1987 BMW 325i Sport M-tech 1 Transmission: manualMileage:121407The BMW E30 325i Sport was manufactured between 1986 and 1991. It is best known for its sporty looks, powerful engine, and excellent driving dynamics. The E30 325i Sport is a rear-wheel-drive car, which features a 2.5 litre inline-six engine, producing 161bhp and 167 lb-ft of torque. The engine was paired with either a five-speed Getrag manual transmission or a four-speed automatic unit, both providing a smooth and responsive driving experience. The E30 325i Sport was also equipped with sport suspension, a limited-slip differential, and larger brakes, which made the car one of the very best driver's cars of its time.This particular example presents superbly in Diamondschwartz with a two-tone grey houndstooth and black cloth interior. With just four owners from new, this car has clearly been cherished throughout its life and looks as though it has never been repainted. Small details such as the VIN number on the scuttle panel are still very clear to see, something which can often be lost when a car is repainted and the pinstripes down the flanks of the car look to be original.The service history for this car is particularly impressive, with 22 stamps in the service book and further invoices for servicing. The most recent service stamp is showing as a BMW Inspection II and cambelt service at ETA Motorsport in October 2019. The car is currently fitted with a later M-tech 2 steering wheel, but the original M-tech 1 steering wheel is supplied with the car, along with all owner's manuals and books.These cars are very rarely available, and even less so with such a comprehensive service record. Interest has really piqued in these cars in recent years, with some even leaning towards the 325i Sport instead of the M3, due to its silky smooth straight-six engine opposed to the M3's tamer four-cylinder offering. This example ticks all the boxes and is estimated very reasonably, offering much more character than many of the latest BMW M departments offerings.
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Mercedes-Benz E320 Cabriolet Transmission: automaticMileage:89593The debut vehicle for this line was the 300 CE-24 Cabriolet, built until 1993 until it was succeeded by the E320 Cabriolet which became a classic in its own right. What is more, it had the potential to become a genuine piece of automotive history since its production period was relatively brief and numbers built were relatively low. The design stems from their four-door counterparts with modern features such as the eccentric sweep panoramic windscreen wiper, independent suspension and highly advanced safety systems. These were also disguised roll-over hoops in the event of an accident. If un-extended, they automatically deployed in 0.3 seconds if sensors detected an 'unusual angle of attack'. The convertible roof stowed away under a rear panel leaving nothing above the body to disturb the cabriolet form.This lovely example is presented in white with a cream leather interior with walnut insert to dash and has a black electrically operated hood. It comes with electric windows, stereo and electric ariel and it also has its book pack and spare wheel. This very retro and desirable cabriolet is offered in good condition and is now a very sought-after model, with most being offered with considerably higher mileage than this one which has only done 89,593 miles from new.
2021 Volkswagen Transporter T32 TDI Kombi Highline BMT Transmission: manualMileage:9575Historics are pleased to offer for sale this Incredible Volkswagen Transporter T6 Camper T32 Highline with a 2.0 150bhp Euro six engine and finished in Phantom Black with a black leather interior. Upon purchase by our vendor in 2020 this Transporter was taken to AJC Conversions in Glossop for the full conversion to a camper, after much consideration, AJC were chosen due to their quality of products and finish to the equivalent OEM standards. The Volkswagen started life as a standard Highline five-seater Kombi van with an RRP of £40,000 plus VAT with 17 Alloy wheels, heated seats, captain front seats, car play touch screen audio, rear parking sensors, comfort dash, leather multifunction steering wheel, automatic headlights, auto wipers, cruise control, front fog lights with steering operation, front bin, chiller bottle holder and importantly it was the 3.2 tonne version.The works commissioned then on the original van included two rear genuine Volkswagen windows fitted, fully sound deadened and insulated, full length REIMO pop top roof, roof bed fitted with mattress, 150W solar panel and associated wiring with split charge system, and secondary battery, seat swivel fitted to passenger seat, full furniture fitted in ash grey with black work surfaces and custom Volkswagen carpets , full LED lighting both in roof and in cupboards, reading lights and USB charging sockets for both beds, sink and gas hob unit, refrigerator, TV with built in DVD and digital TV ariel, hidden controls for electrics and rock and roll RIB bed with sculpted rear seats safety rated with seat belts. The entire van is trimmed in black leather with red stitching in the style of a traditional GTi and the bed side is trimmed in Alcantara.One main cabin table is fitted and one side door table, a portable toilet and water tank are fitted in the rear cupboard with controls for solar and split charge and hidden under van is the exit for water drain. The van has an electric hook up in engine bay so hidden and allows 240V system to work once connected up and Fiamma side awning. The performance styling additions include Sportline front aero bumper and rear spoiler, de-badged front grille, LED headlight conversion and running lights, Tunit engine remap with separate piggyback ECU which safely raises power to around 190bhp and delivers around 5mpg better economy.The wheels are black gloss 1 Form Edition 3 18 18x8.5J alloy wheels designed for vans with correct load rating with Goodyear Eagle F1 asymmetric load rated tyres, H&R lowering springs and Porsche red seat belts front and rear. The audio visual consists of Brodit custom mount with Quadlock, Audison digital Amplifier, Audison Prima two-way component speakers, Audison APBX 8 AS Amplified 10 subwoofer and hidden bass controller. Finally, a rear reversing camera, a fixed tow bar fitted by the supplying Volkswagen dealer and full G Technique ceramic coating and PPF to the rear bumper. There is more of which can all be found in the history file but safe to say the build and van cost in excess of £80,000.
1961 Lotus Elite (Type 14) Series 2 Transmission: manualMileage:65779The incomparable Colin Chapman re-wrote the rulebook with many of his sports and racing cars. His focus though, was always weight. Combined with body-stylist and friend, Peter Kiran-Taylor in 1956, they developed the Lotus Elite. New in so many ways, but primarily as a lighter-weight car, with much of the stressed chassis as fibreglass (GRP) with just a small amount of the load-bearing structure made of steel to support the famously spirited Coventry Climax engine. The Type II Elite Coupé proved a wonderfully agile driver's car, suitable for high-performance use on both road and track. The Bristol-bodied Elites were lighter and more robust than their Maximar predecessors and the Kiran-Taylor body form, fine-tuned by aerodynamicist Frank Costin, contributed to the car's low claimed drag coefficient of just 0.29.Although production finished for these cars in 1963, this example was registered in 1965 and originally sold to a Mr. J. Cummings. It was the vendor who originally had an Elite in his youth and, despite a break where work and family took over, the hankering for an Elite never lost him. A very competent trained engineer, he eventually found a restoration project which, once purchased, was recovered back to Cornwall and stripped down. The bodywork was not too bad although the front subframe needed work. Indeed, a new one was obtained from Miles and Scott Bader followed by a Polyester powder coating and two coats of filler/primer and four coats of polyurethane acrylic finish applied to the entire car, including the engine bay and dash panel (although some attention would be required to now bring it back to showroom condition). The doors and windows have all been re-hung including all fixings and associated mechanisms. New front and rear screens and rubbers were also re-fitted as well as seals all the way round.Suspension units, front and rear, were also stripped and rebuilt with new bearings and bushes with 14 € wheels replaced with 15 € polished chrome wire wheels with 155x15 Firestone rubber all round. The brakes were completely rebuilt as expected with new callipers, pistons, seals, pads and hoses/pipework fitted to all four corners.After an oil pressure drop-off at 55,000 miles, the engine was stripped back and crank reground to -0.010 € with a new big-end and main shells. New cylinder liners were fitted with new piston rings as well as an adapter plate modified to take a conventional lip seal. A new timing chain has been installed with re-cut cylinder head-valve seats and re-ground inlet and exhaust valves. The front and rear prop shaft universal joints have been re-built alongside a new crown wheel fitted with pinion bearings and half shaft bearings and differential mountings. A new clutch centre plate fitted with master and slave clutch cylinders was renewed in 1998 with a new diaphragm clutch cover fitted in 2002. According to the Elite World Register, based on the gearbox shift lever, it appears to have a MG Magnette gearbox, a not-unusual upgrade back in the 1960's, as are the twin Weber carburettors.The radiator has been flushed, tested and repainted with new hoses, thermostat and clips. A new stainless-steel fuel tank is now fitted with all new stainless steel, armoured/braid PTFE fuel hoses running throughout. A completely new wiring loom is fitted with new solenoid, starter and dynamo brushes all replaced as necessary with all instruments checked. A new battery has been installed, complete with isolating switch. The exhaust system is now a stainless-steel unit with lugs bonded into the body. New silencers are now also fitted with replaced manifold studs.No expense has been spared with the interior as well; all the seats and trim have been re-recovered, a new carpet set fitted, plus new high-specification, four- point seat belts fitted with reinforced mounting points. Underneath the seats, the slide mechanisms have been stripped and re-plated, the dash panel stripped and re-painted and the boot area re-trimmed and carpeted.The car's comprehensive paperwork is extensive and is provided in a huge 64 litre plastic storage box. This includes a file of service parts, a Type 14 handbook, 'Lotus, the early years' by Peter Ross, a workshop manual file, a Lotus Club information file and 1974 register. In addition, many Lotus Club magazines, two folders of Elite clippings and an extensive file relating to this car in particular. Finally, and interestingly, a boxed book entitled 'Lotus Elite, Racing Car for the Road' by Dennis Ortenburger. This is signed by the author on an actual 'chassis plate' inside the flyleaf alongside the actual chassis number, 1558.
1953 Chevrolet Bel Air Panel Van Transmission: automaticMileage:The 1953 3.5 litre Chevrolet Bel Air Panel Van was a popular workhorse vehicle during its time, known for its durability and versatility. This vehicle was commonly used by small businesses and delivery services to transport goods and supplies. It featured a sturdy steel body and a reliable engine, which made it a reliable choice for those in need of a work vehicle. The panel van had a spacious interior and could carry a significant amount of cargo. The Bel Air was given a facelift in 1953. The pre-war technology, such as torque tube drive, six-cylinder splash feed engines, knee-action suspension, and split windshields of the early models, was phased out, and the foundations for the first post-war modern Chevrolet passenger car were finalized. The Bel Air series featured a wide chrome strip of molding from the rear fender bulge to the rear bumper. The inside of this stripe was painted a co-ordinating colour with the outside body colour, and 'Bel Air' scripts were added inside the strip. 1953 was the first year for a curved, one-piece windscreen.This handsome Chevrolet Bel Air presents extremely well. The chromework glistens, and the paintwork is in good order. This powerful American classic fired up on request and we are told drives well. This 1953 example was registered in the UK in 2011 and is offered to auction with a V5C registration document. This Chevrolet Bel Air has presence and nostalgia in plentiful supply; it is an ideal vehicle to enjoy at local events or would be ideal for any business, it certainly has plenty of space to be sign written. Today, the 1953 Chevrolet Panel Van is considered a classic and is sought-after by collectors and car enthusiasts alike.
ZWEIFELDERIKONE, Südosteuropa 19. Jh., Darstellung der Deesis im oberen Feld: Maria, Christus und Johannes, im unteren Feld: Heiliger Demetrius von Saloniki und Kirchenvater, Tempera über Kreidegrundierung auf Laubholztafel, HxB: ca. 24,5x19,5 cm. Fassung markant beschädigt.| ICON OF TWO FIELDS, Southeastern Europe 19th century, representation of the Deesis in the upper field: Mary, Christ and John, in the lower field: Saint Demetrius of Salonika and Church Father, tempera over chalk ground on hardwood panel, HxW: approx. 24.5x19.5 cm. Frame markedly damaged.
SCHNEIDER, GUNTHER (Künstler 20. Jh.), Emaille-Triptychon, Darstellung der Beweinung Christi in Emaille, HxB: Platten 2x ca. 18x6 cm, 1x ca. 18x12cm (ca. 44x54 cm mit Rahmen). Alters- und Beriebspuren. Mit Rahmen. Emaillepaltten in leinenbezogene Holzplatte eingelassen. VERSO: Stempel bez. 'Gunther- E. Schneider, Maler und Graphiker, Regensburg'.| SCHNEIDER, GUNTHER (artist 20. century), enamel triptych, depiction of the Lamentation of Christ in enamel, hxw: panels 2x approx. 18x6 cm, 1x approx. 18x12cm (approx. 44x54 cm with frame). Signs of age and rubbing. With frame. Enamel panels embedded in linen-covered wooden panel. VERSO: stamp marked 'Gunther- E. Schneider, Maler und Graphiker, Regensburg'.
IKONE MIT DER VERKÜNDIGUNG MARIÄ Russland, Ende 19.Jh., Nadelholz-Einzeltafel mit zwei Rückseiten-Sponki, Eitempera auf Kreidegrund, teilw. vergoldet, HxB: 35/31 cm. Besch.| ICON WITH THE ANNUNCIATION OF MARYRussia, end of the 19th century, single coniferous wood panel with two sponki on the back, egg tempera on chalk ground, partly gilded, HxW: 35/31 cm. Besch.
MALER 19. Jh., "Boote am Strand", u.li. undeutlich signiert 'Hans ...' und datiert 1896, Öl/Leinwand auf Holz aufgezogen, HxB: ca. 38x61 cm (47x70 cm mit Rahmen). Alters- und Beriebspuren, restauriert und part. retuschiert. Mit Rahmen. | PAINTER 19th century, "Boats on the beach", l.l. indistinctly signed 'Hans ...' and dated 1896, oil/canvas mounted on panel, HxW: approx. 38x61 cm (47x70 cm with frame). Signs of age and wear, restored and part. retouched. With frame.
Spanish school. Aragon. 16th century.“Our Lady of Roncesvalles gives her heavenly sovereignty and strength to King Ferdinand I of Aragon, among his faithful followers and vassals, Mrs. Oliba and her husband, under the protection of their protectors, San Antonio Abad and San Blas” – originally "La Virgen de Roncesvalles entrega su soberanía celestial y fuerza al Rey Fernando I de Aragón, entre sus fieles seguidores y vasallos Dña. Oliba y su marido, bajo el amparo de sus protectores, San Antonio Abad y San Blas"Tempera and gold background on panel.136 x 182 cm.The altarpiece is made up of three panels. In the central one is Our Lady of Roncesvalles with the Child, surrounded by angel musicians, giving a fleur-de-lis to King Ferdinand I of Aragon, as identified by the mention "D'Antequera". The Virgin Mary "touches" the King with her strength and with the fleur de lis gives him the mission of sovereignty, loyalty, honour, purity and spirit. To the right and left, the donors, Lady Oliba, as the inscription says, and her husband, are both protected by their devotional saints. She is with Saint Anthony, and he is with Saint Blaise. It is interesting to note that it is the lady donor who is mentioned on the altarpiece, therefore, she must have been an important personage. The most important and special thing about this panel is that it is not for private worship. No doubt it is a gift from the donors to their King. Transmitting their fidelity to him as his vassals, wishing and praying for him, as is his patron Virgin Mary, that of Roncesvalles, who grants him all the strength to be a good sovereign, bathed in God and His strength. They tell their king that in this worthy task of being sovereign and lord of all these lands and of all of us, the Virgin Mary is the one who gives protection. The King is given preponderance, in the centre with the Virgin Mary, because he is offering his life to her, and with faith he is shown that she is going to give him the strength to manage the great task of reigning over his subjects. The original carved, gilded and polychromed wooden crest is preserved. At the bottom is the inscription: "Esta obra mando facer Ernan Gonçales de la Puerta en Onor e Reberencia de Nuestra Señora de Santa Maria de RocesVales e San Blas San Anton” (This painting was commissioned by Ernan Gonçales de la Puerta in honour and reverence to Our Lady of Roncesvalles, Saint Blaise and Saint Anthony).
Markwick Markham Borrell. Montre de gousset en or jaune 18K (750) à décor émaillé remontoir à clé fabriquée pour le marché turcMarkwick Markham Borrell. An 18K gold key wind triple case pocket watch made for the Turkish market Date: London Hallmark for 1813Movement: Gilt full plate, cylinder escapement, pierced and engraved balance cock, silver regulation, No.24415Dial: White, black Turkish numerals, black outer minute markers, gilt beetle and poker handsCase: Polished inner, engraved inner, middle and outer cases, outside inner case with enamel decoration depicting a military tent with flags, painted panel to reverse depicting a view of Constantinople with the Bosphorus in the foreground and Basilica of Saint Sophia in the backgroundSigned: Dial & movement, case stamped ANSize: 44mm Weight: 73,28gFor further information on this lot please visit Bonhams.com
Breguet. Montre de gousset à cadran ouvert en or jaune 18K (750) à décor émaillé et remontoir à clefBreguet. An 18K gold open face key wind pocket watch with enamel decorationDate: Circa 1800Movement: Gilt full plate fusee verge, 3-arm balance, cylinder escapement, pierced and engraved balance bridge, No.2479Dial: White, black Arabic numeral quarter markers, black outer minute divisions with quarters Arabic numeral markers, gilt handsCase: Polished and enamelled round, enamel panel to back depicting a cherub kneeling before a female figureSigned: Dial & movementSize: 47mm Weight: 114,63g Accompaniments: 3 row gold chain with one enamelled medallion and 3 winding keysFor further information on this lot please visit Bonhams.com
A Liberty pewter shield shaped brooch with centre hammered copper effect panel, signed verso, (d:5cm) an anodised brass lacquered C scroll shaped brooch, a pair of lion head white metal indented earrings with pierced eyes and nose, (d: 4cm) and a white metal fish scale articulated necklace, (L: 20cm)
A last quarter 19thc Minton oil lamp base with inset brass liner with beaded border, above a tapered ceramic column holder in two sections including an upper section with oval floral palmettes, enclosed within a coronet and flower head bordered design, the lower section with matching panel to base, with ormolu mounted scroll tripod supports, on moulded base with rounded angles, slight chip to rim, unmarked, (h: 41cm x 22cm)
A Japanese craquelure baluster vase, the top with twin mask handles, one with ring, above a foliate panel and incised border, decorated with chrysanthemum and lattice design, scene of fighting figures, one on horseback, with lotus leaf incised and enameled swept base, (h: 35cm x 12cm) seal mark impressed verso
A Doulton pottery Queen Victoria commemorative mug decorated with central portrait in later years to one side, other side shows her Coronation, decorated within an oval panel with C scroll and lattice scrolling design, with upper and lower beaded panelled borders, with scroll handle to side, stamped verso Burslem and F, in underglazed blue, shows no signs of use, damage, chips, repairs or restoration, (h: 10cm x 8cm)
A large collection of costume jewellery including bead necklaces, a lapis oval bead necklace, an enamelled clip on fan shaped bracelet, an applique necklace 80s panel, a silver mother of pearl mounted panelled bracelet, a silver mounted grey agate pendant on trace link chain, a silver amber circular pendant, a paste necklace etc
A 9ct gold gentleman's signet ring, the shaped panel with engraved decoration, not engraved, (N/O) signs of having been reduced, and a garnet oval cluster ring, the oval garnet with surround of eight garnet points, all mounted in claw setting, with Continental marks to exterior of ring (O) (total weight : 7.19g)
Assorted Early 20th Century Costume and Textiles, comprising a peach satin sleeveless drop waist 'flapper' dress, with v-neck to the front and back, smocked panels to the side of the skirt hung with peach feathers,'gold' coloured silk panel embroidered with flower heads in the same colour, printed cotton to the reverse 104cm square,yellow silk and metallic embroidered panel of geometric and floral design 55cm by 100cm,Indian cream wool shawl printed with paisley motifs 145cm by 158cm,(4)Flapper dress - some staining and discolouration overall, especially under the arms, several areas satin is rubbed and stitched repairs to the reverse.Embroidered square - couple of small holes, couple of stitched repairs, bleach? spots and loose threads, feathers worn.Yellow metallic embroidery - tarnishing, fading and several areas where the threads have rubbed.Indian shawl - some discolouration to the cream centre, and several small holes and wear.
Assorted Early 20th Century Lingerie and Undergarments, comprising silk, cotton and satin brassieres, corset tops including the labels Ahkli, Sharp Undergarments, Beauty Line, Naturana, Triumph, in yellow, pink, cream, white and black,eight girdles bearing the labels, Prestige, Supp-Form, Twilfit, Naturana and Mireille,panti-hose sheer stockings in original box,other items include camisoles, under dress, a Smedley peach wool bed jacket, a peach satin type night dress with lace trim collar etc,Costume Accessories comprising a red silk shawl, lace bonnet veil, modesty panel, decorative textile fragments, gloves etc,(two boxes)17 brassieres and corsets
Assorted Circa 1960s Ladies Full Length Evening Dresses, comprising Carnegie of London blue, green and cream silk type striped dress (size 14),Mulchands Singapore purple sleeveless dress with gilt embroidery and sequins to the bodice,green satin sleeveless dress with sequin and bead modesty panel, pleated skirt and waist detail,Doree Model blue sleeveless dress with beaded neckline,Emma Domb California, Frank Jelleff Inc, Washington DC pale pink satin sleeveless dress with sequin trim and bow detail,Madame Kemp Salon of Roderick Tweedie Ayr woven pink sleeveless dress with scooped neck and full skirt,Berkertex Mayfair pink pinafore style evening dress with double breasted buttons to the bodice,Blanes of London green and silver brocade strapless evening dress, with green satin trim and floral corsage to the waist (size 16),pink and silver sleeveless dress with empire style bust, a-line skirt,green sleeveless dress with v-neckline and sequin and braid appliqué,(10)Carnegie dress - 34" bust, 27" waist, belt missing, slight discolouring under the arms, slight wear.Mulchands purple dress - 38" bust, 34" waist, slight wear, some thread pulls.Green satin dress - 38" bust, 32" waist, slight wear and rubbing.Doree blue dress - 36" bust, 30" waist, some slight discolouration under the arms, slight wear.Emma Domb dress - 38" bust, 34" waist, some slight discolouration under the arms and to the bodice top and hem, slight wear.Madame Kemp pink dress - 36" bust, 32" waist, couple ot tiny marks and slight wear overall.Blanes green dress - 36" bust, 30" waist, slight discolouration under the arms, and a couple of other marks overall, slight wear.Berkertex Mayfair pink dress - some rubbing overall, 36" bust, 30" waist.Pink and silver dress - 38" bust, 32" waist, staining under both arms and slight wear.Green dress - slight wear under the arms, 38" bust, 34" waist, slight wear.
Circa 1950-60s Evening and Cocktail Dresses comprising a brown and red metallic brocade strappy dress with pleated waistline and a matching bolero style jacket,Kings of Glasgow brown and gold brocade shift dress with bustle detail and brown velvet trim,Norman Young of London red and gold metallic sleeveless dress with scooped neck, matching bolero jacket with three quarter sleeves, piped with red silk and matching cummerband,pale blue and green full length quilted sleeveless evening dress with v-neckline,blue floral silk full length strapless dress with silvered panel to the bust appliquéd with two buttons,blue wool short sleeve shift dress woven with large gilt flower heads overall and silk tie to the front,yellow and orange metallic floral short sleeve shift dress with square neckline, attached detail to the waist,RW Forsyth Glasgow blue silk short sleeve bolero jacket woven with silvered and gold threads in 'whorl' design,pale green silk sleeveless evening dress with scooped neckline and v-shape to the back, adorned with beads, pale green sequin flower heads overall,lime green chiffon ruched/pleated chiffon mounted capped sleeve cocktail dress with silver bead and sequin decoration to the bodice,similar pink silk chiffon mounted dress with shoulder straps, hung with pink bead drop details to the bust,pink and gold woven sleeveless dress with collar and empire style waist,(12)Brown and red metallic two piece - 38" bust, 32" waist, straps repaired, numerous loose threads, slight rubbing under the arms, missing a button to the jacket.Kings of Glasgow brown and gold dress - 34" bust, waist 28", some wear to the armholes and some loose threads.Norman Young two piece - slight wear and some loose threads, 40" bust, 32" waist, slight wear under the arms.Pale blue dress - 36" bust, 32" waist - some loose threads and slight wear.Blue and silver dress - 34" bust, 32" waist, some loose threads, staining and wear to the lining.Blue wool and gold rose dress - 32" bust, 26" waist, fading to the blue wool and some rubbing, slight wear overall.Yellow and orange metallic dress - 44" bust, 36/38" waist, slight wear overall.RW Forsyth jacket - 44" bust, slight wearPale green silk bead dress - 34" bust, 30" waist, bead and sequin loss, slight discolouration to the bodice and more to the hem area.Lime green chiffon mounted dress - some bead and sequin losses, 34" bust, 28" waist.Pink silk chiffon mounted dress - 32" bust by 26" waist, slight discolouration under the arms and beaded tab to the waist needs a couple of stitches. Pink and gold dress - 34" bust and 30" waist, slight wear.
Circa 1960s and Later Ladies Evening Dresses comprising an Heiress pink and silver brocade sleeveless dress with a pleated bust,Fenwicks French Salon pink dress with a double tiered bodice detail and bows to the reverse,full length sleeveless pale pink and cream ribbon appliquéd dress with a cream silk cummerband,Frank Usher purple dress with a ruched bodice and wrap style striped panel to the skirt, matching evening jacket,fuschia pink silk sleeveless full length chiffon mounted dress,Annacat navy grosgrain short sleeve dress with a velvet bodice and beaded trim,black full-length hooded cape,(7)Heiress dress - 30" bust and 28" waist.Fenwicks French Salon dress - 28" bust and 20" waistRibbon dress - 34" bust 30" waist.Frank Usher - 30" bust and 28" waistPink chiffon dress - 32" bustAnnacat - 30" bust
Decorative White Linen Cushions and Cases, comprising five linen cushions of various sizes incorporating embroidery and drawn thread work, six tea cosies of various designs and an egg cosy,silk and linen handkerchieves, CC41 puce mark printed cotton handkerchief, white linen handkerchief cases, baby bibs,pink silk Chinese embroidered sleeve band,1914-9 crochet panel 'Victorious Peace', drawstring bag, embroidered small panels, linens etc,(one box)From the Collection of Rose Elizabeth Cole & Rosanna Fox
Circa 1885 North Country Medallion Silk Patchwork Quilt, incorporating silk and velvet patchworks, the central square panel of octagons within a grid form, surrounded by tumbling block design, edged in a woven trim and floral print to the reverse, 225cm by 208cmApproximately 6 silk splits overall, some have some staining and fading and wear.
Collection of 20th Century Molas from San Blas Islands, Panama comprising twelve reverse appliqué and embroidered cotton decorative panels including an eagle and animals, 39cm by 30cm,Gangandi graphic design on red, 46cm by 34cm,a pair of panels designed with a two birds with open beaks on an orange ground, 40cm by 32cm, the other on contrasting colour backing, 47cm by 33cm,a small Mola depicting a figure surrounded by four animals, 33cm by 23cm,Medellin dancing figures and stars in pink on a black ground, 41cm by 33cm,three dogs heads with heavily embroidered faces on a red cotton background, 39cm by 33cm,a pair of Molas worked with 'Patronde San Frascisco Depicho', 53cm by 35cm,a single panel of a piglet with embroidered details, against a multi coloured greek key motif background, 48cm by 36cm,a panel depicting two dancing figures with embroidered faces on a multi spot back ground, 43cm by 32cm,a Mola of an Indian in a feathered headress with embroidered details 'Indio', 40cm by 32cm,(12)John Newall Private CollectionFading and wear overall.
Asian and World Textiles, comprising embroidered linens, Indian cream wool shawl, red cotton tent hanging style panel, figural woven panel with trim,ikat striped lengths of fabric, striped silk paisley shawl, Guatemalan woven panel with large flower heads and hung with oversize pom poms,cream and yellow cotton jacket worked with corded style embroidery, multi woven heavy linen top,decorative embroideries, costume accessories, crochet gents caps, black bead work skirt panel etc,(two boxes)
Mainly Early 20th Century Assorted Textiles, comprising a small Suzani style panel, worked on a red cotton ground with large blue and brown flower heads and floral cotton to the reverse, 87cm by 123cm,woven striped cut panel in Paisley style, 129cm by 111cm,and two similar style crewelwork panels worked on a linen ground, with a central box enclosing trellis and flower heads, within a border of large red flower heads, differing sizes, 147cm by 85cm, 110cm by 148cm,(4)Suzani style panel - stitched repairs, some discolouration, couple of holes and large darned area.Striped woven panel - been cut, several holes and overall wear. Smaller crewelwork - discoloured to the backing cloth, fading to the wool and some wear. The larger - some discolouration, and some colour run, some wear.
Early 20th Century Chinese Pale Blue Silk Robe, embroidered with butterflies, floral motifs and stylised birds within a greek key style circular frames, surrounded by flowers, cream silk embroidered trimsSome fading and discolouration/staining to the cream trim around the neck, and front panel, some tiny thread pulls overall, slight fading
Early 20th Century Chinese Red Silk Robe, embroidered with large floral roundals to the front and back, amongst butterflies and floral sprigs, with a wave design hem, blue, white and black gilt woven trimsCuffs have been restitched, black trim is missing in a number of places. Right panel is very black and worn also the woven trims around this area, fading to the back of the robe, some light staining overall, rubbing to the threads and some thread pulls.
Assorted Circa 1940s and Later Accessories, comprising a lucite type hinged handbag with metal mounts, hinged handle, printed porcelain plaque to the front and clasp, set with paste stones, 20cm by 18cm,small black circular style multi pleated black patent handbag with clear plastic hinged cover and gilt metal mount and carrying handle, 17.5cm (base) by 11cm,walnut hinged box handbag with swing handle, 21cm by 18cm by 7.5cm, two leather handbags, RW Forsyth Glasgow cased manicure set, another in red circular case, gloves,Jantzen black wool swim suit (ladies size 36), Ryder & Amies Cambridge green wool striped scarf,petit point wool panel depicting a gun dog and gent with game and rifle, 33cm by 26cm etc,(one box)
Circa 1930s and Later Costume Accessories, comprising a Finnigans Manchester brown crocodile clutch bag with kid leather lined internal purse, stylish brown leather bag with brass mounts, two Chinese embossed cream leather clutch bags with coloured decoration,pale green clutch with deco clasp, two black bead evening purses and a wooden bead decorative circular purse,pink and metallic woven evening scarf, four velvet mounted decorative cravats/scarves, navy felt hat embroidered and appliquéd with coloured felt flowers,Chinese embroidered panel, silk hankie etc(one box)
Assorted Early 20th Century Bead and Sequin Work, comprising a black net and sequin collar, black net stole with bead decoration,uncut panel on black net of a bead and sequin dress and four similar shaped panels (one bearing original paper label),two black beadwork trims, oval black faceted stone/glass with card mount reverse hung with two-tone bead drops, another similar and faceted 'ball' with drops,pale pink silk collar and panel multi decorated with paste stones and beads,(one box)
Andre-Henri Dargelas (1821-1903) "Villa Du Connetable, Ecouen" oil painting on panel, signed, 57cm x 46cm, ornate gilt frame, see labels to the reverse. (The painting depicts parents collecting their children from school, in the foreground a soldier walks arm in arm with his daughter. The school being a 16th century Chateau, 20km north of Paris. in 1806 Napoleon Bonaparte granted the Chateau to the Legion d'Honneur, becoming a school for the daughters of the Chevaliers of the Order. It closed as such in 1962, it is now the French National Museum of the Renaissance)
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