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Lot 992
A pair of enamelled metal and gilt metal oil lamp bases, late 19th/early 20th century, with shaped reservoirs above bulbous bodies printed with flowers, on black grounds, the bases of foliate form, 50cm high(2) (VAT charged on hammer price) CONDITION REPORT: overall some deformation to one reservoir, crack to enamel and damage to base on one lamp, the other is in reasonable condition, some minor dents
Lot 472
Andre Bauchant, French 1873-1958- "Le Village Charentais"; oil on canvas, signed and dated 1930, 71x100.5cm, (may be subject to Droit de Suite) Provenance: Anon sale Christie's 11 April 1972 lot 20: bears labels for Grosvenor Gallery and Museum of Art Rhode Island School of Design Loan CONDITION REPORT: in a gilt composition frame, loss to top right corner not relined inspection under UV lamp reveals no noticeable signs of retouching varnish a little browned appears in overall good original condition
Lot 565
Sir James Jebusa Shannon RA RBA RHA, British 1862-1923- Portrait of a lady, quarter length, in a fur trimmed coat and feathered headdress; oil on panel, signed, 74x60.7cm, (unframed) Note: Born in Auburn, New York, Shannon came to London in 1878. He studied at the National Art Training School (later the Royal College of Art) under Sir John Poynter and made his debut at the Royal Academy in 1881 with "The Honourable Horatia Stopford", a portrait of Queen Victoria's Lady-in-Waiting, commissioned by the Queen herself. This marked the beginning of a highly successful career as a society portraitist for Shannon, competing successfully with artists such as John Singer Sargent for the leading commissions. CONDITION REPORT: unframed signed lower centre right 'Mrs Fay Lancaster' in pencil on reverse of board some knocks and scuffs to edge of panel minor loss to paint surface in top left corner areas of craquelure, predominantly in the background examined under uv lamp, some evidence of overpainting in the background and to her coat there also appears to have been some minor retouching to her feathered headdress otherwise in good condition
Lot 569
Arthur Henry Jenkins, British 1871-1940- "Tea Garden above Honfleur"; oil on board, signed, 34x44cm CONDITION REPORT: in a gilt composition frame signed lower left examined under uv lamp, there is no evidence of restorations or overpainting some ingrained dirt, predominantly at the lower right hand corner some losses, most significantly to the trees towards the top of the board, at three points - left, centre and right otherwise in good condition
Lot 580
Georges Croegaert, Belgian 1848-1923- "Dreams Of The Orient"; oil on panel, signed and inscribed, 46x56cm Provenance: Sotheby's, London, 14 February 1979, lot 201 CONDITION REPORT: in a gilt composition reverse profile frame, circa late 20th century the panel is adapted to fit the frame with two rounds of cork secured on left and right edges of reverse panel is very slightly bowed examined under a uv lamp, areas on the right cheek, lips, and to a lesser extent the right arm, appear a lurid orange colour darker areas of shading also appear, in the red fabric hanging behind the figure and by the raised hand it is not clear whether this is later painting by the artist or areas of overpainting although under inspection with the naked eye, these paint surfaces appear consistent with the surrounding areas in good general condition
Lot 589
Emile Louis Foubert, French, 1848-1911- Market in a provincial town; oil on board, signed and dated 1902, 22.2x32.1cm CONDITION REPORT: in a gilt frame with white painted slip signed 'E.FOUBERT' and dated lower right in black paint examined under uv lamp, there appears to be some very minor areas of overpainting at the edges of the board in very good condition
Lot 590
Robert Lewis Reid, American 1862-1929- Portrait of a girl, quarter-length, in a white dress; oil on canvas, signed and dated 1919, oil on board, 44x33.8cm CONDITION REPORT: in a frame with decoupe finish and beige linen fronted slip signed 'Robert Reid' and dated lower right 'Mrs B Flagg' written in pencil on the reverse examined under uv lamp, there is no evidence of overpainting or restorations there apppears to be some ingrained dirt arced score marks. the most prominent to the right of the girl's head it appears to have been subject to a light clean in good condition
Lot 599
Paul Fischer, Danish 1860-1934- "Gadeparti fra København, vinter"; oil on panel, signed, 19x24.7cm CONDITION REPORT: in a gilt composition frame signed 'PAUL FISCHER' lower left examined under uv lamp, no evidence of restorations or overpainting the support appears to be plywood, the surface grain is beginning to open up although not immediately noticeable with some associated minor losses otherwise in good original condition
Lot 602
Sauveur Bernay-Theric, French 1874-1963- Mediterranean harbour scene with shipping; oil on panel, signed, 16x23cm (may be subject to Droit de Suite) CONDITION REPORT: in a gilt composition frame circa early 20th century frame now over painted in gold coloured paint losses to the gesso upper right and corners chipped original taping on the reverse under inspection with uv lamp there is no evidence of over-painting or restoration overall in good condition
Lot 603
Edouard Cremieux, French 1856-1944- Mediterranean harbour scene; oil on board, signed, 23.5x32.5cm CONDITION REPORT: in a gilt composition frame circa early 20th century frame now over painted in gold coloured paint top left and top right corners with losses to the moulding board is somewhat loose in the frame corners and edges of the board are chipped board is slightly warped convex and subject to staining on the reverse under inspection with uv lamp there is no evidence of restoration or over painting there is evidence of some cleaning to the paint surface overall in good condition
Lot 607
Attilio Pratella, Italian 1856-1949- "Via di Napoli"; oil on panel, signed, 22x34.8cm (may be subject to Droit de Suite) CONDITION REPORT: in a grey stained and parcel gilt bolection frame frame in good condition panel held in place within the frame with applied fillets of wood panel only very slightly warped along edges under inspection with uv lamp there is no evidence of retouching or over-painting in very good original condition
Lot 608
Attilio Pratella, Italian 1856-1949- "Marina"; oil on panel, signed, 22x35cm (may be subject to Droit de Suite) CONDITION REPORT: in a grey stained and parcel gilt bolection frame frame in good condition panel held in place within the frame with applied fillets of wood panel only very slightly warped along edges under inspection with uv lamp there is no evidence of retouching or over-painting in very good original condition
Lot 614
William Brooker ARA, British 1918-1983- Still life with six bottles and a glass; oil on board, signed, bears label for the London Group, 1964 attached to the reverse, 50x75.5cm (may be subject to Droit de Suite) CONDITION REPORT: in a white painted moulding frame frame is a later replacement board has been subject to damp and is warped and ruckled overall board is subject to damp staining and mould growth surface of the board on the reverse is subject to losses paint surface is dirty under inspection with uv lamp there is evidence of some small areas of possible retouching here and there in good original condition
Lot 649
AMENDMENT: Should read 'Follower of Mather Brown' rather than Circle of Mather Brown, American 1761-1831- Portrait of a Naval officer traditionally held to be Rear Admiral Thomas Tudor Tucker 1775-1852, quarter-length turned to the left; oil on canvas, 56.7x45.8cm, (unframed) Provenance: The family of the sitter; thence by descent Note: The sitter wears a uniform of a Post Captain of three years seniority, 1812-15. He has been made a military Companion of the Bath and wears a Naval General Service Medal. This medal was instituted in 1846 and the present work was therefore painted after this date. The uncle of the sitter remains as the longest standing Treasurer of the United States. CONDITION REPORT: Note amendment to lot, follower of not circle of the canvas has been relined, circa late nineteenth century verso: retains what appears to be the original stretcher with central horizontal cross member retains what appear to be the original wedges reverse edge of stretcher chamfered old taping to edges is somewhat rubbed and frayed tacking edge top right and bottom left and right, frayed and with losses recto: the old canvas edge is visible within the outer dimensions of the stretcher old tear and flaking top left corner small puncture lower left and scratch under inspection with uv lamp, there is much old varnish still present on the paint surface some rubbing to the varnish over the medals and to the sitter's face, particularly in the shadows some pigment separation in the medals overall in good general condition
Lot 651
Mary B Barnard, British 1870-1946- Portrait of a lady sewing; oil on canvas, signed, 64.4x47.5cm, (may be subject to Droit de Suite) CONDITION REPORT: in a gilt composition frame modern reline signed lower right inspection under UV lamp reveals no signs of over painting or retouching but the picture appears to have been revarnished overall appears in good condition with no noticeable signs of defects
Lot 668
British School, late 19th century- Grand Canal, Venice; oils on canvas, a pair, in matching gilt composition frames, ea. 74x97cm, (2) CONDITION REPORT: frames have some knocks and losses to the edges relined mid/late 20th century appears to be on the original canvas canvas quite taut and slightly bowed due to reline inspection under UV lamp reveals signs of a previous heavy clean and some retouching predominantly in the sky and canal could benefit from a surface clean overall good condition with no major issues
Lot 676
Henry King Taylor, British 1799-1869- "Shipping off a French Harbour"; oil on canvas, signed, 60.5x106.5cm (VAT charged on hammer price) CONDITION REPORT: held in a gilt slip relined mid-late 20th century inspection under UV lamp reveals areas of retouching overall, most prominently so in the sky and sea varnish yellowed overall some small scratches to paint evident bottom left overall appears in good restored condition
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307207 item(s)/page