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A Georgian 18ct gold enamel mourning ring Set with a panel of blond plaited hair in a moulded surround with black banded design on a gold and enamel sunken shank with gold lettering In Memory of the underside of setting bearing inscription Coningsby Waldo Sibthorp ESQ M.P Died 9 March 1822: Aet 40
Edwardian mahogany two section standing corner cabinet with boxwood string inlay, the upper section with swan neck pediment and enclosed by single glazed panel door with decorative tracery, two oval bevelled mirror panels, the lower section enclosed by pair of conforming glazed panel doors, standing on tapered square supports, 82cm wide
Early 20th Century Georgian style mahogany breakfront library bookcase having Greek key cornice, the upper section fitted twelve adjustable shelves enclosed by two pairs of astragal glazed panel doors, the base with cupboards enclosed by two pairs of crossbanded blind panel doors, 270cm wide x 228cm high
Pair of 19th Century burr wood and ebonised side cabinets having ormolu beading, each fitted two plush lined shelves flanked by glass side panels and enclosed by glass panel doors flanked by reeded and turned pillars with ormolu capitals, standing on turned bun feet, 100cm wide - see colour illustration
A French porcelain mounted gilt brass clock garniture, circa 1860, in Louis XVI style, the 'Sevres' dial painted to the centre with Cupid and trophy, the Roman chapter reserved on a 'jewelled' bleu de roi gound, eight day movement, striking on a bell, the bow breakfront case cast with classical leafage and beading and inset with 'Sevres' landscape and figural panels on a bleu de roi ground, surmounted by a two-handled urn; the pair of conforming 'Sevres' ovoid urns with domed covers, each painted with a romantic Watteauesque panel within 'jewelled' gilt leafy borders, ram's mask loose ring handles and pineapple finials, on knopped stems and stepped square bases, clock 36cm high, urns 29cm high
An oak longcase clock, with mahogany veneers and bandings, the brass 32cm dial with mask and leaf spandrels, silvered Roman and Arabic chapter ring, the centre engraved with leaf scrolls, subsidiary seconds dial, calendar aperture, inscribed 'T. Radford & Sons, Leeds', the arch with lunar phases, eight day movement, striking on a bell, the hood with brass mounted swan neck pediment above freestanding fluted pillars, shaped door to trunk flanked by fluted quadrant pilasters, the base with planted panel, 225cm high
A mahogany longcase clock, the enamelled 35cm dial with figural spandrels representing The Continents, Roman chapter ring, subsidiary seconds and calendar dials, the arch with lunar phases, eight day movement, striking on a bell, the arched hood with swan neck pediment and urn finials above two pairs of fluted pillars, the well figured trunk with a scalloped curl veneered door flanked by freestanding reeded pillars, outlined with banded borders and stringing, the canted moulded base with re-entrant panel, bracket feet, 236cm high
Edwards & Roberts - a Victorian mahogany kneehole writing table, late 19th century, in Chippendale revival style, with blind fretwork, pierced foliate brackets and gallery, the back with a shelf, open compartments and pair of cupboards, the writing surface with inset leather panel above seven drawers with pierced brass loop handles, on slender cluster column legs, drawer stamped 'Edwards & Roberts', 109cm wide, 116cm high
A Victorian mahogany partners desk, third quarter 19th century, in George IV style, the moulded rectangular top inset with a gilt stamped brown leather panel above nine cockbeaded drawers with brass loose ring handles, three drawers and a pair of cupboards opposing, on bracket feet, 153cm wide, 99cm deep, 76cm high
A George III mahogany bureau-bookcase, circa 1770, the adjustable shelves enclosed by a pair of doors with beaded oval panels inlaid with neo-classical urns suspended from ribbon bows, the spandrels with florets linked by leafy spirals below a frieze of lancet arches, dentil cornice and lofty beaded swan neck pediment inlaid with whorl terminals and spiralling flutes, the bureau with crossbanded flap inlaid with palmette angles and urn escutcheon above four long graduated cockbeaded drawers similarly inlaid and with embossed brass loop handles, the satinwood veneered fitted interior with baize lined panel, crossbanded and strung borders and inlaid with pendant urns and central batwing patera, on ogee feet, 111cm wide, 61cm deep, 251cm high
A Dutch walnut and floral marquetry bombe commode-display cabinet, mid-19th century, typically inlaid throughout with shaded and engraved flower sprays, undulating floral trails and outlined with stringing, the arched cabinet with canted angles, glazed shaped-panel door and sides, the bombe base with serpentine top above four shaped drawers with cockbeaded mouldings, the boldly formed outset scroll angles above a shaped apron and carved claw-and-ball feet, brass fittings, 23cm wide, 54cm deep, 173cm high
A Victorian burr walnut vitrine, mid-19th century, with matched veneers and inlaid with boxwood stringing and leafy strapwork, gilt brass cable mouldings and pierced lambrequin mounts, the velvet lined shelves enclosed by a glazed arched-panel door flanked by canted angles, on a shaped plinth, 85.5cm wide, 37cm deep, 107cm high
A Victorian jasperware mounted calamander breakfront side cabinet, third quarter 19th century, parcel gilt and inlaid with strapwork and stringing, outlined with amboyna bandings, the pale blue jasperware plaques sprigged in white with classical figures, the centre panelled door flanked by a pair of glazed arched panel doors divided by freestanding pillars, 191cm wide, 49cm deep, 105cm high

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360412 item(s)/page