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A Westerwold cabinet, so-called pulpitrum, Northern Netherlands, late 18th century. Oak wood, sloping flap behind which many drawers, two French doors with contoured panel in the base cabinet. In the base cabinet one drawer with non-original brass fittings, resting on conical legs, h 145 x w 106 x d 48 cm (cross rail ball legs are missing and shrinkage cracks).
GOOD QUALITY EARLY TWENTIETH CENTURY CARVED MAHOGANY THREE-FOLD SCREEN, each section with open scrollwork above a bevel glazed panel and arch top lower panel, later lined in old gold fabric, both panels with foliate carvings to the top corners, the three flush fitting, bespoke brass hinges following the line of the mouldings between the panels, each panel, 71” x 21” (180cm x 53.3cm)
MID TWENTIETH CENTURY FOUR LIGHT SILVERED METAL AND MOULDED MURANO GLASS ELECTROLIER, the central plain column issuing twelve wire pattern arms from which suspend thirty six moulded clear and white glass panels, each 7” x 5 ½” (17.8cm x 14cm), 27” (68.6cm) drop, one metal panel support missing
DUTCH GOLDEN AGE: FOLLOWER OF MARIA VAN OOSTERWYCK 17TH CENTURY OIL ON OAK PANEL Still life with flowers in pedestal bowl, including tulips, chrysanthemums and poppies 28 ½” x 43 ¼” (72.5 cm x 107.5 cm) in later frame (C/R restoration along the panel joins, with wooden rails verso to keep the painting flat)
NINETEENTH CENTURY DARK STAINED AND CARVED MAHOGANY AND BEECH SIDE CHAIR, the ornate back with central arch top panel, surmounted a scroll cresting and flanked by barley twist uprights, set above a serpentine fronted padded seat, covered in cream coloured fabric, and raised on moulded cabriole front legs with brass castors, the bobbin turned supports to the lower back are later and loose
EARLY TWENTIETH CENTURY FRENCH BRASS AND RED SHELL BOULLE WORK MANTLE CLOCK, the twelve piece Roman dial with engraved gilt centre, powered by a drum shaped movement, stamped: A D MOUGIN, and with a sun burst pendant, housed in a waisted case with floral cast finial, bell flower borders, scroll feet and glazed panel beneath the dial, glass loose, 14 ½” (36.8cm) high
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, SIGNED GEO(RGE) HOLDEN, LIVERPOOL, the 14” painted dial with subsidiary seconds dial and date aperture to the centre, enclosed by spandrels depicting birds and powered by an eight day movement striking on a bell, and housed in a case with an eagle and ball brass finial to the swan neck pediment, scroll painted frieze and free standing brass capped columns to the fore corners, set above a trunk a trunk door with shaped top and panel beneath, flanked by fluted fore corners, and raised on a crossbanded base with chamfered fore corners and ogee bracket feet, 93” (236cm) high
Art Deco Group of six early 20th Century decanters and an Art Deco mirrored and glass tray, circa 1920-40 Glass, white metal, mirrored glass, nickel Square form decanter with acid etched mark to base 'Importe de Tchecoslaviquie', another decanter with applied label 'Cristal de Boheme' Tallest decanter : 35cm high ; Tray : 42cm x 27cm Condition Report: Tall faceted decanter : Tarnish marks, patination and general surface scratches to silver collar. Stopper with some three small flea bite chips to facet corners, bottom of stopper has broken and some pint leaving a rough edge. Minor flea bite nicks to cut glass on body. Glass with interior marks and patination. Decanter with geometric design and silver collar : Stopper with one very minor flea bite nick, collar with even tarnishing and light wear throughout, some very minor nicks to edges of facets, water marks to interior Cylindrical faceted decanter : Some miniscule flea bite nicks to top edges of decanter. Bottom of stopper has been ground to one side and with some minor chips to bottom edge. There is a chip to shoulder approx. 1cm wide. Only minor faint surface wear to body. Faceted decanter with silver collar : Miniscule flea bite nicks to stopper. Collar with tarnish marks and patination with light surface wear. Body with only light surface wear. Water marks to interior. Painted square form Czech decanter : Stopper with miniscule flea bite nicks. Miniscule flea bite to rim, small chip approx. 4mm to one upper painted panel. Rubbing, scratches and wear to some gilding/painted decoration. Some miniscule nicks to body. Cristal De Boheme painted decanter : Some miniscule nicks to stopper, minor chips to rim, some light overall general surface wear to include some faint scratches, some water marks to interior base. Tray - Mirrored plate with general surface wear to include scratches and scuffs with some small losses to silvering on reverse of plate, metal parts with patination and marks throughout. Please Ask for additional photos.
Maitland Smith Console table, late 20th Century Macassar, brass, stone Manufacturer's label to underside 69.5cm high, 153.5cm wide, 41cm deep Condition Report: Macassar veneer with scratches, scuffs, stains, fine age related cracks throughout, small veneer loss to frieze on one side. The stone with general surface wear to include light scratches, some cracked stone panel to frieze as well as some small chips to edges of top
Evert Collier (1642-1708) attributed to, Dutch School 17th / 18th Century oil on panel painting of a pipe smoking peasant in a red feathered hat, signed to left hand side ‘ E. Colier ‘. E. Colier perhaps the signature of Evert Collier (Dutch, 1642-1708), sometimes known as Edwaert Collier who often used variations of his name to sign works such as Edward Collier, Eduwaert Collier, Edwart Collier, or even spelling surname Colyer. The subject matter of the work has been taken from an earlier Adriaen Brouwer (Dutch, 1605-1608) painting of smoking peasants, with the pipe smoker in a red had character lifted directly from this work, the frame itself is attributed ‘ BRAUWER ‘ confirming this. Further to this, the label affixed to verso reads ' Copy of a David Terniers 17th Century Dutch Artist Signed E. Collier '. This refers to David Teniers The Younger (Dutch, 1610-1690), who again painted a number of similar character models in various renditions of a peasant pipe smoking. Framed for his use of Trompe-l’oiel, Collier’s works pop out of the surface, the sense of depth can be seen clearly in this work, particularly in the depth of detail to the peasants face. Framed in gilt frame. 20cm x 24cm.
A South American white metal wirework necklace, the central oval wirework panel set with a floral carved Sodulite, bordered by mystical animals, four further wirework panels two set with floral carved Sodulites; a Peruvian 0.900 silver five panel bracelet, three with centrally mounted Llamas 55.36g gross
A Yoruba mirrorNigeriathe carved frame with a kneeling male and two seated female figures, the back with geometric designs,47cm high, on a base,a Senufo sejen bird, 44.5cm long, mounted, and a Nigerian panel with two relief buffalo heads and an integral handle, 22.5cm high. (3)ProvenanceRomy Rey Collection, London.
Two Amazon bowspalmwood with fibre binding,179cm and 205cm long, twenty one Amazon bamboo arrows, with feather flights and wood, metal and bamboo tips, a Tami Island paddle, with carved decoration to the base of the blade and with a janus head terminal, 203.5cm, two hardwood paddles, with metal capped tips, one carved ToToPo L CoBMENE twice and 1912, the other with indistinct letters, 162.5cm and 155cm long, an Indian carved grain shovel, a Himalyan octagonal wood staff with carved panel script, 106cm long, a New Hebrides club, 97cm long, a Papua New Guinea spear thrower, a bow, bamboo arrows, an antelope horn and a basket with applied cloth and painted decoration. ProvenanceRomy Rey Collection, London.
A Scarce Mayer & Grammelspacher 'First Version' .177 air pistol, no visible serial, circa 1898, with MGR monogram withing a swag design, behind the squared trigger blade, with snake skin chequered grip panel to either side, 18+ TO PURCHASE, FACE TO FACE COLLECTION OR PACK ONLY SERVICE FOR BUYERS LOCAL RFD TO ORGANISE COLLECTION, SECTION 21 DISCLAIMER MUST BE SIGNED BEFORE RELEASING OF LOT (A-454) Untested, sold as seenUntested, sold as seen

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360412 item(s)/page