§ Michael John Hunt (British, b. 1941), church interior with font, acrylic on panel, signed lower left, 38 x 28cm, framed. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information
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Grouping of British Cloth Insignia, including Korean War period sleeve panel with The Kings Regiment shoulder title, Catterick Garrison formation sign, Commonwealth formation sign and rank chevrons; Royal Horse Guards cloth shoulder title, The Life Guards cloth shoulder title, post WW2 Scots Guards shoulder title, Horse Rangers of the Commonwealth shoulder title, plus other items. (16 items)
Scarce Imperial German Seitengewehr Model 1898 Mauser Bayonet with Regimental Etched Blade of Royal Prussian Lauenberg Jager Regiment Nr9, fine example of the long model mauser bayonet with two piece wooden slab grips and parade style plated pommel and crossguard. Housed in its original leather and steel mounted scabbard with leather bayonet frog attached.. Blade being a piped back example with early WKC makers trade mark to the base. The blade is etched with foliage hunting trophy and dear to one side and the other side with foliage and a panel having the gothic script regimental details of “Lauenburg Jager Bat Nr9.” Blade is generally in good condition just some light surface wear, which would probably clean. The leather scabbard remains in good overall condition with just some minor scuffing. These regimental presentation pieces were often purchased by enlisted ranks and one year volunteers once they had finished service in the regiment as a memory of their service. The blade measures 53cms, overall 70 cms. Please see Auction Information page for details on the shipping of edged weapons.
Rare Third Reich Chamber of Music Organisation (Reichsmusikkammer) Standarte in Weiler, Austria, superb quality double sided standarte constructed from red cotton, with superb quality embroidered down winged black NSDAP eagle with swastika held within chainstitched strung instrument laid over the eagles chest, the same design to both sides. To both sides of the banner is black rectangular panel with embroidered white lettering “Sänger-Quartett 1923 Weiler” to both sides. The flag has fringing to three sides and metal hanging rings supported by cloth tapes. The flag remains in excellent overall condition and is an extremely rare flag from a very small organisation of the Third Reich. Flag measures 138 x 115, not including fringing or rings. The organisations role was to promoted "good German music" which was composed by Aryans and seen as consistent with the Third Reich ideals, while suppressing other forms of music which the party did not agree with. The Chamber was founded in 1933 by Joseph Goebbels as part of the Reich Chamber of Culture.
An Edwardian Rosewood music cabinet, galleried back with carved cresting above a small, shaped looking glass, fretwork bracket supports, over-sailing top, single cupboard door with carved panel enclosing three tiers of shelving for sheet music, cabriole legs, serpentine shelf to base, 152cm tall x 63cm wide x 41.5cm deep, c.1905.
A George III oak country house floor standing splay front corner provision cupboard, moulded cornice above a pair of panel doors enclosing two shelves and three small drawers, the central concealing a further drawer, the base with a further pair of doors enclosing a shelf, bracket feet, 221cm high, 112cm wide, 57cm deep, c.1800
A late 17th century and later oak wainscot armchair, shaped cresting rail carved with leaves and scrolls, rectangular back panel naively carved with flowering leafy branches and lunettes, downswept arms, turned arm posts, rectangular stretchers, block feet, 107cm high, 60cm wide, the seat 47cm wide and 36cm deep
A late 17th century oak livery cupboard or housekeeper's cupboard, flush stiled frame centred by a pair of panel doors, the upper panels carved with angels venerating the Host within a monstrance, the lower panels with a sun-in-splendour above flowering leafy stems, 187.5cm high, 130cm wide, 65cm deep
A late Victorian Aesthetic Movement walnut side cabinet, by Gillows of Lancaster and London, bearing label for Gillow & Co, 176 Oxford Street, Lancaster London, stamped L1611, rectangular top above a central frieze drawer, flanked by panel doors carved with lunettes, turned and blocked supports, moulded stretchers, 93cm high, 167cm wide, 56cm deep, c.1885
A Regency rosewood and brass marquetry secretaire chiffonier, shaped superstructure with shallow shelf above a long fall front frieze drawer, enclosing a writing surface, small drawers and pigeonholes, above a pair of panel doors enclosing a shelf, bracket feet, 125.5cm high, 106.5cm wide, 38cm deep, c.1820
A substantial Aesthetic Movement drawing room side cabinet, of country house proportions, crenellated cornice above a concave panel painted in the Arts & Crafts taste with fruiting branches and geometric motifs, the superstructure with a central mirror flanked by galleried niches, the projecting base with three frieze drawers, four panel doors and a further pair of drawers, bears label for W. Walker, Manufacturer, 119 Bunhill Row, London, E.C., 282.5cm high, 246cm wide, 71.5cm deep, c.1885
A William IV mahogany linen press, outswept cornice above a pair of panel doors enclosing five sliding trays, the base with two short and two long cockbeaded drawers, three linings stamped From Adamson’s Furniture Warehouse Clapham Road, plinth base, 211cm high, 148cm wide, 62cm deep, c.1835
A William IV rosewood break-centre library side cabinet, slightly oversailing top above a pair of short drawers, the central niche with a rectangular mirror flanked by pleated fabric panel doors, divided and flanked by lotus grasped spreading cylindrical pilasters, bun feet, 91.5cm high, 186.5cm wide, 55cm deep, c.1835
An Aesthetic Movement walnut and satinwood side cabinet, of small and neat proportions, balustrade gallery above a glazed vitrine flanked by mirrored niches, the projecting base with a pair of panel doors, flanked by open canted shelves, incise-carved with sunflowers, vases, leafy sprigs and trellis, 184cm high, 123cm wide, 38cm deep, c.1875
An Arts & Crafts oak sideboard, outswept cornice with dentil capital above an apron carved with leafy C-scrolls, the superstructure with an arched bevelled mirror flanked by half-fluted Ionic columns, the projecting base with three drawers, a pair of panel doors and a fall front door, 201cm high, 212.5cm wide, 61cm deep, c.1900
An Arts & Crafts oak wall hanging cabinet, outswept cornice above a rectangular door carved with figures, the central panel carved with a monk kneeling in prayer, zoomorphic strap hinges, the escutcheon embossed as a place of worship, the side indecipherably signed and dated 1906, shaped apron, 71cm high, 49cm wide, 28.5cm deep
An early 18th century oak bureau book cabinet, moulded cornice above a pair of trefoil-arch panel doors enclosing pigeonholed and small drawers, candle slides above a fall front enclosing a well and further fittings, above two short and two long drawers, brass drop handles, bun feet, 210cm high, 91cm wide, 58cm deep, c.1730
An early Victorian mahogany breakfront library bookcase, moulded cornice above three glazed doors, each enclosing four shelves, divided and flanked by scroll brackets, the projecting base with three panel doors, the left locked, the central enclosing a shelf, the right enclosing four drawers, plinth base, 243cm high, 217.5cm wide, 53.5cm deep, c.1845
An early Victorian mahogany partners’ desk, by Miles & Edwards, 134 Oxford Street, London, stamped and numbered 2248, rounded rectangular top with inset writing surface above three frieze drawers, a single to verso, three further drawers to each pedestal, the verso with a panel door, 76.5cm high, 124cm wide, 62.5cm deep, c.1840
An Edwardian satinwood banded fiddleback mahogany kneehole secretaire bonheur du jour, rectangular superstructure with central fall front door enclosing two small drawers, flanked by panel doors enclosing pigeonholes, the projecting base with long frieze drawer enclosing an inset writing surface above six further drawers, door to niche enclosing a shelf, square legs, casters, outlined throughout with boxwood and ebony stringing, stamped Collmann & Scantlebury, 110cm high, 84cm wide, 44cm deep, c.1905

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