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Lot 217
English School, 19th Century, A grey and a bay outside a stable, indistinctly signed with a monogram lower left, oil on board, 29 x 39 cm Oil on panel. There is a hairline crack in the panel running horizontally across the painting, but overall the panel is stable. The paint layer is in a good condition. The varnish is thick and glossy, it has discoloured with age. There are slight cracks to the frame but overall it is in a good condition.
Lot 1768
A Turkish design carpet with central red ground panel set with three rows of medallions within a floral decorated border, bearing label inscribed 'A Gardner & Son, Glasgow', 330 x 290cm. CONDITION REPORT: There are two 20cm cuts to one side, faded noticeably to one half, general wear throughout.
Lot 911
AFTER ÉLIZABETH VIGÉE-LEBRUN; a 19th century miniature portrait on ivory, artist's self-portrait, 10.5 x 7.5cm, framed and glazed, a further Mughal school portrait of young female and an oil on panel, portrait of an elderly man, 9 x 8cm, also a frame suitable for miniatures (4). CONDITION REPORT: No indication as to who the Mughal image is depicting. Vigee-LeBrun is a copy.
Lot 107
NO RESERVE Norwich School (19th century) Landscape with distant town and passing clouds, oil on panel, with later pencil inscriptions on the reverse with indistinct attributions to [?]John Crome, 150 x 205 mm. (5 7/8 x 8 in), some craquelure and surface dirt, unframed, [early to mid-19th century]; together with a group of three further English 19th century pastoral paintings, one on panel indistinctly signed 'J. M[...]', one on board attributed to Samuel Jackson, and another on paper, 260 x 370 mm. (10 1/4 x 14 1/2 in) and smaller, all unframed [19th century] (4).
Lot 96
NO RESERVE Wales.- English School (19th century) The Old Church Porch, oil on panel, numerous indistinct pencil inscriptions on reverse, one reads 'The Old Church Porch/ Helens Valley/ N. Wales', with scratched [?] signature 'Henry J. Johnson', 263 x 227 mm. (10 3/8 x 9 in), discolouration and browning to old varnish, unframed, [early 19th century].
Lot 229
1960s Carvin model 1-MS double neck electric mandolin guitar, made in USA; Finish: natural, various wear; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, stop bar and bridge on guitar side probably replaced, missing two screws to control panel; Case: later oblong hard case; Overall condition: good for age
Lot 32
1980s Vox Custom 25 electric guitar, made in Japan, ser. no. 1xxxx1; Finish: natural maple and walnut; Fretboard: maple; Frets: good; Electrics: working; Case: original hard case, handle missing; Overall condition: very good *This guitar appears to be in almost as-new condition with the plastic still intact on the back panel and is sold with an original Vox catalogue
Lot 235
A Carter & Company Poole Pottery Farmyard Series four tile panel designed by E.E. Stickland, made for Dewhurst butchers, hand stencilled with two ducks swimming on a pond, in colours, and another set of four Carter Farmyard Series tiles decorated with two white geese, impressed marks, painted FY mark, repair to one Goose tile, 30.5cm. square (panel), (8) Provenance Dewhurst butchers, King's Road, Fulham Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 169 for the Farmyard Series of individual tiles illustrated.
Lot 236
A Carter & Company Poole Pottery Farmyard Series four tile panel designed by E.E. Stickland, made for Dewhurst butchers, hand stencilled with two black and white rabbits grazing, in colours, impressed marks, painted FY mark, 30.5cm. square (panel), (4) Provenance Dewhurst butchers, King's Road, Fulham
Lot 403
Sam Herman (born 1936) a shouldered vase with swollen body, made at Lots Road, elliptical section, the dark glass body with white line and red panel inclusions, the surface decorated with metallic oxide iridescent finish, etched signature to side of base, CAM.73, 19cm. high Provenance The Morgan collection of Art Glass. Catalogue notes This vase was probably made in the early 1980s.
Lot 234
A Carter & Company Poole Pottery Farmyard Series four tile panel designed by E.E. Stickland, made for Dewhurst butchers, hand stencilled with a pig and piglet in a yard, in colours, and another Carter Farmyard series four tile panel of a sheep and lamb, impressed marks, painted FY mark, sheep panel repaired, 30.5cm. square (panel), (8) Provenance Dewhurst butchers, King's Road, Fulham
Lot 468
A Liberty & Co silver and enamel case designed by Archibald Knox, rectangular form, cast in low relief with Art Nouveau entrelac panel, enamelled green and blue stamped marks, Birmingham 1905 8.5cm. long Literature Archibald Knox Beauty & Modernity A Designer Ahead of His Time, Archibald Knox Society, 2014, page 39 catalogue number 62 for a comparable example illustrated.
Lot 17
An Aesthetic Movement Minton Hollins & Co pottery three tile panel fireplace, the horizontal mantel panel decorated with swallows perched in prunus tree boughs, the side panels with a white heron watching a frog, and swallows, and a magpie and chick, in colours on a terracotta ground, impressed marks, minor rim chips, 100 x 20.5cm (mantel panel), 81 x 20.5cm. (3)
Lot 474
FOLLOWER OF JACOB VAN STRY, LANDSCAPE WITH CATTLE, oil on oak panel, 29 x 36cm++Varnish dirty; the medium think and slightly woolly or indistinct in places suggesting old overpainting or retouching. Beneath glass and long in the present Victorian gilt frame, the support not warped or repaired
Lot 473
FOLLOWER OF PHILIPP PETER ROOS, SHEPHERD AND GOAT HERDERS, oil on canvas laid on panel, 14.5 x 21cmProvenance: (according to an old label) The Revd Clement Chatherall; Collection of William Terry (1992-2017).++Much ingrained dirt, the pigments dark in places, peripheral made up loss in various places and old restoration. On the reverse three or four wormholes in the panel, in Victorian maple frame
Lot 385
An Early 19th Century Turkish Yataghan, the 65.5 cm single edge curved steel blade engraved with a band of script and strapwork panel and with a narrow fuller to the back edge, the gilt filigree bolster set with facetted amber beads, the marine ivory eared hilt with coral set back strap, with brass mounted leather scabbard and frog, 87cm. Some black patching and pitting to the blade. Age cracks and chips to the marine ivory grip, Numerous small dents to the brass mounts of the scabbard.
Lot 295
A First Pattern Fairburn Sykes ''F-S'' Fighting Knife by Wilkinson Sword Ltd., the 18cm double edge steel blade with raised medial ridge to each side, each side of the ricasso with a recessed panel, one side faintly etched with maker's name, the opposing side etched THE F~S FIGHTING KNIFE, with nickel plated brass recurving crossguard and diamond cut grip, lacks scabbard . Blade with overall rusting and pitting. Plated crossguard with slight flaking. Plated grip with some flaking and rusting. Scabbard lacking. Etching very faint.
Lot 296
A First Pattern Fairburn Sykes ''F-S'' Fighting Knife by Wilkinson Sword Ltd., the 18cm double edge steel blade with raised medial ridge to each side, each side of the ricasso with a recessed panel, one side faintly etched with maker's name, the opposing side etched THE F~S FIGHTING KNIFE, with nickel plated brass recurving crossguard and diamond cut grip, lacks scabbard. Blade with overall rusting and pitting. Plated crossguard with slight flaking. Plated grip with some flaking and rusting. Scabbard lacking. Etching very faint.
Lot 153
An early George III wool and silk embroidered figural needlework panel, signed and dated Mary Parker Fecit 1763, depicting the flight into Egypt, with the Virgin Mary and the Christ Child on the donkey, being led by Joseph through an undulating landscape with a stream and architectural features, 68cm high, 57cm wide
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