, 145cm wide x 49cm deep x 232cm high
Japanese white metal box of rectangular form, with engraved stork, spider and reed decoration, hinged cover with engraved border and central bronze panel with three-colour metal inlay of pheasants amongst flowers and foliage, back panel signed to left hand side above and below hinge. All at approximately 2½ozs, 8cm across
Late 19th / early 20th century Chinese painting on silk of two monkeys in a blossoming tree, in glazed frame, 69cm x 53cm CONDITION REPORT Overall time staining/fox marks, repair to an area t-shaped and approximately 5cm squared above adult monkey within modern wooden glazed frame. Modern inscription verso reads: part of a painted silk panel from Chinese folding screen, the screen was from Copford Hall and probably bought by Mary Reckett in her Chinese tour
AN EARLY 20TH CENTURY OAK LONGCASE CLOCK the 12" brass break arch dial with silvered Roman chapter ring, Arabic five minutes and acanthus scroll engraved centre with subsidiary seconds dial, the arch with Whittington/Westminster ring flanked by dolphin spandrels, the three train movement chiming on a nest of eight bells and striking on a coiled gong, the hood with break arch pediment over a moulded panel door and base, 245cm high
A VICTORIAN MAHOGANY CASED TABLE OR BRACKET CLOCK, the arching case with carved acanthus leaf crest above the circular dial with brass inlaid panel beneath and on a plinth base and bun feet with brass ring carrying handles to the side and pierced brass fretwork panels to either side with red silk backing, the dial with Roman numerals signed 'Lloyd of Brecon', the movement with pull repeat striking the hours on a bell, 32cm wide x 41cm high overall
A 19TH CENTURY FRENCH GILT METAL MANTLE CLOCK, the case with floral swag mounted urn finial over a drum movement with further swags and scroll supports on a shaped platform base, inset with an oval porcelain panel depicting a head and shoulders portrait of a young woman and on a velvet topped gilt wood platform stand, the enamelled dial with Roman numerals signed 'Miroy Fres, Paris', the movement with count wheel hour strike on a bell, the lower stand approximately 33cm wide and all standing 35cm high
A mid 19th century portrait miniature of Mrs Cunningham (Elizabeth Allison) of Afion, died 20th March 1851, framed on ebonised slip, 7cm high x 6cm wide, also with early 19th century portrait miniature of female on ivory type panel, 8cm high x 5cm wide, indistinctly marked 1823 to verso, in giltwood frame (a/f) (2)

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