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Lot 102
An eighteenth century Chinese coffee cup with European gilding. Ground in underglaze blue with flowers and lotus scrolls and with a reserved panel painted in polychrome enamels with Mandarin figures, 6.25cm. Condition Report. To be used as a guide only. Some wear to the gilding. No chips or cracks.
Lot 555
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of a dismounted rider leading his mount, with panels of calligraphic text and red chop seals. 492 grams, overall: 63 x 177cm, image: 60 x 100cm (23 1/2 x 69 3/4"). Acquired on the London art market before 1995. [No Reserve]
Lot 638
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of a Arya Tara with a stringed instrument surrounded by Buddhist scenes, panels of calligraphic text and red chop seals. 496 grams, overall: 174 x 64cm, image: 100 x 61cm (68 1/2 x 25 1/4"). Private collection, West London, UK; acquired in the 1990s. [No Reserve]
Lot 577
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted polychrome scene of mountains and a waterfall, forest and a small boat; panel of calligraphic text and one red chop seal; attributed to Xun Xiao. 485 grams, 179 x 57.5cm overall, 67 x 42.5cm image (70 1/2 x 22 1/2"). Property of an American lady living in Arizona, USA. Xun Xiao, (1883-1944), was a landscape artist who specialised in the rugged mountains and forests that were popular with Chinese scholars and Zen Buddhist monks as symbols of perfect harmony. [No Reserve]
Lot 554
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central paining of Buddha standing on a lotus flower surrounded by Buddhist scenes. 496 grams, overall: 172.5 x 63cm, image: 61 x 100cm (67 1/4 x 24 3/4"). From a central London collection formed between 1990-2000. [No Reserve]
Lot 578
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a mother kneeling beside her sleeping child, two cats playing alongside; panel of calligraphic text and two red chop seals; attributed to Zhou Huang. 602 grams, 200 x 66cm overall, 67 x 46cm image (78 3/4 x 26"). Property of an American lady living in Arizona, USA. Huang Zhou (1925–1997), was actively involved in the art of the People's Liberation Army under which he became a staff painter at the Military Museum of the Chinese People’s Revolution. In 1981, he was appointed Deputy Director of the Research Institute of Traditional Chinese Painting. He was also a social activist who made outstanding contributions to the preservation and promotion of national art and to the advancement of public art education. [No Reserve]
Lot 232
20th century AD. A rectangular silk panel with woven design of Buddha Shakyamuni sitting cross-legged with the left hand palm-upwards in the lap; nimbus to the rear, crescent moon and sun above, green and white Tara to the lower corners and line of text between; in the middle is a bowl containing three jewels representing the teaching of the Buddha. 58 grams, 41 x 53cm (16 x 20 3/4"). Property of an Essex collector; formerly Swiss collection; acquired Hong Kong,1980s. [No Reserve]
Lot 215
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted monochrome scene of mountains with trees, bridge with figures; panel of calligraphic text with two red chop seals; attributed to Wu Hu Fan. 505 grams, 210 x 50cm overall, 66 x 31cm image (82 3/4 x 23 3/4"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]
Lot 579
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of two birds in a rocky landscape with foliage; column of calligraphic text and two red chop seals; attributed to Shen Quan. 559 grams, 210 x 60cm overall, 105 x 45cm image (82 3/4 x 23 1/2"). Property of an American lady living in Arizona, USA. Shen Quan, (1682–1760), was a Chinese painter during the Qing Dynasty. He specialized in bird-and-flower painting and his works became influential in Japanese Edo period art. He was invited to Japan by a high official in 1731, acquiring many Japanese students after his arrival. His paintings soon became very popular, and after his return to China in 1733 he continued to send paintings back to Japan. Shen's paintings were popular for their realistic, colored images of animals and flowers, and three-dimensional trees and rocks. [No Reserve]
Lot 375
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of mountains with trees, river and figures on a bridge; panels of calligraphic text and two red chop seals; attributed to He Weipu. 475 grams, 195 x 53.5cm overall, 79.5 x 31.5 image (76 3/4 x 21"). Property of an American lady living in Arizona, USA. He Weipu, (1842-1922), is noted for his calligraphy and landscape paintings as well as being a connoisseur and collector of art who amassed a large collection of ancient seals. [No Reserve]
Lot 558
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of a seated Buddha holding a vessel surrounded by Buddhist scenes, panels of calligraphic text and red chop seals. 507 grams, overall: 173 x 63cm, image: 100 x 60cm (67 1/4 x 24 3/4"). Property of a London gentleman; acquired before 1996. [No Reserve]
Lot 639
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of birds on a branch above a landscape, column of calligraphic text and red chop seals. 531 grams, overall: 171 x 63cm, image: 63 x 39cm (67 1/4 x 24 3/4"). London private collection, acquired 1985-1995. [No Reserve]
Lot 585
20th century AD. A mixed pair of decorated gourds comprising: one with scenes of robed ladies in a garden, floral panels between; one with a mountain landscape with lake and trees, inset chrysanthemum panel. 22 grams total, 48-52mm (2"). Property of an Essex collector; acquired in UK, 1980s-2000. [No Reserve]
Lot 325
20th century AD. A mixed group comprising: four hollow-section bronze bangles, each with the tapered ends coiled over the loop, panel of reserved text on a hatched field; a repoussé sheet metal cicada pendant with articulated wings and legs. 217 grams total, 74-85mm (3 - 3 1/2"). London private collection, acquired 1985-1995. [No Reserve]
Lot 441
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a robed girl seated on a ledge beside a river beneath a rock overhang; column of calligraphic text and two red chop seals; attributed to Chen Shaomei. 459 grams, 199 x 51cm overall, 87 x 32cm image (78 1/4 x 20"). Property of an American lady living in Arizona, USA. Chen Shaomei (1909~1954), who was a well-known painter, who, in his short life, made a big impact on the Chinese art scene. He was famous for his landscapes and portraits, often combining the two. [No Reserve]
Lot 239
19th century AD. A scroll with series of Chinese characters painted onto silk and attached to a paper background; wood pole at the bottom to weigh open when hung; cotton tie to the top. 259 grams; 193 x 50cm overall, 135cm for central panel. (76 x 19 3/4"). Property of a North East Essex collector; acquired in the 1980s. [No Reserve]
Lot 640
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of children playing and a servant tending to birds in a cage; calligraphic text and red chop seals. 523 grams, overall: 175 x 65cm, image: 40 x 73cm (69 x 25 1/2"). Private collection, West London, UK; acquired in the 1990s. [No Reserve]
Lot 214
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; monochrome painted scene of a bird perched on a branch with foliage; panel of calligraphic text and two red chop seals; attributed to Zhu Da. 425 grams, 194 x 50cm overall, 88.5 x 44cm image (76 1/2 x 19 3/4"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]
Lot 121
19th-early 20th century AD. A mixed group of domestic and other items comprising: a bone shoe-horn with 'CW' monogram'; a bone shoe-horn with button hook; a horn shoe-horn; a corkscrew with nacre handle; a pair of tweezers with nacre handle; a button hook with nacre handle; a button hook with amber(?) handle (damaged); an awl with turned bone handle; a bodkin with bone handle; a pocket sprung scale with calibration in pounds (lbs); a small knife with tortoiseshell handle; a bottle-opener with 'Gilbeys' (gin) branding; a metal crucifix pendant; a nickel(?) knife blade with stamps; a bronze slice blade; a knife handle with nacre panel; a chamois pad with tortoise shell handle; a brass vent with wooden handle; a steel penknife with two folding blades, marked 'N.F.C.T.' and '1922'; a penknife with nacre handle, blade stamped with lion passant, a profile bust and an indistinct mark (crown over rosette for Norwich?); a wax spool with decorative caps printed with the tartan of the Black Watch, marked '42nd or Sutherland'. 550 grams total, 3-22cm (1 1/4 - 8 3/4"). Property of a Kent, UK lady; by inheritance. [No Reserve]
Lot 212
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted monochrome scene of trees in a landscape; calligraphic text and five red chop seals; attributed to The Qing Dynasty emperor. 370 grams, 196 x 38cm overall, 65.5 x 25.5cm image (77 x 15"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]
Lot 374
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene depicting Hai Liu seated on the three-legged toad in a landscape with flowers, holding up on of the gold coins which he uses for bait; panel of calligraphic text and on red chop seal; attributed to Chou Ying. 583 grams, 199 x 53cm overall, 78 x 34cm image (78 1/2 x 20 3/4"). Property of an American lady living in Arizona, USA. Chou Ying, (1494-1552), was a Chinese painter who specialized in the gongbi brush technique. He painted with the support of wealthy patrons, creating images of flowers, gardens, religious subjects, and landscapes in the fashions of the Ming dynasty. He incorporated different techniques into his paintings, and acquired a few wealthy patrons. His talent and versatility allowed him to become regarded as one of the Four Masters of the Ming dynasty. [No Reserve]
Lot 546
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a robed male and heron in a landscape with trees and a river; calligraphic text and two red chop seals; attributed to Shangguan Zhou. 405 grams, 198 x 44.5cm overall, 80 x 37cm image (78 x 17 1/4"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]
Lot 580
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of two Jainist arhat scholars; single column of calligraphic text and two red chop seals; attributed to Guanpeng Ding. 55 grams, 67 x 40cm (26 1/4 x 15 3/4"). Property of an American lady living in Arizona, USA. [No Reserve]
Lot 245
20th century AD. A Japanese scroll painting on paper and mounted on decorated silk backing depicting demons torturing the souls of the damned in hell; lacquered wood weight bar at the base. 495 grams; 196 x 79cm overall; 135cm internal panel (77 x 31 1/2"). Property of a North East Essex collector; acquired in the 1980s. [No Reserve]
Lot 370
Early to mid 20th century AD. A bronze tea caddy standing on four elephant heads; central panel with phoenix flying, side panels with abstract coral design; lid with panels of flowers; side handles in the shape of dragons. 509 grams; 13cm (5"). Property of a North East Essex collector; acquired in the 1980s. [No Reserve]
Lot 59
6th-7th century AD. A Slavic flat-section openwork plate brooch with trapezoidal body and lozengiform foot, geometric panels, derived form of the 'Dnieper class' brooches; cruciform panel to the foot with pierced extensions; catchplate and ferrous stain from the pin to the reverse. 30 grams, 11cm (4 1/4"). Property of a lady by descent; acquired by the vendor's father in the 1960s. See discussion of eastern European brooch types in Szmoniewski, B.S. Two Worlds, One Hoard: What do Metal Finds from the Forest-Steppe Belt Speak About? in Curta, F. (ed.) The Other Europe in the Middle Ages - Avars, Bulgars, Khazars, and Cumans, Leiden, 2008. [No Reserve]
Lot 553
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central painting of chrysanthemums surrounded by panels of calligraphic text and red chop seals. 493 grams, overall: 174 x 64cm, image: 100 x 62cm (68 1/2 x 25 1/4"). From a central London collection formed between 1990-2000. [No Reserve]
Lot 371
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; polychrome painted scene of an old man on a donkey addressing a wayfarer and child; attributed to Huang Shen. 658 grams, 220 x 84cm overall, 134 x 67.5cm image (86 1/2 x 33"). Property of an American lady living in Arizona, USA. Huang Shen (1687–1772) was a Chinese painter during the Qing Dynasty. In the earliest part of his career he excelled at cursive calligraphy and favored a meticulous style. Later on he became better known as an artistic innovator who was one of the Eight Eccentrics of Yangzhou. When it came to paintings of people he favored images of religious, historic, and common people. His more famous works include The Drunk Monk and Shepherd. [No Reserve]
Lot 217
20th century AD. A folded rectangular paper panel with polychrome painted scene of a peacock perched on a tree; single column of calligraphic text and two red chop seals; attributed to Ma Jin. 55 grams, 132 x 68cm (52 x 26 3/4"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. Ma Jin, (1900–1970), was a noted calligrapher and landscape artist as well as his paintings of animals, most notably horses, which drew on earlier styles and for which he was most famous. [No Reserve]
Lot 372
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted monochrome scene of an eagle on a tree; column of calligraphic text and two red chop seals; attributed to Gao Jianfu. 664 grams, 218 x 67cm overall, 115 x 50cm image (85 3/4 x 26 1/2"). Property of an American lady living in Arizona, USA. Gao Jianfu (1879–1951) was a Chinese artist during World War II. He is known for leading the Lingam School's effort to modernize Chinese traditional painting as a new national art which was influenced by the styles that he studied in Japan. [No Reserve]
Lot 559
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; central paining of a seated disciple of the Buddha with sceptre and vessel surrounded by Buddhist scenes, panels of calligraphic text and red chop seals. 521 grams, overall: 172.5 x 63cm, image: 100 x 60cm (67 1/4 x 24 3/4"). London private collection, acquired 1985-1995. [No Reserve]
Lot 218
20th century AD. A folded paper panel with painted scene of birds on branches with flowers in a landscape; column of calligraphic text and two red chop seals; attributed to Yan Bo Long. 85 grams, 192 x 49.5cm (75 1/2 x 19 1/2"). From the Cao collection; formed 1980-1990; formally the property of a collector Beijing collector. [No Reserve]
Lot 442
20th century AD. A rectangular paper panel on a fabric backing with wooden roller; painted scene of a tree with blossom and two birds; two panels of calligraphic text, four red chop seals; attributed to Xie Zhiliu. 696 grams, 217 x 66cm overall, 124 x 50cm image (85 1/2 x 26"). Property of an American lady living in Arizona, USA. Xie Zhiliu, (1910–1997), was a leading traditional painter, calligrapher, and art connoisseur of modern China. He was a prominent member of the Shanghai School of art. His work is in the collection of the National Art Museum of China in Beijing; In 2010, the Metropolitan Museum of Art of New York City held an exhibition of around 150 of his works, donated by his daughter to celebrate his 100th birthday. [No Reserve]
Lot 412
20th century AD. A group of four fans comprising: one wooden openwork folding fan with two pink fabric straps; one with black composition frame and paper panel with painted floral and foliage decoration; one with black composition frame and paper panel with painted female accompanied with calligraphic writing to the side and reverse; one with black composition frame and paper panel with foliage and jingle bells decoration; all paper fans accompanied by original wooden stands, the wooden fan with its glass and paper box. 746 grams total, 21.5-27.9cm (8 1/2 - 11"). Property of an Essex, UK collector; acquired on the UK art market, 1980-1990. [No Reserve]
Lot 52
. An undated archaistic reconstituted mosaic panel depicting a bird pecking at a flower executed in grey, brown, maroon, cream and green tesserae; mounted in a wooden frame. 4.9 kg, 51 x 54cm including frame (19 3/4 x 21 1/4"). Property of a gentleman; formerly with The Ancient Art Shop, Windsor, UK, in 2000.
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360406 item(s)/page