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Lot 549
A group of military equipment and accessories including four leather flying helmets/caps, an RAF jacket with propeller cloth badges and cap, four pairs of flying goggles, a gas mask, canvas bags, a lamp, a stitched and studded suitcase, etc.Additional InformationNo visible or obvious markings on the leather helmets, general wear, refer to illustration and request additional images if necessary. Postage would be two large boxes.
Lot 897
A small group of brass items to include a Victorian oil lamp with cranberry glass shade, an early 20th century German inkwell and letter rack with patent mark underneath, etc.Additional InformationOil glass shade with usual fritting to the base, otherwise imperfections, some very minor wear to rim, the body tarnished and pitted. The green shade of the library lamp has been chipped in numerous places to the rim. The silver plated inkwell has had extensive rubbing, the lid also very loose. Further general wear, discolouration, tarnish, pitting etc throughout.
Lot 114
You can now book a one to one appointment (up to one hour) to view this lot at our central location. Please contact the member of staff associated with this lot to secure your appointment. The health and safety of both our customers and team remains the utmost priority, we are therefore operating to strict COVID-19 guidelines and full instructions will be given when making your appointment. This gorgeous convertible has clearly been well restored at some point UK, right-hand drive, manual column change, 29,965 miles indicated Finished in Seafoam Green with US-influenced styling cues including five chrome strips running down the bonnet, a built-in centre spot lamp, a "Flying A" mascot on each front wing and rear-wheel spats Nicely refurbished tan interior and green carpets. All very attractive Tidy engine bay. Has obviously been well-cared for although currently a non-runner Potentially an excellent show car. No history file or paperwork NB. On offer from a private collection, this vehicle has not been used for some time. It is a non-runner and is strictly sold as seen. Launched in 1949, the wonderful A90 Atlantic was by far the most flamboyant model in the otherwise staid Austin range. Looking like no car before or since, it ultimately proved a brave gamble that did not pay off. The retro-futuristic styling (art deco with a rocket age twist) was penned by Ricardo 'Dick' Burzi, Austin's chief stylist who had been poached from Lancia after being forced to flee Italy when he insulted Mussolini (not a good idea in the 1930s!). A riot of chrome, curves and quirkiness, the Atlantic was aimed squarely at the American market and was instantly identifiable by its Cyclops-style third headlamp. Available as a Sports Coupe or a Convertible, it featured almost unheard of luxuries such as powered windows and, in convertible form, a hydraulically operated hood. A range of innovative 'Jewelescent' metallic colours was also offered in shades such as 'Seafoam Green' and 'Desert Gold'. Powered by the same torquey 2.6-litre four-cylinder engine that later found fame in the Austin-Healey 100/4, it had a four-speed column-change gearbox and could cruise all day at 80mph with another 12mph on tap when needed. To prove its sporting credentials, a convertible A90 broke 63 'stock car' records at the Indianapolis Motor Speedway in April 1949, pounding round the track non-stop for seven days and averaging over 70mph including halts for fuel. Sadly for the A90 though, its launch was totally overshadowed by the even more sensational Jaguar XK120 and fast though it was, its Steady-Freddy four-cylinder engine did not have the appeal of a US V8 or the Jaguar 6-cylinder. Despite Austin's best marketing efforts, only 350 were sold in America and just 7,981 were made in total before production ground to a halt in 1952. With only a handful still surviving, these glamorous machines rarely come to market and are increasingly sought after today. Finished in Seafoam Green, his gorgeous convertible has clearly been well restored at some point. It displays all the US-influenced styling cues including five chrome strips running down the bonnet, a built-in centre spot lamp, a "Flying A" mascot on each front wing and rear-wheel spats and has a nicely refurbished Tan interior and green carpets. All very attractive. It's UK, right-hand drive, manual column change, with 29,965 miles indicated and has obviously been well-cared for although currently a non-runner. Click here for more information This car was consigned by Simon Langsdale. Please feel free to contact Simon on 07496 556325 / simon@classiccarauctions.co.ukSpecificationMake: AustinModel: A90 AtlanticYear: 1950Chassis Number: BDZ74878Engine Number: 100289Transmission: ManualDrive Side: Right Hand DriveOdometer Reading: 29965 MilesBody Colour: Seafoam GreenInterior Colour: Tan
Lot 115
You can now book a one to one appointment (up to one hour) to view this lot at our central location. Please contact the member of staff associated with this lot to secure your appointment. The health and safety of both our customers and team remains the utmost priority, we are therefore operating to strict COVID-19 guidelines and full instructions will be given when making your appointment. Finished in black with the optional fabric-covered roof US-influenced styling cues including five chrome strips running down the bonnet, a built-in centre spot lamp, a "Flying A" mascot on each front wing and rear-wheel spats Generally looking a little tired but seems to stand squarely Very tired dark red interior. Pitted chrome UK-supplied in 1952. XMX 752. 5,268 miles indicated. Original Service Manual 2660cc straight-four that later powered the Healey 100/4. 4-speed column change More of a refresh than a restoration. Currently a non-runner NB. On offer from a private collection, this vehicle has not been used for some time. It is a non-runner and is strictly sold as seen. Launched in 1949, the wonderful A90 Atlantic was by far the most flamboyant model in the otherwise staid Austin range. Looking like no car before or since it ultimately proved a brave gamble that did not pay off. The retro-futuristic styling (art deco with a rocket age twist) was penned by Ricardo 'Dick' Burzi, Austin's chief stylist who had been poached from Lancia after being forced to flee Italy when he insulted Mussolini (not a good idea in the 1930s!). A riot of chrome, curves and quirkiness, the Atlantic was aimed squarely at the American market and was instantly identifiable by its Cyclops-style third headlamp. Available as a Sports Coupe or a Convertible, it featured almost unheard of luxuries such as powered windows and, in convertible form, a hydraulically operated hood. A range of innovative 'Jewelescent' metallic colours was also offered in shades such as 'Seafoam Green' and 'Desert Gold'. Powered by the same torquey 2.6-litre four-cylinder engine that later found fame in the Austin-Healey 100/4, it had a four-speed column-change gearbox and could cruise all day at 80mph with another 12mph on tap when needed. To prove its sporting credentials, a convertible A90 broke 63 'stock car' records at the Indianapolis Motor Speedway in April 1949, pounding round the track non-stop for seven days and averaging over 70mph including halts for fuel. Sadly for the A90 though, its launch was totally overshadowed by the even more sensational Jaguar XK120 and fast though it was, its Steady-Freddy four-cylinder engine did not have the appeal of a US V8 or the Jaguar 6-cylinder. Despite Austin's best marketing efforts, only 350 were sold in America and just 7,981 were made in total before production ground to a halt in 1952. With only a handful still surviving, these glamorous machines rarely come to market and are increasingly sought after today. This example was UK-supplied in 1952 as XMX 752 and has 5,268 miles indicated. It's finished in Gloss Black with the optional fabric-covered roof which looks in good condition. Although it stands squarely and looks sound the car is generally rather tired with some pitted chrome. The interior appears original but is a little 'lived in' and would need a refresh although the dashboard seems intact. It's supplied with its original Service Manual and is currently a non-runner. Click here for more information This car was consigned by Simon Langsdale. Please feel free to contact Simon on 07496 556325 / simon@classiccarauctions.co.ukSpecificationMake: AustinModel: AtlanticYear: 1952Chassis Number: BEZ106254Engine Number: 1B135408Transmission: ManualDrive Side: Right Hand DriveBody Colour: Black
Lot 545
Lampada da terra. Acciaio cromato, alluminio, vetro opalino. Italia anni '60.altezza cm 160Buone condizioni generali, piccole righe, graffi e segni d'usura. Lievi ossidazioni al metallo. Plastica non originale. Alcune parti in ottone sono state verniciate. Possibile restauro conservativoGOOD GENERAL CONDITIONS. SMALL LINES, SCRATCHES AND WEAR SIGNS. LIGHT OXIDATIONS IN THE METAL. NON-ORIGINAL PLASTIC. SOME BRASS PARTS HAVE BEEN PAINTED. POSSIBLE CONSERVATIVE RESTORATIONAN ITALIAN FLOOR LAMP
Lot 556
Lampada da terra. Metallo cromato, vetro. Italia anni '70.altezza cm 176Righe, graffi e segni di usura. Mancanze alla cromature nella base. Manca una delle viti di fissaggioLINES, SCRATCHES AND WEAR SIGNS. SOME PARTS ARE MISSING IN THE CHROME PLATING OF THE BASE. ONE FIXING SCREW IS MISSINGAN ITALIAN FLOOR LAMP
Lot 565
Lampada a plafone mod. 2415. Ottone cromato, vetro satinato. Produzione Fontana Arte anni '60.cm 25x18Buone condizioni generali, piccole righe e trascurabili segni di usura.GOOD GENERAL CONDITIONS, SMALL LINES AND MINOR WEAR SIGNSA CEILING LAMP BY FONTANA ARTEBibliografia;Catalogo Fontana Arte 1967
Lot 566
lampada da tavolo mod. Telegono. Perspex colorato. Produzione Artemide 1968 ca.altezza cm 42Buone condizioni generali, piccole righe e trascurabili segni di usura.A TABLE LAMP BY V. MAGISTRETTIBibliografia;Domus n°483, febbraio 1970, p. 44; Catalogo Artemide 1969, p. 25; C. & P. Fiell, 1000 lights 1960 to present, Taschen, Koln, 2005, pp. 126, 127.
Lot 573
Lampada da terra. Marmo, metallo smaltato, ottone, vetro opalino satinato. Produzione Arredoluce anni '50.altezza cm 174Buone condizioni generali, piccole sbeccature alla base facilmente restaurabili, ottone in patina, piccole sbeccature ali vetri in prossimita' degli attacchi metallici. GOOD GENERAL CONDITIONS, SMALL CHIPPINGS IN THE BASE THAT CAN BE EASILY RESTORABLE. BRASS WITH ORIGINAL PATINA. SMALL CHIPPINGS IN THE MIRRORS CLOSE TO THE METAL FIXINGS.A FLOOR LAMP BY A. LELIIBibliografia:A. Pansera, A. Padoan, A. Palmaghini, Arredoluce catalogo ragionato 1943 - 1987, Silvana Editoriale, Cinisello balsamo, 2018, pag. 308.
Lot 586
Lampada a sospensione. Ottone, cristallo molato, metallo smaltato. Italia anni '50.cm 90x30Buone condizioni generali, trascurabili righe e leggeri segni di usura. Ottone in patinaGOOD GENERAL CONDITIONS. MINOR LINES AND SLIGHT WEAR SIGNS. BRASS WITH ORIGINAL PATINAA CEILING LAMP ATTRIBUTED TO L. FONTANA
Lot 613
Lampada da terra. Marmo, ottone smaltato, plexiglass opalino. Produzione Stilux anni '60.altezza cm 123Buone condizioni generali, piccole righe, graffi e segni d'usura. Lievi ossidazioni al metallo. Plastica non originale. Alcune parti in ottone sono state verniciate. Possibile restauro conservativoGOOD GENERAL CONDITIONS. SMALL LINES, SCRATCHES AND WEAR SIGNS. LIGHT OXIDATIONS IN THE METAL. NON-ORIGINAL PLASTIC. SOME BRASS PARTS HAVE BEEN REPAINTED. POSSIBLE CONSERVATIVE RESTORATIONA FLOOR LAMP BY STILUX
Lot 622
Lampada da prete estensibile. Ottone, alluminio smaltato. Italia anni '50.massima estensione cm 180Buone condizioni generali. Piccole righe e trascurabili segni di usura. Ottone in patina.GOOD GENERAL CONDITIONS. SMALL LINES AND MINOR WEAR SIGNS IN THE STRUCTURE. BRASS WITH ORIGINAL PATINAAN ITALIAN WALL LAMP
Lot 711
Lampada a sospensione. Ottone, alluminio vernicaito. Italia anni '50.cm 90x88Buone condizioni generali, righe e leggeri segni di usura. Mancanze alla verniciatura, alcuni snodi da rivedere. Qualche ammaccatura ai diffusori. Ossidazioni alla struttura.GOOD GENERAL CONDITIONS. LINES AND SLIGHT WEAR SIGNS. SOME AREAS ARE MISSING IN THE PAINT COATING. SOME JUNCTIONS NEED TO BE CHECKED. SOME DENTS ON THE DIFFUSERS AN ITALIAN CEILING LAMP
Lot 737
Lampada da terra. Ghisa, ottone, alluminio verniciato. Italia anni '50.altezza cm 115Righe, graffi e segni di usura. Ossidazioni al metallo. Meccanismo che regola l'altezza da revisionareLINES, SCRATCHES AND WEAR SIGNS. OXIDATIONS IN THE METAL. THE MECHANISM REGULATING HEIGHT NEEDS TO BE CHECKEDAN ITALIAN FLOOR LAMP
Lot 754
Lampada a sospensione. Ottone, vetro opalino satinato, alluminio smaltato. Italia anni '50.cm 66x40Buone condizioni generali. Piccole righe e trascurabili segni di usura.Filo elettrico da sostituire.GOOD GENERAL CONDITIONS. SMALL LINES AND MINOR WEAR SIGNS. ELECTRIC CABLE NEEDS TO BE REPLACEDAN ITALIAN CEILING LAMP
Lot 756
Lampada da tavolo. Marmo, ottone nichelato, alluminio verniciato, perspex opalino. Produzione Stilux anni '50.cm 44x28Buone condizioni generali, piccole righe e trascurabili segni di usura. una ammaccatura sul bordo del diffusore. Una piccola mancanza alla venirce.GOOD GENERAL CONDITIONS. SMALL LINES AND MINOR WEAR SIGNS. A SMALL DENT ON THE PAINT COATINGA TABLE LAMP BY STILUX
Lot 778
Lampada a sospensione mod. Viscontea. Metallo smaltato, cocoon. Produzione Flos anni '60.cm 90x68Buone condizioni. Cocoon integro.GOOD CONDITIONS. COCOON COMPLETEA CEILING LAMP BY A. & P. CASTIGLIONIBibliografia;Domus 373 (dicembre 1960), p. 46 Ottagono 5 (aprile 1967), p. 99 Sergio Polano, Achille Castiglioni tutte le opere, Electa, Milano, 2001, p. 176 Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p. 84.
Lot 782
Lampada a sospensione. Perspex opalino, perspex colorato, legno, metallo smaltato. Produzione Reggiani anni '50.cm 110x60Buone condizioni generali. Piccole righe e segni di usura. Alcuni distanziatori non originali in legno, piccolissime crepe al perspex inferiore in prossimitÇÿ del foro di chiusura. Nella coppa superiore caduta di tono.GOOD GENERAL CONDITIONS. SMALL LINES AND SLIGHT WEAR SIGNS. SOME NON-ORIGINAL WOODEN SPACERS, VERY SMALL CRACKS IN THE LOWER PERSPEX NEAR THE CLOSING HOLE. LOSS OF COLOUR IN THE UPPER NUTA CEILING LAMP BY G. REGGIANI
Lot 803
Lampada da prete estensibile. Ottone, canna d'India intrecciata. Italia anni '50.massima estensione cm 180Buone condizioni generali. Piccole righe e trascurabili segni di usura. Ottone in patina e con segni di ossidazioni. Paralume con rotture e mancanze.GOOD GENERAL CONDITIONS. SMALL LINES AND WEAR SIGNS. BRASS WITH ORIGINAL PATINA AND OXIDATION MARKS. SOME CRACKS AND MISSING PARTS ON THE LAMPSHADEAN ITALIAN WALL LAMP
Lot 819
Lampada da prete estensibile. Ottone, alluminio smaltato. Italia anni '50.massima estensione cm 165Buone condizioni generali. Piccole righe e trascurabili segni di usura. Ottone in patina.GOOD GENERAL CONDITIONS. SMALL LINES AND MINOR WEAR SIGNS. BRASS WITH ORIGINAL PATINAAN ITALIAN WALL LAMP
Lot 827
Lampada da tavolo. Lamina in acciaio curvata, alluminio smaltato. Produzione Fontana Arte anni '70.cm 70x48Buone condizioni generali, piccole righe e trascurabili segni di usura. Lievi ossidazione al metallo.GOOD GENERAL CONDITIONS. SMALL LINES AND MINOR WEAR SIGNS. SLIGHT OXIDATION ON THE METALA TABLE LAMP BY FONTANA ARTE
Lot 848
Lampada da terra mod. Alogena. Ghisa smaltata, metallo cromato, alluminio smaltato. Produzione Oluce 1970 ca.altezza cm 215Buone condizioni generali. Piccole e trascurabili righe alla vernice. Trascurabili ossidazioni alla cromatura.GOOD GENERAL CONDITIONS. SMALL AND MINOR LINES ON THE PAINT COATING. MINOR OXIDATIONS ON THE CHROME-PLATINGA FLOOR LAMP BY J. COLOMBOBibliografia;Casa Amica n¶ø14, settembre 1971, p. 21; G. Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p. 184
Lot 880
Lampada a sospensione mod. Tau. Ottone nichelato, allumino smaltato, vetro pressato. Produzione artemide 1960.cm 155x40Buoni condizioni generali, una vite mancante.GOOD GENERAL CONDITIONS. A SCREW IS MISSINGA CEILING LAMP BY S. MAZZABibliografia;Domus (marzo 1961), p.38 Domus 399 (febbraio 1963), p. d/108 catalogo Artemide 1969, p. 63 Giuseppe Chigiotti, Sergio Mazza Giuliana Gramigna Quaranta anni di professione: album fotografico, maschietto & musolino, Firenze, 1995, p. 14.
Lot 898
Lampada da tavolo. Ghisa rivestita in gomma, vetro soffiato, ottone cromato. Italia anni '70.cm 37x37Buone condizioni generali, piccole righe e trascurabili segni di usura. Ottone in patina.GOOD GENERAL CONDITIONS. SMALL LINES AND MINOR WEAR SIGNS. BRASS WITH ORIGINAL PATINAA TABLE LAMP BY LUMENFORM
Lot 900
lampada a spospensione. Metallo cromato, vetro opalino, vetro pressato. Produzione Artemide anni '60.cm 82x30Buone condizioni, tracce di ossidazione .GOOD CONDITIONS. OXIDATION TRACESA CEILING LAMP BY S.MAZZABibliografia;G. Gramigna, Repertorio del design italiano 1950-2000 per l'arredamento domestico, Allemandi, Torino 2003, p. 84
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