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Lot 550
Yehan Wang (Chinese/Canadian, b. 1959). Large acrylic and oil on canvas painting titled "W5593" with each panel depicting an abstract field of colorful spots against a bold, red background. Each panel is signed along the verso and numbered 1/3, 2/3, or 3/3 indicating its placement within the triptych.Each panel; height: 98 1/2 in x width: 59 in. Total width: 177 in.Condition: All three paintings are in good condition with no rips, tears, losses, or restorations. Light wear throughout. Some light rubbing along the sides of the canvas consistent with storage and display.
Lot 666
John Scott Bradstreet (American, 1845-1914). Entire room of Asian inspired "jin-di-sugi" carved cypress wood paneling including a fireplace and the ceiling. The fireplace with a carved panel of a sun among waves and two monopodial faux-legs with dragon heads and ball and claw feet. The wainscoting with carved panels, each depicting unique flora and fauna including: a crab, a dragon, lotus pods and flowers, water lilies, a bat, a kingfisher, chrysanthemums, and a turtle. There are a total of eight panels along the walls; two along each wall. The wainscoting is divided into three registers: a low horizontal lower register; a tall rectangular divided middle register; and a square upper register with alternating plain and carved panels. The ceiling with three beams and 12 panels; six panels slightly shorter than the length of the room due to the presence of the fireplace.Please note that this lot must be removed from its location by the end of August, 2023.Born in Massachusetts in 1845, John S. Bradstreet moved to Minnesota in 1873 and began working for the furniture firm Barnard, Clark, and Cope. With a heavy emphasis on late Victorian styles, Bradstreet felt that the items they were selling were too old-fashioned. Throughout the late 1870s and into the turn of the century, he worked with various partners to create furniture more in line with the growing popularity of the Gothic Revival and English Arts & Crafts movements. By 1901 he had founded his own business which focused primarily on his growing love of Asian inspired furniture and architecture - in particular, Japan. After opening the Minneapolis Crafthouse he was able to finally display and design his own works including his favorite line called "jin-di-sugi." This was a combination of Japanese carving techniques and American Arts & Crafts style, shown in the room offered in this lot.With his involvement in the growing aesthetic style of Minneapolis and as a heavy promoter of the arts in the city, he would go on to become one of the founders of the Minneapolis Fine Arts Society in 1883. This society would eventually evolve into the Minneapolis Institute of Art. He died only five months short of the institute's opening, and a room was opened in his honor, the John Scott Bradstreet Memorial Room, on January 7th, 1915.(Entire Room) 12 ft 2 in x 13 ft 2 in. (Mantle) height: 54 1/4 in x width: 76 in x depth: 25 in. Carved panel on mantle; height: 10 in x width: 13 1/4 in. (Wainscoting, 8 total panels) height ranges from 24 in to 54 1/2 in. [height ranges include below the window and include variance from panel to panel due to the room settling]. Total length of all wainscoting excluding the fireplace: 25 ft 10 in. (Carved panels excluding fireplace panel) height ranges from 10 in to 10 1/4 in; width ranges from 10 in to 11 in. (Chair rail) depth: 1 1/4 in.Condition: The wood in the room is in overall fairly good condition. There is light wear throughout as expected with a room of this age. Dust collected in the recessed areas of the works. There are small finishing nails throughout the wainscoting to affix the paneling to the wall of the room. There are four spaces for outlets, two spaces for light switches, and four areas where lights have been affixed to the panels. Several small areas where cord clips have been nailed/drilled into the paneling. There is one panel with an approx. 2 inch chip to the wood along the lower edge. The following carved panels have splits to the wood: the crab, the water lilies, the bat, and the chrysanthemums. The carved panel depicting a sun and waves along the mantle also has several splits along the center. There is wear to the top of the mantle. Numerous wax accretions, likely from candles, light scratches, a few small divots, dust, and an approx. 1 inch chip. Wear to the edges of the mantle throughout. There appears to be an extension added to the back of the mantle where it has been extended outwards to accommodate for modern use. This addition along the back measures approx. 8.75" x 63.25". There are six vents on the fireplace; two on either side and two along the top in the addition area.
Lot 455
Robin Tewes (American, b. 1950). Oil on panel diptych titled "The Art of Happiness 1 and 2," 2005.One panel depicts a man seated at his desk surrounded by crumpled pieces of paper. Words are inscribed into the chartreuse wall in the background. An abstract painting of a nude woman hangs on the wall. In the other panel, the man has left, leaving a still-smoking cigar. The artwork has changed to depict a realistic version of the painting on the wall. Words are still haphazardly written on the wall in the background including the phrase "Fax You I Quit." Each panel is titled, signed, and dated along the verso. Each with a label from Adam Baumgold Gallery, New York, affixed along the verso. The verso of the first panel is filled with pencil inscriptions from the artist.Provenance: Adam Baumgold Gallery, New York; Private Minnesota collection.Height: 20 in x width: 18 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 382
Rio Grande, New Mexico wool half panel blanket or wrap, 19th century. Hand woven in red with bands of checkerboard black. With short tassels.Length: 7 ft 5 in x width: 2 ft.Condition: The edges of the weaving are uneven. There is fraying along the edges and a few spots along the body of the weaving. Some dust and debris gathered throughout.
Lot 675
Victorian Davenport desk, likely mahogany. Well-carved with profuse scrollwork panels and two monopodial scrolling supports in the form of winged women. With a six drawers along one side, hidden by a panel, and a slant-top leather writing service that hinges open to reveal a space for storing writing supplies. A fine and excellent example of this type of desk.Provenance: From the collection of Frederick and Catherine Asher, Minneapolis, Minnesota.Frederick M. Asher and Catherine E. Asher were prominent scholars in the field of Art History. Both dedicated their lives to the education of students, teaching for many years as professors at the University of Minnesota. They both had a passion for South Asian art, traveling extensively throughout India, Asia, and the Middle East. Selections from their travels and careers as avid art historians are offered in this auction. Their collection includes Indian jewelry, Japanese woodblock prints, an incredible slide collection, and much more.Height: 36 1/2 in x width: 21 in x depth: 24 1/2 in.Condition: The desk is structurally sound and stable. The carved/pierced decoration along the back along the top is broken and shows signs of previous attempted repairs. The finials are detached but included. Several other small losses to the carved decoration throughout. There are several large splits to the wood: along the leather writing top there is a notable split, visible in the lot listing; along the interior of the writing desk there is a large horizontal split to the bottom, visible in the lot listing; there is a short split extending vertically downwards along the front panel from the top; there are short splits along the top border along the three side panels. Splits and losses to the veneer along the interior of the desk and the drawers. All drawers open, though some are somewhat tight. Heavy wear, splits, and bowing to the veneer along the interior of the door that hides the drawers.
Lot 406
Folk art oil on panel painting depicting a white cat or kitten perched precariously on an oak tree branch, ca. 1890s. In an original gilt wood frame with square nails. Signed "Kuttle" along the lower right corner.Sight; height: 6 3/4 in x width: 8 1/2 in. Framed; height: 11 in x width: 12 3/4 in.Condition: The surface appears stable. Some light wear and paint losses along the extreme edges along the rabbat. A few small accretions throughout. It appears that the colors are somewhat muted, possibly slightly faded. Wear and small losses to the frame throughout.
Lot 444
Rod Massey (American, b. 1949). Oil on panel painting titled "Behind Shilla" depicting two St. Paul homes in a winter landscape, 2005. Possibly depicting the houses on Van Buren Avenue just behind Pho Pasteur on Snelling Avenue in St. Paul. Signed, dated, and titled on a label affixed to the verso. With a label from Groveland Gallery in Minneapolis, Minnesota along the verso.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Sight; height: 30 1/2 in x width: 32 in. Framed; height: 32 1/4 in x width: 34 1/4 in.Condition: Overall there are no visible tears, creases or losses. The surface is stable. The colors are bold and bright. There is minute paint losses to the extreme edge of the right lower corner, possibly against the old frame. On the verso there is original paint accretion; please see listing image. There is light wear to the frame. There is a light of white paint accretion to the underside of the frame. There are no visible signs of restoration under UV light.
Lot 443
Rod Massey (American, b. 1949). Oil on panel painting titled "Remote Airport Property" depicting a landscape with an airplane hanger, vehicles, and trees.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "while my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including the Minneapolis Institute of Art (MIA) and numerous corporate collections.Sight; height: 40 in x width: 28 in. Framed; height: 42 in x width: 30 1/2 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 490
Charles Schulz (American, 1922-2000). Original four panel "Peanuts" comic strip, the daily strip for Monday, February 15, 1965. Black ink over pencil on drawing board. Pen signed along the right edge of the last panel.Provenance: Private South Dakota collection since 1965.Charles Schulz grew up in St. Paul, Minnesota, and fostered a love of comics throughout his childhood. He spent his later teen years studying drawing and cartoon work through a correspondence course with Art Instruction Schools. Following deployment in Europe during WWII, Schulz returned to St. Paul and got a job working as an instructor for the Art Instruction Schools. After a short lived comic strip for the St. Paul Pioneer Press, he hit it big with Peanuts in 1950, which was syndicated by United Features. The strip quickly became an enormous success, with legions of fans across the country–and world–falling in love with his quirky cast of characters and charming illustrations.The present lot typifies the characteristics for which Schulz’s comics were best-loved. It shows the characters’ personalities, always distinctive and lovingly mocked by Schulz. The strength of the character depictions, together with Schulz’s crisp, mobile linework, makes this a wonderful example of a Peanuts daily strip and of Schulz’s facility with character.Unframed; height: 5 1/2 in x width: 27 in. Framed; height: 12 1/4 in x width: 33 3/4 in.Condition: There are no rips, tears, or losses. There are two notable creases: one between the second and third panels running vertically through the empty space; one along the lower left corner, which appears to have been slightly covered with whiteout, possibly original to the artistic production. There are a few small stains: there are two along the first panel, one on Lucy's face and near the lower left of the speech bubble (see lot listing); there is one small stain along the hem of Lucy's dress in the second panel; there are a few minute ink stains throughout, likely original. Some of the original pencil marks are visible beneath the ink. The board is affixed to a mat board backing with framer's tape; due to this the verso could not be inspected. Some light wear to the frame; framed under glass. The paper backing of the frame has been cut along three sides since photography to inspect the work.
Lot 1273
Please note: additional information given on size. Jonas Zeuner (1727-1814 Kassel) Dutch. A rare Dutch 'Verre Eglomise' gold and silver reverse engraved picture on glass by Jonas Zeuner, circa 1770, depicting a hunt in full cry, with horsemen, hounds, geese persued by birds of prey and hares in a landscape with buildings beyond, signed and dated to lower left, mounted in a moulded giltwood frame, image size 46cms x 56cms, overall with the frame 72 x 62cms.Notes: Jonas Zeuner was born in Kassel and settled in Amsterdam in around 1750, although his first recorded works date from 1770 onwards. He perfected techniques for engraving in gold and silver leaf on a transparent glass panel and reverse painting in oils.Provenance: select items removed from Carrycoats Hall, Northumberland.
Lot 1252
W Packer, Buckingham, an oak musical longcase clock, the painted roman dial, with leaf spandrels and date aperture, three train musical and quarter striking movement, with a rack of eight bells gong fitted to backboard, the case with dentil cornice, plain waist door, panel base on bracket feet, 207cms high.
Lot 1329
A 20th Century faux kingwood bijouterie table in the French taste, the shaped and hinged quatrefoil top inset with bevelled glass panel, opening to reveal a red velvet interior, shaped glass panels to the sides,(one replaced with plastic), raised on slender gilt metal mounted downswept legs, 50 x 50 x 75cm high.
Lot 1044
In the manner of Nicolas Poussin(French, 1594-1665)The Bathers,oil on panel,20.5 x 29.5cms, in frame.Provenance: partial Mawson, Swan, and Morgan Ltd receipt pasted verso, dated 1952, attributing the work to Poussin and recording the work as having been cleaned and varnished.Select items removed from Carrycoats Hall, Northumberland.
![Willem Linnig(Belgian, 1819-1885)Proffering Flowers,signed and dated 'W Linnig f[ecit] 1846'oil on panel,60 x 47.5cms, in fra](https://cdn.globalauctionplatform.com/15e8a56c-5aab-42f6-8d23-afc000e6928c/6219c441-3fe9-4bbf-b076-b03e009d66da/468x382.jpg)
Lot 1306
A burr walnut cabinet on stand, with 18th Century elements, the rectangular top with long cushion drawer above a pair of panel doors opening to reveal a fitted interior of drawers and wells around a central cupboard, raised on an associated 20th Century stand with shaped cabriole legs, 110 x 51 x 140cm high.
Lot 1256
Japy Freres, A late 19th Century French gilt metal clock garnitum, the clock with urn shaped finial and foliate garlands, two griffins sat on top frame with Roman numerals to the dial, drum movement by Japy Freres, with hand painted polychrome panel of a couple, raised on a stepped foliate base and scrolled feet, 44 x 54cm high, flanked by cassolets, the pierced finial over twin scrolled handles raised on stepped foliate bases, 40cm high.
Lot 410
BESSIE BAMBER (BRITISH fl.1900 - 1910), BLACK KITTEN oil on board, monogrammedframedimage size 17cm x 13cm, overall size 26cm x 21cmNote: Bessie Bamber was a British artist from Birkenhead who was active between 1900 and 1910. It is not known if Bamber was her married name or maiden name. Bessie Bamber worked in oils and specialised in painting cats, kittens and occasionally puppies. She usually painted on porcelain or opaline glass, and sometimes on a polished mahogany panel. She preferred to work using stuffed animals rather than live ones. There is no record of her exhibiting her paintings. A picture of three kittens with a pile of books was sold for £2,468 at Bonham's in 2004.Condition is good overall.
Lot 248
A Good Brass Bound Half Plate Field Camera By Sanderson, English, c.1900, ivorine (early Celoloid) plaque for 'THE SANDERSON H Ltd LONDON' and a brass plaque for 'REGULAR MODEL' the camera of typical format with single racked bed, Sandersons Patented front support, lens panel with Thornton Pickard shutter, with brass bound Beck Symmetrical lens with cap, in canvas bag with 4 mahogany DDSs
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