Large original Hard-Edge Modernist wall panel made with geometric cutouts in brushed aluminum and faux suede set in a brushed aluminum frame. The designer used neutral colors and kaleidoscopic superimpositions that appear to project and retract three-dimensionally. Ink signature on lower left: illegible. Title on verso: Illegible Refraction?Issued: c. 1980Dimensions: 49"L x 2.50"W x 49"HCountry of Origin: United StatesCondition: Age related wear. Sporadic soiling and browning.
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Oil on panel. It depicts the saint in a Dominican habit with a shaved head, holding a bible in his right hand and his left hand raised, with his index finger pointing to the sky, where a phylactery reads ‘Timete Deum et date illi honorem quia venit hora iudicci eius’.On the floor there is a cardinal's capelet and a large white mitre. No visible signature.Size: 52 x 33 cm; Size with frame: 61 x 41 cm
Modelled porcelain in the form of a vase, with a flaring foot, a globular body that narrows at the neck, flanked by two elongated handles, and a thin flaring mouth. The back of the vase is flat and is set on a custom-made wooden frame. It is richly decorated with underglaze blue and white enamels, which form elaborate floral patterns above which is a central medallion of auspicious Chinese character. The wooden panel that frames the vase is decorated with openwork geometric elements, arranged in a complex latticework pattern. Size: 27 x 13 cm
Two rectangular wooden panels, decorated with hand-painted scenes in gold and coloured pigments. One panel depicts a calm scene with a wise man, two disciples and a deer under the shade of a large tree. The second, depicts a scene with two old men with long beards, dressed in long robes, drinking tea under the shade of a tree with a young servant girl. Size: 47 x 2.8 x 60 cm
A 19th century French Limoges enamel casket with a romantic scene to the top and landscape scenes to the other panels, with cream silk lined interior, 13cms wide.Condition ReportThere is a horizontal hairline crack running across the front panel, the feet are slightly bent inwards, otherwise just general wear commensurate with age.
A Victorian brass bound rosewood toilet box with fitted interior containing silver mounted jars and bottles, 28cms wide.Condition ReportThe escutcheons are missing to both keyholes, one round glass bottle is missing, there is damage to the glass square bottle, three round silver lids are dented, there is a small crack to the smaller back rosewood panel, all outer brass edging is complete, good overall condition
ZAMPIERO, Domenico gen. Domenichino, ATTRIBUIERT/UMKREIS (D.Z.: 1581-1641), "Hl. Petrus", der betende Heilige mit bewegtem gelben Umhang auf Stufen sitzend, vor ihm die Schlüssel als Attribut, Öl/Leinwand doubliert und die Ecken durch Holzplatte verstärkt, ovaler Bildausschnitt, HxB: ovales Sichtmaß ca. 125x94 cm, Gemäldemaß ca. 129x98 cm, Außenmaße Rahmen ca. 138x108 cm. Alters- und Beriebspuren, Craquelé, minim. Farbabplatzer, restauriert (doubliert und die Ecken durch Holzplatte verstärkt) und retuschiert. Mit Rahmen. PROVENIENZ nach Aufzeichnung der Vorbesitzer: Dieses Gemälde kam im 19. Jh. aus Bologna nach Deutschland, 1942 auf Holzplatte geklebt und Ovalrahmen durch Rechteckrahmen ersetzt.| ZAMPIERO, Domenico gen. Domenichino, ATTRIBUATED/UMKREIS (D.Z.: 1581-1641), ‘St Peter’, the praying saint with moving yellow cloak sitting on steps, in front of him the keys as an attribute, oil/canvas relined, oval picture section, HxW: oval visible dimensions approx. 125x94 cm, painting dimensions approx. 129x98 cm, outer frame dimensions approx. 138x108 cm. Signs of age and wear, craquelure, minimal. colour flaking, restored (doubled and the corners reinforced with wooden board) and retouched. With frame. PROVENANCE as recorded by previous owners: This painting came to Germany from Bologna in the 19th century, glued to wooden panel in 1942 and oval frame replaced by rectangular frame.
KAPLAN, JACQUES, 1872-1949 (ATRIBUTIERT) "Weiher" Öl auf Platte, unsig., Verso: Papieretikett mit Angaben zum Künstler, HxB: 22/28 cm. Rahmen, HxB: 33/39 cm. | KAPLAN, JACQUES, 1872-1949 (ATRIBUTIERT) ‘Weiher’ (Pond)Oil on panel, unsigned, verso: paper label with details of the artist, HxW: 22/28 cm. Frame, HxW: 33/39 cm.
GROSSE IKONE "Gottesmutter Hodegetria" über drei Feldern, Russland 19. Jh., mit Bezeichnung in Kirchenkyrillisch, in den drei Feldern im unteren Ikonenviertel: "Hll. Kosmas und Damian", "Drei Kirchenväter" und "Erzengel", Tempera über Kreidegrundierung/Holztafel (mit zwei Rückseitensponki), HxB: ca. 80x58 cm. Alters- und Beriebspuren, restaurierter Trocknungsriss und Retuschen. | LARGE ICON ‘Mother of God Hodegetria’ over three fields, Russia 19th century, with inscription in church Cyrillic, in the three fields in the lower icon quarter: ‘St. Cosmas and Damian’, ‘Three Church Fathers’ and ‘Archangel’, tempera over chalk ground/wood panel (with two backing sponki), HxW: approx. 80x58 cm. Signs of age and wear, restored drying crack and retouches.
Marvelous collection of glassware that consists of a scalloped oval tray, a round plate with a pinwheel design, a colonial panel cup, a pair of candlestick holders with a finger loop, a turquoise wide brimmed creamer jug, a tulip shaped cigarette holder, a pair of condiment ladles, six pinwheel patterned dessert plates, and ten pinwheel with panel patterned dessert plates. Heisey H backstamp. Largest item measures 7.25"L x 5.25"W x 0.75"H. Issued: 20th centuryDimensions: See DescriptionManufacturer: HeiseyCountry of Origin: United StatesCondition: Age related wear. As is. Small chip on a plate.
Catharijna Oostvries (Trijntje Sieuwerts) (1636–1708): Floral garland, oil on panel, dated 1678Work: 31,5 x 20 cm Frame: 49,5 x 38,5 cm Signed and dated to the lower left: 'Catharijna Oostvries : Feci 1678'. Ref.: - Christie's, June 12, 1990, lot 329, for a related work, signed and dated '1678 8/12', possibly a pendant to or part of a series together with our current work. (see image 5)- Marloes Huiskamp, 'Oostfries, Catharina', in: Digitaal Vrouwenlexicon van Nederland , where the author states:OOSTFRIES, Catharina, also known as Trijntje Sieuwerts (born Nieuwkoop 1636? - died Alkmaar 13-11-1708), (glass) painter and draftswoman. She married Claes Pietersz. van der Meulen (1642-1693), glass painter, on 2-10-1661 in Alkmaar. From this marriage 5 daughters and 3 sons were born. According to Arnold Houbraken, Catharina Oostfries was born in Nieuwkoop in 1636. Given the patronymic Sieuwerts or variations thereof, with which she is also referred to in documents, her father's name was Sieuwert. Nothing else is known about her background. We do know that Catharina was the sister of Jozef Oostfries (1628-1661), who worked as a glass painter in Hoorn and the surrounding area. The Alkmaar archives state that Trijntje Sieuwerts married glass painter Claes Pietersz. van der Meulen on 2 October 1661 and that both lived in Hoorn at the time of the marriage, 18 September 1661. Of the five daughters and three sons the couple would have between 1662 and 1679, at least one daughter died young. It is known that son Pieter (1667-1714) became a glazier and son Sieuwert (1679-1730), apparently named after his grandfather, was a (marine) painter. Houbraken reports that Catharina Oostfries was active as an artist in the same field as her brother and her husband and that she was ‘so fond of art that she continued to work hard and practice diligently every day until she was seventy-two, both in drawing and glass painting’. Catharina must have produced quite a bit, but no drawings or glass paintings by her hand can be traced. The whereabouts of two drawn seascapes that were offered for sale in Utrecht in 1846 are also unknown. In recent decades, it has become apparent that Catharina Oostfries also made paintings: several signed still lifes with flowers and dead birds have surfaced at auctions. Houbraken's mention of 'the 13 of the month of slaughter 1708' as the date of death of Catharina Oostfries is consistent with the note in the Alkmaar burial registers. These state that Trijntje Sieuwerts was buried on 17 November 1708.
Salomon Rombouts (1655-1702): Village market on the banks of the water, oil on panelWork: 74 x 68 cm Frame: 95 x 90 cm Rombouts was born in Haarlem as the son of the landscape painter Gillis Rombouts and, like his father, he painted landscapes and beach scenes. His parents had had two sons before him that were also named Salomon who died in infancy, leading to some confusion in the literature about his date of birth (previously recorded in 1652). He travelled in 1681 to Italy and is registered there in Florence from 1689 to 1700 .

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