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Lot 236
An Art Deco walnut lamp table, the canted rectangular top on tapering column and stepped plinth base58 x 56 x 42cmSome fine scratching to the top. Some wear through the veneer. Chipping to the veneer around the edges of both the base and the top. Wear to the veneer around the base commensurate with age and use.
Lot 259
An Arco floor lamp after the original 1962 design by Achille Castiglioni and Pier Giacomo Castiglioni, the adjustable stainless steel arc and shade raised on a carrera marble plinth base240cm highA small chip to the rim of the hole on one side of the marble base, otherwise appears fine. Not electrically tested.
Lot 362
A Victorian brass oil lamp with vaseline and cranberry glass reservoir and diffuser (now fitted for electricity) 72 cm overall height.The reservoir has been drilled through the brass fittings top and bottom, I can't see any cracks in either the reservoir or diffuser.Please see extra images for clarification.
Lot 394
A collection of early 20th century Royal Worcester blush ivory ceramics, each with floral decoration, comprising two jugs, shape No. 1507, 22 cm, two tall-necked ewers, shape No. 783, 18.5 cm, a twin-handled vase, shape No. 1327, 23 cm, and a table lamp with shade, 46 cm overall height.Qty: 7Ever 783 (smear glazed version) chipped at the mouthShell mouthed jug 1507 restored around the top junction of the handle, and the front of the spoutTwo handled vase 1327 chipped and cracked to the mouth and crack extending into the neckShell mouth jug 2 1507 has a fine hairline crack running 2/3 of the way around its shoulder sectionVase mounted as a lamp in the images, broken off just below the knop and crudely repairedPlease see the extra images that illustrate the above points.
Lot 167
Elegant glass lampshade with crimped edge. Cranberry coloration gradates to frosted and clear body, which has impressed palm tree decorations. Glass fitter measures approximately 2.25". Lamp base with cranberry tinted glass body and hand-painted blue, gold, and floral details. Pewter base is elaborately decorated in the French art nouveau style. Depose impressed to base. Issued: late 19th to early 20th CenturyDimensions: 20"H x 8.5" dia.Condition: Age related wear, As is condition.
Lot 33
Highly detailed sculpture / figural lamp base possibly modeled as Juno Lucina, the goddess of light.Fixed to hollow metal base painted black. Finial knob unscrews to reveal tube for socket wire, which exits at rear of base. Moreau Mathu inscribed to base. This item has no reserve. Issued: 20th c.Dimensions: 11"L x 9.75"W x 14.25"HCondition: Age related wear. Socket and cord not included.
Lot 147
Medical, Ophthalmology, an English Priestly-Smith candle lamp in nickel plate, c.1880-1900, by Allen & Hanbury; an 1878 model Loring ophthalmaoscope by L Frohnhauser, Munchen; a 20th cenury Leibrich military model ophthalmoscope; an Early 20th century Japanese ophthalmoscope by Komoto, (inside lid reveales two indirect lenses); a Leibreich's ophthalmoscope; another ophthalmoscope in small case (6). Condition Report: All items apear complete and undamaged, ophthalmoscopes all in their original cases.
Lot 176
Surgery, Amputation and Cautery, a fine 19th century surgical chain saw, carbon steel saw, with handles in ebony and bright polished nickel silver, saw with handles 45cm long; with a 19th century cautery set, carbon steel cautery with ebony handle, nickel plated spirit lamp signed 'MAW LONDON', in velvet and silk lined fitted case covered in black Morocco leather, case 10cm across
Lot 228
A Good Cupping Set by Savigny, c.1860-1880, six free-blown cups with folded rims, graduated sizes, each in chamois bag, with bottle, brass cupping lamp and 12 blade brass and steel scarificator, in good working order, stamped 'SAVIGNY &CO', all housed in velvet lined fitted mahogany case (one slot vacant), case 22.8cm across
Lot 1
A Lucernal Microscope By W & S Jones, London English, dated from the original receipt 26 Oct 1824, the instrument signed in Copper plate script to the stage W & S Jones, 30 High Holborn, London', the microscope standing on a long piece of French polished mahogany, incorporating the screw focus mechanism, with two lacquered brass uprights supporting the pyramidical shaped mahogany body, with objective lens and focusing mount to the far end, with large projection lens to use as a projecting camera obscura, and focusing glass screen to the other viewing end, with long brass arm for magnifying lenses to further view the image on the screen, the stage with adjustment rods allowing the user to adjust the item being viewed from the far end, the instrument complete with a fitted drawer if accessories and specimen slides, all fitting into a large French polished mahogany case, complete with the original receipt and handwritten list of microscope slides the receipt is dated 26 October 1824 and reads :A Full lucernal Microscope with complete apparatus, opake and transparent objects 18.18.0 Lamp for above A Packing case 5.00 A large size cloth microscopeFor a similar instrument, but lacking its case and accessories, see the collection of the Royal Microscopical Society, see G.l'E. Turner, The Great Age of the Microscope, Bristol and New York, 1989, entry no. 252
Lot 3
A BLUE AND WHITE FAIENCE JAR, PROBABLY SEVILLE, EARLY 18TH CENTURY STYLE ovoid, the pale dove grey ground painted with a huntsman standing on a bridge amidst exotic flora and fauna and figures holding cornucopia, one on a scroll, a band of simulated fluting around the base and a border of scrolling flowerheads to the shoulder, drilled to side base, 34cm high excluding detachable lamp fitting, cracks and lossesProvenance: the Estate of Louisa Service OBE (1931-2021), sold by order of the executors.
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307207 item(s)/page