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Lot 208
RP ROBERTS,DENT DU GEANT CHAMONIX,Acrylic on wood panel, signed and titled verso, 30cm x 20cm,OriginalRP Roberts has been creating custom landscapes for people for the past 5 years, focusing on Alpine, winter landscapes.HeI paints predominantly in acrylic and aerosol, using his background in graffiti to influence his techniques and colour choice. The artist has completed many commercial commissions for various clients including Jones Snowboards. For the last three winters he has created original paintings and designs that have been used as snowboard graphics, on T-shirts and on hats.
Lot 209
RP ROBERTS,BLACK TUSK, WHISTLER,Acrylic on wood panel, signed and titled verso, 30cm x 20cm,Original.RP Roberts has been creating custom landscapes for people for the past 5 years, focusing on Alpine, winter landscapes.HeI paints predominantly in acrylic and aerosol, using his background in graffiti to influence his techniques and colour choice. The artist has completed many commercial commissions for various clients including Jones Snowboards. For the last three winters he has created original paintings and designs that have been used as snowboard graphics, on T-shirts and on hats.
Lot 349
§ Damien Hirst (British 1965-) Theodora, 2022 (H10-3) 400/3315, signed and numbered in pencil (to label to reverse), from The Empresses, laminated giclée print on aluminium composite panel screenprinted with glitter, published by HENI Editions, LondonDimensions:100cm x 100cm (39 1/4in x 39 1/4in)
Lot 399
A silk Lampas fragment of a tent panel or wall hanging, West India, late 16th- early 17th century, of rectangular shape, woven with a dense floral design in yellow and white silk on a red ground, on stretcher, fragment 163 x 98cm. Provenance: Spink & Son, LondonPlease refer to department for condition report
Lot 419
A relief-cast bronze panel, South India, 15th-17th century, of rectangular form, depicting to the right of the panel a caparisoned elephant being goaded by his mahout and by an attendant behind, the foot of an armed figure entangled in its trunk, the background with scattered bosses, within a narrow border of impressed dots on four sides, remnants of scrolling motifs to the top edge and an row of flower heads along the lower edge, an inscription to the left, 68.3 x 32.4 cmProvenance: Ex-Dennis Healey collection, Bonhams, 14 June 2012Please refer to department for condition report
Lot 435
A deeply carved sandstone element from a balcony or a Jharokha window, Rajasthan, Jaisalmer, late 18th-early 19th century, the central panel decorated with two deeply carved pearl roundels enclosing perforated stars around a central lotus bud, separated by ridged columns, below are a row of strutting peacocks and above a band of dynamic and intricate vegetal arabesque typical of the fusion of Hindu and Muslim styles and craftsmanship, 46cm. high x 66.5 cm. diam. x 6.5cm.This fragment is likely from a grand Hindu haveli mansion, very similar in style to the Salim Singh haveli in Jaisalmer. Jaisalmer is renowned for its particular pale sandstone and for its distinctive style of architectural decoration. It is particularly noted for its havelis. Salim Singh was a member of an important Mohata family who had been serving as diwans to the Maharawal before him and became Diwan in succession to his father, Sarup Singh, who was murdered in 1783. By the end of the 18th century, Salim Singh became the most powerful person in Jaisalmer, controlling access to the Maharawal. He also became immensely wealthy. In 1823 two noblemen attempted to murder him but failed. He died a few days later when one of his wives successfully poisoned him and he was then succeeded in office by one of his three sons.Please refer to department for condition report
Lot 441
A Chanderi border, Madhya Pradesh, India, 19th century, woven in gold thread, on a orange cotton ground, with two registers of flowering plants, and a meandering border of flower heads on a vine between each register and to edge of panel, 168 x 86 cmChanderi refers to a shimmering cotton fabric which is famous for being light weight and having sheer texture and glossy transparency. It is woven exclusively in a town called Chanderi in Madhya Pradesh, India.Chanderi, which is amongst the best known handloom clusters, occupies a special place because of its centuries old weaving specialty of producing finely textured fabrics of silk and cotton embellished with zari woven work, and more specifically because of its saris that have been patronized by royalty.Please refer to department for condition report
Lot 87
An Ottoman silk embroidered wrapping cloth (bohça), Turkey, circa 1700, of rectangular form, embroidered in blue, red, pink, black and green, the large repeating design featuring blue carnations with red saz leaf either side, within a border of spiky blue vine on a cream ground, mounted under plexiglass, 147 x 41cm. Provenance: The Estate of costume designer Anthony Powell (1935-2021)A very similar panel was sold Sotheby's New York Carpets 13 December 2007, Lot 52Please refer to department for condition report
Lot 96
Property from the Private Collection of Neville Kingston (1955-2019) Lots 96-101An Ottoman silk embroidered linen textile panel (bocha), Turkey, 18th century, with alternating palmettes and rust red tulips with small leaf and flower motifs scattered between, the borders similarly worked, with modern cream linen backing, 108 x 102cm. Provenance: Private Collection of Neville Kingston (1955-2019). Kingston was known for his collections of Central Asian carpets and textile but like most collectors, his interests were far ranging, and not just confined to Central Asia. His fascination with shapes and motifs, coupled with embroidery, lead to him collecting textiles from Eastern Europe to China and Japan.Neville was born in Dublin and studied as a veterinary surgeon at Trinity College, Dublin. After qualifying, and a short period managing polo ponies in Chippenham, he moved to East Yorkshire where he spent the next 35 years in practise, specialising in pigs. The veterinary group had an international reputation and Neville travelled extensively, always taking the opportunity to widen his textile knowledge. Over the years he fastidiously attended auctions and sales, searching out unusual Turkmen weavings. He travelled extensively in Central Asia in the late 1990s and was a frequent visitor to Istanbul, where he sought out unusual embroideries and carpets which would extend his knowledge of textile art. some restoration, ground distressed and re-backed
Lot 101
An Ottoman silk and gilt-metal thread embroidered linen panel, 19th century, densely embroidered in deep blue, yellow, red, silver, pink, light blue with a complex repeating design of fountains in a garden surrounded by large flower heads, leafs and smaller flowers, with a modern cream linen backing, 126.5 x 132cm. Provenance: Private Collection of Neville Kingston (1955-2019). Please refer to department for condition report
Lot 111
A Safavid moulded leather binding, Persia, Safavid period, early 16th century, moulded leather and gilt, the central panel of a leather binding that has been moulded, gilded and decorated with designs of animals and birds in a landscape; including monkeys, simurghs, kylins and a young prince with bow and arrow, 26 x 16cm.There are two bindings of similar identical decoration in the Fundacion Calouste Gulbenkian in Lisbon (Lisbon, L.A.189) in which the same moulds have been used. These moulds were also used on a binding in the Topkapi Palace Museum (Revan 991).BibliographyThe Art of Islam, Hayward Gallery 1976 p 360, no 607Pope and Ackerman 1938-9 pl 963 p 1983Please refer to department for condition report
Lot 190
An album of calligraphic excercises (Wasli), Ottoman Turkey, 18th century, Arabic manuscript on buff paper, 10 calligraphies, each with 2 lines of bold black naskh and gold roundels within gold rule, mounted as an album on coloured folios, green morocco binding with gilt decoration, each panel 9 x 16.4cm. Provenance: The Private collection of Michel Abemayor (1912-1975)Please refer to department for condition report
Lot 211
An album of calligraphic excercises (Wasli), signed Mehmet-i-Shehri (d. 1740), Ottoman Turkey, 18th century, Arabic manuscript on buff paper, 16 calligraphies comprising exercises based on letters of the alphabet, each with 2 lines of bold black naskh and gold floral detail, divided by a narrow panel of smaller naskh, mounted as an album on green folios, brown morocco binding with gilt decoration, each panel 15 x 25.8cm. Provenance: The Private collection of Michel Abemayor (1912-1975)Mehmed-i Shehrī’ means Mehmed of Istanbul, the nisba al-shahrī/shehrī was used by artists from Istanbul to indicate they were born in the Ottoman capital. He studied thuluth and naskh scripts under the supervision of master Mehmed Giridi and was a follower of the famous Hafiz Osman Efendi (d. 1698). Please refer to department for condition report
Lot 212
Two Qur’an folios in gold, provincial Anatolia or Western Persia, late 15th/early 16th century, Surah al-An’am (VI), middle v.28 to to middle v.31; and middle of v.45 to beginning v.49, Arabic manuscript on paper, each leaf with 5 lines to the page written in gold muhaqqaq outlined in black, diacritics in blue, ruled in gold and black, verse markers in the shape of blue or gold roundels, one leaf with marginal verse markers cropped, another cut out, each leaf: 28 by 19.5cm; text panel 25.2 by 15 (2)Note: Two folios from the same Qur’an, also from the same surah, were sold at Christie’s London, 26 April 2012, lot 41 and Sotheby’s London, 28 April 2004, lot 10 and 11.Provenance: Property from an Important Private CollectionCondition report: In fair condition, the leaves with various stains, one with the upper external corner restored and the marginal verse marker cut out, the other with minor restoration to the border and the lower external corner; minor creases to both and minor smudges.
Lot 242
An album page with a Safavid drawing and borders from an album made for Emperor Shah Jahan, Persia and India, circa 1625-50, ink, gouache and gold on paper, the drawing with false attribution to the artist Farrukh Beg, laid down with inner borders of floral illumination with panels of nasta'liq calligraphy, wide outer borders with floral decoration from an album made for Emperor Shah Jahan, 38.6 x 24.9cm. Provenance: Ex-collection Ardeshir; Sotheby's London, 'The Property of a Gentleman', 10 July 1973, lot 8; Sotheby's, 05/10/2010, lot 58This album page has been assembled using the exquisite floral borders from one of the well-known albums made for the Mughal Emperor Shah Jahan. The albums made for Shah Jahan and his father Jahangir in the first half of the seventeenth century were notable for the extremely high quality of the border decoration, and the leading artists of the royal atelier were employed to decorate them.The skillful drawing of an old man with a grey beard is executed in Safavid style of the first half of the seventeenth century, approximately contemporaneous with the production of the royal albums of Shah Jahan. However, it is probably not the original work intended for this album page. More likely, it was inserted into these borders, which may have lost their original central panel, sometime in the early twentieth century, when many album leaves were disassembled and re-assembled. The drawing bears a later and fictitious attribution to the Perso-Mughal artist Farrukh Beg.Laid down on card backing
Lot 249
Two Persian calligraphic panels, comprising a small gilt framed calligraphic panel in Arabic, Persia, dated 1264AH/ 1847 AD, copied in elegant black naskhi script within cloud-bands outlined in gold, signed Muhammad Ibrahim ibn Mashhad, mounted, framed and glazed, 9.5 x 5 cm.; and another small gilt framed calligraphic panel in Persian, Persia, circa 19th Century, copied in fine black shikasteh script with broad ruled borders, mounted, framed and glazed, 13 x 17 cm.Provenance: Bonhams 28 April, 2005, Lot 95, sale 112051 (part lot)Please refer to department for condition report
Lot 520
MAGGIE BERKOWITZ; a panel of six earthenware tiles depicting an otter mounted on a wooden frame, 46 x 31cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org
Lot 105
MURRLE BENNETT - an Arts and Crafts silver and enamel lavaliere pendant necklace, with main peacock enamel panel, yellow pansy border and peacock enamel bud drops, pendant height 54.5mm, necklace length 40cm, 12.3gNo damage or repairs, main panel only has extremely faint glazing hairline cracks on right-hand side and 1 tiny edge chip on backing, no broken links, clasp working, mark clear, stamped 950
Lot 111
LIMOGES - an Antique enamel and garnet pendant/brooch, unmarked yellow metal settings with hand painted watercolour on enamel and copper portrait of a girl, signed Louis Clement, pendant height 62.1mm, 9.6gNo damage or repairs, no enamel loss, settings slightly worn on high points with a few soldered clips on backing to keep enamel panel stable, brooch fitting working, unmarked
Lot 159
A large Georgian garnet and pearl cluster memorial ring, unmarked gold closed-back settings with central vacant memorial panel under curved glass with border of split pearls and flat-top garnets, setting height 21.2mm, size N/O, 4.3gRing has been re-purposed from a brooch/stickpin head with an added ring shank, all stones present with no obvious damage, closed-back settings have a few dents, unmarked
Lot 164
A Victorian 9ct gold memorial band ring, with central engraved panel inscribed Mabel with woven hair aperture shank and inscription inside "In memory of my dear sister Mabel died July 24th '87", indistinct maker's marks, hallmarks Chester 1866, band width 5.2mm, size J, 1.9gNo damage or repair, 1 panel of woven hair is coming loose, settings lightly abraded, hallmarks slightly rubbed, stamped 375
Lot 292
A Victorian shell cameo brooch, depicting Hebe feeding eagle Zeus, relief carved with unmarked rose metal engrave frame, overall height 50.4mm, 13.3gShell panel has several very faint hairline cracks when held up to strong light but no damage and only slight wear to high points, settings lightly abraded, brooch fitting working, unmarked
Lot 1386
NINE ASSORTED SILVER NAPKIN RINGS, 20TH CENTURY including by Pearce & Sons, London 1912, plain circular, heavy gauge; by Charles Horner, Chester 1924, baluster circular with everted rims; by James Brent Ward, Edinburgh 2001, octagonal, the hallmarks spaced and struck every other panel; etc. (9) Pearce & Sons 4.4cm diameter, 3.4cm high, 6.9 troy ounces gross
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360412 item(s)/page