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Lot 72
A late 19th/ early 20th century French kingwood, marquetry and gilt metal mounted vitrine, the mottled red and white rectangular marble top above a glazed cupboard door with bombe lower panel decorated with figures fishing, opening to a fitted interior of three shelves, raised on tapered square section supports with foliate cast mounts, 66.5cm wide x 161.5cm high x 40cm deep.
Lot 1053
An early 20th Century French carriage timepiece with alarum, the white enamelled dial with Roman numerals to the eight day movement, with alarum bell to base, contained in brass and bevelled glass case with reeded columns to corners and conforming folding handle, on bun feet, 6ins high (side panel chipped)
Lot 1054
A late 19th/early 20th Century French bronze and glass spherical pattern desk timepiece, the 3ins white enamelled dial with month, day and date dials and subsidiary seconds dial to the eight day keyless movement, in plain spherical case with domed glass front and back, 3.75ins high (glass chipped around base of rear glass panel and second hand missing), and a French carriage timepiece, the white enamelled dial with Arabic numerals and decorated with floral sprays to the eight day timepiece movement, in corniche pattern case with chain pattern frieze to top and base, on turned feet, 5.25ins high
Lot 1089
An early Victorian mahogany cased drop dial wall clock by Robert Bell of Norwich, the 12ins diameter cream painted domed metal dial with Roman numerals to the eight day fusee movement, contained in mahogany case with octagonal bezel inlaid with floral and leaf scroll ornament and within bead pattern borders, the drop case with brass framed glazed panel of shaped outline and carved leaf and C-scroll wings, curved base, 25ins high Note : Robert Bell recorded working Norwich 1846-1875
Lot 1090
An early Victorian mahogany cased drop dial wall clock by Tidmarsh of Twickenham, the 12ins diameter painted metal dial with Roman numerals to the eight day fusee movement, contained in mahogany case with the bezel carved with bold leaf ornament, the drop section with curved glazed panel and inlaid with brass stringing of paterae, and with carved floral and leaf pattern wings, 24ins high (lacking side door, slight crack to bezel at 9 o'clock and chipped around the lower part of drop)
Lot 1096
A 1920s dark oak "Grandmother" clock, the 8ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice and spiral turned columns to hood and panelled trunk door, the centre carved with stylised floral ornament, the plinth with shaped quatrefoil panel, on ogee bracket feet, 69.5ins high
Lot 1097
A 1920s oak "Grandmother" clock, the 11.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice to hood, and glazed trunk door and fielded panel plinth, on bracket feet, 68ins high
Lot 1106
An early George III mahogany longcase clock by Robert Higgs of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and matted dial centre to the eight day two train five pillar movement with alarum, contained in figured mahogany case with swept caddy top and double moulded arch, inset with fretted panel and with slender turned and fluted stopped columns to hood, shaped and moulded trunk door veneered in figured mahogany and flanked by fluted and stopped quarter columns, the plinth with raised astragal moulding and double plinth base, 98ins high Note : Robert Higgs recorded working Sweetings Alley, London, Apprentice 1743, Clockmaker 1750-1769
Lot 1124
A North-West Persian rug woven in dark colours with a central pole medallion with hexagonal panel to centre and stylised floral motifs on a dark wine ground, conforming spandrels within multi stripe borders, 93ins x 66ins, and one other Persian rug woven in colours with three pole medallions each with five hexagonal lozenge shaped medallions on a dark wine ground, 79ins x 41ins
Lot 1178
An Edwardian rosewood square back open arm easy chair, the moulded back inset with panel inlaid with floral scroll ornament and with fretted splat, leaf capped arm terminals and the seat upholstered in green dralon, on square tapered legs inlaid with stringings and bellflower ornament and on spade toes
Lot 1207
A pair of modern circular drum pattern stools of waisted form, the whole upholstered in tan hide, the top buttoned and studded, each 15.5ins diameter x 20ins high, and a Victorian child's stained wood folding occasional chair with carved crest rail and chamfered uprights, the seat and rectangular panel to back upholstered in tan hide, on shaped supports
Lot 1210
A Victorian mahogany framed firescreen with embroidered rising panel initialled "M.R.", in carved rococo pattern framing, on scroll supports, 27ins wide x 39ins high, and an Edwardian mahogany Sutherland table, the top and legs inlaid with satinwood bandings, on square end supports with spade toes, 24ins wide x 30.5ins deep x 25ins high
Lot 1327
A William IV rosewood chiffonier, the back with shaped cresting carved with scroll and flowerhead ornament, fitted shelf above mirror panel and with veined white marble slab to top, fitted one frieze drawer with cushion front above cupboards enclosed by a pair of arched panelled doors flanked by turned columns and with carved paw feet, 41ins wide x 23ins deep x 56ins high
Lot 184
An Edward VII 9ct rose gold stiff bangle, the face engraved with foliate ornament, Birmingham 1907 (gross weight 13 grammes), a late Victorian shell cameo in gold coloured metal mount, the oval panel carved in high relief with the head of a classical maiden, 50mm x 45mm overall and four small 9ct gold bar brooches (gross weight 8 grammes)
Lot 335
Arnold Henry Savage-Landor (1872-1924) - Oil painting - Japanese landscape with houses and figures to foreground, panel 9.5ins x 5.75ins, signed (unframed) Arnold Henry Savage-Landor (1872-1924) - Oil painting - Japanese landscape with houses and figures to foreground, panel 9.5ins x 5.75ins, signed (unframed)
Lot 570
A George III turned wood truncheon painted with "GR3" over a crown and the royal arms above the inscription "Glastonbury", with the number "7" carved into the handle, 13ins, a Victorian truncheon with printed, painted and applied paper, full royal coat of arms over "VR" cipher above shield inscribed "The Memorable 10th April 1848, Field Day of the British Constitution", over initials "RCB" over a further full royal coat of arms, 17.25ins, and a Victorian truncheon painted with a crown over full royal coat of arms and "Honi Soi Qui Mal Y Pense", over the painted arms of Brighton (two gold dolphins on a red ground within a diamond shaped panel), 20.25ins
Lot 703
An early 20th Century Chinese carved and pierced wood panel with figures and birds in a pavilioned landscape, with traces of original polychrome and gilt decoration, 10.75ins (273mm) x 7.75ins (197mm) and a bamboo pot and cover carved with figures in landscapes and mythical birds, 3ins (76mm) diameter x 5.5ins (140mm) high
Lot 767
A Victorian needlework sampler worked by Mary Ann Danton, Aged 12 (?) Years, Goodnestone School 1856, and worked with six line verse in red, trees, crowns and baskets of flowers, 14.5ins x 13ins (mothed and damaged), in modern maple frame and glazed, a 19th Century Berlinwork woolwork panel depicting a vase of flowers, 12ins x 9ins, in gilt frame and glazed, and a late Georgian silk needlework panel of a woman seated by a lion, oval 7.75ins x 4.75ins, within black and gilt glass and modern gilt frame and glazed
Lot 917
A Chinese porcelain bowl enamelled in the "Famille Verte" manner with eight panels depicting vases and open baskets of flowers, flowering trees, birds and butterflies, etc, within stylised trellis pattern borders, the interior with bold central panel depicting flowering trees and butterflies, 15ins diameter x 6.5ins high (underglazes blue square seal mark to base - Kangxi period - piece missing to rim and recently restored) Provenance: Purchased Sotheby's Billingshurst, Ceramics and Oriental Auction 6th August 1997, Lot 570
Lot 438
A George III mahogany pedestal, attributed to Thomas Chippendale, the stepped top over a fluted frieze with carved foliate corners, the door with a central carved oval leaf patera within diagonal quarter veneered panel with raised bead moulding, the corners with radiating leaf roundels, the interior with a lead-lined drawer with tap, a centre drawer with lift-out box and a cupboard below,45cm wide43cm deep100cm high The stepped top appears to have been altered at a later date and now has a hinged 'lid'Literature: A comparable pair of sideboard pedestals at Paxton House, Berwickshire are illustrated and discussed in: Christopher Gilbert 'The Life and Works of Thomas Chippendale' pl.343. p.194. text p. 270.Another pair of similar design sold at Christie's, New York, 15 April 2005.A further comparable pair sold at Bearnes, Hampton and Littlewood, Exeter, 24/25 April 2013.
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360412 item(s)/page