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Lot 9
Group of four porcelain figures 19th Century, to include a Ludwigsburg figure of a maiden holding a lamp, painted figures to the back, a continental figure of a women wearing a down, a Berlin KPM miniature figure and a similar figure of a Ludwigsburg figure 16.5cm high (4) Provenance: Long Court, Randwick, Glos
Lot 481
Five Original Corgi Toys Empty Boxes, 154 Ferrari F/1, good, 225 Austin seven, good some edge wear, 450 Austin Mini Van, excellent,606 Corgi Lamp standards, with instruction leaflet, good some wear to one picture side, 1126 Ecurie Ecosse Racing Car Transporter, scarce end flap box, with white inner packing, in fair to good condition, with edge/age wear .(5 items)
Lot 78
WH&S Plated Lamp Base, converted to electricity/electrically untested) semi gadrooned on circular spreading base, 20.7cm high; a hallmarked silver Kings pattern table spoon, (decoration double struck) London 1834; a matched set of six hallmarked silver Old English Pattern teaspoons, initialled "C", Sheffield 1900-1901, a Continental table spoon.
Lot 236
the brass column and adjustable arms with red, blue and yellow conical shades and matching counterbalance with adjustable mechanism, stamped to base 'MADE IN ITALY ARREDOLUCE MONZA' 210cm high at its tallestFootnote: Although very little biographical information on Angelo Lelli has survived, today he continues to be regarded as one of the most distinguished figures of Italian post-war design and a significant figure in the advancement of modernist lighting design. Before establishing Arredoluce in 1947, Lelli is said to have initiated his design career by designing and building lamps in his basement. The present lot, a three-armed Model 12128 "Triennale" Floor Lamp is believed to have been designed in 1947 and is frequently cited as Lelli’s most iconic design.
Lot 445
Still life with an oil lamp, decanter and a glass signed 'Ruffell' (lower left) oil on canvas 93 x 61cm; An interior scene with a dresser and a longcase clock Signed with initials (lower right) oil on canvas 93 x 61cm (2)Condition report: Oil on canvas. Both works have a thick gesso preparation layer below the paint layers. There are localised areas of flaking paint. Around the edges of the paintings are some abrasions and losses. Both paintings have a varnish layer, on the picture with the lamp this has been thickly applied and there are discoloured drips near the centre of the work. Both paintings have a layer of surface dust and dirt.
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