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Lot 342
A 19 th century mahogany table, the rectangular top above two concave opposing frieze drawers, raised on ringturned tapering pilaster legs, 65.5cm wide, 44cm deep, 66cm high, and a Victorian mahogany panel seat hall chair with shield shape scroll work back and raised on ringturned tapering legs (2)
Lot 361
A George I style wing back armchair, 20th century, with crimson and cream foliate piped covers and raised on cabriole front legs and claw and ball feet and a single bergere oak framed armchair for restoration, a tapestry panel fire screen with hunting scene and two folding tables/firescreens, one detailed with a crewel work tapestry panel of birds and flowers, the other with a foliate design (5)
Lot 206
A PAIR OF DIAMOND PENDENT EARRINGSEach designed as a pear-shaped panel set with honeycomb openwork pattern within a round brilliant-cut diamond frame and similarly-cut diamond highlights at the centre, suspending from a diamond surmount, mounted in 18K gold, diamonds approximately 1.50cts total, length 4.6cm
Lot 245
A DIAMOND AND SEED PEARL BRACELET CUFFComposed of six geometric diamond-set panels, the central panel of larger openwork design with central shaped geometric motif decorated with three principal old brilliant-cut diamonds and single-cut diamonds throughout, the diamond panels connected by seventeen strands of seed pearls, mounted in platinum and white gold, diamonds approximately 5.50cts, length 17.5cm
Lot 156
A DIAMOND AND JET PENDANT, BY ENIGMAThe polished gold lips motif with round brilliant-cut diamonds on the upper lip, set within a black jet circular panel, to a similarly-cut diamond bale, suspending from a red velvet collar, mounted in 18K gold, diamonds 0.31ct total, signed Enigma, Italian assay marks, pendant 3.2cmGianni Bulgari was born in 1935, the eldest son of Giorgio Bulgari and grandson of the founder, Sotirio. Together with his cousin Marina Bulgari (Marina B, lot 142), he led the family company as co-CEO for a number of years before taking over the full title until 1985.He left Bulgari after selling his stake to his brothers, Nicola and Paolo in 1987 and spent the next ten years as chairman of the Italian sportswear brand Fila. At the same time, Gianni was also working on another project of his own making. He established GB-Enigma, a luxury watch-making company, in 1989 but it was not until 2002 that he began to solely focus on the brand.Together with his son, Giorgio, he opened the first GB-Enigma store in Rome in 2005, and another in Geneva in 2006. The brand later extended into fine jewellery creating lines that are immediately recognisable and individual. Citing the decorative arts and specifically Art Deco and Bauhaus of the 1920s and 30s as inspirations, he injected new and challenging energy into the high jewellery market. With a focus on precious metals and superior craftsmanship, GB-Enigma reintroduced lesser used materials such as jet and silver with a bang, working them into bold eye-catching designs. It is very much a brand of its time, designed to complement the personality of the wearer.
Lot 75
“Bismillah al-Rahman al-Rahim”, panel of calligraphy, perhaps a practice sheet in the style of Ahmed Kharahisari, illuminated manuscript on parchment [Ottoman Turkey, probably second half of sixteenth century] Single leaf, with single line of stylised black calligraphy, outlined in black and panel ruled in green, gold and black ruling, space between text and border filled with spiralling vines heightened in green and blue, with a background hatching of red to fill the space, parchment yellowed with some light water-staining to edges, old cockling causing cracks to the pigments in the text and illustrations, reverse blank, c. 98 by 186 mm. This piece presents a number of questions. Clearly it is of significant age, and the cockling that has affected the main inscription as well as the border decoration strongly suggests this. However the parchment here is of low quality, indicating that it was unlikely to have been used for manuscript production. The script is finely executed and notably close to that of Ahmed Kharahisari (1468-1566, leading Ottoman calligrapher working in the courts of Suleyman I), but the parchment here is of low quality and not in keeping with use for manuscript production. This would appear to be a practice sheet, or perhaps part of a maquette, perhaps produced in his workshop of Kharahisari.
Lot 87
Panel of Persian verse with drawing of an archer, 'marriage' of two different pieces, in Farsi, illuminated manuscript on paper [probably Safavid Persia, c. 1700] Single sheet, comprising 3 lines black nasta'liq, with interlinear colouring of polychrome flowers against a gold background, mounted on card alongside a small miniature of an archer, both framed within multiple borders with various foliate decorations, all heightened in gold, some light water-staining to lower right-hand side of image, a few small scuffs, reverse blank, total c. 142 by 250mm.
Lot 83
A calligraphic panel by Ismail Zuhtu, in Arabic, illuminated manuscript on paper [Ottoman Turkey, second half of eighteenth century] Single sheet, 3 lines competent black thuluth, gold circular roundels separating the verses, ruled in black and gold, then mounted on card with eighteenth-century marbled paper added to border, some light surface soiling, some very slight rubbing to final line of text (with slight loss), modern ink inscriptions to versos in ink, 182 by 240mm. Signed inscriptions of authentication to the verso of this panel are in the hand of the celebrated Uskudar born scribe Necmeddin Okyay Efendi (1883-1976), whose talents extended calligraphy into the arts of marbling and bookbinding.
Lot 281
An Art Deco oak, ebonised and chromium display cabinet:, with an angular channelled cornice, fitted with plate glass shelves and with chromium spot lights above, enclosed by a pair of glazed panel doors, the base with raised ebonised bands on a chromium plinth, 140cm (4ft 7in) wide, 191cm (6ft 3 1/4in) high, 47cm (1ft 6 1/2in) deep.
![* John Maltby [b. 1936] a stoneware shallow dish: of shallow square profile the interior painted in grey with foliate motifs](https://cdn.globalauctionplatform.com/77e39e34-bc64-4c86-bf0c-a98c00d37319/d697d1dc-ad42-4094-abc5-a99000d40a4e/468x382.jpg)
Lot 131
A Cantonese carved ivory and embroidered silk fan, circa.1900, designed with exotic birds and flowers, sticks carved in traditional manner, with figures, foliage and flowers, 30cm, in original lacquered chinoiserie decorated case, with a painted silk panel to the lid interior, box width 36cm.CONDITION REPORTFan - slight chips to extremities of carved decoration on ivory sticksCase - knocks to lid - some loss of lacquer, couple of small flaked sections to the case base and some bruising
Lot 150
Chinese embroidered silk and hongmu framed table screen, 19th Century, the panel with birds and flowers (faded, substantial damage), the frame and stand inlaid with mother of pearl designed with birds, bats and animal motifs, amongst flowering foliage, width 59cm, height 90cm.CONDITION REPORTLot 150Silk panel badly faded and badly tornFrame section with loses to mother of pearl; corner joins have 'opened', there are other cracksBase section - rebates (to support frame) have both broken away (we don't have the missing pieces); two of the brackets supporting the vertical sections are loose; some losses to mother of pearl inlay
Lot 165
Chinese famille rose circular cushion-shape box, the lid panel decorated with a Scholar and four boys, diameter 9cm; and a pair of polychrome decorated circular brush pots, probably Japanese, late 19th Century, moulded and painted decoration, diameter 7.5cm. (3)CONDITION REPORTLot 165Box - minor chips around rim of base, some wear to enamel, no restorationBrush pots1 no damage as restoration, minimal wear2 no damage as restoration, minimal wear
Lot 182
Chinese hardwood cabinet, two carved panelled doors enclosing shelves, and two internal drawers, carved and shaped apron-piece, width 124cm, depth 55cm, height 190cm.CONDITION REPORTLot 182Left hand door panel cracked (near vertical 45in from bottom). Right hand door panel with two vertical cracks (25 and 40cm)both sides of cabinet are badly cracked, (RHS 115cm from bottom running up the 'fielded' edge) (LHS 40cm from top and through both front and back edge 'fielded' sections).Shelves modern softwood. Damage and repair to rebate securing carved apron piece.
Lot 190
Satsuma cylindrical shouldered vase, Meiji painted with a continuous landscape, with a figures before a lake, two character cartouche mark, 20cm; and two other Satsuma vases, one with panelled decoration of figures by wisteria, flowers and birds, 22cm; and a bottle vase, panelled decoration, of a landscape, figures and a bird, restored, 16cm, (3).CONDITION REPORTLot 190Cylindrical vase - crazed but otherwise good.Wisteria decorated vase - crazing has become discoloured which impacts on the panel painting; minor scratches to bottom left of second panel; rim rubbed.bottle vase - chipped and re-fixed near rim; rubbing around rim; crazed.
Lot 195
An Islamic carved stone panel, carved with two lines of Quranic inscription, mounted in a 19th century oak frame, panel 22cm x 36cm.Footnote: A handwritten label to reverse states "Found by Pierre Trouvee during the French Military expedition to Petra in the Peloponnese". This could be pertaining to the Morea Expedition in the 18th century, when the French military were involved in the liberation of the Greek region of the Peloponnese from the Ottoman Empire.
Lot 319
Louis XV style king wood parquetry work and gilt metal mounted vitrine, serpentine shape and glazed panel door to the upper section, bombe shape cupboard under, flanked by terms sabot feet, width 73cm, depth 44cm, height 174cm.CONDITION REPORTLot 319Generally good. Not sure if it should have had a marble top - but it hasn't got one. Minor veneer loss left side back, and a small patch to top edge of door, couple of cracks across veneers. One section of gilt metal needs re-pinningKey present
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