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A LARGE 19TH CENTURY CHINESE EMBROIDERED PANEL of elongated oblong form, the red ground embroidered throughout in polychrome silk and bullion threads with clouds, trees, blossoms, figures, figures riding animals and mythical beasts, the black three quarter border with tasselled fringe. 59cm x 520cm
A JAPANESE LACQUERED AND INLAID THREE-FOLD FIRE SCREEN, 20th century, having a central arched panel painted with blossoms and decorated with a central shaped panel inset with carved bone, mother-of-pearl and ivory to depict a hanging floral arrangement and bird, flanked by hinged oblong panels of conforming design. 91cm(h) x 52cm(w) closed
A VICTORIAN MAHOGANY WORK BOX of octagonal form, the moulded and hinged top centred by a padded needlework panel, opening to reveal the tapering internal well, the material covered hour-glass form body enclosed by turned spindle supports, raised on a moulded octagonal base with turned bun feet. 46cm(h) x 34cm(w)
A SMALL EARLY 20TH CENTURY BRASS FIVE-GLASS CARRIAGE CLOCK, the rounded square top having a shaped swing handle, presentation inscription dated 1915 and central bevelled glass panel enclosing the platform escapement, the white enamelled dial with Roman hours to the chapter ring and retailers name Wm Lister & Sons, Newcastle Upon-Tyne, the movement marked France, all behind bevelled glass panels, the reverse with door, all housed in a leather covered and hinged case. 9.5cm(h)
A SMALL EARLY 20TH CENTURY BRASS FIVE-GLASS CARRIAGE CLOCK, the bow-fronted square top having a shaped swing handle and central bevelled glass panel enclosing the platform escapement, the white enamelled dial with Roman hours to the chapter ring, the movement unmarked, all behind bevelled glass panels the fasciabeing bowed, the reverse with door, all housed in a leather covered and hinged case.
AN EARLY 20TH CENTURY BRASS FIVE-GLASS CARRIAGE CLOCK having a shaped swing carrying handle over the rounded square top, central bevelled glass panel enclosing the platform escapement, the white enamelled dial with Roman hours to the chapter ring, the movement unmarked, all behind bevelled glass panels, the reverse with door, all housed in a leather covered and hinged case, 12cm(h)
AN ARTS AND CRAFTS OAK AND COPPER FIRE SCREEN having an applied, shaped and pierced carrying handle, the arched copper panel embossed with a two masted ship, the central rectangular copper panel below embossed with an oval sea creature and trident design, flanked carved stylised foliate panels, the oblong top and feet united by spreading square section uprights. 96cm(h) x 75.5cm(w) x 13.5cm(d)
A LATE 19TH CENTURY BIRDS EYE MAPLE BED, the large raised headboard with moulded cornice over a large padded panel upholstered tartan material, the foot board of arched scrolling form with conforming moulded panel, curved inwards at the ends, on a broad base with substantial bracket feet, all linked by rails. 172cm(h) x 162cm(L) x 154cm(w)
AN EDWARDIAN MAHOGANY SIDE TABLE having a rectangular moulded and banded top with central glass panel enclosing a foliate needlework panel, the banded frieze drawer with moulded gilt metal bale handles, all raised on tapering square section legs finishing with brass caps and ceramic castors, united by a banded under tier. 72cm(h) x 64cm(w) x 46cm(d)
A LARGE GEORGIAN OAK PRESS CUPBOARD having a moulded cornice, four double fielded panel cupboard doors and internal shelving, the lower stage having an arrangement of seven cockbeaded drawers, each with later turned handles and between chamfered corners, raised on shaped bracket feet. 202.5cm(h) x 163cm(w) x 53cm(d)
A GEORGIAN INLAID MAHOGANY CORNER CUPBOARD having a broken swan neck pediment with brass disc terminals centred by a brass ball finial, dentil inlay and narrow frieze inlaid with an interlaced elliptical design, the panelled cupboard door with quadrant corners centred by an strung oval panel, opens to reveal the shaped internal shelving, all between canted corners with reed moulding, on a reed mounded base. 121cm(h) x 78cm(w) x 46cm(d)
A GEORGE IV SILVERGILT PLYNTH (for a cup) square with a matt, fielded panel on each face, a stepped top section and incurved corners set with cast dolphin supports on scallop shell feet, two opposing sides with an applied coat of arms*, and crested (twice), the base also incised "F&C" & "5"**, by John Bridge, London 1824, incised "Rundell Bridge et Rundell Aurifices Regis Londini"; 9.55" (24.4 cms) square; 80 oz *For the 6th Duke of Leeds ** An inventory no. for the Fauconberg & Conyers Baronetcy.
Chinese large lacquer decorated panel, featuring a large raised red-lacquer `shou` character painted with gilt bats and cloud scrolls and reserved on a gilt-patterned fret-work ground and set within a frame with further gilt decoration of linked blossoms and diaper pattern, 42"h Start Price $20
Chinese large hardwood side table, with a floating rectangular top flanked by downward scrolling ends accented with narrow reticulated panel of bats and suspending a pierced apron of fruiting grape vines, raised on supports formed as twisted coils and joined by humped and straight stretchers, 36"h x 66.25"w x 22"d Start Price $400
Set of four Chinese carved rosewood nested tables, each with a floating rectangular panel within an ice-plate edge over a waisted apron with raised fret-work decoration and a beaded edge extending down the straight supports joined by humpback stretchers, largest 26"h x 20"w x 14"d Start Price $50
Set of four Chinese carved rosewood nested tables, each with a floating rectangular panel within an ice-plate edge over a waisted apron with raised fret-work decoration and a beaded edge extending down the straight supports joined by humpback stretchers, largest 26"h x 20"w x 14"d Start Price $50
Framed oil on wood panel, Saint George Slaying the Dragon, 1922, Greek School (20th century), signed indistinctly lower right, inscribed and dated "Athens 1922" lower right, sight: 46.25"w x 28.75"w, overall: 50"h x 32.25"w. Provenance: Bunch Auctions (Lot 282, October 2011) Start Price $200
A large framed studio pottery tile of a peacock, of rectangular form, within wooden frame, height 60 cm; four framed studio pottery tiles of foliage, of rectangular form, within wooden frame, height 42 cm; a framed studio pottery tile group of stylised patterns within border, of rectangular form, within wooden frame, height 86 cm; a stained glass panel, of variegated colour and pattern, height 66 cm, (4).

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360412 item(s)/page