Gosden Binding.- Walton (Izaak) The Compleat Angler, engraved portrait frontispiece and 13 plates, wood-engraved illustrations, some foxing to plates (mainly marginal), some light off-setting, bound by ?Thomas Gosden in contemporary calf, covers ornately tooled in gilt, a pattern of flowers and foliage within a central panel, surrounding a circular vignette of fish, net and rod, spine ends and joints very lightly scuffed, ornate gilt dentelles, 8vo, John Major, 1824.⁂ Thomas Gosden known as the "sporting binder"; most of his bindings were for books devoted to sports, and he is remembered both for the peculiarity of his style and his particularity of using tools cut in the forms of fish, reels, rods, baskets, and sportsmen.
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NO RESERVE Conrad (Joseph) Typhon and Other Stories, 2pp. advertisements at front, publisher's catalogue at rear, scattered foxing, original cloth, lettered in gilt, label removed from upper cover, extremities rubbed, 1903 § Ashton (Helen) Dust over the Ruins, dust-jacket, portion of loss to upper panel, light toning to spine, 1935 § Wilson (Angus) The Middle Age of Mrs. Eliot, John Braine's copy with his ink ownership inscription on title, dust-jacket, light toning to spine, marking and staining to panels, 1958, first editions, original cloth; and c.50 others, modern literature, 8vo (c.55)
Mens Costume Waistcoat and Trousers.- a black double-breasted waistcoat, trimmed with brown piping to collar with matching brown fabric buttons; the black trousers with two front pockets, a black panel to front with button fly, the ends of both leg elasticated (to avoid rising up) labels in both items reads John David Ridge. Mr. Robin Williams, no sizes marked, both Size Medium. (2)Condition Report: overall good conditions.
de Vries, Herman. Umfangreiche Sammlung mit 1 dreiseitigen handschriftlichen Brief, 2 Büchern sowie 30 Kleinschriften, Flugblättern, Galerieinformationen, Karten etc. Ca. 1968-2003.I. Handschriftlicher signierter Brief an Ed Sommer. Letzte Seite mit Adressstempel. 20.1.1984. 3 Bl. - De Vries berichtet Sommer von seiner bevorstehenden Indienreise, seinem Projekt "natural relations", verschiedene Pflanzen und Projekte. Verso mit Photokopien "die Bilder der Photokopien auf welchen dieser Brief geschrieben ist, gehören zu dem Film 'belladonna' der auch zur 'natural relations' Arbeit gehört". - II. Rationele Strukturen. Katalog zur Ausstellung van Reekum Galerij, Apeldoorn, 1969. Mit einigen Abbildungen. - III. Ausstellungseinladung Galerie Hoffmann, Friedberg, 1984. Mehrfach gefaltet mit montiertem Plastiktütchen mit Erde. - IV. Panel 13 information. Nr. 3. Doppelblatt. Zur Ausstellung Art Academy, Kopenhagen, 1969. - V. futura 23. Herman de Vries. permutierbarer Text. Stuttgart, hansjörg mayer, 1967. Mehrfach gefaltetes Blatt. 48 x 64 cm (ausgefaltet). - VI. Chance & change situations. look out of any window. IAC edition 35 - VII. the rationalist manifest (handschriftlicher Titel). why to work. Flugblatt 1968. etc. - VIII. Bücher: natural-relations I. die marokkanische sammlung. 1984. - to be. Ostfildern, Cantz, 1995. - Gut erhalten. - Provenienz: Teils Archiv Ed Sommer.
Mangold, Robert. A Book of Silk Screen Prints. Multiple Panel Paintings. 1973-1976. Mit 9 (davon 1 signiert und datiert) Siebdrucken. Exemplar: 229/300. 1977. Blattgröße: 30 x 69 cm. Original-Leporello eingelegt in Plastikschienen in Original-Karton.Published in a first edition of 300 signed copies by Edition Domberger and Parasol Press S.A. Printed by Domberger KG Filderstadt West Germany. - Der letzte Siebdruck von Robert Mangold signiert und nummeriert. - Tadelloses und frisches Exemplar.
AYA 12 bore model Coral over and under shotgun LICENCE REQUIRED. AYA 12 bore model Coral over and under shotgun, 28 inch barrels choked 1/2 and 3/4, scroll engraved colour case hardened ejector action with scroll engraving and auto safety, serial number 396292.UK SHOTGUN LICENCE OR RFD REQUIRED TO BUY THIS LOT.14.5" LOPThe bores are in proof measuring .733 and .730 against the .728 proof stamps. They are bright with no pitting marks. The barrels are free from dents and are tight on the actions with the forend removed. The action cocks and functions correctly with snap caps. The stock is in good presentable condition with no splits or repairs, it has a dent in the right-hand chequered panel of the pistol grip as well as the occasional scattered dent or mark but nothing defacing.
A Chinese Ming style yellow and green decorated porcelain bowl, mark of Jiajing but probably Qing dynasty, of flared square form, the exterior incised with bright green fenghuang and cranes amidst lotus and scrolling tendrils on a yellow glazed ground, the interior similarly decorated with a central square panel and lotus tendril band, underglaze blue six-character mark to base, height 8cm, width 15.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Two Chinese blue and white Kraak porcelain circular bowls, late Ming dynasty, probably Wanli period, each centre painted with birds, rocks and flowers within quatrelobed panel, floral and precious objects borders, diameters 21.1cm and 21.4cm (one repaired, the other cracked, both with glaze fritting to rims).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese hardwood stand, late Qing dynasty, the circular top inset with a rouge marble panel within a carved beaded border, the apron carved and pierced with flowers, on cabriole legs united by an undertier, height 48.5cm, diameter of top 38cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese hardwood stand, late Qing dynasty, the lobed circular top with carved prunus, precious object and beaded border, the frieze carved and pierced with fruiting vines, raised on four lion mask shouldered tapering legs united by an undertier, terminating in claw and ball feet, height 61cm, width across top 63cm (replaced wooden top panel).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Chinese famille verte porcelain jars and covers, late Qing dynasty, each baluster body painted with a flower-charged vase panel, reserved against a pea green ground filled with chrysanthemum and scrolling leafy tendrils, height 34.7cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese hardwood and Huashi or Dreamstone four-fold screen, early 20th century, each section inset with a rectangular marble panel resembling a mountainous landscape, each with black script characters and red seal marks, total height 101cm, total length 113cm (one inset panel missing and faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese hardwood stand, late 19th/early 20th century, the lobed top inset with a rouge marble panel within carved bead border, above a carved and pierced fruiting vine frieze, on Buddhistic lion shouldered legs united by stretchers and terminating in claw and ball feet, height 61.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Japanese inlaid lacquer rectangular panel, Meiji period, inlaid in carved and stained ivory, bone and mother-of-pearl, depicting a folklore scene of Bunbuku Chagama (badger tea kettle) with a tanuki (racoon dog) transformed into a tea kettle beside a startled male figure, on a black ground, carved and red stained signature plaque to lower left corner, glazed with ebonized frame, 29.2cm x 41cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A graduated set of three Japanese Imari porcelain octagonal bowls, early 20th century, each interior painted in the Chinese style with a blue circular landscape panel beneath the eight horses of Muwang in polychrome enamels, the exterior with Buddhistic emblems, diameters 14.5cm, 17cm and 20cm (largest cracked), together with a pair of small Japanese saucer dishes, painted with dense blue foliage beneath an iron red and gilt rim painted with tassels hung from ruyi-head motifs, underglaze blue pseudo four-character mark of Chenghua to base, diameter 11cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of impressive Japanese Satsuma earthenware stick stands, Meiji period, each of cylindrical form, modelled in high relief with a figural scene beneath a brocade fabric canopy, the circular top and base painted and gilt with Tokugawa, kiku and ho-o bird mon against a simulated brocade ground, raised on six short scroll feet, each with gilt signature panel to underside, height 70cm (faults and one foot missing).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese watercolour painting on silk circular fan panel, late Qing dynasty, painted with two sparrows perched on rocks amongst bamboo beside seven lines of black text and two iron red seals, diameter 26cm, with card mount.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Japanese Arita blue and white porcelain circular charger, Meiji period, painted with two peacocks in a fan shaped panel, figures on horseback in a scroll shaped panel, and a panel of bamboo, against a ground of lotus flowers and foliage, birds on scrolling branches to the rim underside, diameter 46.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Chinese silk embroidered rectangular panel, early 20th century, worked in coloured threads with a lotus pond scene inhabited by kingfishers, ducks, butterflies and other insects on a magenta ground, with blue stitched three-line text to upper left corner, 64.5cm x 42.5cm, framed.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
* NEIL DALLAS BROWN (SCOTTISH 1938 - 2003),SEA BLUSH (HARBOUR)oil on panel, signed verso, titled and dated 1995/6 label versooverall size 123cm x 53cm Unframed, as intended.Artist's labels verso.Note: Neil Dallas Brown was born in Elgin, Moray and studied at Dundee College of Art, Patrick Allan Fraser School of Art in Arbroath and the Royal Academy Schools. He won a travelling scholarship to the continent and a number of notable awards and prizes. In 1967 he visited New York with a Scottish Arts Council bursary; in 1970 took part in the Arts Council of Northern Ireland Open winning a major prize; and in 1981 won a bursary to the Scottish Arts Council studio in Amsterdam. From 1968-78 he was visiting lecturer at Dundee's Duncan of Jordanstone College of Art, then joined Glasgow School of Art where he taught for some 20 years. He lived in Fife until his death in 2003. Dallas Brown participated in dozens of group shows but also had a series of prestigious solo shows, notably at Compass Gallery in Glasgow, a series in the late 1960s at Piccadilly Gallery in London, a touring retrospective in 1975 from Stirling University, Perth Art Gallery 1987, Thackeray Gallery London in 1989 and Glasgow School of Art 1998. Birds and humans featured in Dallas Brown's pictures, which are tinged with mystery, menace and surrealism. He said ''Painting is love. Painting is an affectionate devotion''. More than 50 of Neil Dallas Brown's paintings are held in major public collections in the UK including at Glasgow Museums & Galleries, Fife Council, Hospitalfield (Arbroath), The Glasgow School of Art, Edinburgh City Collection, Nottingham Art Gallery, The Walker Art Gallery (Liverpool), Aberdeen Museums & Galleries, Dundee Museums & Galleries, The Fleming Collection (London), Paisley Museums & Galleries and The Scottish National Gallery of Modern Art.
A Caucasian Presentation Shasqua And Kindjal19th Century, The Presentation Inscription Dated 1920The first with curved fullered blade (some old light pitting), the forte on one side with two line inscription 'May its owner's prosperity, honour, life improve and be enhanced' in gold-inlaid naskh, and on the other with two line inscription 'May his line flourish, may he accomplish his desires' also in gold-inlaid naskh, characteristic nielloed silver hilt (repairs) embossed and chased with symmetrical scrolling foliage in relief against finely punched grounds within beaded borders, the beaked pommel set on one side with walrus-ivory panel inlaid with chased scrolling gold foliage (the panel at the top replaced in plastic), in original wood-lined silver scabbard en suite with the hilt, the locket finely engraved on each side in Cyrillic with dated presentation inscription, and with two white-metal rings for suspension; the second en suite with the shasqua (3)79.6 cm. and 36.5 cm. bladesFootnotes:The inscriptions read in translation: 'To Mr. Derbyshire, The Worthy Representative of Freedom Loving Great Britain from the Armenians of Karabach, 10/VI/1920'Offered with a small silver plaque engraved with the presentation inscription in EnglishThis lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A Highly Decorated Ear-Dagger or Venetian Style Of The Late 15th/Early 16th Century19th CenturyWith tapering double-edged blade of flattened slightly hollowed diamond section, one edge slightly extending into the slightly hollowed ricasso and struck with a mark, the ricasso made in one with the grip and gold-damascened with running foliage, gilt hilt comprising a rounded basal mount on each side set with an ivory panel carved with a foliate design, grip chiselled with running foliage against a punched and gilt ground, carved dark horn grip-scales each beaked at the centre and secured by three gilt transverse pins to steel shims rising up to the characteristic out-bent eared pommels, the latter each chiselled en suite with the grip on the inside, and set with an ivory roundel on the outside carved with a mask of Bacchus secured by a bluntly-pointed gilt stud, in original wooden scabbard covered in burgundy velvet with steel locket and chape gold-damascened en suite, the former with suspension loop, the latter with bud-shaped finial 22 cm. blade Footnotes:For a related dagger see Christie's South Kensington, Arts of the Islamic World, 9 October 2015, lot 438This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU.For further information on this lot please visit Bonhams.com
A Military Broadsword With Three-Quarter BasketLate 18th CenturyWith tapering double-edged blade with narrow double fuller indistinctly incised 'ANDRIA FARARA' between 'x' marks on both sides of the forte, a double cross mark beyond, iron guard of rounded bars framing ovoidal panels and saltires, the outer ovoidal panel with 'ram's horn' terminal, fore-guards, small scrolled wrist guard, writhen bun-shaped pommel with remains of woollen tassel, wire-bound leather-covered wooden grip, and leather-liner faced in red woollen cloth 80.9 cm. bladeFor further information on this lot please visit Bonhams.com
Two Japanese Bronze CannonUnsigned, Edo PeriodThe first of robust form, tapering to a bell-shaped muzzle and cast in relief on either side of the top flat with a Yahara mon, block-shaped fore- and back-sights, raised circular touch-hole with hinged cover (incomplete), and integral restraining ring on each side: on a later block-shaped wooden mount; the second smaller and of similar form, cast in relief with a Hiki mon against a finely punched ground of florets, those on the first reinforce on a slightly raised cartouche-shaped panel, and with raised circular touch-hole: on a later block-shaped wooden mount with hinged brass restraining ring on each side (2)34 cm. and 19 cm. long, 4 cm. and 3 cm. boresFootnotes:ProvenanceThe Mark and Peter Dineley CollectionsFor further information on this lot please visit Bonhams.com
A Very Rare And Fine North American Pipe TomahawkLate 18th CenturyWith triangular iron head curved beneath and with concave cutting-edge, inlaid with a silver oval on one side and a brass oval on the other, each within an incised and punched foliated oval, the upper and lower edges partly cut with diagonal flutes, and inlaid with a row of lightly incised silver and brass triangular panels in front of the socket, the latter inlaid with an engraved silver star on both sides, incised with line borders and with integral turned bulbous pipe-bowl at the back on a stepped ovoidal panel and inlaid in silver and brass en suite, on original finely figured 'tiger' maple haft of tapering ovoidal section also forming the pipe-stem, indented for fingers, slightly swelling towards the mouthpiece and with pinned silver mounts engraved with wrigglework borders and including a diamond-shape panel on each side, and surmounted by a small dark horn knob 20.5 cm. head, 54.5 cm. longFootnotes:ProvenanceThe Mark and Peter Dineley CollectionsFor related examples see Bonhams & Butterfields, Portsmouth, New Hampshire, The William H. Guthman Collection, Part I: Arms and Militaria, 12 October 2006, lots 47-48, and Bonhams San Francisco, Fine Antique Arms From The Estate Of Joseph A. Murphy, 10 November 2014, lot 1165See also Harold Peterson, American Tomahawks, 1965For further information on this lot please visit Bonhams.com
A Rare North American TomahawkLate 18th CenturyThe iron head with slightly downbent triangular blade with concave cutting-edge, one side engraved with a dog and a bird either side of a tree above the initials 'F*B' in a punched oval, and on the other side with an engraved and punched decorative panel, all within line engraved and punched borders, the upper edges cusped on both sides, ovoidal socket, beak-shaped peen with hooked projection beneath and all decorated en suite, on later figured wooden haft of tapering oval section forming a pipe stem with dark horn mouthpiece 26.7 cm. head, 54 cm. longFootnotes:ProvenanceThe Mark and Peter Dineley CollectionsFor further information on this lot please visit Bonhams.com
A Chinese eight-panel coromandel lacquer screen, Qing Dynasty, late 18th or early 19th century, decorated with a pavilion and an audience scene with a dignitary surrounded with officials and attendants, with dancers and musicians to the foreground and two cranes in a walled garden with pine trees, the border with precious objects, fruit and flower motifs, each panel measures 91cm high x 20cm wide and approximate overall size 165cm x 91cm Provenance: Sold by order of a member of the de Rothschild Family 清 髹漆加彩刻郭子仪祝寿图八扇屏风 拍品来源: 罗斯柴尔德家族 Condition Report: the pine framed exposed in places where lacquer has been lostlosses mainly to area around the feet and bottom section but with other cracks and losses throughout some hinges loose Condition Report Disclaimer
A large Chinese hongmu and boxwood table screen, 20th century, carved in box wood with a lady leaning on an alter table under a wutong tree, with carved hardwood stand, 76.5cm high红木嵌黄杨木梧桐仕女图大插屏Condition Report: the middle of the back panels slightly off and with cracks, one panel with a short chipfront with one short crackCondition Report Disclaimer
A Chinese blue and white scaled five clawed dragon embroidered on an ochre-yellow silk ground, Qing Dynasty, circa 1800-1820, a panel from an elbow cushion for a palace throne, 6cm x 13cm visible area and a square decorative brocade panel woven with silver thread, Qing Dynasty, late 19th century, depicting a five-clawed water dragons rising above a lishui water and wave pattern, 53cm high x 55cm wide, both framed (2) 清 龙纹绣片两件 Condition Report: the square panel with some fadingCondition Report Disclaimer
A very unusual Chinese Export rectangular serving dish, the porcelain Qianlong, circa 1780, painted with a harbour scene of cloth traders offering their merchandise to prospective buyers, left a panel is inscribed AVP, relating to a cloth trader from Leiden, with Latin Motto, the borders in underglaze blue, approximately 30cm wideProvenance: Previously in a Swedish private collectionCompare with earlier examples illustrated in Dr. C.J.A. Jorg, Chine de Commande from the Royal Museum of Art and History in Brussels, pp. 284-285, fig. 117清乾隆 外销商贾图盘 Condition Report: in good condition other than some wear to gilding commensurate with agesome firing blemishessome very minor rim fritsuncertain if decoration contemporary with dishthe decoration probably period but unrecorded and a variant of the earlier 1740-50 plates painted in Holland with the same trading scene but these additionally featuring the Arms of the City of Brussels. The decoration on the current example would appear to be period with the dish rather than later decorated but could be later. Compare with the earlier examples illustrated in Dr. C.J.A. Jorg, Chine de Commande from the Royal Museum of Art and History in Brussels, pp. 284-285, fig. 117Condition Report Disclaimer
A pair of Chinese Famille Rose hexagonal jardinières, late 19th century, each panel painted with pairs of figures on terraces, 16cm high x 23cm diameter (2) 晚清 粉彩人物故事图六方花盆一对Condition Report: both of the drainage holes to base have been cement filled some loss to enamels and surface wear some glaze bubbling and fritting mainly to rim edges minor glaze cracks or scratches throughout Condition Report Disclaimer
A Chinese famille rose porcelain table panel, 20th century, after Wang Qi, the panel inset on a lacquered stand carved in high relief and painted with a seated general reading a book and his attendant standing behind, the panel 19cm x 11.2cm, overall height 33cmProvenance: Purchased by the current owner's mother in Singapore in the 1980s. 王琦(款)粉彩瓷板拍品来源:现藏家母亲于80年代购自新加坡Condition Report: panel with minor scratch and the stand with one lion's ear chipped Condition Report Disclaimer
A Tashkent Suzani, Uzbekistan, circa 1900, silk embroidery on cotton ground, each panel worked in silk embroidery, comprised of joined vertical strips, approximately 275cm x 175cm Condition Report: overall quite presentable but with some overall wear and loss to embroidery and staining and some holesCondition Report Disclaimer

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