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Lot 1
DELFT BLUE AND WHITE PLATE, 18th CENTURY, of circular form, painted marks verso "VMD", probably English; together with an 18th century Delft blue and white charger, of circular form, the central panel painted with a basket of fruit and flowering foliage, within panels of birds and foliage, probably English, (repaired); and an English 18th century Delft polychrome charger, (repaired). (3) Largest 34cm
Lot 1
A plain tapered cylindrical glass tankard, by A. Giessler, with applied loop handle, with amusing engraved panel ‘Speed Bonny Boat’ depicting a figure in a boat at sea, one hand held to his head and a gull flying overhead, the base signed, 14cm high; and a tapered cylindrical glass with cartouche panel depicting a figure holding a bottle in one hand and a glass in the other, 9.5cm high (2)
Lot 1
Thomas Ogden, Halifax A mid 18th century mahogany and giltwood astrological longcase clock, the triple train movement with anchor escapement striking on bells, the arched brass face with urn and eagle cast spandrels, silvered Roman chapter ring with subsidiary seconds dial and date aperture, the arch with silvered and painted solar phase dial, centred by an engraved map of the northern hemisphere and with dials to either side marked “for sunrise, sunset” and with the signs of the zodiac, the hood with caddy top surmounted by a flaming urn finial, above a verre eglomise swan neck pediment with further finials, the arched glazed door flanked by fluted Corinthian columns, the case with crossbanded shaped trunk door flanked by fluted Corinthian quarter column angles, the base with moulded crossbanded panel on moulded plinth 67.5cm wide, 270cm high, 31cm deep
Lot 1
A late 19th century black slate and bronze mounted mantel clock, the movement with anchor escapement striking on a bell, the domed case with shell and scroll cast pediment above glazed brass dial with black Roman chapter ring, above glazed panel enclosing mercury filled pendulum, flanked by scrolled sphinxes, on breakfront plinth base with scroll and shell cast feet 52cm high
Lot 1
A pair of mid Victorian rosewood side chairs, each with elaborate shield-shaped backs pierced and carved with intertwined flowering foliage, above a serpentine seat with caned panel and loose squab cushion, the apron carved with flowering foliage, the whole raised on corresponding cabriole legs with leaf-scroll feet, painted inventory mark to base, ‘3908’ (2)
Lot 1
A pair of Edwardian mahogany display cabinets, each with arched moulded and dentilled cornice above blind fretwork frieze, the arched astragal glazed central panel with carved drapery swags, flanked on each side by astragal glazed doors, enclosing glass shelves, above a blind fretwork frieze, acanthus carved moulding and shell carved apron, on channelled square legs headed by carved harebells and scrolls and with scrolled feet (2) 144.5cm wide, 195.5cm high, 50cm deep
Lot 1
An exceptional mid Victorian walnut centre table, attributed to Henry Eyles, Bath, the burr quarter veneered top centred by a cartouche shaped marquetry panel depicting a basket of flowers against a black background, the sloping boxwood frieze carved in relief with sixteen oval panels depicting the ‘Ages of Man’ and ‘Adam and Eve expelled from Paradise’, between rope twist mouldings, the underside containing four concealed compartments, on dolphin and floral carved column above shell, swan and scroll carved tripartite base, with three downswept fluted and acanthus scroll carved legs fitted with ceramic castors 160cm diameter, 74cm high Note: A similar table by Henry Eyles was exhibited at The Great Exhibition of 1851and is now at the Victoria & Albert Museum in London. It may be that the edge carving was carried out by his relation George Eyles, woodcarver of Claverton Street in Bath. The elaborate carving and decoration to the table may indicate thet it also was specifically produced as an exhibitionpiece. Literature; ‘The Pictorial History of British 19th Century Furniture Design’, Woodbridge, 1977, p.xxvii
Lot 1
WILLIAM MCTAGGART R.S.A., R.S.W. (1835-1910) JUNE DAY, ARRAN. Signed and dated 1869, oil on panel 31cm x 36cm (12in x 14in) Provenance:Christies's, 21 May, 1903 Dowells, Edinburgh, Ramsay Collection, 6 March, 1909 Mrs A.P. Mathewson, Dundee Robertson & Bruce, Dundee Exhibited:Scottish National Exhibition, Glasgow, 1911 Literature:J.L.Caw, William McTaggart, 1917 p.230 (incorrectly dated as 1868)
Lot 1
A George III mahogany eight day longcase clock by Daniel Grignon, London, the arched fourteen inch dial with silvered chapter ring, subsidiary seconds dial and date aperture, a moving figure of Old Father Time in the arch, the caddy top with pierced gilt metal reserve, and fluted pillars, the moulded arched door flanked by stop fluted pilasters, with a moulded panel base, 266.5cm high.
Lot 1
A gold, sapphire and diamond ring, claw set with three oval cut sapphires and with small circular cut diamonds set at intervals, a 9ct gold and ruby three stone ring, in a triple panel shaped design, a 9ct gold and colourless gem set eternity ring and a 9ct gold cut cornered rectangular signet ring, Chester 1929.
Lot 1
An Edwardian Arts and Crafts oak sideboard the mirror back with integral shelf inset two circular enamel plaques and a similar heart shape plaque the projecting central cushion shape drawer between two open spaces above a pair of fielded panel doors between a pair of cupboard doors carved stylized flower heads and tendrils all fitted Art Nouveau brass handles and back plates the back board stamped R 2152 over 113 173cm x 166cm x 58cm
Lot 1
A GOOD VICTORIAN RED WALNUT COMPACTUM with moulded pediment, central door with well carved and moulded cartouche panel, flanked by small shaped shelves above an open shelf and two short and three long drawers, with a mirrored door to either side enclosing hanging space, on plinth base, 213cms high 195cms wide 60cms deep
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360406 item(s)/page