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Lot 328
A LARGE REGENCY GILTWOOD AND GESSO CONVEX WALL MIRRORCIRCA 181583cm diameter overall A closely related mirror sold from the Gyrn Castle Collection, Christies London, Lot 83, 17th June 2006, Lot 83, £9,000. Another similar was sold in these rooms, 30th May 2022, Lot 291 £5625 (including premium).Condition Report: Marks, scratches and abrasions comensurate with age and use. Some old splits. Various old wear to the gilding. The mirror plate appears original and bears the expected depletion in the form of a grey 'fogging' to the plate. The plate does reflect a clear image beyond the light 'fogging' (Please see additional images for visual reference) Some slight movement of the ebonised moulding from its position against the inside edge of the frame. This should be straightforward for a restorer to remedy if required. The whole of the reverse of the frame is covered with paper (bearing tears and losses) so it is not presently possible to see if the rear panel is original. Some old worm damage is likely but not clearly visible past the paper covering the back. Very few holes are detectabel fromt he front of the mirror. Some nail/screw holes from previous methods of hanging the mirror. The flat outermost edge of the frame (nearest to the wall. Shows evidence of gilding but also but also has a 'brown' wash over it that is likely original. There is wear, chipping, fragmentary loss and some chips of loss there. Overall in good original condition for its age. This mirror is a relalively unusual large scale for its type. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Lot 413
A REGENCY GILTWOOD 'PAGODA' WALL DISPLAY CABINETIN BRIGHTON PAVILION MANNER, EARLY 19TH CENTURY87cm high, 95cm wide, 13cm deepCondition Report: Please note: This frame is possibly of later date than originally catalogued. It is possibly later 19th or early 20th century . The recess of the frame measures: 51cm high, 83cm wide, 2.7cm deep.Marks, scratches and abrasions commensurate with age and useWear to the gilding. Some small old losses. some old repairs. some gilding/ gold paint disguises some old losses.Some later refreshing to gilding. The plain panels within the frame have likely been later gilded/ re-gilded Various small holes to the plain panel , likely from securing the previous content of the frame. The ebonised moulding within the edge of the main frame section may be a later addition or has been refreshed. some later small nails secure it into position. It appears that there was a slender 'stretcher' across the centre of the frame and evidence that it ran/ joined into the corresponding frame (see images) the 'stretcher' has since been removed. Some evidence of later re-gluing to the upper 'pagoda' section. Some carved elements of it have previously been detached and reglued. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Lot 162
A GEORGE II GREEN LACQUER AND CHINOISERIE DECORATED CHESTCIRCA 1750Decorated variously with figures in traditional costume, architecture, plants and flowers78.5cm high, 95cm wide, 61cm deepCondition Report: Marks, scratches and abrasions, wear and some losses comensurate with age and use. Some areas of more noticeable scratching/ chipping including to the rear edge of the top and the rear panel.The rear panel is green lacquered/ painted but not decorated. To the lid, where there has been some minor movement over time as expected, the meeting of the panels forming the top are visible. This is also visible to a degree to the left side panel and the rear panel. There is some minor movement between the panels forming the floor of the chest and a fragment lacking towards the end of one plank. (see additional images). Historically, nails have been put in to the outer edge of the lid to secure elements, this has also been done in a smaller number of positions elsewhere. Some re-touching of areas with later paint to disguise loss to various degrees throughout. As expected there is a greater extent of wear to the top of the lid. The key escutcheon, the lock and the side carrying handles appear original. Lacking key. The hinges of the lid appear to be original and there are no alternate marks or holes from alternate hinges. Where a section of the uppermost part of the rear panel has previously had a clean break (see images) , there were previously brackets screwed in to secure. These have since been removed and the element glued into place. In and around the position of one hinge, from the inside of the chest there is a spliced in element of oak. This may be as a result of a hinge previously being torn out of position. It is difficult to know exactly why it is there as the current hinges appear original and there are no alternative marks or holes. Approximately half of one rear foot has been later replaced and painted to match. There are some other old repairs to the feet and some later supporting blocks to the interior joins of the feet to secure. Please refer to all additional images for visual reference to conditionCondition Report Disclaimer
Lot 190
A GEORGE III MAHOGANY SIDE TABLE CIRCA 1760 With book matched veneer to the top69.5cm high, 86cm wide, 49cm deep Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Various old chips, splits, cracks, and losses - see images. Old veneer and moulding repairs. The lower panel of the central drawer is loose and held in position with tape.Some movement/loose sections to edge of top with some bowing and lifting of veneers. Handles are likely old replacements that use the same holes. There is some evidence of worm.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 14
A SET OF THREE FRAMED OPUS ANGLICANUM VESTMENT NEEDLEWORK PANELS 16TH CENTURY Embroidered with gilt thread and coloured silks in split and satin stitch, with couched work, each with three orphrey sections depicting scenes from the life of The Virgin Mary- and courtly scenes- possibly including Henry VIII- cope section with presentation of Christ child to the Magi.Now in later walnut glazed framesthe frames 135 x 31cm and 58 x 59.5cmProvenance on back of one panel purchased 1976Condition Report: Condition Report Disclaimer
Lot 407
A REGENCY MAHOGANY FOUR POST BEDCIRCA 1815211cm high, 168cm wide, 220cm longCondition Report: Old marks, scratches and abrasions, old chips and splits commensurate with age and use. some losses. Some additional scratches and abrasions. Some natural fading but the frame generally retains its original surface, good depth of colour and patina. There are bolts to join the elements, However some of the bolts are modern and matched to the bed. The services of joiner/ cabinetmaker will need to be employed in order for the bed to be put together well enough for use and may require some replacement or additional fixtures as a result. The bolts present may not be sufficient to construct the bed properly or solidly/ safely. Lacking headboard panel. The fittings/ apertures are present to the posts to accept a headboard but it is not present.The bed is not constructed whilst on view in the saleroom. One of the circular brass 'swing' covers of the posts (that cover the position of the main securing bolts) is lacking from one of the rear (head end) uprights. Measured whilst deconstructed, the internal width and depth of the bed measures 192cm x 136cm. Standard UK double mattress size is 135cm x 190cm. We would advise having this bed erected fully and the internal width measured again before confirming the exact size mattress required.Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Lot 377
A GEORGE III GILTWOOD HEART SHAPED GIRANDOLE MIRRORLATE 18TH/EARLY 19TH CENTURY100cm high, 40cm wide, 23cm deepCondition Report: Marks, scratches and abrasions comensurate with age and useWear to the gilding. The mirror plates have age and bear expected depletion in the form of various 'spotting' and minor losses to silvering. Some old repairs. The mirror appears to have been restored overall perhaps 20-30 years ago and incorporated the gilding being refreshed to an 'antique' finish. Elements of the wires supporting decorative elements may have been restored/ replaced. Some of the other decorative elements may be well executed replacements such as the candle arms. The candle nozzles and drip pans are very likely later replacements/ additions. The inset rear panel to the mirror plate may be a replacement or was previously covered with paper. A charming form of mirror of unusual design. Please refer to the additional images for visual reference to conditionCondition Report Disclaimer
Lot 214
A GEORGE III GILTWOOD WALL MIRRORIN THE MANNER OF JOHN LINNELL, CIRCA 1780The frame carved in the form of ribbon tied palm fronds94cm high, 59cm wide Condition Report: Marks, scratches and abrasions comensurate with age and useVarious wear and loss to the gilding. There are chips of loss and various old repairs and old glued breaks to the frame. Some surface losses have been touched in with gilding or gold paint to disguise. The mirror plate is a 20th century replacement. The rear panel is likely a replacement. The reverse of the frame does appear to have previously been covered with paper and now only remnants to the frame itself remain. There are various nail and screw holes from previous methods of hanging the mirror. Please refer to the additional images for visual reference to condition.Condition Report Disclaimer
Lot 42
Y A WILLIAM & MARY KINGWOOD BUREAU CABINETIN THE MANNER OF THOMAS PISTOR, CIRCA 1690 The mirror panel doors opening to a shelved interior, the fall opening to an arrangement of small drawers and pigeon holes above a slide covered well and a tooled leather inset writing surface205cm high, 97cm wide, 57cm deep See Geoffrey Beard and Christopher Gilbert, Dictionary of English Furniture, Thomas Pistor (1694-d by 1711) is recorded as 'The Cabinet', Ludgate Hill, London, joiner and cabinet maker'. Pistor was a member of the Joiners' Company. On his death by 1711, his stock to be sold included 'three fine japan'd and walnut cabinets, five walnut, one India scrutore'. A kingwood fall-front cabinet formerly in the collection of the Hon Basil Ionides is inscribed 'Mr Thomos Pistor, Ludgate Hill, London'. See also Furniture History, 2016, Vol 36, 2000, pages 43-60, Adriana Turpin, Thomas Pistor, Father and Son, and Levens Hall, Cumbria.Condition Report: Cabinet with the marks, knocks, scratches and abrasions commensurate with age and use.This is a highly sophisticated and impressive piece of furniture of the period.The expected old chips, splits and losses - see images for details.Various old veneer and moulding repairs.Mirror plates have bloomed throughout (see images).Key is present for the upper door and operates lock.Other keys lacking, all locks openLock to the fall is lacking.Handles and escutcheons are replacements but suit the piece well. There are old plugged holes visible to drawer fronts where previous fixtures sat, these have been highly skillfully disguised.Feet are old replacements and match the piece extremely well. One foot detached.Some evidence of old worm.Please refer to additional images for visual reference to condition.Condition Report Disclaimer
Lot 326
Y A MATCHED SHAGREEN AND IVORY DESK SUITE IN THE MANNER OF ASPREY ENGLISH, 1930s Comprising silver plate mounted jotter, 19 by 12.5cm; domed stationery box, 24.5 by 19.3cm; and five strut back glazed photograph frames (7)Please note: Dreweatts have applied for a de minimis exemption licence for the ivory in this lot (Ref: QJ6F6CHF) Condition Report: The photograph frames: pair 17 by 13cm aperture 14 by 9.5cm; portrait frame 35 by 28 cm, aperture 31.5 by 24.5cm; landscape frame 30 by 35cm, aperture 26.5 by 31.5cm; landscape frame 27.5 by 35cm, aperture 24 by 31.5cmMinor Wear, marks, knocks and scratches (mostly to backs of frames) as per age, handling, use, and cleaning. large portrait frame with sliver of ivory missing to lower left corner, One large landscape frame with some cracks to back panel insert box with small knock to back edge and no key, jotter with verdigris around metal sections and ink spots Otherwise generally good and look not to have suffered the usual damages from sunlight and usePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 213
A PAIR OF GEORGE III MAHOGANY PEDESTAL CUPBOARDSIN THE MANNER OF INCE & MAYHEW, CIRCA 1790The left hand cupboard opening to a lead lined drawer fitted with a brass tap, above a lead lined tray fronted by a sliding panel, divided cellaret drawer beneath, the right hand cupboard opening to a metal lined interior throughout incorporating open shelveseach 109cm high, 59cm wide, 45cm deepProvenance: Private Collection, LondonPlease note, terracotta busts (Lot 619) for illustration only with this lot. Condition Report: Both cupboards with the marks, knocks, scratches and abrasions commensurate with age and use. Some old chips and splits. Small section of moulding lacking to base of one cabinet - see images. The other cabinet with larger splits running down the sides. Both cabinets with moulding repairs to the back corners of the tops - see images. Lead linings to interiors with the expected wear, marks and discolourations. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 1
Y A WILLIAM & MARY ROSEWOOD, KINGWOOD AND OLIVEWOOD OYSTER VENEERED CABINET ON STANDCIRCA 1690With some rosewood elements, the doors opening to an arrangement of drawers around a central cupboard door168cm high, 108cm wide, 50cm deep Provenance:By family descentPrivate Collection, LancashireCondition Report: Old marks, scratches and abrasions, old chips and splits comensurate with age and use. Some small losses. Some detached elements of moulding are present in the drawer. Some old repairs. Some old worm damage as expected for age but relatively minor overall. Some natural fading in some areas as expected for age however a very high percentage of the items retains very good rich colour and depth of patina. (see images) . The surface appears polished and may possibly have a very thin old layer of varnish.Seven of the short drawers to the interior have a later removable shallow tray element that sits in the upper half of the drawer interior. Simple glued in corner blocks support the trays in position. Some of them are not easy to remove so if are to stay in position may need some adjustment. The handles to the interior drawers are replacements but in period taste/ style. The three 'Royal Arms' escutcheons are of the period and match each other. They may be original. The lock to the doors may be original but has likely been adjusted/ adapted to a degree. The lock to the drawer of the stand is an 18th century replacement. Lacking keys. Screws to locks are possibly replacements. The floors of the drawer linings and of the trays have later glued down velvet. The top of the cabinet and the reverse of the cabinet and the frieze of the stand aswell as the top edges of drawers are later dark/ black stained but has some age/ wear in areas. The interior of the central cupboard of the interior may have previously been fitted but now is not. There is no clear evidence that it was fitted but t he rear panel is mahogany or well stained beech. The lock to the interior cupboard door appears original but lacking a key. The stand is later re-constructed using some old elements. The drawer to the stand is likely the original drawer. The handles have been replaced but have age and are in period style. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Lot 32
AN IRISH CARVED PENAL CROSS DATED 1759 Craved arbutus or yew, suspension loop above the front with INRI above Christ in relief, small copper pin detailing to crown of thorns and chest, below ladder, spear and skull and crossbones, the reverse with further cross above heart, date panel and rooster and pot 36cm high, 7.5cm wideThe carving of such private devotional artefacts coincided with the implementation of The Penal Laws. Lucas states that: "The manufacture of crucifixes of an undoubted "penal" type in the locality for sale to the pilgrims of the mid-nineteenth, suggests the possibility that the whole genus of these objects may be associated with the Lough Derg pilgrimage" although, as this example shows, the tradition predates this.Lucas, A.T. (1954) '"Penal" Crucifixes' Journal of Louth Archaeological Society Vol. XIII (No. 2), 145-174Condition Report: The whole of good colour and surface- some shrinkage cracks to right arm of cross with old pinned repair. Small edge wear and loss and to some of the raised detail such as part of crossed bones, Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. Condition Report Disclaimer
Lot 5
A LARGE WILLIAM & MARY OLIVEWOOD OYSTER VENEERED MIRRORCIRCA 1690Incorporating cross grain mouldings93cm high, 73cm wideCondition Report: Old marks, scratches and abrasions, old chips and splits comensurate with age and use. Some small losses. Some old repairs. Some old worm damage as expected for age but relatively minor (see images).Retains very good rich colour and depth of patina overall . The moulding adjacent to the mirror plate being slightly more faded likely due to a cloth cleaning the mirror plate over time but not significantly. As most often seen for a cushion mirror of this date, the original surmount is now lacking (indicated by pair of 'cut out' elements to the reverse of the edge of the mirror frame. The cut outs also indicate that the mirror was intended to hang in 'portrait' format and not landscape.This mirror is of larger format than many of this model and date. The figuring/ placement of the oyster veneers is unusual and highly attractive. The mirror plate is a mercury plate of significant age and is hand bevelled. There seems a fair chance that it is original but we cannot guarantee this.The reverse of the frame is original and in sought after 'dry' condition. The rear panel to the mirror plate appears likely to be original also. Please refer to the additional images for visual reference to condition. Condition Report Disclaimer
Lot 29
A WILLIAM & MARY BURR ELM, WALNUT AND FRUITWOOD INLAID CHEST ON STANDCIRCA 1690122cm high, 102cm wide, 58cm deepProvenance: Acquired from Edward Nowell, WellsCondition Report: Marks, knocks, scratches and abrasions commensurate with age and use. The expected old splits and chips. Various old veneer and moulding repairs - see images. As illustrated, the surface has a cleaned/dry appearance. Handles and escutcheons are replacements but are in period taste. There plugged holes visible to the drawer fronts from previous fixtures. Locks are 18th century replacements. No key is present but all locks are open. Evidence of old worm to backboards, interior of carcass, and some drawer linings. Later elements to the interior of the stand - see images for details. The rear panel of the drawer to the base is an old replacement. The legs and stretchers are replacements. They have been well coloured and suit the piece well.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 279
John Matthew Moore (20th century) - limited edition lithograph on wove paper, numbered in pencil 27/295 and signed in ink lower right corner, 42 x 34 x 5cm, mounted in a glazed silver coloured frame, along with a framed and glazed fused glass panel having a shattered glass appearance in a circle form, mounted on glass in a silver coloured frame, unsigned, Location:
Lot 397
Curtains-A single blue and white gingham curtain with green felt lining and metal hook heading, 16" wide x 85" drop together with a pair of light taupe curtains having a small star design throughout (some staining to hem) with gathered heading 52" wide x 63" drop (each panel), a pair of light grey curtains having an elephant design, lined and interlined with gathered heading 50" wide x 75" drop and a pair of grey, white and duck egg blue striped curtains, lined and interlined with gathered heading (some staining to hem) 50" wide x 60" drop, two pairs of terracotta, and a quantity of further curtains (see lots 127, 343 and 363 in sale 22 March) Location:RAM
Lot 762
Victorian burr walnut display cabinet, circa 1875, having three-quarter gallery back over two glazed doors opening to shelves, above a single long drawer, the base fitted with two recessed panel cupboard doors enclosing door pockets, all flanked with fluted and wrythen moulded columns over a plinth base, width 92cm, height 146cm, depth 47cm
Lot 716
Robert Fletcher, Chester, (1780-1820) mahogany and oak eight day long case clock, the hood with reeded pillars flanking a 12 1/2'' painted arched dial with rolling moon, subsidiary seconds, gilt foliate spandrels, the movement striking on a bell, the trunk with reeded pilasters flanking a mahogany banded oak door, above a box base with canted corners and a circular oak panel, raised on bracket feet, height 229cmPlease note our special conditions of sale regarding clocks and watches
Lot 765
Robert Roskell, Liverpool, mahogany regulator longcase clock, the hood with brass eagle and ball finials and canted corners, flanking a 12'' circular dial with Roman numerals and ebony line inlays, the trunk with reeded brass capped quarter pilasters, glazed panel revealing weight and pendulum, over a box base with keyed moulding and bracket feet, height 218cmPlease note our special conditions of sale regarding clocks and watches
Lot 5007
Matchbox Models of Yesteryear Y3 1910 Benz Limousine a pair of colour trial models relating to the YY60 Connoisseurs Gift Set (1) green body, chartreuse yellow roof, dark red seats and grille, brass parts and wheels with experimental door panel decals; (2) similar but dark blue body, black roof, very dark red seats and black grille with brassy gold parts and wheels - Good Plus to Excellent (some loss of clear decal around windows).
Lot 5455
Matchbox Models of Yesteryear Code 2 issues Code 2 issues (1) MBC02 1938 Hispano Suiza - metallic green body and chassis, yellow side panels, 1 of 50; (2) similar but reverse colours, 1 of only 10; (3) MBC06 1928 Bugatti - green body, pale green door panels, black chassis, 1 of 25; (4) darker green body and chassis, yellow door panel, 1 of only 10 - Near Mint to Mint in Excellent to Near Mint boxes. (4)
Lot 5460
Matchbox Models of Yesteryear Code 2 issues (1) Y24 1928 Bugatti T44 - black with black seats, red chassis, chrome parts and black luggage trunk; (2) similar but with tan luggage trunk and seats, 1 of 12; (3) yellow body, red door panel, black luggage, 1 of 12; (4) red body, yellow panel, 1 of 12 - Near Mint to Mint in Excellent to Near Mint boxes. (4)
Lot 5404
Matchbox Models of Yesteryear Code 2 issues (1) YCL01 1955 Holden FJ/2104 Panel Van, "Esso Imperial Oil" - dark blue body, lighter blue interior and wheels, chrome parts; (2) similar but with red wheels, 1 of only 14; (3) YCL02 1937 GMC Van "Canadian Tire" - blue body, chassis and roof, chrome parts and wheels; (4) similar but with red wheels, 1 of only 14 - Near Mint to Mint in Excellent to Near Mint boxes. (4)
Lot 5355
Matchbox Models of Yesteryear German Code 2 issues (1) YGL08 1910 Renault Bus "Neue Krone" - blue body on pale yellow chassis; (2) YGL08 similar but reverse colours pale yellow body on blue chassis; (3) YGL11 Ford Model T Van - black, yellow seat, brass parts, 12-spoke wheels - ASS with Joker Cards logo; (4) YG11 similar but yellow background panel to van sides - Near Mint to Mint in Excellent to Near Mint boxes. (4)
Lot 5080
Matchbox Models of Yesteryear Y22 1930 Ford Model A Vans pre-production trial pair (1) bare metal body, chassis and roof, light brown seats, chrome parts, chrome 24-spoke wheels, spare wheel is chrome solid, single baseplate rivet; (2) similar but black chassis and black rear roof panel - Excellent unboxed. (2)
Lot 5194
Matchbox Models of Yesteryear pair of trial models (1) 1955 Holden FJ/2104 Panel Van - light grey, red interior, baseplate without tampo, "1:43" in high position; (2) YHN01/SA "Auto One" - white, brown interior, chrome trim, similar baseplate (mirror has broken) - generally Excellent to Near Mint unboxed. (2)
Lot 5400
Matchbox Models of Yesteryear Code 2 issues1947 Citroen H Van group of models based on the trial 2nd series "Taste of France" (1) C2TF7 "Hennart Freres" - light grey body, green body stripes, red solid wheels and with green roof; (2) C2TF8 "Phenix" - mid blue body with light cream roof, red solid wheels and with additional white diagonal stripe; (3) C2TF9 "Mercier Champagne" - cream body and roof with green upper panels, black solid wheels; (4) C2TF10 "Raphael Quinquina" - cream body with brown and red body stripes, red solid wheels and with additional red roof stripes; (5) C2TF11 "Chocolate Menier" - dark yellow body, blue upper panel, white roof, silver solid wheels - all are limited to 1 of only 16 pieces - Near Mint to Mint in Excellent to Near Mint boxes. (5)
Lot 26
Julian Opie (born 1958)Watching Suzanne (front) No.2, 2006 signed and numbered 25/25 in black ink on a label (affixed verso)screenprint on white acrylic paneloverall 830 x 565 x 30mm (32 3/4 x 22 1/4 x 1 1/8in).Printed by K2 Screen Ltd., London, published by Alan Cristea Gallery, LondonFootnotes:LiteratureAlan Cristea, Julian Opie: The Complete Editions Volume 1: 1984-2011, London, 2011, no.66This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 215
Damien Hirst (born 1965)Loyalty, from 'The Virtues', 2021 signed in pencil on the publisher's label affixed (verso), stamp-numbered 1031/1067laminated giclée print in colours on aluminium panel120 x 96cm (47 1/4 x 37 13/16in).Published by Heni Editions, London, housed in the original packagingThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 225
Damien Hirst (born 1965)Suiko, from 'The Empresses' (H10-4), 2022 signed in pencil on the publisher's label (affixed verso), stamp-numbered 496/3310laminated giclée print with screenprinted glitter on aluminium composite panel100 x 100cm (39 3/8 x 39 3/8in).Published by Heni Editions, London, the full sheet printed to the edgesThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 216
Damien Hirst (born 1965)Control, from 'The Virtues' (H9-8), 2021 signed in pencil on the publisher's label affixed (verso), stamp-numbered 644/862laminated giclée print in colours on aluminium panel120 x 96cm (47 1/4 x 37 13/16in).Published by Heni Editions, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 178
Chris Levine (born 1972)Lightness of Being (Freedom Edition), 2021 giclée print in colours on aluminium composite panel90 x 70cm (35 7/16 x 27 9/16in).From the edition of 1000, published by Dominic Guerrini Fine Art, LondonThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 227
Damien Hirst (born 1965)Forever (Small) (H8-4), 2020 with the artist's printed signature on the publisher's label (affixed verso) and stamp-numbered 1065/2573diasec-mounted giclée print in colours on aluminium panel39 x 39cm (15 3/8 x 15 3/8in).Published by Heni Productions, London, housed within the original packagingThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 115
Joe Tilson R.A. (British, born 1928)Liknon, Top, Four Elements and Pomegranate, 1987 signed, titled and dated 'LIKNON, TOP, FOUR/ELEMENTS AND POMEGRANATE/tilson/1987', also dated with stencil '1987' (on panel verso)oil on canvas and wood relief96 x 99cm (37 13/16 x 39in).(unframed)Footnotes:ProvenanceWith Theo Waddington Fine Art Ltd, LondonThe artist, from whom acquired directly by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 198
A rock crystal quartz brooch,with a cushion cut rock crystal quartz, claw set to cut down collet, to chased floral frame, with pin and 'C' catch, tested as 15ct gold, 3.81g, together with a gold bar brooch, with central crescent and ivy motif, pin deficient, tested as approximately 9ct gold, 1.06g, and an oval gold cased locket, with woven hair glazed panel, to scroll border, engraved verso with floral and scroll decoration, 7.75gCondition ReportRock crystal brooch: pin bent. Some minor abrasion to the stone, in very good condition considering its age.Tarnish and discolouration to the crescent and ivy brooch.
Lot 225
A quantity of Victorian silver brooches,to include a Scottish silver and malachite brooch, of tubular form with inlaid malachite sections and hand engraved decoration between, 34mm diameter, a silver circular Blue John fluorite brooch with metal pin and 'C' catch, 27mm diameter, a silver Maltese cross form brooch, with locket verso, pin and 'C' catch, a silver haematite and split pearl shamrock brooch, with a trefoil of round cabochon haematite, claw set to stem, grain set with a row of split pearls, to pin and 'C' catch, 8.55g, a silver and paste brooch, with three interlinking crescent motifs, set with rows of graduated paste to pin and 'C' catch, a silver enamel and split pearl brooch, to pin and 'C' catch, a gilt metal enamel and split pearl brooch, grain set with split pearls, to pin and 'C' catch, 7.48g, a silver enamel pendant, with a round cut sapphire milligrain set to the centre, to an openwork lattice and border of blue guilloche enamel, 1.69g, a sterling silver buckle ring, with hand engraved decoration, 2.31g, a sterling silver hat pin, the silver finials designed as acorns, with carved agate for the kernel, to whiplash frame and metal pin, Birmingham 1910, and a silver charm in the form of a ship's wheel, with compass to one side and hand engraved decoration to the other, 6.58g, all tested as approxmately sterling silver. Silver 62.72g totalCondition ReportMalachite brooch: surface scratches, tarnish to the silver, one malachite inlay bit cracked.Blue John fluorite brooch: pin bentMaltese cross brooch: glazed panel chipped, some tarnish to the silver.Crescent brooch: pin a little loose.Blue enamel oval brooch: wear to the enamel, centre stone abraded.Buckle ring size N.
Lot 245
A quantity of period silver and costume jewellery,to include a Victorian silver aesthetic movement brooch, with applied rose gold leaves and boat shaped panel, to a silver frame with 'C' catch and pin, Birmingham 1897, a Scottish silver and amethyst grouse foot brooch, with safety catch and pin, Glasgow 1954, a silver gilt micromosaic brooch, and a quantity of costume jewellery to include a Victorian gold cased oval shield memorial brooch, an Edwardian sovereign coin holder, a micromosaic bracelet, bead necklaces, brooches, bracelets, etc (qty.) Silver 29.64g total
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