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Lot 218

Large original Hard-Edge Modernist wall panel made with geometric cutouts in brushed aluminum and faux suede set in a brushed aluminum frame. The designer used neutral colors and kaleidoscopic superimpositions that appear to project and retract three-dimensionally. Ink signature on lower left: illegible. Title on verso: Illegible Refraction?Issued: c. 1980Dimensions: 49"L x 2.50"W x 49"HCountry of Origin: United StatesCondition: Age related wear. Sporadic soiling and browning.

Lot 222

Contemporary painted glass panel wall hangings. They measure approximately 28.5"L x 6"W and 29.75"L x 6"W. Dimensions: See DescriptionCondition: Age related wear.

Lot 4

ENGLISH SCHOOL (Contemporary) a coastal landscape with sailing vessels in calm waters, Oil on wooden panel: 10 x 30cm, in painted frame (20.5 x 40.5cm overall).

Lot 92

PATRICK NASMYTH (1787-1831) A wooded river landscape with figures beside a water mill, Signed & dated “Pat. Nasmyth 1817” lower right, Oil on panel: 41cm x 50.5cm, framed (55.5 x 65.5cm overall).

Lot 6

ENGLISH SCHOOL (20th century) Two King Charles spaniels with a ball & a bone, titled “Exchange” & signed “Barribal”, Oil on panel, framed (38 x 43cm overall).

Lot 179

A 20th century African carved tribal hardwood decorative panel. The panel depicting various figures carrying tools / offerings to a central point.Measures approx. 35cm x 102cm.

Lot 444

Oil on panel. It depicts the saint in a Dominican habit with a shaved head, holding a bible in his right hand and his left hand raised, with his index finger pointing to the sky, where a phylactery reads ‘Timete Deum et date illi honorem quia venit hora iudicci eius’.On the floor there is a cardinal's capelet and a large white mitre. No visible signature.Size: 52 x 33 cm; Size with frame: 61 x 41 cm

Lot 332

Chinese silk panel embroidered with coloured threads. It shows the image of an elegant lady in fine traditional dress, holding a bamboo branch in her hands and a basket of flowers. She is accompanied by a stylized crane with outstretched wings and a small deer. Size: 180 x 81 cm

Lot 479

Oil on panel. Signed in the upper left corner.Size: 14 x 20 cm; Size with frame: 40 x 40.5 cmVerified by the specialist, we thank you for your collaboration in this catalogue.

Lot 11

Modelled porcelain in the form of a vase, with a flaring foot, a globular body that narrows at the neck, flanked by two elongated handles, and a thin flaring mouth. The back of the vase is flat and is set on a custom-made wooden frame.  It is richly decorated with underglaze blue and white enamels, which form elaborate floral patterns above which is a central medallion of auspicious Chinese character. The wooden panel that frames the vase is decorated with openwork geometric elements, arranged in a complex latticework pattern. Size: 27 x 13 cm

Lot 333

Two rectangular wooden panels, decorated with hand-painted scenes in gold and coloured pigments. One panel depicts a calm scene with a wise man, two disciples and a deer under the shade of a large tree. The second, depicts a scene with two old men with long beards, dressed in long robes, drinking tea under the shade of a tree with a young servant girl. Size: 47 x 2.8 x 60 cm

Lot 445

Oil on panel. The saint is depicted wearing a long tunic with embroidered details, holding a palm in his right hand and a cross in his left hand. At his feet is a millstone knotted to a thin rope. No visible signature.Size: 51.5 x 32 cm; Size with frame: 59 x 39 cm

Lot 2349

A jade / hardstone panel on hardwood stand, with applied semi precious stones, 11cms wide; together with a Chinese soapstone carving, 15cms high; a Japanese Kutani bottle vase; a famille rose jug and other items.

Lot 985

A Limoges enamel panel depicting the Red Nun, after Jean-Jacques Henner, 11.5 by 15cms, framed.

Lot 1189

A continental silver and enamel Moses basket pendant containing a silver gilt baby; another similar; a sterling silver and enamel panel bracelet; silver charms and other items, 71g.

Lot 2411

An oak trunk with fitted interior and recessed handles, 71cms wide.Condition ReportThere are minor scratches to the surface, the interior compartment panel has a split to the top, otherwise good overall condition.

Lot 972

A 19th century French Limoges enamel casket with a romantic scene to the top and landscape scenes to the other panels, with cream silk lined interior, 13cms wide.Condition ReportThere is a horizontal hairline crack running across the front panel, the feet are slightly bent inwards, otherwise just general wear commensurate with age.

Lot 2152

A Royal Copenhagen Parian plaque depicting classical figures, 14cms diameter; together with a Parian bust of Clytie, 15cms high; an 18th century Delft blue & white tile, 13.5 by 13.5cms; an oval porcelain panel decorated with flowers; and other items.

Lot 675

An Asian / Thai bullion wire embroidered panel depicting figures in a procession, framed & glazed, 174 by 45cms.

Lot 1554

Early 20th century British school - Autumn Landscape - oil on panel, 51 by 35cms, unframed.

Lot 1327

A Chinese carved giltwood panel decorated with precious objects, on a red ground, 46 by 36cms; together with another similar smaller decorated with a phoenix and flowers, 38 by 25cms (2).

Lot 2391

A Japanese bone inlaid Shibayama panel, 20 by 30cms.

Lot 846

Late 19th century English school - Dead Game - oil on panel, 30 by 20cms, framed.

Lot 2528

A 19th century Italian ebony and inlaid ivory Pier cabinet with single door and central panel inlaid with ivory stringing and floral swag, enclosing a shelved interior, on bun feet, 79cms wide. CITES submission reference certificate 7V9Q1YAR5.

Lot 2162

19th century continental school - Rough Sea - oil on panel, signed lower left 'Henry Moret', 29 by 24cms.

Lot 598

A Chinese silk embroidered panel depicting Liu Hai Chan standing on a three legged toad with auspicious cymbal border, framed & glazed, 29 by 54cms.

Lot 261

A Victorian brass bound rosewood toilet box with fitted interior containing silver mounted jars and bottles, 28cms wide.Condition ReportThe escutcheons are missing to both keyholes, one round glass bottle is missing, there is damage to the glass square bottle, three round silver lids are dented, there is a small crack to the smaller back rosewood panel, all outer brass edging is complete, good overall condition

Lot 899

Continental school - A Floral Still Life - oil on panel, 79 by 68cms, within original painted frame.

Lot 2426

An 18th century style oak panelled coffer, 98cms wide.Condition ReportThere are replacement hinges and lock, a crack to the top right panel on the lid, loose lock plate to front and a crack to the left front panel, otherwise good overall condition

Lot 1565

18th century Dutch school - Herdsmen with Cattle and Sheep at a Water Hole - oil on oak panel, unframed, 39 by 29cms.Condition ReportThere is paint loss to the sky on the right hand side and some to the left hand tree and minor losses along the lower edge.

Lot 466

A continental silver and enamel Egyptian Revival panel bracelet, 19cms long, 15.7g.

Lot 1563

19th century school - Woman at a Piano with Flautist and Gentleman - Old Master scene, oil on panel, unframed, 32 by 42cms.Condition ReportThe panel is split vertically and has an old taped repair to the back, various losses to the paint and modern paint spillage marks.

Lot 1713

An Italian olivewood Sorrento ware desk blotter with oval inlaid panel depicting peasants, 19 by 26cms.

Lot 1185

An Italian white metal mounted micromosaic panel bracelet, 18cms long.

Lot 2462

An 18th / 19th century elm six-plank coffer, the front panel with later carving 'SW 1781', approx 120cms wide.

Lot 36

Two early 19th century glass toddy lifters with panel cut necks, each 14.5cms (2).

Lot 63

A Vienna porcelain cabinet coffee cup and saucer decorated with a picture panel depicting a young woman with cherub, signed 'Heuser' with further gilt decoration, 5cms high.Condition ReportVery good condition with no damage or crazing

Lot 2207

Two Victorian banded agate panel boxes on ball feet, largest 9cms wide (both a/f) (2).

Lot 2396

A Japanese Meiji period relief carved and polychrome painted picture panel depicting a scholar with inset glass eyes, in a faux bamboo frame, overall 38 by 53cms (From a property in Cheyne Walk, London, SW3.

Lot 132

James Stark (1794-1859) - Cottage by a River - signed lower right, oil on panel, unframed, 25 by 20cms.

Lot 1938

A yellow metal mounted Grand Tour hardstone panel bracelet, 18cms long.

Lot 2521

A 19th century mahogany cellarette on square tapering legs with gilt inscription to the front panel 'Presented to Miss Goss Overton in Recognition of Twenty Five Years of Loyal and Diligent Service as Head Keeper, Windsor Great Park by HM Queen Victoria 7th May 1895', 53cms wide.

Lot 538

A Victorian paste set silver backed panel brooch, 5.5cms wide.

Lot 967

A 19th century brass and leather cheroot holder / purse, the top with inset oval porcelain portrait miniature panel depicting a bare breasted young lady, 9 by 14cms.

Lot 2497

A late 18th / early 19th century panelled oak coffer, 111cms wide.Condition ReportThere are replacement hinges and lock, knocks to the front feet, cracks to the top panels to the lid and a crack to the front central panel, otherwise good overall condition

Lot 551

A white metal (tests as silver) panel pendant plaque with ornate classical decoration, 7 by 5.5cms, 30g.

Lot 984

A 19th century polychrome Russian icon, Madonna and Child, painted on a wooden panel with script and armorial wax seal impression to verso, 23 by 29cms.

Lot 493

Three silver pocket watch fobs, 31g; together with a white metal mounted porcelain fragment pendant, and a white metal mounted oval porcelain panel depicting figures in front of a bridge (5).

Lot 179

A pair of bird prints and a needlework panel, all framed and glazed. H.42 W.60cm (Tapestry).

Lot 176

A C.1900 tapestry panel firescreen, glazed. H.78 W.56cm

Lot 126

A mid-century marquetry panel with varying perspectives depicting seagulls in flight to the upper half above a flower, bottle and shell still life to the lower section, all inlaid with multiple contrasting woods to include zebrawood, beech, teak etc. H.108 W.111cm.

Lot 36

Clear faceted octagonal glass bowl featuring intricate detailed Medusa on each panel. Rosenthal Studio-Linie Versace backstamp. Marked Germany. Dimensions: 8"L x 8"W x 3.5"HManufacturer: RosenthalCountry of Origin: GermanyCondition: Age related wear.

Lot 1621

ZAMPIERO, Domenico gen. Domenichino, ATTRIBUIERT/UMKREIS (D.Z.: 1581-1641), "Hl. Petrus", der betende Heilige mit bewegtem gelben Umhang auf Stufen sitzend, vor ihm die Schlüssel als Attribut, Öl/Leinwand doubliert und die Ecken durch Holzplatte verstärkt, ovaler Bildausschnitt, HxB: ovales Sichtmaß ca. 125x94 cm, Gemäldemaß ca. 129x98 cm, Außenmaße Rahmen ca. 138x108 cm. Alters- und Beriebspuren, Craquelé, minim. Farbabplatzer, restauriert (doubliert und die Ecken durch Holzplatte verstärkt) und retuschiert. Mit Rahmen. PROVENIENZ nach Aufzeichnung der Vorbesitzer: Dieses Gemälde kam im 19. Jh. aus Bologna nach Deutschland, 1942 auf Holzplatte geklebt und Ovalrahmen durch Rechteckrahmen ersetzt.| ZAMPIERO, Domenico gen. Domenichino, ATTRIBUATED/UMKREIS (D.Z.: 1581-1641), ‘St Peter’, the praying saint with moving yellow cloak sitting on steps, in front of him the keys as an attribute, oil/canvas relined, oval picture section, HxW: oval visible dimensions approx. 125x94 cm, painting dimensions approx. 129x98 cm, outer frame dimensions approx. 138x108 cm. Signs of age and wear, craquelure, minimal. colour flaking, restored (doubled and the corners reinforced with wooden board) and retouched. With frame. PROVENANCE as recorded by previous owners: This painting came to Germany from Bologna in the 19th century, glued to wooden panel in 1942 and oval frame replaced by rectangular frame.

Lot 1600

KAPLAN, JACQUES, 1872-1949 (ATRIBUTIERT) "Weiher" Öl auf Platte, unsig., Verso: Papieretikett mit Angaben zum Künstler, HxB: 22/28 cm. Rahmen, HxB: 33/39 cm. | KAPLAN, JACQUES, 1872-1949 (ATRIBUTIERT) ‘Weiher’ (Pond)Oil on panel, unsigned, verso: paper label with details of the artist, HxW: 22/28 cm. Frame, HxW: 33/39 cm.

Lot 1634

GROSSE IKONE "Gottesmutter Hodegetria" über drei Feldern, Russland 19. Jh., mit Bezeichnung in Kirchenkyrillisch, in den drei Feldern im unteren Ikonenviertel: "Hll. Kosmas und Damian", "Drei Kirchenväter" und "Erzengel", Tempera über Kreidegrundierung/Holztafel (mit zwei Rückseitensponki), HxB: ca. 80x58 cm. Alters- und Beriebspuren, restaurierter Trocknungsriss und Retuschen. | LARGE ICON ‘Mother of God Hodegetria’ over three fields, Russia 19th century, with inscription in church Cyrillic, in the three fields in the lower icon quarter: ‘St. Cosmas and Damian’, ‘Three Church Fathers’ and ‘Archangel’, tempera over chalk ground/wood panel (with two backing sponki), HxW: approx. 80x58 cm. Signs of age and wear, restored drying crack and retouches.

Lot 155

Marvelous collection of glassware that consists of a scalloped oval tray, a round plate with a pinwheel design, a colonial panel cup, a pair of candlestick holders with a finger loop, a turquoise wide brimmed creamer jug, a tulip shaped cigarette holder, a pair of condiment ladles, six pinwheel patterned dessert plates, and ten pinwheel with panel patterned dessert plates. Heisey H backstamp. Largest item measures 7.25"L x 5.25"W x 0.75"H. Issued: 20th centuryDimensions: See DescriptionManufacturer: HeiseyCountry of Origin: United StatesCondition: Age related wear. As is. Small chip on a plate.

Lot 46

Catharijna Oostvries (Trijntje Sieuwerts) (1636–1708): Floral garland, oil on panel, dated 1678Work: 31,5 x 20 cm Frame: 49,5 x 38,5 cm Signed and dated to the lower left: 'Catharijna Oostvries : Feci 1678'. Ref.: - Christie's, June 12, 1990, lot 329, for a related work, signed and dated '1678 8/12', possibly a pendant to or part of a series together with our current work. (see image 5)- Marloes Huiskamp, 'Oostfries, Catharina', in: Digitaal Vrouwenlexicon van Nederland , where the author states:OOSTFRIES, Catharina, also known as Trijntje Sieuwerts (born Nieuwkoop 1636? - died Alkmaar 13-11-1708), (glass) painter and draftswoman. She married Claes Pietersz. van der Meulen (1642-1693), glass painter, on 2-10-1661 in Alkmaar. From this marriage 5 daughters and 3 sons were born. According to Arnold Houbraken, Catharina Oostfries was born in Nieuwkoop in 1636. Given the patronymic Sieuwerts or variations thereof, with which she is also referred to in documents, her father's name was Sieuwert. Nothing else is known about her background. We do know that Catharina was the sister of Jozef Oostfries (1628-1661), who worked as a glass painter in Hoorn and the surrounding area. The Alkmaar archives state that Trijntje Sieuwerts married glass painter Claes Pietersz. van der Meulen on 2 October 1661 and that both lived in Hoorn at the time of the marriage, 18 September 1661. Of the five daughters and three sons the couple would have between 1662 and 1679, at least one daughter died young. It is known that son Pieter (1667-1714) became a glazier and son Sieuwert (1679-1730), apparently named after his grandfather, was a (marine) painter. Houbraken reports that Catharina Oostfries was active as an artist in the same field as her brother and her husband and that she was ‘so fond of art that she continued to work hard and practice diligently every day until she was seventy-two, both in drawing and glass painting’. Catharina must have produced quite a bit, but no drawings or glass paintings by her hand can be traced. The whereabouts of two drawn seascapes that were offered for sale in Utrecht in 1846 are also unknown. In recent decades, it has become apparent that Catharina Oostfries also made paintings: several signed still lifes with flowers and dead birds have surfaced at auctions. Houbraken's mention of 'the 13 of the month of slaughter 1708' as the date of death of Catharina Oostfries is consistent with the note in the Alkmaar burial registers. These state that Trijntje Sieuwerts was buried on 17 November 1708.

Lot 51

Salomon Rombouts (1655-1702): Village market on the banks of the water, oil on panelWork: 74 x 68 cm Frame: 95 x 90 cm Rombouts was born in Haarlem as the son of the landscape painter Gillis Rombouts and, like his father, he painted landscapes and beach scenes. His parents had had two sons before him that were also named Salomon who died in infancy, leading to some confusion in the literature about his date of birth (previously recorded in 1652). He travelled in 1681 to Italy and is registered there in Florence from 1689 to 1700 .

Lot 52

Lambert II de Hondt (1642-1709): The battle of life and death, oil on panelWork: 25 x 17 cm Frame: 39 x 29,5 cm

Lot 50

Flemish school: The pleasures of the countryside, oil on panel, ca. 1620-1630Work: 65 x 51 cm Frame: 89,5 x 74 cm The reverse with a clover leaf, the individual mark belonging to the panel maker Michiel Claessens . In our opinion, the work attributable to Gillis Mostaert.

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