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Lot 326
A kingwood parquetry panel casket,late 17th century, the hinged top opening to reveal a plain interior, engraved brackets and escutcheon with carrying handles and a pine back, raised on a later two-drawer stand with solid turned supports, united with ebonised stretchers and bun feet,casket 65cm wide39cm deep34.5cm highoverall 71.5cm wide47cm deep90cm high
Lot 336
A Dutch inlaid two-tier display cabinet, 19th century, the upper section with carved cresting rail, over twin glazed panel doors opening to reveal shelves within, the lower section with two floral parquetry inlaid doors opening to reveal shelves, on turned supports, united by a stretcher raised on bun feet,124cm wide30cm deep172cm high
Lot 857
Edwardian mahogany and line inlaid wardrobe having flat moulded cornice, rhomboid inlaid frieze, the centre panel with oval bevelled plate dressing mirror, flanked by two inlaid doors and the reeded canted corners, the base fitted three drawers and standing on ogee bracket feet, 163cm wide and a matching dressing table, fitted one drawer above kneehole flanked by two cupboards, 120cm wide (2)
Lot 983
A Japanese Shibayama panel worked with a bird and prunus blossom in bone, shell and mother-of-pearl in gilt decorated frame, 26 x 20 cm, to/w a rosewood easel photograph frame (circa. 1900) (2) Condition Report Dimensions of panel - 20 x 26 cm. 2mm tip to right-hand wing missing, flower missing from bottom branch
Lot 1115
A Victorian button backed conversation seat, formed as a pair of revolving chair-back seats flanking a shaped centre panel, raised on turned mahogany legs to brass castors 175 cm long Condition Report sound and original structure, the upholstery intact but faded/worn, the seats revolving ok
Lot 209
An Imari double gourd vase, decorated in typical underglaze blue, orange and gilt with panels of flower arrangements and Tsuri-Daiko, or other, percussion instruments from the Gagaku (to accompany the classical dance, Bugaku); 40cm high, Meiji Period; together with another Imari vase of tapering, cylindrical form, decorated with a panel depicting a standing Bijin from the Genroku Jidei, 46cm high, also Meiji Period. (2)Provenance: The John Wilson Collection of Japanese Imari and Asian export ceramics. This collection, which comprises Lots 209 -272 inclusive, has been formed by the vendor as a direct result of his deep appreciation for Japanese Design. Whilst the years of the Meiji Period provided an extensive export trade of Imari porcelains to Europe, many of the designs were repeatedly duplicated to cater for the European taste in natural history. Designs depicting characters from Japanese culture, history, literature and legend were generally scarcer. It is interesting therefore that the collection here contains some of these designs which are generally harder to discover on the market. The Rokkasen (see Lot 210 below), famous throughout Japan from the Heian Jidei onwards, are a case in point. They rarely appear on Japanese Imari when compared to the famous floral designs, often defined by the Shochikubai, whose fame, of course rests on their ability to take on the winter weather. The poems of the Rokkasen have survived in some quantity, and some can be found in Kokin Wakashi. Condition Report Please note that the damage includes: areas of cracking and deterioration to the double gourd vase.
Lot 756
Continental school - Portrait of a seated young alpine goat herder, mid 19th century, oil on panel, bears monogram, 16.5 cm x 13.5 cm, within a period gilt frame, bears trade label for R Watson, London to verso Condition Report picture overall surface dirty, craquelure, the frame same and with some losses to the extremities
Lot 842
An early 1900s black velvet panel embroidered in silks with floral roundel to centre and birds and fruit, 150 x 150 cm, a similar panel worked on wool ground, 88 x 93 cm, a maroon wool ground panel embroidered with yellow silk, a yellow Kashmir embroidered stole and two Indian panels Condition Report Black velvet panel - good condition2nd panel on wool - moth-holed in placesMaroon panel - good conditionYellow Kashmir stole - colour run into embroidery
Lot 1233
Shapland & Petter, Barnstaple: a late Victorian Arts & Crafts walnut sideboard, the bowfront centre with heart-shaped enamel panel back, fitted single frieze drawer above a pair of doors decorated with enamel flower designs, flanked by a pair of cupboard doors with stained and leaded glass roundels above bevelled panels enclosing shelves, raised on flared feet, 163 x 53 x 130cms (64 x 21 x 51in.) high.
Lot 1106
Thomas Ogden, Halifax: a George III oak and mahogany banded longcase clock, the brass dial with silver roman chapter ring, outer arabic numerals, matted centre with leaf design, ring turned winding hole and date aperture, subsidiary seconds dial, mask and scroll spandrels, two train movement with anchor escapement, the case with arched broken pediment, brass finials, blind fret frieze, glazed arched door below flanked by columns, arched waist door flanked by quadrants, panel base on plinth support, 228.5cms (98in.) high.See illustration
Lot 1099
Hindley, York: a walnut and floral marquetry longcase clock, the square brass dial with silvered roman chapter ring, outer arabic numerals, subsidiary seconds dial and date aperture, two train movement with anchor escapement, the case with japanned caddy style top above a gilt burr wood frieze, with glazed door below flanked by ebonised spiral columns, rectangular waist door with foliate panels and lenticule, panel base with plinth foot, 216cms (85in.) high.See illustration
Lot 149
Pair of Chinese famille rose penta-lobed bowls, turquoise interiors and base recesses, the sides with fish swimming amongst aquatic plants, Tongzhi four character seal marks to bases, length 12.8cm approximately; a Chinese famille rose dish, central quatrefoil shaped panel with flowers amidst a rockwork, diameter 22.8cm. (3)See illustration
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360406 item(s)/page