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Lot 264
A Carter's Poole Pottery tile probably designed by Edward Bawden, printed with three stylised fish leaping from the water, in green and black on a cream ground, and another Carter's tile decorated with Poole Pottery table lamp and book design, impressed marks, 13cm. square, (2) Provenance Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis Auctioneer's 22nd March 2007 lot 117 (leaping fish tile) Private collection.
Lot 64
A Martin Brothers stoneware lamp base by Robert Wallace Martin, pierced and cast architectural form, glazed in shades of brown, green and blue with brass mounts, incised R W Martin & Bros London & Southall, hairline to top rim, 33cm. high Catalogue notes This electric lamp was originally the body of an oil lamp. Provenance The George Twyman Collection of Martin Ware
Lot 1239
An Art Nouveau brass adjustable table lamp with cranberry glass shade, with applied and cast leaf and berry decoration. Height 25.5 cm. CONDITION REPORT: The shade is free from any obvious chips or cracks. The light works. The nuts that allow the lamp to be angled are very tight and would need some further persuasion. Overall an attractive piece, in good order.
Lot 1255
A 19th century cast metal oil lamp, decorated with cherubs with griffin scroll handles together with a Victorian oil lamp with blue glass honeycomb reservoir upon a cast metal base. Height excluding chimneys 30.5 cm and 27 cm respectively. CONDITION REPORT: The blue glass reservoir appears to be in good order with no obvious chips or cracks. There is no funnel with this lot. The cast metal base has been painted and an attempt has been made to remove the paint from one side and one small section of the base. This lamp is without a chimney. The polished two handled oil lamp has a glass chimney with tiny nibbles on the interior of the rim and base. The glass reservoir is in good order with no obvious chips, cracks or faults. The polished metal body appears to be in good order generally with no large chips or cracks however the foot rim does have a few small knocks.
Lot 1256
After E Picault, "Victoria", a gilded spelter table lamp, early 20th century, 76 cm high. CONDITION REPORT: The light is in good working order. It is a uniform colour throughout and may have been re-painted but not recently. There are small chips to the paintwork around the feet and it is slightly thinner around his buttocks and the rear of is cape. There is a small patch of wear to the paintwork at the top of his head but nothing our opinion that detracts from his decorative appeal. There appear to be no signs of any breakages or repairs. The glass shade appears to be in good order with no obvious chips.
Lot 1278
An Art Deco style metal figural table lamp, with green iridescent glass shades. Height 49 cm (see illustration). CONDITION REPORT: In good order throughout with no obvious visible faults. The cable is standard 3 core earthed but requires a plug. The glass shades are in good order, the bulbs are standard size bayonet fittings.
Lot 1279
A French satin glass oil lamp, late 19th century, with satin glass and honeycomb moulded shade and reservoir on an alabaster and champleve enamel stem and base. Height excluding chimney 47 cm (see illustration). CONDITION REPORT: The rim of the chimney has lots of small nibbles. The shade appears to be in good order and free from any obvious faults. The reservoir appears to be in good order and free from any obvious faults. There is a small nick to one top edge of the column platform but this is very minor. The column itself and the cloisonné base all appear to be in good order with no obvious faults.
Lot 1280
A 19th century French green glass oil lamp, with wavy frill shade with enamel floral decoration with gilt ribbons above the facet cut reservoir in turn above a polished marble stem with brass capital and square foot. Height excluding chimney 43 cm. CONDITION REPORT: The gilding to the rim of the green glass shade shows signs of rubbing but the majority of it is still there. The enamelling on the shade is still intact. The shade appears to be free from any obvious faults. The interior diameter of the base of the shade is 4 cm. The base of the chimney has a couple of small flea bite chips on the rim. The green glass shade has no obvious post production chips or cracks visible. There are a dozen or so vertical lines on the mount holding directly beneath the green glass reservoir this maybe caused by pliers to loosen this part? The metals are dull in colour but there are no obvious faults visible. The column looks to have a small fingernail size repair patch in the middle however this could be contemporary with the piece.
Lot 1313
An Art Deco style metal table lamp, raised on a marble base. Height including shade 68 cm. CONDITION REPORT: Art Deco in style only, of no significant age but an attractive piece in good decorative order throughout. The light does work however the switch mechanism will need to be replaced by a qualified electrician.
Lot 31
Two Chinese blue and white prunus pattern vases, late 19th century, one of typical baluster form, the other converted to an oil lamp with panels of figures against a prunus background, the latter with four character pseudo Kangxi mark. 30 cm and 29 cm respectively. CONDITION REPORT: The vase has a 3 mm wide x 5 mm long restored rim chip from which issues a very fine 1 cm hairline crack. The restoration is visible on the underside and is slightly larger measuring 6 mm across x 5 mm deep. Otherwise the vase appears to be in good decorative order. The vase converted to a lamp has an 8 cm hairline crack issuing from the metal mount through the body and on the obverse side there is a 10 cm inverted Y shape hairline crack running through the body. These cracks should be visible using the zoom facility on the website. There is a small inverted Y shape crack on the underside of the foot rim. The four character Kangxi marks are very much off centre.
Lot 543
A Victorian silver plated column oil lamp, late 19th century, having an etched glass shade above the facet cut clear reservoir in turn above a column with Corinthian capital and reeded stem upon a square stepped foot. Height including chimney 85 cm. CONDITION REPORT: There are tiny flea bite nibbles around the base rim of the shade. The chimney has a small rim chip. The glass reservoir appears to be in good order. The column has lost its silver plate. There is an 8 mm x 4 mm triangle missing from the bottom corner of the base rim.
Lot 555
A silver plated oil lamp, late 19th/early 20th century, having an etched cranberry glass shade upon a reeded vase shaped body on circular foot. Height including chimney 34 cm. CONDITION REPORT: The cranberry flash shade has minor surface scratches and small nibbles around each opening but is very much complete and intact. The chimney has small nibbles around the base. The silver plated body has very minor small nicks which are not instantly obvious. The circular foot has 50% of the silver plating erased. There is a base fitting over the foot of which 50% has become unfolded and can be rotated. The underside of this base has a patch of unevenness in the metal. The lamp mechanism works as it should.
Lot 659
A FRENCH GILT BRASS MOUNTED PORCELAIN OIL LAMP, C1890 the scroll moulded fount, column and ogee domed foot painted by SILLIER, signed, with 18th c lovers, musical trophies and flowers on a primrose ground, contemporary English brass burner, 70cm hSome well executed professional restoration observed to upper part of column
Lot 1105
A Victorian classical revival cast brass oil lamp, having an etched and cut glass clear shade upon a Hinks and Son patent burner, with cranberry glass reservoir, the top with cast foliate pierced decoration seated within a square form basket with cast lyres and flowers to each side, the pierced square tapering column upon a raised square base with Putti headed terms, all upon short bracket feet. Overall height 63 cm. CONDITION REPORT: The shade has very tiny nibbles around the interior rim on both the top and bottom but not so big that they are instantly notable. The Cranberry glass reservoir is in good order with no notable chips or cracks, it currently still houses liquid. The cast body is in good order throughout and there are generous amounts of dried metal cleaning polish residue within the crevasses.
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307207 item(s)/page