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Lot 135
19th Century oak longcase clock, the swan neck pediment above the square glazed hood flanked by fluted columns above a long trunk door and panel base, the signed white painted dial with fan spandrels and painted shells to the centre, twin train movement with date aperture and Arabic hours, striking on a bell, 230cm high
Lot 140
19th Century mahogany longcase clock, the swan neck pediment with brass finials above a gilt foliate swag decorated frieze and an arched glazed door flanked by square section columns above the long trunk door and panel base, the dial with a silvered chapter ring and gilt metal spandrels subsidiary seconds and date aperture, twin train movement with anchor escapement, 240cm high
Lot 678
Impressionist Landscape with Haystacks, oil on panel, signed lower right. Ernst Frommhold was born in Leipzig, studied at the academy there, and undertook numerous study trips to Italy, Switzerland, Iceland, and Austria. He also traveled all over Germany and also painted in Vogtland. In Germany, he became a member of the Reich Association Visual Artists. With a light touch, Ernst Frommhold captured the impressions he gathered on his travels within marine and landscape paintings. Overall size: 14 1/2 x 20 in. Sight size: 8 1/4 x 13 3/4 in.
Lot 804a
Candlelit interior scene with woman and child, oil on panel. Signed lower left and verso. Johannes Rosierse is known for Figure, genre, interior painting under candlelight. Beautiful gilt frame. This painting was originally from the owner's home in Germany, it is over 3 generations old and was buried in their backyard in 1943 to hide from the Nazi's for 30 to 40 years. Overall size: 20 x 17 in. Sight size: 13 x 9 3/4 in.
Lot 806
Palmer’s Island Lighthouse of New Bedford, Mass, Painted in the 1880’s, oil on panel, signed lower left: C.H. Gifford. Diego Salazar gold-leaf frame. Overall size: 9 3/4 x 19 in. Sight size: 5 1/2 x 14 3/4 in. Charles Henry Gifford was essentially self-taught but was exposed to the rich artistic milieu of New Bedford. Alfred van Beest, William Bradford, Albert Bierstadt, R. Swain Gifford, and Albert Pinkham Ryder were among the artists who lived, worked, or exhibited in the city. A typical Luminist painter, Gifford concerned himself with both subtle and dramatic effects of light, stillness, precise realism, and softly glowing surfaces. He is perhaps best known for the small canvases measuring about nine by fourteen inches that he called "my little gems". He painted along the New England Coast, including Nantucket, Cuttyhunk, and the Elizabeth Islands, and inland to the White Mountains, Niagara Falls and Lake George.
Lot 1067
Portrait of a Young Woman, oil on panel, attributed to Thomas Sully. Sully was the creator of a romantic style of portraiture--elegant, refined, reflective and immensely popular. Indeed, he was arguably the most admired portraitist of the Romantic era in the United States. Over the course of his long career, Sully produced over twenty-six hundred works, approximately two thousand of which were portraits. The remainder were landscapes, genre and thematic figurative works Sully termed "fancy pictures," paintings intended for the decoration of the drawing rooms and parlors of his wealthy clients. A sleeping baby, with or without its mother, was one of the artist's favorite "fancy" subjects. Overall size: 15 3/4 x 14 1/4 in. Sight size: 9 3/4 x 8 1/4 in.
Lot 1155a
The Beheading of St. John the Baptist', North Russian School style, Byzantine iconography. Hand-painted oil on wood panel icon, referencing the biblical story of John the Baptist who was executed for exposing the vices of King Herod. Overall size: 20 1/2 x 18 1/2 in. Sight size: 11 1/4 x 9 1/4 in.
Lot 1155c
Saint George the Dragon Slayer', North Russian School Style, Byzantine tradition. Hand-painted oil on wood panel. The figure of St. George in Ukrainian iconography is much in line with the Christian image of him as a dragon-slayer riding a white horse, representing the triumph of Christianity over paganism. Size: 16 x 11 1/2 in.
Lot 165
"Book and Glasses" oil on panel, signed lower right, framed. Overall size: 8 1/2 x 11 1/4 in. Sight size: 5 1/2 x 8 1/2 in. A native of Cincinnati, Bert chooses her subjects from a variety of materials and textures--Madeira lace, Persian rugs, metal , porcelain, glass, fruit, leather, wood, shellfish, sheet music.
Lot 168
"Painted Flow Blue Sugar and Madiera", oil on panel, framed. Overall size: 14 1/2 x 20 1/2 in. Sight size: 9 1/4 x 15 1/2 in. A native of Cincinnati, Bert chooses her subjects from a variety of materials and textures--Madeira lace, Persian rugs, metal , porcelain, glass, fruit, leather, wood, shellfish, sheet music.
Lot 169
"Red Wine, Red Fruits and Madiera", oil on panel, signed lower right, framed. Overall size: 24 1/2 x 20 1/2 in. Sight size: 19 1/2 x 15 1/2 in. A native of Cincinnati, Bert chooses her subjects from a variety of materials and textures--Madeira lace, Persian rugs, metal , porcelain, glass, fruit, leather, wood, shellfish, sheet music.
Lot 170
"Three Books and Glasses", oil on panel, signed lower right, framed Overall size: 12 x 13 in. Sight size: 7 1/2 x 8 1/2 in. A native of Cincinnati, Bert chooses her subjects from a variety of materials and textures--Madeira lace, Persian rugs, metal , porcelain, glass, fruit, leather, wood, shellfish, sheet music.
Lot 175
Portrait of Frederick III the Wise Elector of Saxony, after Lucas Cranach the Elder. Oil on panel. There are a few vertical cracks in the panel, but it is in stable condition thanks to the cradle on reverse. Under black light inspection, old varnish is apparent as well as a few scattered in-paints, the face and hands appear to have had old varnish removed.Overall size: 29 1/2 x 23 in. Sight size: 22 1/2 x 16 1/4 in.
Lot 1254
A late 19th century French kingwood and marquetry inlaid two-tier etagere having gilt metal mounts, each tier being four-quarter veneered and having centre floral marquetry panel within crossbanding, w.77cm, d.48cm, h.92cmCondition report: With some fading to the second shelf.Slight wobble.Otherwise good.
Lot 1456
A circa 1700 joined oak coffer, the three-panel top on loop hinges and opening to reveal candle-box fitted interior, over a two-panel front with blind carved frieze, w.114cm, d.55cm, h.66cmCondition report: Colour is excellent.Top has a small loss to right hand side.Back right leg has a loss to the top and has been shaved at the bottom.
Lot 68
A reproduction Chinese stoneware jardinière, of squat circular form, on a blue ground, each panel decorated with various figures within landscape interior, having blue seal mark verso, dia.20cmCondition report: Rim is very rubbed and was probably previously gilt.Rim further scratched and with hairline crack.Otherwise appears OK.
Lot 7
A pair of continental enamel vases, each having a slender neck to a bulbous lower body and circular footrim, on a yellow ground with all-over floral decoration, each panel further decorated with a bird amongst flowers, h.38cmCondition report: One with a large chip to the body.Otherwise condition appears OK.
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