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Lot 54
Dinky - Unsold Shop Stock - 6 x boxed models, 2 x Ford Transit Vans # 416, 2 x Police Land Rovers # 277 and 2 x Land Rover Break Down Trucks # 442. One Police Land Rover is sun faded, the plastic bubble tops on the others have gone brittle and dark with age. One Transit has a damaged roof lamp which looks like it was damaged during production. The other 4 x vehicles appear Mint. (This does not constitute a guarantee)
Lot 363
EIGHT TABLE LAMPS AND A COLLECTION OF SHADES, comprising three onyx and brass table lamps, a pair of gilt figural lamps, a pair of cast metal urn form gilt lamps, a bronzed figural lamp on a green marble base and four pink lamp shades (12) (Condition report: lamps not tested, shades are dusty and worn, some shades are damaged)
Lot 378
A MINERVA COLLECTION LIMITED EDITION THE GOLDEN MASK OF TUTANKHAMUN TABLE LAMP, together with a painted plaster bust of an Egyptian Prince, a Regency Fine Arts Egyptian figural tealight/candle holder, together with ten framed prints of Egyptian hieroglyphics, an Egyptian Pyramid statue with sixteen miniature gods, Anubis, Osiris, Maat, Bastet, etc. (4) (Condition Report: lamp not tested, no obvious damage)
Lot 567
A COLLECTION OF LAMPS, comprising a Victorian oil lamp, height 63cm to top of chimney, a cream coloured Anglepoise lamp, two stepped square base, made by Herbert Terry & Sons - Redditch, a brown coloured Anglepoise lamp with a circular base made by Herbert Terry & Sons trademark 90 (3) (Condition report: lamps not tested, a few minor scratches to paintwork, may need rewiring, missing shade on the oil lamp)
Lot 584
TWO BOXES AND LOOSE CERAMICS, OIL LAMPS AND SUNDRY ITEMS, to include two oil lamps, one having a blue pressed glass reservoir and blue chimney, height 41cm, the other a Gemfine lamp with printed white florals and classical scenes, height 49cm, a twenty one piece late nineteenth century part tea set, printed and tinted with peacocks and flowers, eighteen collectors plates with themes to include birds and rural life, a set of Salter scales with enamel pan, etc (2 boxes + loose) (sd)
Lot 589
SIX FIGURAL TABLE LAMPS, to include a table lamp cast with two putti on a marble plinth, height to top of bulb fitting approximately 53cm, a lamp depicting a putto and a goat on a marble plinth, a table lamp in the style of a five branch candelabrum, etc, with some shades (6) (Condition Report: some damage, generally appear ok, untested, would benefit from a clean)
Lot 70
A 9CT GOLD CHARM BRACELET, curb link bracelet each hollow link stamped 9c, fitted with nineteen charms in forms to include a bell, boot, lamp, phone, humpty dumpty, two bank note charms, chest, etc most with marks to indicate 9ct gold, fitted with a heart padlock clasp stamped 9ct, with additional safety chain, length 180mm, approximate gross weight 51.1 grams (condition report: general light wear, clasp in working order slightly loose, would benefit from a gentle clean and polish, overall condition good)
Lot 681
After Tony Heward (British 20th/21st century) an original relief limited edition print, entitled 'Table and Lamp' printed in seven colours using the Albion press and Lancaster University, signed and numbered 1/4 ijn pencil to margin, mounted, framed and glazed 32cm x 37cm & 48.5cm x 52.5cm overall.
Lot 457
Ca. 200-300 AD. A terracotta oil lamp of a teardrop shape, with a small spout and a central recess for filling oil. The main body of the lamp is fashioned in the likeness of a frog, complete with detailed features such as bulging eyes, webbed feet, and a stylized back. The Romano-Egyptian terracotta oil lamp demonstrates the fusion of Egyptian and Roman artistic styles and techniques. The use of oil lamps was widespread in the ancient world, serving as a primary source of artificial light before the advent of electricity. The invention of oil lamps is believed to date back to the Bronze Age, and they continued to be used throughout antiquity and the Middle Ages. In addition to their practical uses, oil lamps also held symbolic and cultural significance, reflecting the artistic and religious traditions of the cultures that produced them.Size: L:72mm / W:58mm ; 70gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 515
Ca. 1st century BC - 1st century AD. A terracotta oil lamp with a round upper body with inward-sloping discus and a filling hole. The long nozzle ends with a blunt tip. From the left side, a diagonal lug protrudes. Intact.Size: L:130mm / W:80mm ; 170gProvenance: Ex WB Collection (1895-1973), Rhineland. In Germany since before 1960.
Lot 553
North Africa, Ca. 400-500 AD. A terracotta oil lamp of a round body with a spout on one end and a lug on the other. The body of the lamp is decorated with a recessed tondo in the center, and it features a palm tree, which is a symbol of victory, peace, and abundance in the Roman world. The palm is depicted with a slender trunk and a crown of fronds that spread out in all directions. The fronds are finely detailed and create a sense of movement and energy. The tree is surrounded by a raised border of relief decoration. The lug to the back of the lamp would have been used to hold the lamp while it was being used. The spout was used to pour oil into the lamp, while the two holes in the tondo would have allowed air to enter the lamp and help to regulate the flame. The lamp would have been filled with oil and then a wick made of linen or cotton would have been inserted into the spout. The wick would have been lit and the lamp would have provided light for the household. Oil lamps were an essential part of daily life in the Roman world. They were used for lighting homes, temples, and public spaces and were also used in funerary rituals. Oil lamps were typically made of clay, bronze, or glass and were fueled by olive oil.Size: L:130mm / W:80mm ; 125gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 592
Ca. 1-100 AD. A mould-made terracotta oil lamp with concave discus bearing a relief image of a standing heron facing left. The shoulder of the lamp is flat, with three concentric circles framing the tondo. A filling hole at the bottom. The nozzle channel is wide and decorated with volutes on each side.Size: L:103mm / W:71mm ; 60gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 602
Roman, Ca. 1-200 AD . A bronze oil lamp with a globular body, projecting spout, a pair of lateral spurs with suspension lugs, and a small, pierced handle to the rear. The lamp sits on a low foot ring with concentric circles inside.Size: L:110mm / W:60mm ; 225gProvenance: Ex HV collection, acquired between 1974 and 2010.
Lot 637
Ca. 100-200 AD. A terracotta oil lamp with a sunken discus with a centrally located filling hole. The tondo is circled by a set of grooves which lead to a flat shoulder. To the rear, a looped handle. The spout channel of the lamp is wide and decorated with volutes on each side, which would have helped to direct the flow of oil and prevent it from spilling. An air hole at the top of the nozzle would have allowed for air to flow into the lamp and help to regulate the flame. The lamp sits on a slightly concave base.Size: L:92mm / W:61mm ; 55gProvenance: Private UK collection; From an old London collection formed in the 1990s.
Lot 655
Ca. 100-200 AD. A beautiful bronze oil lamp featuring a round body with sunken discus, a wide filling hole, and two opposing broad nozzles with flared finials. On the flat surface of each nozzle, a nicely detailed swan head protrudes, which most likely served as suspension rings. To the sides lateral spurs. The lamp sits on a round, concave base with concentric circles. For a similar example, see The Getty Museum, Object Number: 81.AQ.67.Size: L:162mm / W:70mm ; 340gProvenance: Ex WB Collection (1895-1973), Rhineland. In Germany since before 1960.
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307192 item(s)/page