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Lot 127
Tiffany Studios, a patinated bronze table lamp with a non-associated replacement iridescent glass shade,c.1910, bronze Stamped twice Tiffany Studios, New York, 419 S85 and Tiffany Studios, New York,The light fitments and arms supporting the glass iridescent shade, on a central stem with fluted circular base, on ball feet,34.2 cm highThe shade is not Tiffany. It is a replacement, maker unknown but appears to be from the same period, but the original would have had a wider diameter. The bronze base has dulled with age and surface colour is rubbed. With old marks and wear. The glass shade has a few tiny nicks to the edge of the neck rim that is concealed by the mounts.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 128
W.A.S Benson (British 1854-1924), a silvered brass table lamp converted from an oil lamp, Late 19th / Early 20th Century, Stamped WAS over Benson on underside of one foot,The converted reservoir now with electrical fitments supported in a open frame work with leaf embellishment, on a faceted and knopped stem, the tripod base with shaped feet further decorated with leaf decoration and spherical weight,68.5 cm total height, Literature: Edited by Ian Hamerton, W.A.S Benson – Arts and Crafts Luminary and Pioneer of Modern Design, Antique Collectors Club, 2005, p.133, Pl.111 (variation of an oil lamp illustrated but with similar stem and tripod base); and p.284 (mark recorded as 'C')68.5 cm total height, to top of reservoir 59.5 cm high. Reservoir has been drilled at the bottom to accommodate the wiring and the top has been fitted with the fitment and a brass cap - no longer has accoutrements of the oil lamp. The silver finish is worn overall and on edges. Overall the structure is sound, the stem is slightly out of line at the top and one support arm a little lower than the others. Overall natural wear.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 129
An Arts & Crafts 'Mission Style' oak and marbled glass table lamp, probably American,c.1920,Stained oak frame supporting four marbled green and white glass panels, united to the central column by angled supports, on a stepped, square foot, 57 cm high, shade 37.5 cm squareSome age separation to joints. Top inside edge of oak on shade looks to have got a bit hot in the past - some small losses. Small knocks to corners. Natural wear. Glass: some old marks and inclusions. Some surface stress lines.
Lot 189
Andre Delatte (French c.1887-1953), a cameo glass and wrought-iron table lamp base, lacks shade,c.1925, signed in cameo 'ADelatte Nancy',The slender form cased and with yellow interior, overlaid in brown and acid-etched with vine, having a splayed foot, with wrought-iron mounts, the metal collar with applied 'owl' masks, electrical fitments,24 cm highThe glass beneath the metal collar has some abrasions and nicks in line with the screws, but the neck rim is ok. Natural wear, a few marks and abrasions to sides. Light wear to underside of base.Metal with some marks and wear. There are 3 Owl masks.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed.
Lot 245
John Maltby (British 1936-2020), a lamp base, lacks neck,20th century, impressed mark to side,A stoneware lamp base, decorated with applied sections, incised marks, brushwork and trailing, 31cm high, (ARR)There should be a small addition to the top to support a light fitment which has broken off, as well as a chip to a bottom corner approx.2cm across
Lot 266
John & Sylvia Reid (British), a desk lamp for Rotaflex Lighting Ltd, c.1956, A scarce model, the adjustable perforated shade on steel, square-section stand with white circular base, 64cm high Property of a Private Collection.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 324
An Italian mottled glass aventurine table lamp,Second half 20th Century,The removeable domed shade on waisted stand with flared circular base,28cm high Overal general light surface wear throughout, there is a small blemish to glass on top of the shade. There is a small chip to the band of glass around the electrical aperture to base.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 327
An Italian tripod desk lamp, c.1950,The conical green enamelled and adjustable shade, on brass support with adjustable tripod legs terminating in ball feet, 43cm high Discolouration and losses to paint on shade. brass work with oxidisation / tarnish marks throughout. General surface wear throughout.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 336
Carlo Urbinati (Italian b.1949), a 'Galdino' floor lamp for Harvey Guzzini, c.1972, With two adjustable black painted aluminium shades on chromed stand with weighted and domed base, 171cm high Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 337
Amendment please note this lamp is 118cm high, not 180cm as stated in the cataloguingA brass standard lamp in the manner of Cedric Hartman,c.1970,With elongated prism shaped shade on adjustable rotating arm, with cylindrical stand to circular base,180cm highPlease refer to department for condition report
Lot 394
A Perspex and chromed four light lamp, c.1970, The cylindrical Perspex shade, with four internal chromed lights on cylindrical stand with circular base, 75cm high, 36cm diameterCondition Report:Screw thread where shade attaches to stand has broken, therefore the shade is currently balanced on top. Perspex surfaces with minor wear to include light scratches, chromed surfaces with light wear, otherwise in generally clean condition.Electrical components have not been tested, and should be examined by a qualified electrician prior to any intended use. Re-wiring may/will be needed
Lot 398
Porta Romana, a near pair of 'Perfume bottle' lamps,c.2010, mark to base of light fitting - 'Porto Romana', Each of tapered form, with clear crystal casing, one lamp with black coloured ground, the second lamp with dark purple coloured ground, each with silk Porto Romana shade,Each 40cm high,With shade larger, 65cm high, With shade smaller, 62cm high (2)Please refer to department for condition report
Lot 90
Jules Meliodon (French 1867 - date of death unknown but sometime after 1940), a patinated bronze figural lamp base, lacking bower and light fitment,c.1900, signed Modelled and cast as an art nouveau maiden, her long dress spreading out to form the base, there are apertures for the wiring and bower,29.5 cm highThe bronze is missing the bower and the light fitments that would attach under her arms and go overhead. Some old marks and wear and rubbing to high points in keeping with age. Some dirt in the crevices.
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307207 item(s)/page