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Lot 310
Roy Lichtenstein (American, 1923-1997). Set of three color offset lithographs on paper titled "As I Opened Fire." The last panel signed in pencil along the lower right. This work is from one of several editions of over 3,000 printed after 1966 by Drukkerij Luii & Co., Amsterdam and published by the Stedelijk Museum, Amsterdam depicting the painting As I Opened Fire (1964) in the collection of the Stedelijk Museum, Amsterdam.Literature: Corlett App. 5.Each; Height: 25 in x width: 20 3/4 in.
Lot 311
Roy Lichtenstein (American, 1923-1997). Color offset lithograph diptych titled "Whaam!," 1967. Pencil signed to the lower right of the second panel. From the edition of 3000 printed by Lautrec Photo Litho, Ltd., Leeds and published by The Tate Gallery, London, where the original paintings are housed.Literature: Corlett App. 7Each; Height: 25 in x width: 29 1/4 in.
Lot 1553
Thomas Sydney Cooper (1803 - 1902), oil on panel, resting cows, signed and dated 1865, provenance: The Graves Gallery Birmingham 1923, 14cm x 22cm, framedNo splits or repairs to the panel, signs of a few very tiny spots of overpainting on left-hand edge, probably old paint chips, no other sign of damage or restoration, ornate gesso frame also in good condition
Lot 26
Granada table from the 19th century.Walnut wood and bone inlay.The marquetry is missing in the central part of the top.Measurements: 77 x 56 x 65 cm.This 19th century furniture from Granada stands out for the refinement of its inlay and marquetry with designs of Arabic influence. This is an outstanding example of this tradition. The hexagonal top is worked with concentric bands that combine geometric fretwork and rosettes. The fine marquetry of the panel is replicated in the waistband. The moulded legs form pointed arches at their intersections. They are decorated with the technique of Granada inlay, a technique that dates back to Andalusian cabinetmaking. This is a meticulous work of geometric marquetry, consisting of inlaying small plates of different woods and bone (or other materials by the 19th century), forming geometric motifs, which enjoyed great development during the second half of the 19th century within the context of historicism. The fact that examples of Andalusian woodwork survived in Granada and Toledo during the 19th century is the reason why these two centres produced the best reproductions. The so-called 'Granadine inlay' is an entirely applied decoration, a block inlay of geometric motifs with Islamic roots. These inlays combine mainly bone or ivory and various woods, as these were the main materials for Hispano-Muslim furniture. Block inlay has its origins in Islamic Spain, and its technique consists of making a block by combining various woods to form a specific design, and then cutting out sections that are inlaid into the piece of furniture. This produces slabs or strips of mosaic, like the ones shown here. The name 'Granadan inlay' implies not only the block technique but, above all, the Islamic style, characterised by small motifs and a certain 'horror vacui'.
Lot 92
TITO AGNOLI (Lima, 1931-Milan, 2012) for MATTEO GRASSI.Set of eight Korium chairs.Black leather upholstery.Measurements: 78 x 63 x 48 cm.Set of eight chairs with metal structure and black leather upholstery. The Korium chair is a design classic that will be enjoyed by generations to come. Designed by Tito Agnoli in the 1970s, it was marketed by Matteo Grassi in the same decade. It is a chair raised on four wheels, with slightly curved armrests and side frames covered by a black leather panel that falls to the floor. The backrest is slightly inclined. The geometric shapes, pure and elegant, make this chair an icon of mid-century design.Born in Lima, Tito Agnoli moved to Italy to study in the years after the Second World War. He studied painting under Mario Sironi. In 1949 he enrolled at the Polytechnic University of Milan to study architecture. Specialising in industrial design, Agnoli interned for the famous designers Gio Ponti and Carlo De Carli after graduating. From the 1950s onwards, Agnoli worked in the field of furniture, creating designs for important Italian brands such as Arflex, Bonacina, Mattero Grassi, Poltrona Frau and Ycami. He also made major contributions to the field of lighting. Among his most outstanding designs are the Model 9000 Sofa for Arflex (1969); the sculptural Lounge Chair P3 and Lounge Chair P3S in wicker, the Sorbet Chair in stainless steel and the Punto e Virgola Chair for Pierantonio Bonacina (all 1960s); and the Korium Chair for Matteo Grassi (1970s). In 1974, Agnoli began collaborating with Poltrona Frau, designing numerous leather sofas and armchairs that were a great commercial success. His prestige was enhanced by a double nomination for the Compasso d'Oro award and he won a gold medal at the Neocon exhibition in Chicago in 1986.
Lot 2157
Kate Cledwyn (British, contemporary). A quadruple photographic image of windows on Perspex panel. 150 x 36cm. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.
Lot 2187
Kate Cledwyn (British, contemporary). 'Echoes'. A diptych depicting a modern glass building, limited edition print on canvas on board. Numbered 1/25. Each panel 110.5 x 34.5cm. With Certificate of Authentication verso on both panels signed by the artist. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.
Lot 2190
Christine Lane (British). A coloured glass door panel on a wooden door, red, blue and green motifs. Reinforced glass. Glass panel size 56.5 x 169cm. Door size: 75 x 196cm. Christine Lane is a stained glass artist who has created windows for sites including for Bow Valley Baptist Church. From the Trevor Baxter collection of contemporary art. Trevor Baxter was a character actor perhaps best known for his cult role as Professor George Lightfoot in Dr. Who in 1977. He also appeared in shows and films including Z-Cars (1968), and Sky Captain and the World of Tomorrow (2004). Trevor, who was a passionate collector of contemporary art, sadly passed away in 2017.
Lot 2009
Platinum Art Deco style diamond panel ring, the rectangular curved pierced panel with a central round brilliant cut diamond of approx 0.25 carat and diamond surround, stamped Plat, total diamond weight approx 0.50 caratCondition Report:Approx 3.75gm, size N, good condition, bright diamonds good clarity possibly VS2, overall head = 14mm x 12mm, stones secure in their setting
Lot 702A
ARTS & CRAFTS MAHOGANY TWO DOOR DISPLAY CABINET,in the manner of Shapland & Petter, with mirrored gallery back flanked by pierced hearts, the central panel with marquetry and abalone floral design, the velvet lined interior with two shelves, the apron with two further pierced hearts above undertier, 188cm high by 121cm wide and 32.5cm deepSome scratches and nicks particularly to corners and edges, ring marks to the velvet lined interior, light general wear but good to fair overall
Lot 898
19TH CENTURY MAHOGANY BARREL-FRONTED CHEST OF DRAWERS,with ring turned columns flanking an arrangement of seven drawers, 118.5cm high by 131.5cm wide and 59.5cm deepDrawers move smoothly. Small section of beading missing to central panel. Small split to one side. Some light general surface wear, in keeping with age and use, including a few nibbles around edges. Splits to the top two long drawers. Additional images available.
Lot 904
EDWARDIAN INLAID MAHOGANY DISPLAY CABNIET,decorated with ribbon and husk festoons above two glazed doors, 106cm wideOne decorative panel in the glaze is loose, but present. Cracks in the veneer at the centre. A few scuffs and nibbles to the edges, and light general surface wear throughout, in keeping with age and use. Some discolouration to interior fabric lining. Lock mechanism working. Additional images available.
Lot 695
A Late 19th Century French Gilt Spelter and Porcelain Mounted Figural Clock.The Arched Case Summounted by a Cherub in a Shell Over a Gilt Highlighted and Painted Roman Porcelain Dial with Gilt Hand and Flanked by Oval Panels to a Breakfront Base with Further Panel to a Circular Brass Movement with Back Mounted Count Wheel and Strike on a Bell, Mounted on a Fabric Lined Gilt Wood SocleOverall height 41cmQty: 1
Lot 44
ASCRIBED TO ADAM FRANS VAN DER MEULEN (1632-1690) Cavalry approaching a town in the Low Countries, probably Dordrecht with a stream in the foreground and the sea beyond, inscribed with the artists name in a panel on the carved giltwood frame, 70cm x 90cm Provenance: Edward H. Pares, Esq., Hopwell Hall, Derbyshire; Christie & Manson, London, sold 24 January 1891, lot 46 (as van der Meulen, Cavalry before a Town) (according to an inscribed label on the reverse) 5 1/2 guineas (to 'Partington').
Lot 70
A GEORGE II ENGRAVED BRASS-MOUNTED WALNUT STRONG BOX Second quarter 18th century, in the manner of Abraham Roentgen. of architectural form, the hinged cover with an arched carrying-handle, engraved as a foliate swag, the top encased on all sides with a brass band engraved with echinus and dentil moulding, each corner with Ionic pilasters on each face against a stonework background, with foliate swags connecting the pilasters, the lower edge of the front face centred with the figure of fortune, with two locks, the interior with a hinged panel in the cover, and a well with two divisions (possibly for tea caddies and a mixing bowl), 18 cm. high; 40 cm. wide; 20 cm. deepFurniture with engraved brass mounts was a distinctive feature of certain mid-18th century London makers including Abraham Roentgen, originally from Mulheim am Rhein, but worked in London from 1733-38 and again in 1766. Roentgen's co-religionist in the London chapter of the Moravian Brotherhood and fellow furniture maker, Frederick Hintz, also made furniture with engraved brass plaques. Furniture by the Exeter maker John Channon is also characterised by engraved brass, fuelling speculation that Roentgen, Hintz and Channon may have worked together (see Roentgen, Abraham (1711–1793) BIFMO (history.ac.uk)) Thomas Chippendale, in his Director, (3rd ed. 1762) recommended that for tea chests ‘the Ornaments should be of Brass or Silver’. Several London makers made engraved-brass mounted boxes for various uses, such as tea chests or dressing-boxes, some with exotic timbers. The only maker known to have made such boxes was Landall & Gordon, whose trade card featured a bombé tea chest (British Museum D,2.1273); a tea chest of the same design as that on their trade card is in the Victoria & Albert Museum (W.11:1 to 2-1965), and another in mahogany with brass inlay is signed T. LANDALL. See C. Gilbert & T. Murdoch, John Channon and brass-inlaid furniture 1730-1760, 1993, p. 20-21, pl. 13 & pp. 121-126. A similar tea chest was sold at Sotheby’s London, 26 October 2016, lot 1034.
Lot 1012
Late 18th century Infantry Officer's spadroon sword of the 23rd Regiment, the straight fullered blade with faint traces of etching retaining a little original bluing to one third of the blade, gilt hilt with cross guard, slightly swollen lined ivory grip inset with gilt panel engraved with the Prince of Wales Feathers, original leather scabbard with brass mounts and rings, the locket engraved R Clarke & Son 62 Cheapside
Lot 1035
A South African colon figure with a moustache and wearing an overcoat with burnished highlights, 27.5cm high, a West African squatting male figure with a quiff, 14cm high, a Makonde standing figure, 29cm high, a Sudan headrest, 14cm and a Kenyan goblet, 19cm high, a Yoruba panel, pierced and depicting four figures, 30cm x 45.5cm and a relief panel by S. O. Oduntan, depicting a procession, signed on the back, 27cm x 61cm. (7)
Lot 1130
A Zulu single tube beaded waistband South Africa 69cm long, and other Zulu beadwork including a four tube waistband, 25cm diameter, a cache sex, a neckpiece and a panel, together with a seed and reed bracelet, seventeen Zulu metal bracelets, and one fibre and two tubular reed ornaments with carved triangle decoration. (26)
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