An Italian silver and enamel Virgin Mary panel picture and frame, and a similar pendant necklace, frame height 9cm, 1.7oz total, (2)Both in good original condition, no obvious damage or repair, some very small areas of enamel loss but mostly just dirt-covered and will clean off, settings lightly abraded, marks clear.
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Various silver filigree and cameo jewellery, including gilt gondola brooch, filigree panel bracelet, etc, bracelet length 19cm, 92.5g totalAll in good overall condition, some wear and abrasions all over through general use, cameo necklace is just base metal, no obvious damage, marks present are clear.
Various jewellery, including graduated double-row pearl necklace with 9ct clasp, turquoise necklace and Chinese unmarked silver and ivorine panel ring (3)Pearl necklace in good overall condition, no obvious damage or repair and clasp working. Turquoise necklace in fair overall condition, some beads are naturally missing chunks and is part of the design but no other obvious points of damage or restoration. Ring in good overall condition, no damage or repair, size J
A 19th century painted porcelain plaque, depicting a woman and child in carved giltwood frame, height 17cm, together with a small portrait miniature painted on wood panel (2)Gilt frame has several small chips from the leaf tips, and strut is missing, the other portrait is in good condition but modern
An early 20th century elevette drinks cabinet by Asprey & Co. London, The rectangular and hinged two panel top enclosing a elevating drinks surface, with three bottle tantalus and an assortment of various sized glasses above a plain frieze, raised on square section tapering legs and united by a galleried under-tier.
Group of costume jewellery, including silver ingot pendant, two silver charms bracelets with enamel charms, Sarah Cov green hard stone twist ring, size N 1/2, vintage enamel horse brooch marked AR 1973, coral branch necklace, agate, lapis lazuli and turquoise necklace, pearl necklace with a silver clasp, address book with front silver panel depicting cherubs and other items . CONDITION silver gross weight 116.6 gramsAddress book back marked 'fine leather made in England', it is blank no entries have been made, 122 x 82cm
A good quality carved oak sideboard, with castellated frieze, width 227 cm CONDITION REPORT: 56.5 cm deep at the base and 46 cm deep at the top. Height 183.5 cm. In good general condition. Some minor surface knocks otherwise structurally strong. The doors are a little 'clunky' as the metal iron work doesn't allow a smooth door swing on all doors. Internally there are removable shelves. There is no base panel in the bottom.
Y Four mother-of-pearl mounted silver boxes, comprising one canted-rectangular, unmarked, late 18th century, floral engraved, 7.5cm (3in) long; a 19th oblong example, unmarked, possibly French, pierced and engraved with a hunting scene, the sides plain, the base with pierced and engraved foliage, 8.5cm (3 3/8in) long; Edwardian circular with scroll and flower engraving by Henry Harvey & Co., London 1908, 7cm (2 3/4in) diameter; and rectangular, the panel a Chinese mother of pearl gaming counter by M. Friedlander & Co., Chester 1900, 7cm (2 3/4in) long
Y A George I silver and tortoiseshell oval snuff box, two maker's marks only NE, possibly by Jonathan Newton, London circa 1720, the slightly domed cover with a tortoiseshell panel engraved with bird on fruiting vine flanked by scrollwork, silver scroll foliate motifs to the quarters, a plain edge sides, two small stand-away hinges, the base engraved with a script IP, 8cm (3 1/4in) long, 50g (1.6 oz) gross; and a late George III curved rectangular snuff box by John Shaw, Birmingham 1813, threaded overall, 7.5cm (3in) long (2) Condition Report: Oval box - Mark is clear, slight play to the hinge, does not close firmly, engraving is clear, residue to the tortoiseshell, light scratches and wear commensurate with age and use Rectangular box - Marks are partially obscured, hinge is tight, cover sits well, rubbing to the decoration, light scratches and wear commensurate with age and use Condition Report Disclaimer
Nine Soviet Russian painted lacquer boxes, early 1970s, the covers painted with fairytales, two with monasteries and one flowers; the egg shape example in porcelain with as printed design and a musical movement (10) A collection of Russian cloisonné enamels on copper or brass, early 1970s, mostly rectangular or circular plaques, seven boxes, a bracelet and a belt (qty) An Egyptian Coptic icon of St George and the dragon with a silver coloured oklad, 1978, tempera on panel, 19cm x 13.5cm, in an oak frame, glazed
A pair of peridot earrings by Natalia Josca, the oval cut peridot in collet settings, with post fittings, engraved NJ and 22k, 2.1cm long, 7.4g gross A pair of blue topaz earrings by Natalia Josca, the facetted blue topaz tassel drops with below a domed cap with scrolled detail, suspended below a circular panel of similar design, with post fittings, 6.5cm long, 14.2g gross
A late 19th century pearl and diamond lily of the valley spray brooch, the pearl buds (untested and unwarranted as natural pearls) set above a ribbon tie of rose cut diamonds, 6cm long, 7.4g; an enamel book shaped hinged locket, unmarked, 11g gross; an early Victorian gold mourning ring, set with a glazed panel above chased shoulders, unmarked, finger size I, 2.4g; a single strand of gold coloured graduated beads (untested for gold); a Victorian gilt metal and green paste brooch; a Victorian colourless paste jabot pin, set with two colourless paste set stars; and6 other costume jewellery brooches
Y A mother of pearl dress set, comprising; a pair of double sided cufflinks, four shirt studs and two collar studs, stamped 9ct,9.4g gross, in a fitted Poile & Smith fitted case (one mother of pearl panel missing); and a pair of 9 carat gold double sided cufflinks, with engine turned panels and chain connections, 3.8g
An illustration to the Sur Sagar of Surdas, India, Mewar, circa 1700, gouache with ink heightened with gold, on paper laid on cloth, four lines of text in devanagari script to upper section on yellow panel and red borders, folio 45.5cm x 26cm and painted image excluding four lines of text 36.5cm x 22.5cm, framedProvenance: From a Corporate Collection The Sursagar is a devotional poem dedicated to Lord Krishna, written by the blind poet Surdas who is seen in this painting seated in front of a hut clapping cymbals. The composite scenes include Krishna dancing with the Gopis. Condition Report: good condition other than some minor flaking and damaged edges and unexamined out of frame and sold as seenCondition Report Disclaimer
A Japanese Bamboo Brush Pot, of cylindrical form, decorated between bands of key-fret design with a panel depicting a sparrow in flight above a flowering peony, the reverse with an egret above lotus leaves and pods, all in kebori, shishiaibori with katakiri details, height 26.5cms, unsigned, First half of 20th CenturyCondition Report: Some splitsCondition Report Disclaimer
A Japanese Copper "Double Box", of part circular, part octagonal form, the sides chased in katakiribori with a figure and a minogame in an extensive landscape, the covers inlaid, one in shibuichi, copper and gilt on a gold coloured ground with an Oni punting Shoki in a boat, the other set with wood inlaid and lacquered with Futen lowering an anchor from a cloud to catch a kappa, bears signature panel (Nara) Toshinaga, length 14.6cms, Meiji periodProvenance: Private English Collection Condition Report: Slightly overcleanedCondition Report Disclaimer
GYOKKO: A Large Parcel Gilt Bronze Figure of an Oni, it stands with hand on hip and wearing tiger skin short trousers with a cloak draped around its shoulders, its left hand raised and holding a lotus leaf bowl, gilt signature panel to the back "Gyokko", height 46cms; with shaped wood stand pierced and carved with scrolling acanthus leaf panels, height overall 57.6cmsCondition Report: Some scratches and wear. Wood stand lost most colour and polish.Condition Report Disclaimer
A Large Japanese Iron Panel of rectangular form decorated in silver, shakudo, gilt, copper and bronze with a hawk perched amid flowering branches watching two sparrows below, signed and sealed; within original wood frame, dimensions overall 133cms by 87cms, Meiji PeriodCondition Report: Rusted, dirtyCondition Report Disclaimer
Mrs Isabella Beetham (British 1753-1825) - Silhouette profile portrait miniature, reverse painted on convex oval glass panel, showing a lady in ruffled lace collar, with trade label Mrs Beetham of Fleet St verso, with further inscriptions, 9cm max oval approx, in oval frame, together with an 18th century watercolour miniature portrait of a lady in pink dress, 4cm max, in black frame with brass mount (2)
Shirley Anne Johnson (20th/21st century British) - Still life with vase of yellow daisies and blue and white plate, watercolour and bodycolour on paper, signed and with label verso, 32 x 42cm, together with a watercolour of pink peonies, signed W A Tait, further watercolour of lilies by the same hand, an oriental embroidered cuff, with figure and flowering plant detail, 52.5 x 9cm approx, in simulated bamboo style frame, a crewel work style embroidered panel, 61.5 x 44cm approx, etc, all framed (8)
A collection of early 19th century and later ceramics including a pair of dark red and gilt candlesticks understood to be Chamberlains Worcester, 23.5 cm tall approximately, an armorial plate central with painted horse crest inscribed Festina Lente and with additional Bishops Mitre crest, 26 cm approximately, a pair of late 19th century Royal Worcester plates in the 18th century manner, a 19th century trio with green and gilt border decoration and painted landscape panel together with a matching plate, etc (12)
A Georgian style hardwood fire surround, with classical fluted column supports with Corinthian capitals and further carved and moulded detail, beneath a dentil frieze, the mantel 158cm wide (insert measurement) 90cm wide x 96cm high, together with an accompanying over mantel, the stepped and moulded panel with tapered sides and carved detail
A Georgian oak hanging corner cupboard enclosed by a rectangular moulded pointed arch panel door, the interior painted and fitted with three shelves, together with a nest of three good quality old English style oak occasional tables with carved foliate frieze, turned supports and stretchers, and a small mule chest

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