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Click here to subscribeSELECTION OF VINTAGE BROOCHES AND PENDANTincluding a Scottish Girls Association Galleon decorated brooch, a seed pearl set fleur de lis brooch, an Italian micro mosaic brooch depicting flowers, a brooch depicting Napoleon, a skull and crossbones pendant, a bar brooch with an oval enamel panel depicting a phoenix rising from the flames, etc.
An original vintage 1983 Palitoy made Star Wars ' Millennium Falcon Vehicle ' action figure playset. 100% complete. The Falcon with all its small accessories (top gun, canopy, struts, chair, table, floor panel, Jedi training ball, arm, and ramp etc). Within its original Return Of The Jedi La Guerre bi-lingual box.
A vintage 1980's Corgi Toys made TV related diecast model No. 292 ' Starsky & Hutch Ford Torino ' set. The model and accompanying figures have never been removed from the box, and survives in 'as new' condition. The outer box appears in good condition, with only minor veining to the lower rear panel and scuffs to the front. The plastic having very light crumpling, but with no splits. The rear flap remains unfolded. Classic TV tie-in model, in remarkable condition.
Star Wars - an original vintage Palitoy made Star Wars ' Millennium Falcon Vehicle ' action figure playset. 100% complete, including the Jedi training ball and arm, floor panel, chair, satellite, top guns, cockpit cover and all other items. Retains original instructions, used sticker sheet, and promotional poster. Dusty, but generally very good. Housed within its original box. From a genuine childhood collection.
An original vintage 1980 Palitoy made Star Wars ' Millennium Falcon Vehicle ' action figure playset. 100% complete. The Falcon with all its small accessories (top gun, canopy, struts, chair, table, floor panel, Jedi training ball, ramp etc). Generally excellent condition. Within its original Empire Strikes Back box - the box being good, with tokens uncut and in good physical shape (taped along one edge).
Doctor Who - John Leeson (Voice),Bob Baker (creator) & Sophie Aldred (Ace) - a large 1/4 scale model of K9 from Dr Who. Autographed to the side by Leeson, Baker and Aldred. All neatly signed in black ink, Leeson adding the character name and catchphrase. Signed to the removable side panel. Autographs obtained personally by the vendor. Fantastic display piece. Approx 14" long.
A Pilkington's panel of eight tiles, tube lined on a cream ground with a stylized wreath; together with a Pilkington's sgraffito vase designed by W S Mycock, another Pilkington's bowl and a Susie Cooper three piece cruet set (6)Condition report: Tiles heavily crazed, no damage or repair. All other components in very good condition free from repair.
John Lines RBSA (20th century)"8540 East Bound North Carolina"Signed, oil on board, together with a large collection of prints and pictures including some small scale modern tourist posters for Skegness and Grange Over Sands and further examples of maritime and railway interest etc. (a collection)Condition report: John Lines; good cobdition, no wear or chips to the oil, panel free from cracks.
NO RESERVE - AN ANTIQUE VICTORIAN PORTRAIT MINIATURE AND ENAMEL MOURNING LOCKET RING, 1865 in 18ct yellow gold, the band with diamond shaped panels of black enamel featuring raised gold lettering spelling out In Memoriam, centring a circular glass covered locket panel inset with a miniature of a man, maker's mark AS, full British hallmarks for Birmingham 1865, size N / 6.75, 4.5g.
NO RESERVE - AN ANTIQUE VICTORIAN DIAMOND, PEARL AND ENAMEL MOURNING LOCKET RING, 1842 in 18ct yellow gold, designed to depict a flower, set with a rose cut diamond, within borders of pearls and black enamel, the scrolling openwork band further decorated with black enamel, the reverse of the head of the ring with glass covered locket panel, maker's mark TA, full British hallmarks for Birmingham 1842, size M / 6.25, 2.1g.
NO RESERVE - AN ANTIQUE MUFF MIRROR PENDANT, 1905 in 9ct yellow gold, designed as a miniature looking glass, with bevelled edged glass panel, the reverse with a chased Art Nouveau scene depicting the profile of a lady, maker's mark for S Blackensee & Sons Ltd, full British hallmarks for Birmingham 1905, 8.0cm, 9.1g.
NO RESERVE - AN ANTIQUE TURQUOISE AND PEARL LOCKET PENDANT, 19TH CENTURY in yellow gold, the oval body applied to the front with two interlocking witches' hearts surmounted by a ribbon tied in a bow, jewelled with round cabochon turquoise and half pearls, within a border of further cabochon turquoise, the reverse with glass covered locket panel, no assay marks, 5.1cm, 15.0g.
NO RESERVE - AN ANTIQUE RUBY, PEARL AND HAIRWORK MOURNING LOCKET RING, 19TH CENTURY in yellow gold, designed as a flower, set with a cushion cut ruby within a border of five pearls, between foliate designed shoulders, the reverse of the head of the ring with a glass covered locket panel inset with woven hairwork, no assay marks, size O / 7, 3.7g.
NO RESERVE - AN ANTIQUE DIAMOND AND PEARL MOURNING LOCKET RING, 19TH CENTURY in yellow gold, the band set with a cluster of pearls, accented by a trio of rose cut diamonds, the reverse of the head of the ring with glass covered locket panel, no assay marks, pearls untested, size N / 6.5, 2.6g.
NO RESERVE - AN ANTIQUE WILLIAM IV PEARL AND ENAMEL MOURNING LOCKET RING, 1836 in 18ct yellow gold, the shield shaped face applied with a forget me not flower motif, jewelled with an old cut paste gemstone and pearls, against a ground of black enamel, the reverse of the head of the ring with a glass covered locket panel (the glass with some damage), containing hairwork, with engraving "Jane Copeman Mt 24 June 1837 At 27", maker's mark WE, full British hallmarks for London 1836, size O / 7, 2.8g.
NO RESERVE - AN ANTIQUE ONYX, PEARL AND ENAMEL MOURNING LOCKET BROOCH, 19TH CENTURY in yellow gold, the oval body set with a polished piece of black onyx, applied with a pearl set star motif to the front, within a border of pearls and black enamel, with glass covered locket panel to the reverse, no assay marks, pearls untested, 4.5cm, 10.2g.
Good French ormolu carriage clock striking on a gong, the silvered engine turned dial signed Garnier Paris and stamped no. 317 on the base behind the movement, with sound holes under the base, sliding top glazed panel and back door, within a plain case with cluster column pillars, 7.5" high; also with an outer Morocco leather travelling case and keys (Later replacement escapement)
French ormolu and porcelain mounted two train pillar mantel clock, the Pons movement signed Pert Bally, Brevete á Paris and striking upon two bells above, the 3.25" white chapter ring enclosing a skeletonised centre, supported upon an ornate column fitted with an oval porcelain panel painted with a cherub, upon a later circular stepped base (with pendulum but missing dome), 12" high
French gilt metal and porcelain mounted two train figural mantel clock, the Japy Freres movement with outside countwheel and striking on a bell, the 3.25" white dial within a drumhead casing and flanked by a seated peasant boy holding a scythe, upon a rococo base inset with a painted porcelain panel, under a glass dome and upon an ebonised base, 15" high (pendulum and key)
French ecclesiastical inspired bronze and ormolu two train gothic mantel clock, the movement back plate signed Schuller á Paris, with silk suspension, outside countwheel and striking on a bell, the 4" skeletonised dial with Roman cartouche enamel numerals over a painted panel depicting a seated lady with two naked infants in a rural landscape, also signed Schuller HR á Paris on the case beneath the dial, within an ornate gothic stepped case with applied foliate mounts and surmounted by four tapering spires and ornate scrolling foliate finial, 23.25" high
Eight day longcase clock with five pillar movement, the 12" square brass dial signed Sam Aldworth (b.circa 1660- d.1725), Ivy, Strand, London on an oval silvered plate to the mated centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long door fitted with a circular lenticle and the hood surmounted by a flat moulded stepped cornice over a blind foliate fret carved panel, 79" high (pendulum, brass cased weights & winding key)
Attributed to Adrian Brouwer (1608 - 1640), oil on wood panel, man at writing desk, unsigned, inscribed on frame, indistinct labels and wax seal verso, 21cm x 17cm, framed No splits or repairs, panel has probably been cleaned and has lost some of the paint texture, no sign of overpainting or restoration, frame has a few gesso chips
A set of four walnut and beech highback side chairs in William & Mary style, with cane backs above the seat, on voluted legs, each 137cm high Condition Report: All chaires with various chips and losses, old breaks and repairs, including metal bracing, one chair has a later seat panel over the canework, the others with old damage to the canework, one with more significant damages and loss to the rail in this area, signs of old woodworm and associated damages These are catalogued as being in style only, some areas appear to have good age (though probably not period) other areas appear to be no earlier than late 19th century, some of the rails and elements of the seat appear to be later/replacements Please refer to additional images for visual reference to condition Condition Report Disclaimer
λ K-Guy (British b. 1968) K-Guy vs. The Prodigy, Take Me To The Hospital Silkscreen and acrylic paint on reclaimed wood panel Signed, numbered and inscribed 1/1 artist proof (verso) 77 x 51.5cm (30¼ x 20¼ in.) Unframed SALEROOM NOTICE: Please note- this is NOT being sold together with a signed certificate of authenticity as previously stated Condition Report: Note- this is NOT being sold together with a signed certificate of authenticity as previously stated Condition Report Disclaimer
An embroidered velvet panel, 18th or 19th century, possibly worked for the Turkish market, the red velvet woven with gold, silver and polychrome silk, the central design bearing a Kufic style inscription, enclosed by birds and flowers, velvet to edge of mount approximately 122cm x 82cm, framed and glazed. Condition Report: wear to velvet and some fading unexamined out of frame but condition can largely be inspected through the glass and sold as viewed Condition Report Disclaimer
A 17th century and later oak 'wainscot' armchair, possibly Welsh, the arched serpentine top rail above roundel carved panel, rhomboid below with similar roundel border, 60cm wide, 113.5cm high, 53cm deep. The unusual use of the roundel decorative design is reminiscent of Welsh slate work. Condition Report: Old repairs including but not limited to: all 4 legs tipped, right hand arm repaired and with later infill, signs of old repairs to underside of left arm, most pins look to have been out and then replaced- suggesting the whole has been taken apart for restorations/repairs, back stretcher later, seat possibly a 19th century replacement Condition Report Disclaimer
λ Alessandro Diaz de Santillana (b.1951), a group of four wall mirrors, early 21st century, each approximately 91cm square, three with indistinct signatures and dates to rear (4) Condition Report: One with smashed central panel, the glass unstable and with chips and losses as can be seen in the catalogue image, this panel almost certainly will require replacement Otherwise with marks, knocks, scratches, chips and losses consistent with age and use The mirror plates are glass with a surface patination, this was scratched and warn in some places Please refer to additional images for visual reference to condition Condition Report Disclaimer
A George III yew and satinwood inlaid tea caddy, circa 1790, 11cm high, 11cm wide, 9cm deep, an Edwardian walnut box, top with portrait panel indistinctly signed and dated 1917, 10cm high, 21cm wide, and a Chinese export enamel tea pot and a matched pair of metal candlestick table lamps (5) Condition Report: The yew caddy bears the usual very minor marks, knocks and scuffs overall consistent with age and use, and some minor warping to rear panel of the veneer. A handful of small chips and losses to satinwood stringing, with more visible old splits and repairs to interior banding. The underside has some looseness to felt covering, underneath which a small gap possibly a split can be discerned - though it is impossible to tell whether this is a damage or part of the construction without removing the fabric. Overall in perfectly presentable condition. Offered with a listing from Cristopher Buck Antiques. The box bears minor marks, knocks, scuffs and fading (including to medallion) overall, as well as some wear to the ebonised corners. A handful of small and shallow surface dents to back and sides. The tea pot has chips and losses overall as well as a significant dent to one side. Condition Report Disclaimer
"EPC" or "EHC"- English mid-19th century A helping hand, Oil on metal Signed indistinctly with initials and dated 1861 35.5 x 23.5cm (13¾ x 9¼ in.) Gilt frame Provenance: Property from a Private Collection, Herefordshire Condition Report: Frame has been regilded- and paint misapplied to painted panel- some rubbing to margins and faint scuff marks. Faint abrasion mark running throughout the picture to right hand side Condition Report Disclaimer
Two similar folding mahogany towel rails, early 19th century & later, the taller twin rail 102cm high, each panel 35.5cm wide (2) Condition Report: Some old surface wear from use/handling, old repair to lowest stretcher of triple rail, this is a screw repair with some lost wood- which will require remedial work Condition Report Disclaimer
A French walnut armoire, late 19th century, with mirrored panel doors enclosing a hanging rail, 244cm high, 160cm wide, 58cm deep Condition Report: Marks, knocks, scratches and abrasions consistent with age and use, some old chips and losses, some splits and cracks Please note this has not been built whilst at Dreweatts, it was assembled for the photograph only, there are no securing bolts present, these would need to be sourced by the purchaser and Dreweatts cannot guarantee the overall stability of the armoire. There are no keys present Please refer to additional images for visual reference to condition Condition Report Disclaimer
A George III mahogany needlework table, circa 1810, the hinged top with marquetry seaweed panel to centre above two frieze drawers and silk workbag, on square taper legs and spade feet, 71cm high, 51cm wide, 39cm deep Provenance: From the private collection of Sir David and Lady Scholey Condition Report: Top has warped to the front- back, by hinges with carcase shrinkage crack, Some damage around each end of basket slide- old wear and tear throughout- notably to sides and drawers, top paler from sunlight- water spotting and scratches, inside part complete, Condition Report Disclaimer
A section of tapestry/fabric fragment, probably 19th century or earlier, framed and glazed, panel approximately 192 by 38cm; and a modern framed needlework panel worked "Ashley Isham", 25 by 40cm (2) Condition Report: The first is a fragment- so incomplete and with sunlight fading and losses Second modern decorative Condition Report Disclaimer
Pali script- probably Burmese Buddhist 18th or 19th century, 4 panels with over-panel with figural decoration, framed and glazed, 87 by 68.5cm overall; and another framed set of Burmese or Thai handwritten script on separated palm leaf panels, framed and glazed, overall 110.5 by 69cm (2) Condition Report: First- old margin losses and some rubbing, Second- some leaves have become detached in frame, all are yellowed and with some rubbing, fading to script Condition Report Disclaimer
A 17th century and later oak box with carved decoration, bearing inscription and date to the front "MB 1683", 68cm wide, 22cm high, 46cm deep Condition Report: Top with battened repair, loss to front edge, back panel probably later- signs of old previous hinge marks, later lock Condition Report Disclaimer
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